Review of Spooky Country Dinosaur Mansion 3: A Reality-Bending and Daftly Fun Game

this haunted house has become a ripe place to set up a strange video game. The layers of Lorelei and The Laser Eyes, Blue Prince, Botany Manor, and Fear of Fear come to mind. A mansion as a place of danger, supernatural danger, unreliable architecture – certainly perfect for an unsettling experience. Or even a stupid experience in an uneasy environment.

Creepy Redneck Dinosaur Mansion 3 has a lot to offer with its title. The first presents it as a conceptual dinosaur hunting adventure in a creepy house run by an ominous old mogul, and quickly reveals to players that they know it’s a video game. So it’s up to us to patch it as we go, broken video games, and to do so.

Players will explore the mansion through text and puzzle vignettes, pushing the limits of all scenarios in the hopes of finding bugs and glitches. This is a big concept, but the game seems interested in conveying the idea rather than showing us what we see or show them in the play itself.

Run by a confused hero, our Butch combat system is a clever little match 3 game. Sometimes it’s a dinosaur with a gun. Sometimes it is a tripwire, sometimes it is a legion of clones – sometimes a clone of his own. Sometimes it talks about vegetables. Sometimes a wig dinosaur. Stupidity is one note, quickly flattened and stored only by the pleasant nature of the puzzle.

Still, to have an effective game of three matches, or frankly, to use Candy Crush, you need to use high-contrast colors to prioritize players. When I played it, it was really hard to distinguish between symbols and otherwise a pleasant flow was interrupted. This visual problem is not limited to puzzles. The entire color palette in this game is muddy. It doesn’t commit Gothicly or bring about total confusion.

The same problem applies to the text. The game is text-based, but the dialogue and descriptive text are just as muddy as the visuals. The jokes work, but they aim to be destructive and shocking (dinosaur romance is a repetitive gag). However, games are about gameplay and game development. This means that much of the explanation is expressed in technical terms. File and version history discussion goes beyond baseball’s internals. So, if you’re a gamer seasoned enough to speed up metalologic, certainly you don’t need to issue an affidavit. Certainly we were all laughing at the dinosaur romance five years ago. The writing is very close to great things. I had to be sharper.

The art style is rough, but not in a way to evoke a deliberate aesthetic. Depending on the text, reality can be said when you complain in a bent way. There is a moment when we disappear into the void and leave the world. Once you get into the internet, you’ll even have some climactic moments. Still, the visuals are punchy. These strange appearances can be triggered by drawings and do not require flashy graphics. Although we recognize that the illustration style is intentional, the game would have been better served in art style, a little more playful or even intentional. Two moments made me laugh when the visual style actually moved into the meta and showed us some of what the game was saying to us.

I wanted to love this game. It’s ridiculous on paper. The odd scaffolding, the developer, is known for being odd – click-holding, in particular, is ominous and experimental, and truly asks what the game is in its execution (there are a lot of clicks and are being watched in the action of clicks). Spooky country dinosaur mansion 3 is certainly creepy and set in a mansion, with dinosaurs and truly satisfying puzzles. Also, there are some great ideas and not one that failed the experiment. It doesn’t bend reality as it hopes, but if it looks high and players can manage places where aesthetics are scarce, they’ll have a great time. They may meet a lovely blonde dinosaur that they can bring home with them.