In the dimly lit room, broken symphonies of rattles, hums, and wobbles danced off the walls. However, the musicians responsible were nowhere to be seen.
Upon closer inspection, fragments of performers could be discerned, although their presence was not palpable.
In the midst of the room, spectators floated around an elevated pedestal, craning their necks to catch a glimpse of the brain behind the operation. Beneath the magnifying lens lay two white masses resembling miniature jellyfish. Together, they constituted a “mini-brain” cultivated in the laboratory of the late American composer Alvin Lucier.
“You’re peering into the Abyss”: the central pedestal of the revival, housing the “mini-brain” grown in Lucier’s lab. Photo: Rift Photography
Lucier, a trailblazer in experimental music, passed away in 2021. However, here in the art galleries of Western Australia, his legacy has been resurrected through cutting-edge neuroscience.
“Gazing down at its central pedestal, one pierces the veil,” remarks Nathan Thompson, the project’s artist and creator. “You peer deep within, observing what is alive. Unlike yourself.”
The Four Monsters who orchestrated the resurrection: Guy Benley, Matt Gingold, Nathan Thompson, and Stuart Hodgitz. Photo: Rift Photography
The revival is the handiwork of a self-proclaimed “four monsters” alongside a tight-knit team of scientists and artists who have dedicated decades to pushing the boundaries of biological arts: Thompson, along with fellow artists Ben Ally and Matt Gingold, and neuroscientist Stuart Hodgetts.
Lucier proved to be an ideal collaborator. In 1965, he became the first artist to utilize brain waves to produce live sounds in innovative solo performances. In 2018, the revival team, long-time admirers of Lucier’s work, brainstormed ideas with him. By 2020, at the age of 89 and battling Parkinson’s disease, Lucier consented to provide blood for the resurrection.
Source: www.theguardian.com
