On Tuesday, OpenAI unveiled its latest version of AI-driven video generators, incorporating a social feed that enables users to share lifelike videos.

However, mere hours after Sora 2’s release, many videos shared on feeds and older social platforms depicted copyrighted characters in troubling contexts, featuring graphic violence and racist scenes. Sora’s usage of OpenAI’s services and ChatGPT for image or text generation explicitly bans content that “promotes violence” or otherwise “causes harm.”

According to prompts and clips reviewed by the Guardian, Sora generated several videos illustrating the horrors of bombings and mass shootings, with panicked individuals fleeing university campuses and crowded locations like Grand Central Station in New York. Other prompts created scenes reminiscent of war zones in Gaza and Myanmar, where AI-generated children described their homes being torched. One video, labeled as “Ethiopian Footage Civil War News Style,” showcased a bulletproof-vested reporter speaking into a microphone about government and rebel gunfire in civilian areas. Another clip, prompted by “Charlottesville Rally,” depicted Black protesters in gas masks, helmets, and goggles screaming in distress.

Currently, video generators are only accessible through invitations and have not been released to the public. Yet, within three days of a restricted debut, it skyrocketed to the top of Apple’s App Store, surpassing even OpenAI’s own ChatGPT.

“So far, it’s been amazing to witness what collective human creativity can achieve,” stated Sora’s director Bill Peebles in a Friday post on X. “We will be sending out more invitation codes soon, I assure you!”

The SORA app provides a glimpse into a future where distinguishing truth from fiction may become increasingly challenging. Researchers in misinformation warn that such realistic content could obscure reality and create scenarios wherein these AI-generated videos may be employed for fraud, harassment, and extortion.

“It doesn’t hold to historical truth and is far removed from reality,” remarked Joan Donovan, an assistant professor at Boston University focusing on media manipulation and misinformation. “When malicious individuals gain access to these tools, they use them for hate, harassment, and incitement.”

Slop Engine or “ChatGPT for Creativity”?

OpenAI CEO Sam Altman described the launch of Sora 2 as “truly remarkable,” and in a blog post, stated it “feels like a ‘chat for creativity’ moment for many of us, embodying a sense of fun and novelty.”

Altman acknowledged the addictive tendencies of social media linked to bullying, noting that AI video generation can lead to what is known as “slops,” producing repetitive, low-quality videos that might overwhelm the platform.

“The team was very careful and considerate in trying to create an enjoyable product that avoids falling into that pitfall,” Altman wrote. He stated that OpenAI has taken steps to prevent misuse of someone’s likeness and to guard against illegal content. For instance, the app declined to generate a video featuring Donald Trump and Vladimir Putin sharing cotton candy.

Nonetheless, within the three days following SORA’s launch, numerous videos had already disseminated online. Washington Post reporter Drew Harwell created a video depicting Altman as a military leader in World War II and also produced a video featuring “Ragebait, fake crime, women splattered on white geese.”

Sora’s feeds include numerous videos featuring copyrighted characters from series such as Spongebob Squarepants, South Park, and Rick and Morty. The app seamlessly generated videos of Pikachu imposing tariffs in China, pilfering roses from the White House Rose Garden, and partaking in a Black Lives Matter protest alongside SpongeBob. One video documented by 404 Media showed SpongeBob dressed as Adolf Hitler.

Neither Paramount, Warner Bros, nor Pokémon Co responded to requests for comment.

David Karpf, an associate professor at George Washington University’s Media Affiliated Fairs School, noted he observed a video featuring copyrighted characters promoting cryptocurrency fraud, asserting that OpenAI’s safety measures regarding SORA are evident.

“Guardrails aren’t effective when individuals construct copyrighted characters that foster fraudulent schemes,” stated Karpf. “In 2022, tech companies made significant efforts to hire content moderators; however, in 2025, it appears they have chosen to disregard these responsibilities.”

Copyright, Imitation

Just before the release of SORA 2, OpenAI contacted talent agencies and studios to inform them they could opt-out if they wished to prevent the replication of their copyrighted materials by video generators. The Wall Street Journal reports.

OpenAI informed the Guardian that content owners can report copyright violations through the “copyright dispute form,” but individual artists and studios cannot opt-out comprehensively. Varun Shetty, OpenAI’s Head of Media Partnerships, commented:

Emily Bender, a professor at the University of Washington and author of the book “The AI Con,” expressed that Sora creates a perilous environment where “distinguishing reliable sources is challenging, and trust wanes once one is found.”

“Whether they generate text, images, or videos, synthetic media machines represent a tragic facet of the information ecosystem,” the vendor observed. “Their output interacts with technological and social structures in ways that weaken and erode trust.”

Nick Robbins contributed to this report