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The utilization of artificial intelligence in film production has sparked controversy during award season, as it has been disclosed that at least two prominent nominees employed voice cloning to enhance the performances of their actors.
An interview with Red Shark News revealed that editor David Janso utilized voice cloning for lead actors Adrien Brody and Felicity Jones in the film “Brutalist.” He inputted his own voice into AI software to create authentic Hungarian dialogue, ensuring a seamless performance.
The use of AI tools by Respeaker allowed Janso to manipulate individual sounds and letters to reconstruct the dialogue between Brody and Jones in Hungarian. This process maintained their performances while incorporating elements of Janso’s own voice.
Another instance of AI usage was found in Jacques Audiard’s “Trans Gang” musical, where an AI clone enhanced the singing voice of Carla Sofia Gascón. By collaborating with a respeaker, Gascón’s vocals were mixed with those of French pop star Camille to expand her vocal range.
Conversely, the horror film “Reverse Heresy,” featuring Hugh Grant, took an anti-AI stance, explicitly stating in the end credits that no generative AI was employed in its production.
The growing influence of AI in the entertainment industry has led to calls for regulation, particularly in script generation. Actor and writer strikes have been linked to concerns over AI’s impact on creativity and job security, highlighting the need for safeguards against its misuse.
Film director Paul Schrader has experimented with AI, using ChatGPT to brainstorm film ideas from renowned directors. Despite the efficiency of AI-generated concepts, Schrader remains cautious, likening AI to a powerful yet potentially harmful tool.
As Hollywood grapples with the implications of AI technology, the upcoming Oscars race may be influenced by these revelations. With nominations approaching, speculation surrounds the impact AI-assisted performances will have on the final selections.
Source: www.theguardian.com