Nature Memories Review: A New Book Reveals the Critical Shortcomings of Our Natural History Museum

Nature’s Memory
Jack Ashby (Allen Lane)

In his intriguing new book, Nature’s Memories: Behind the Scenes of the World’s Natural History Museum, Jack Ashby, assistant director of the University Zoology Museum in Cambridge, UK, describes the museum as a peculiar space. It represents societal meanings and the natural chronicles of our ecosystems and environments. However, these records are often fundamentally flawed and misleading.

Ashby emphasizes the museum’s role, particularly in natural history, as an extensive catalog of past life on our planet. Its original purpose was to document everything from flora to fauna and enhance our understanding of the natural world.

Times have changed. As Ashby reveals in this captivating work, he critiques the shortcomings of museums, challenging our preconceived notions. Notably, much of our natural history remains hidden in poorly lit storage rather than publicly displayed.

Readers will soon discover the significance of the areas typically off-limits to the public. Ashby notes that there are approximately 70,000 flowering plant species worldwide that scientists have yet to fully describe.

The book delves into the preservation processes for animal skeletons, highlighting how flesh is removed for conservation, how insects are prepared for display, and how taxidermy is conducted. These behind-the-scenes insights are among the book’s most intriguing aspects. Ashby also points out the unrealistic representation of frogs due to shrinkage and features a segment on a renowned glassmaker recognized for creating lifelike floral reproductions.

Yet, the lack of representation extends beyond plants. Ashby highlights the biases in what we learned during school trips to such institutions. He cites a 2008 study indicating that merely 29% of mammal displays and 34% of bird exhibits in natural history museums feature females, resulting in a limited understanding of habitat contributions. This imbalance can be attributed to the more visually appealing male specimens and the fact that those who collect and exhibit are predominantly male and often white Westerners.

Ashby advocates for addressing the misrepresentation issue within museums, asserting that our education about nature is severely lacking due to the biases of past generations. Many male mammalian skeletons are misrepresented in museum displays due to curatorial choices that remove pelvic bones.

Though the book was published prior to the intentional dismantling of American scientific institutions, it reflects the prevailing anti-expert sentiment. This makes it all the more vital to read. We must reflect on what is excluded from museum exhibits as seriously as we do what is included.

As Ashby asserts, “The work that is being done at the Natural History Museum is more crucial than ever, and the role that must be played in order to safeguard the future of humanity is just beginning to unfold.”

Chris Stokell Walker is a science writer based in Newcastle, UK.

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