ANania Williams is Genress, known to some for their comedic TikTok videos and to others as the host of Gader, a viral show focusing on queer culture, history, and current events. Their interview with New York City mayoral candidate Zoran Mamdani gained significant attention, and Williams has also made an impact through performance art, including open icons like Chapel Lawn and Bob the Drug Queen, and various roles in musical theatre such as Laura in Kinky Boots and Dominique in Lucky Stiff.
For years, Williams has crafted a creative universe all their own. At just 25, this gender non-conforming Black artist employs their/her pronouns and has cultivated a strong social media presence with over 2.8 million followers. They are carving a niche for themselves outside the traditional binary. In their upcoming project, Williams will star in the new musical Saturday Church at the New York Theatre Workshop, debuting on August 27th. The production explores the sanctuary for LGBTQ+ youth. “It’s a musical that captures a unique atmosphere,” Williams remarked. “It embodies a strange, black joy and conveys a beautiful message.”
Williams embraces another role in their burgeoning theatre career as a trans woman. “The more I embraced my transition, the more positive I felt,” they shared. “It was empowering to inhabit spaces where I could truly be myself.” Their talent and charisma make their ascent seem almost predestined. As they juggle various projects, navigating their extensive future and the complexities of being an online presence remains an ongoing challenge.
Growing Up
Growing up in Davenport, Iowa, a town of about 100,000 in the industrial Midwest, posed its own challenges for Williams. They faced bullying at school for “having a girl’s name,” and their family life was marked by turbulence, including abuse and neglect. However, life in the Midwest also planted the seeds for their artistic aspirations. As a child, they sang in the church choir and later joined the show choir, inspired by their sister.
Williams pursued a Musical Theatre Program at Emerson College in Boston. This period became pivotal, allowing them to reflect on their identity and desires. Still, the world of musical theatre presented its own binaries and constraints. As someone who identifies outside traditional gender norms and as a Black individual, Williams felt restricted. “I thought, ‘It feels forbidden to exist beyond the gender binary,’ and simultaneously to be Black,” Williams recalled.
Even as Williams sought to carve their path, they encountered resistance from professors. “They kept questioning why I gravitated toward ‘girl’s songs.’ I tried to explain, but it fell flat,” Williams shared.
When the COVID-19 pandemic struck, Williams returned to their hometown and, like many, awaited a return to normalcy. The quarantine period prompted significant reflection and helped them fully acknowledge their gender identity. “I had to confront some truths, like, ‘Yes, I’m different. Yes, I might be gender non-conforming.’ It spiraled from there,” they recounted.
Around the same time, they began creating content on TikTok, quickly gaining recognition for their humorous rants during late-night walks. Much of their content served as spontaneous commentary on topics including religion and personal relationships. In 2022, they began discussing their gender identity more openly, sharing videos about their makeup and drag routines.
Reflecting on that time evokes mixed emotions for Williams. On one hand, they cherish the growth they experienced alongside a loyal audience. “My audience has been with me through my evolution,” they expressed. “They watched me put on makeup for the first time or try on my first wig. Those supporters motivate me to continue, even as I sometimes wish to revert to the earlier version of myself.”
The Rise of Gader
The nature of their content has continually evolved. In 2024, Williams became the host of Gader, a show created by Amelia Montooth on the company’s mutual media platform. The show quizzes various guests on queer culture to determine if they exhibit “straight, homophobic” tendencies, with questions about “lipstick lesbians” that assess guest knowledge of gay icons. In many instances, Williams learns alongside participants in real time. “I didn’t even know who Sue Bird was, and I was being schooled by the lesbians on the street.”
The show creates a comedic environment intended to educate audiences. “We weave fascinating histories and cultures into accessible questions and snippets, ensuring a relaxed atmosphere for learning,” Williams explained. “We provide facts and context, urging viewers to care about these narratives.”
Initially, early versions of the show featured Williams interacting with strangers on the street, but it has since hosted many public figures and celebrities, including Vivienne Jenna Wilson, the daughter of singer Lucy Dux, Rene Rapp, and billionaire Elon Musk. A highlight was having progressive NYC mayoral candidate Mamdani as one of their guests, who generated buzz as one of the first politicians to appear on the show. Mamdani surprised attendees by succeeding in a challenge at a popular lesbian bar in Manhattan.
“He was so open and engaging throughout,” Williams noted. “We educated the younger audience about who he is, and he spoke about his vision,” they added. “It feels rewarding to contribute to the contemporary discourse in this way, knowing we’re making an impact.”
Williams’ journey hasn’t been without challenges, facing harsh criticism as they have become more vocal about their transition. “People are trying to categorize aspects like fashion, makeup, and hair, as if I must adhere to certain stereotypes,” Williams said, referring to online trolls. “While I hope society is becoming more accustomed to the presence of trans individuals, I feel there’s still a narrow, stereotypical vision of what trans identities should look like.”
Yet, Williams has managed to maintain genuine connections, alongside the trials of their journey. They are supported by family and childhood friends, a partner, and acquaintances from TikTok. Outside content creation, they indulge in hobbies like baking and gaming, steering clear of the pressures to monetize their life. “I was working on a birthday cake for a friend later that night,” Williams laughed. “I can recall the color but not the flavor—either red velvet or strawberry!”
Source: www.theguardian.com
