When I was in Venice a few years ago, I visited the Corer Museum to absorb the history of the city. Located in St. Mark’s Square, this museum features imposing statues and paintings of naval battles and ancient weapons. However, as I passed the last exhibition room, another artifact caught my eye, hanging alone in an alcove. It was a map of the world, or “mappa mundi” in Latin, and it was unlike any other map I had ever come across.
The world depicted here in an 8-foot-diameter gold frame is a combination of lapping blue ocean and off-white land, all covered in handwritten notes. It was one of the most beautiful, beautifully intricate things I’ve ever seen.
Created 550 years ago by a monk called Fra Mauro, the map was largely ignored for centuries, but it shows a level of accuracy not present in previous maps. Considering this, it is a deplorable situation. If you turn it upside down, you can recognize it as a map of Africa and Eurasia, with Mauro placed south at the top.
After visiting Venice, I decided to find out more about this map. This project culminated in my book. The dark sea begins here. I spent over a year researching his literature on world maps, poring over Mauro’s creations, and trying to understand what he was trying to say. It turned out to be part of the inflection point from the Middle Ages to the Renaissance.
Source: www.newscientist.com