All That We See or Seem is set in a near future filled with personal AI
Shutterstock/Agussandrew
everything we see and feel
Ken Liu, Head of Zeus (UK); Saga Press (USA)
Ken Liu’s newest novel, everything we see and feel, explores the enigmatic disappearance of a professional dream weaver named Ellie in a near-future setting, framed as a cyberpunk thriller.
Full disclosure: I typically don’t seek out thrillers or cyberpunk, so I might not be in the book’s target demographic. However, I was drawn to this story since Liu is renowned not only for his writing but also for his exceptional translation of works such as memories of earth’s past Trilogy by Liu Cixin.
In Liu’s portrayal of the near future, where personal AI is omnipresent, Ellie thrives as she employs AI to craft collaborative dream experiences for a legion of enthusiasts. To her, this work constitutes art, and she’s immensely proud of it.
Then, without forewarning, Ellie awakens one night and leaves her beloved husband. She vanishes, only to be claimed by a gang that asserts they are holding her captive. Did Ellie uncover something perilous during a dream session that jeopardized her safety? Could it be that the gang is simply manipulating AI to fabricate a deepfake of her?
“
Ellie utilizes personal AI to orchestrate a communal dream experience for thousands of devoted followers.
“
Ellie’s husband Piers, a mild-mannered lawyer with hidden depths, is resolved to win her back. He seeks assistance from a once-renowned hacker known as Julia Z, convinced that Ellie wouldn’t have merely vanished without a word, unless it was to safeguard him.
Together they embark on a quest as Julia and Piers attempt to uncover the truth surrounding the missing Dreamweaver. Meanwhile, various antagonists threaten their safety. While the adventure unfolds, much of the action revolves around detailed portrayals of online activities. I must say, the sequence in which Julia and her AI helper decode the clues about Ellie’s fate is genuinely thrilling.
Julia’s intricate online operations are vividly envisioned, providing a realistic glimpse into how AI might be utilized in the not-so-distant future. I particularly enjoyed how she cleverly employs minor environmental details to solve puzzles or conceal her movements.
The biography accompanying my edition of the novel notes Liu as a consultant on futurism and technology, and his expertise clearly shines through in these sections. Anyone deeply invested in AI will likely appreciate this book.
However, personally, everything we see and feel didn’t resonate with me as I had hoped. The thriller elements lacked the expected excitement; the criminals often felt overly cartoonish. Furthermore, the offline portions of the plot came off as implausible, particularly in the lengthy conclusion.
There may also be an underlying challenge in setting a book so close to present events, making it difficult for general readers to discern what is feasible now. Constantly wondering, “Is this even possible?” can dim the enjoyment of speculative fiction. This might just be my perspective.
Nonetheless, regarding dandelion dynasty, let’s not overlook Liu’s considerable talent. I eagerly anticipate what he will produce next.
I also recommend Emily…
enemy of the state
Directed by Tony Scott
The connection may be tenuous, but reading Ken Liu’s book reminded me of this exceptional 1998 film featuring Gene Hackman and Will Smith. It was remarkably prescient in its portrayal of technology-driven surveillance methods, and I found it thoroughly enjoyable.
Emily H. Wilson is a former editor of New Scientist magazine and the author of the Sumerian trilogy set in ancient Mesopotamia. The latest entry in the series, Ninshubar, has been published. You can find her at emilywilson.com or follow her on X @emilyhwilson and Instagram @emilyhwilson1
topic:
Source: www.newscientist.com
