Here and beyond, it takes 42 light years to reach the new planet
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This year has been quite promising for science fiction. My top pick so far is Hal Lacroix’s Here and Beyond, especially as I’m captivated by the Ark storyline.
In “Take the Trope,” Lacroix depicts a spacecraft named Shing World en route to HD-40307G, a journey spanning 42 light-years. Consequently, none of the 600 passengers will live to see their destination; only the seventh generation will witness the creation of planets.
Strict regulations govern life aboard the ship. Passengers receive treatments to maintain health but cannot have children until reaching their 50s. Every aspect of their existence must align with the mission—reaching the planet—since no current resident will see it.
The Arkship narrative (or Generation Ship story) must navigate the challenge of switching between characters across generations. Fortunately, Lacroix excels at quickly establishing compelling characters. As generations pass, readers become experts in the history of Shipworld, enriching the unfolding drama. This dynamic allows us to witness the evolution of living history as it slips into the distant past for the inhabitants.
Interestingly, Lacroix sometimes sidesteps the most dramatic moments, opting instead for an understated approach. This artistic decision often leaves significant events in the shadows, such as a mysterious object that impacts the shipworld.
Personally, the ending didn’t resonate with me, but crafting a satisfying conclusion to a story spanning 360 years is no small task.
Fans of Alexander Skarsgård’s portrayal of Murder Bot on Apple TV+ might enjoy the original story. Thankfully, Martha Wells’s The Murderer’s Diary has been released in a three-volume Omnibus version earlier this year. (Interestingly, when I first read, I perceived Murderbot as female, a common assignment of gender among readers. Hence, I was surprised when Skarsgård was cast to voice “her.”)
Adrian Tchaikovsky has entered a particularly prolific phase, exploring non-human intelligence in his upcoming works. In February, he released Shroud, featuring a uniquely terrifying extraterrestrial life form. Last month, his third book, The Dog of War, titled Bee Speaker, was published. Though less recognized than his acclaimed series Children of Time, these stories delve into the capabilities of non-human animals.
It’s refreshing to see Tchaikovsky embracing creativity through his perspectives on animals. His journey began with Rex, a character that perplexingly balances being a devoted dog and a formidable seven-foot “bio-o-form” combatant.
This year has also introduced notable AI-themed novels. Laila Lalami’s deeply crafted dystopian work, Dream Hotel, and Grace Chan’s nuanced virtual reality narrative, All Versions of Yours, transport humans escaping climate disasters by uploading their consciousness into a digital paradise.
Meanwhile, Kaliane Bradley’s hit novel Time Saving was released in paperback in March, providing a delightful alternative for those who missed the hardcover edition. It’s an engaging read brimming with vibrant energy. Another standout from April was Roz Dineen’s beautifully written climate change narrative.
The second half of this year promises even more thought-provoking science fiction. I eagerly await sharing these discoveries with you.
Emily H. Wilson is the author of the Sumerian trilogy.
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