This began as a project involving my daughter and her friend. Being part of the smartphone generation, they were both 14 at the time and eager to explore their relationship with mobile devices. According to Ofcom’s 2022 research, nine out of ten children owned a smartphone by age 11, and by age 12, 91% were using video platforms, messaging apps, and social media. I discussed the negative perceptions surrounding mobile phones, teenagers, and screens with them. They shared that social media can both enhance confidence and diminish it.

I asked if I could take a photo. I didn’t provide much direction; instead of capturing them in a typical portrait style, I simply observed their interactions. The energy was vibrant: they moved swiftly, danced to short music clips, filmed one another, laughed, scrolled, chatted, took selfies, and rehearsed TikTok dances. I struggled to keep pace with their excitement. This image, titled TikTok, emerged from our session. I quickly directed Lucy to glance at me, capturing the moment just before they transitioned to the next activity. As a portrait photographer, you develop an instinct for certain shots, and I felt this one was special.

While editing, I reflected on how girls utilize their phones for visual communication, as theorized by Nathan Jurgenson, who refers to it as “Social Photography.” This concept emphasizes that photos are more about social interaction than mere objects, moving away from traditional photography’s intent of documentation or archiving, focusing instead on sharing moments visually.

Spending time with the girls revealed the darker aspects of mobile usage. I showcased this project as a continuing exhibition in Oxford, working with focus groups of teenage girls who shared their experiences regarding online sexism and sexual harassment. Some of the stories I learned were quite shocking. The final work incorporates photographs alongside handwritten testimonials.

To deepen my research, I explored the writings of activists Laura Bates and Soma Sarah. Initially, the project title was inconsequential, but as it evolved, I changed it to a catchy phrase from a TikTok soundbite my daughter had shared with me. This shift evoked feelings of protectiveness and annoyance as a mother and a feminist. Although the title may be discomforting, it serves to capture attention and foster awareness.

This photo embodies multiple layers of meaning. It is beautiful and captivating, capturing a remarkable moment that celebrates the joy of girls in their generation, and reflects the essence of their world. These teenage years are fleeting, and the joy they share is essential to witness in a safe environment.

Additionally, the image invites viewers to notice the dynamic gaze between the three girls. Lucy not only looks directly at the camera but also interacts with the viewer through her expression and stance. As a mother and a photographer, my perspective evolves with ongoing research. The viewers’ perceptions may mirror their experiences as teenagers, which introduces a fascinating tension into the conversation surrounding this subject.

The girl in my mind is now 17 years old. Much has happened in the world since that photo was taken, including the rise of figures like Andrew Tate, who gained notoriety even as our children were already aware of him. Recently, themes addressed in Netflix series have sparked broader societal discussions.

Just this week, my mom reached out to discuss “short skirts.” The conflict between my role as a mother and a woman often feels intricate. As a protective instinct kicks in, I question why women shouldn’t wear what they choose. Sadly, young women today face risks merely by possessing a smartphone, in a world that remains unfamiliar to us parents.

Phillippa James’ Resume

Born: Bus, 1978
Trained: Kent (2000) in Art and Moving Image; Falmouth Photography MA (2023)
Influences: “The inspiration from Rineke Dijkstra, Miranda July, Lynne Ramsay, Tracey Emin, Abigail Heyman, Cindy Sherman, Samantha Morton, Catherine McCormack, Robert Altman’s film Short Cuts, and Lisa Taddeo’s book.”
Career Highlight: “Last year, I was honored to be selected for the Taylor Wessing Portrait Award and exhibited at the National Portrait Gallery, with funding from the Arts Council England to further develop my practice. I also received LensCulture’s Emerging Talent Award.
Career Low Point: “In 2020, I faced public backlash for including trans women in my first personal project, 100 Women in Oxford, which led to protests against the exhibition. This experience taught me invaluable lessons about responsibility, expression, and the emotional impact of capturing real people.”
Top Tip: “Stay committed to your work, reflect on your creations, and keep producing. Photography may seem easy, but it’s challenging; consistency is key.”