Battlefield 6 Review – A Grand Symphony of Thunderous, Immersive Warfare | Game

BJust moments into the first round of the expansive multiplayer mode Conquest, you can’t help but feel the thrill of battle return. Fighter jets zoom overhead, tanks thunder by, and buildings crumble under the impact of rocket-propelled grenades. While Call of Duty has traditionally emphasized close-quarters combat in online matches, Battlefield 6 immerses you in a colossal military engagement that’s both bewildering and ear-piercing. Even in the quieter moments, you’re jolted back to reality by the distant sounds of rifle fire, urgent shouts for orders, and calls for medics.

EA’s legendary FPS series has faced significant challenges in recent years, and its futuristic installment Battlefield 2042 is widely regarded as a letdown. In response, the development team—comprising various studios including the original creator DICE—has returned to the stellar Battlefield 4 for inspiration. This time, the focus is on contemporary military warfare, delivering an authentic experience across expansive maps with numerous players involved. Similar to previous titles, Battlefield 6 offers four distinct classes: Assault, Support, Engineer, and Recon. Each class comes equipped with unique weapons and gadgets, which you can upgrade and customize as you gain experience and level up your soldiers. It’s a hybrid system that blends elements from earlier Battlefield games with features from modern Call of Duty titles, notably the Gunsmith system, which has revolutionized weapon customization in online shooters.




Brooklyn at war…Battlefield 6. Photo: Electronic Arts

The standout online modes are the large-scale ones like Conquest and Breakthrough, which concentrate on capturing objectives and seizing territory from rivals. There are also smaller modes such as King of the Hill and Domination, but for seasoned Battlefield players, these options feel like a different approach altogether. Since the groundbreaking Battlefield 1942 in 2002, the series has promoted strategic gameplay, encouraging teamwork among allies to infiltrate enemy bases, synchronizing assaults with helicopter cover, and gradually breaking through defenses. In a good game session, you may find yourself stealthily navigating the map or inching toward a heavily fortified structure. The rapid-fire nature of Call of Duty, characterized by quick skirmishes and instant respawns, seems worlds apart.

Yet, engaging in combat here feels invigorating. Whether you’re navigating the bustling streets of Brooklyn or the shores of Cairo, debris cascades, bullets ricochet, and tanks detonate in fiery explosions. The graphics and audio design are remarkably well-executed, channeling the gritty, camera-shaking documentary style of Generation Kill or Warfare rather than the polished action-movie mayhem typical of CoD. If you’re fortunate enough to join a solid team (I strongly recommend playing with one or two friends), you’ll forge genuine camaraderie.

However, the game does stumble with its lackluster campaign mode. The storyline is a standard techno-thriller set in a near-future world where a private military firm seeks global domination, and only a rugged team of American special forces stands in their way. This narrative feels clichéd and uninspired. By portraying the antagonist as a fictional military corporation, the developer sidesteps political controversy and avoids addressing the game’s potential market dynamics or its investors at Electronic Arts. Additionally, staying engaged with the cast of tough guys, who consistently deliver lines like “There’s no bureaucracy here” or quip, “I don’t know what’s more impressive, the scenery or the firepower” while staking out an enemy base in sunny Gibraltar can be a challenge. When Murphy, the protagonist, states, “There’s no one I want to join in this fight,” I seriously wished that defection had been an option.

Don’t let that discourage you. Overall, Battlefield 6 marks a triumphant return to form, delivering a thrilling, almost operatic shooter experience that masterfully blends explosive combat with tactical finesse. It remains to be seen how it will fare amidst the contemporary landscape of hero shooters and battle royale games, but it is undoubtedly worth your time.

Battlefield 6 is available now, priced at £65

Source: www.theguardian.com

‘Queensland Symphony Orchestra’s Facebook Ad Disaster: The Most Disappointing AI-Generated Artwork’

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If you squint, you might think it’s a photograph at first glance. His Facebook ad for the Queensland Symphony Orchestra (QSO) shows a couple cuddling in the front row of a concert hall.

But take a second look and you’ll see why this caused an uproar among creative workers and the unions that represent them. The couple’s tangled fingers are too big and too many. It has a strange sheen and looks like a wax figure. She is wearing a jewel-encrusted tulle dress and he is wearing a tuxedo, but he is also wearing a jewel-encrusted tulle dress. Also, she has a large cube on her lap.

“Why don’t you do something different this Saturday? Come see the orchestra play.” read the ad. This was clearly created by someone who had never seen an orchestra perform, and it shows rows of violinists sitting in the audience, often playing with three hands, one hand, or no hands at all. I imagine it is.




Queensland Symphony Orchestra ad created by AI. Photo: Facebook

This photo, shared by QSO on February 22nd, appears to be sourced from stock image aggregator Shutterstock. where is it listed Under the AI prompt, “Two people go on a date at a romantic indoor classical music concert.”

On Tuesday, industry group Media Entertainment Arts Alliance (MEAA) called it “The worst AI-generated artwork I’ve ever seen.”

“This is inappropriate, unprofessional, and disrespectful to the audience and the QSO musicians,” they added. “Creative workers and audiences deserve better from arts organizations.”

The post also received criticism in the replies. One comment reads, “Next time, please use a paid photographer.” Another person criticized it, calling it “terrible, an arts organization that literally doesn’t use artists.”

Classical Music Industry Blog Slipped Disc The ad was first reported by claimed that it caused “uproar” and “fury” among the orchestra’s players.

The Queensland Symphony Orchestra did not comment on the claims but justified its use of AI imagery in a statement to Guardian Australia. We are an orchestra for all Queenslanders, so we will continue to use new marketing tools and techniques.

Daniel Boudot is a Sydney-based freelance photographer who is often hired by major performing arts companies for promotional images and production shots. Although he hasn’t yet seen his own work being taken over by AI, he says: “I’m getting more and more briefs where mockups are done by AI, so design agencies and marketers are I would be using AI to visualize a concept, and then it would be presented to me in a way that makes it a reality. This is a reasonable use of AI because it doesn’t take away anyone’s job.”

He called QSO advertising “not well thought out.”

“For me, this should have been a mock-up for the actual shoot. It’s a great concept. But have real musicians playing in a real theater.”

“I sympathize, too. It would cost thousands of dollars to make it happen in the real world.

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“But the images they used are terrible, so that doesn’t mean photographers will lose their jobs. But I hope that as technology advances, it doesn’t become the new norm.”

AI-generated images have sparked a lot of discussion and outrage since their rise in recent years due to the accessibility of consumer tools like Dall-E and Midjourney. Much of the controversy revolves around the potential for AI to devalue or plagiarize human artists.


In the past 18 months, at least two art awards have made headlines after winners were found to have used AI to generate or alter their works. “I’m not going to apologize for that.” Jason M. Allen said, winner of the Digital Artist Award at the 2022 Colorado State Fair. “I won the award. I didn’t break any rules.”

In 2023, German artist Boris Eldergsen won the Sony World Photography Award for his AI-generated black and white photo of two women. He later admitted he had “entered as a cocky monkey” to incite discourse on AI ethics and refused to return the award.

Last September, the Australian Financial Review included an AI-generated image of the subject in its annual list of the country’s 10 most culturally influential people.

“How quickly can you tell it’s fake?” the publication asked. Editor Justify your decisions at the time.

For many, the answer was “surprisingly fast,” given the eccentricity of the marionette-like Margot Robbie and multi-fingered Sam Kerr.

Source: www.theguardian.com