Sally Ride during NASA’s seventh space shuttle mission, STS-7 in 1983
NASA
Sally
Christina Costantini
Disney+ (Available from June 17th)
In 1983, Sally Ride made history as the first American woman in space, becoming the third woman overall to achieve this milestone, following Valentina Tereshkova and Svetlana Savitskaya. The new documentary, Sally, directed by Cristina Costantini, delves into her remarkable journey. It captures not just the media attention but also her personal complexities, including a 27-year partnership with science writer Tam O’Shaughnessy.
The film, debuting at the Sundance Film Festival in January, commences with an extensive montage of archival footage, featuring Ride’s television appearances, which serve as an introduction to her role as a beacon of empowerment.
You can sense the determination that fueled her journey. “It’s crucial to not do anything foolish,” she reflects during a segment, encapsulating her pursuit of excellence and the weight of expectations she faced in a male-dominated field.
Ride grew up in the thriving era of the US Space Program. NASA’s 1976 initiative to diversify its astronaut selection process paved the way for women and ethnic minorities. Out of 8,000 applicants for astronaut training, 1,500 were women, leading NASA to employ 40 aspiring astronauts.
The documentary employs a clever blend of interviews and meticulously crafted sequences that smoothly integrate with the archival material. Fellow astronauts like Kathy Sullivan, Judith Lesnick, and Anna Fisher, along with journalist Lynn Sherr and Ride’s ex-husband Steve Hawley, provide valuable insights into her character, enhanced by some archival bits.
For example, Fisher reflects on the pressures faced by female astronauts to downplay their femininity, particularly regarding attire and makeup. The film also portrays Mike Mullane, who initially appeared as a staunch sexist but later acknowledges his past mistakes in a heartfelt letter to Ride—highlighting the professional hurdles she navigated throughout her career.
In 1976, NASA’s decision to diversify its class opened the door for women and ethnic minority groups.
Costantini also tenderly explores Ride’s lifelong bond with O’Shaughnessy, who met Ride on a sunlit tennis court during their teenage years. Their private relationship, upheld for decades, reflects Ride’s reserved nature and the societal attitudes towards the LGBTQ+ community at that time.
The soundtrack features notable tracks such as Lazy Calm by Cocteau Twins, Mr. Blue Sky by Electric Light Orchestra, and Neil Young’s Harvest Moon, adding emotional resonance to Ride and O’Shaughnessy’s narrative.
The narrative takes a poignant turn with Ride’s pancreatic cancer diagnosis in 2011, recounting her personal battle. After giving a speech at a conference in California, she felt a sense of unease, prompting her to seek medical advice the following day. An ultrasound revealed a tumor of golf ball size in her abdomen.
O’Shaughnessy’s testimony vividly illustrates how quickly their lives transformed. Nonetheless, they cherished their time together until Ride’s last moments. Her legacy extends beyond scientific achievements, encompassing the impact of Sally Ride Science’s nonprofit organization.
In summary, Sally presents a heartwarming and insightful tribute to a woman who defied conventions in both her career and personal life. Costantini captures not just Ride’s triumphs but also the sacrifices intrinsic to her groundbreaking journey, ensuring her story resonates with future generations.
Davide Abbatescianni is a Rome-based film critic
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Source: www.newscientist.com
