An unusual look hero
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Hero Ideas Dengue fever boy Mosquitoes would have appeared in 2020 during the peak of the COVID-19 pandemic, when a dengue outbreak exploded in my hometown of Buenos Aires. Dengue fever spreads all the way Aedes aegypti mosquito. This insect thrives in tropical and subtropical climates and is commonly found in many warm and humid regions of Northern Argentina.
However, in recent decades, global warming has spread to traditionally cold, yet mild climates, such as Buenos Aires and Patagonia. One of my best friends had dengue fever in 2020, but as all media attention was focused on Covid-19, the city’s public hospitals had limited testing and there was no way to get proper diagnosis or treatment. Furthermore, there were no effective vaccines or medications for dengue at the time.
During this unsettling time for my friends and people with dengue in Argentina, US company Modern announced its vaccine against Covid-19 just a few days after the genetic sequence of SARS-COV-2 was issued. This has made me think about the terrible corporate bias in scientific research, as mosquito-borne diseases (dengue, zika, chikungunya, yellow fever, etc.) have killed hundreds of thousands of people over the centuries. In fact, mosquitoes are considered the deadliest animals for humans, according to historians. Timothy Wine Guardkilled more people than anything else in history.
However, these diseases affect people in low-income countries, so there was not enough investment in vaccines or treatments. Meanwhile, biotech companies only needed a few months to develop, patent and sell products that tackle Covid-19.So, this idea came to me to tell the story of the global Southern pandemic through the lens of the mosquito itself.
Partly inspired by the artists I admire (Franz Kafka, David Cronenberg, Hidosi Hino), I leaned a bit ironically on Latin America’s most commercially popular genre, and I was convinced that the imaginary subtitles of my story should be “the self-capacity of a mosquito.” At the same time, one of the themes of my writing was inhumanity, and I was interested in the challenge of making insects the protagonist of a novel (a genre historically designed to tell the human age, psychology, and stories). How can we achieve this by mimicking and empathy with the human experience, especially insects that are as annoying as mosquitoes?
I became a mosquito and had to adopt that perspective. I have given the famous Frobertian motto.”Madame Bobbery, C’est Moi” And I changed it to my own: Le Moustite, c’est moi.
Ursula K. Le Gin once said The basic property of science fiction is to act as a carrier bag allowing for the transition of ideas from fiction to other scientific and technical discourses. This way, this genre becomes a mutational transition ( Dengue fever boy Between literature and non-literary knowledge.
I’ve always been very grateful for this idea. Because nothing in my work as a writer would please me more than studying topics I had never noticed before.
For this book, I consulted dozens of papers and manuals on entomology, and I became a “mosquito” overnight. It was important to know the details of mosquito anatomy, explain it, and understand how its body works and feels. Therefore, although the main character is inspired by my friend, a man, I discovered that the mosquito that tells the disease is a female.
The female perspective was also guided to investigating how non-mammalian oviparous animals are involved in maternal care. Eggs designed for films by HR Giger alien drawn and classified by the naturalist Ernst Heckel, in his illustrated treatise, Georges Bataille’s The story of the eyes It also fueled this oval obsession.
In this novel, I tried to tell a story about climate change from a perspective that restored human lives more than humans. I hope readers will resonate with my hero.
Dengue fever boy Michel Nieva, translated Published by Serpent’s Tail from the Spanish of Rahul Bery the latest choice for the New Scientist Book Club. Sign up here and read with us
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