aSk what the most important kit of SK Any DJ is. Whether you play a laptop, CDJS, or deck, a decent pair of headphones is a portal for mixes and is a key element to getting right.
Fortunately, we have put together some of the world’s best selectors to help them faithfully and faithfully evangelize the gospel, from trusted professional brands to traditional one-year models. That very important bass.
My favorite headphones DJ
Sennheiser HD 25
129 lbs at Sennheiser
£117 on Amazon
I love bass, bass, bass, bass. I first bought these headphones in 1993 and currently use the HD 25-C-II model. They are perfect for people with small heads and ears that require fat bottom ends and crystal clear monitoring. Sound must have the ability to push away the noise of festival spaces, yet be accurate in a quieter, more intimate environment, and Sennheiser’s small closed ear cups provide the best sound isolation.
They had to work hard, and each set was repeatedly shot from my head repeatedly, and a 3M spiral cable (or curly pigtail extension cable, as I’m calling it nostalgic) was an essential lifeline . It gives me a huge range of movements. And did I say they’re hammering? They may look cheap and plastic, but it’s hard to beat the build, and every part is interchangeable. They are tired and hardworking. DJ Polett
reloop rhp-10 things
£57 at Toman
£59 on Amazon
I’ve been away from lollipops for a long time, as these one headphones were always considered New York’s. Everyone was following Larry Levan. You love Jimi Hendrix, so you’re going to buy a Fender Stratocaster. If you love basketball, you’ll be wearing anything LeBron James wears. Larry was the superstar DJ of the day, and everyone followed. But I’m from Detroit.
However, one of the main reasons I started using lollipops has to do with protecting my hearing. Most of our DJs play too loudly, not just the booth, but also to hear us queue. They were hurting my ears when my headphones were always tied to my head. With Lollipop, I don’t always have to have it. Often I hold it in my hand.
I use reloops because they are inexpensive and utilitarian. You don’t have to look sexy. I haven’t taken him to dinner. Let’s look like a hammer. It doesn’t have to be titanium, it needs to work. I have some $2,000 headphones, and I can get on stage and everyone will think, “Oh, he’s so great with those headphones on.” But no, reloops do their job. I don’t care anything else. Carl Craig
Technology EAH-DJ1200
£139 on discdjstore
169 pounds on Amazon
Headphones are probably the most important thing to make DJs right. I have been using these technologies for over 20 years. This is the same as the legendary turntable. The bass sounds really well through them, and I rarely take them off. Move your headphones past your ears and over your head to listen to the monitor. They are not too bulky and are good value for money. The only downside is that the leather headband can sweat when the club temperature gets hot in the summer. But that hasn’t stopped me from wearing them for most of my career. Seveno
Source: www.theguardian.com
