oIn time, this industry reached a standstill in a game of this nature. The single-player story-centric action experience intertwines weekend choreographic sequences with expansive worlds brimming with an enticing array of collectibles.

Indeed, the old country lacks fresh concepts for the cover shooter genre. Hangar 13 already released a remake of the original Mafia: The City of Lost Heaven in 2020, yet in this installment, it often feels as though the studio has recycled it in a new setting. Both the narrative and the framework of individual missions seem to honor Fedora, reminiscent of its 2002 classic.

A classic scenario: Mission trope “Win the race to impress your don.” This chapter was notorious in the original Mafia, as racing vehicles from the 1930s were notoriously tricky to manage and racing itself was rather uninviting. However, it presented a sophisticated multi-tiered mission filled with obstacles, thefts, and unexpected betrayals. In Mafia: Old Country, you’re merely cruising through a town prepping for the race, with the don needing a replacement rider, which offers a serene ride along a route filled with real challenges. While such experiences might have faced criticism a decade back, the scarcity of games like this today leads us to overlook basic mission design and rather appreciate its storytelling and the setting it represents.

It is the year 1904, and you embody Enzo Faraba, a young man down on his luck without family, working alongside peers in a sulphur mine, dressed in a yellow-dyed rag and sporting a shaved head. While the working conditions in the mine are dismal and perilous, Enzo contends with cruel employers, earning the ire of the local ‘businessman,’ Don Laggero Spadaro, who owns the mine. Fear not—after a narrow escape, he finds refuge with Don Trici, a rival of Spadaro who values the courage and diligence of the young man. You can see where this is leading.

Next, you experience the typical quest for dominance within the criminal underworld, expressed through knife fights and vintage-style shooting with reloadable firearms. Local businesses are noncompliant. Workers are striking. Thieves and rival families threaten your reputation. You navigate environments where waist-high cover positions are conveniently placed, allowing for tactically advantageous standoffs.

Credit where it’s due: Enzo and his comrades’ missions aren’t solely about violence. Occasionally, you’ll employ stealth, tossing coins and bottles to divert guards away from your path. There is ample horseback riding and car driving, accompanied by rich dialogues that enhance the context surrounding your actions. While these non-combat mechanics may not be particularly thrilling, this is a mafia-themed game—not designed to be a grand, systemic experience, but rather to narrate the tale of a gangster.

Despite the odds, it manages to succeed in its endeavors. However, it accomplishes this through storytelling rather than intricate plots. The rhythm is predictable. Memorable moments neither stem from witty dialogue nor dramatic turns of fate, nor are they rooted in evocative historical specifics. There are scenes of peasants raiding the pantry and heaps of citrus fruits piled in the fields. Workers stamping grapes in the Torrisi Vineyard. Authentic recipes for Spezzatino di Maiale resting on the kitchen counter. The Sicilian dialect makes fleeting appearances in every conversation (it’s highly advisable to use English subtitles to enhance understanding amidst Sicilian audio). This game demonstrates thorough research, successfully portraying cultural and historic contexts rarely explored in previous titles. It earns its title as a mafia game—it embodies this well: a tribute to the old country.

Knife fights and gunplay do operate effectively, yet I find the missions a bit too simplistic compared to a franchise once celebrated for its dynamic pacing. Nonetheless, despite these caveats, it’s worth engaging with for the allure of its setting and the undeniable passion it holds for its bleak subject matter.