Imagine capturing an animal, extending its lifespan, and filling its mind with knowledge, unsettling it with the concept of death. What would become of it? You may find a profoundly confused and anxious creature. I highly recommend Michael Bond’s thought-provoking novel, Animate: How Animals Shape the Human Mind, as a starting point for unraveling these complexities.
We are fundamentally animals, intertwined with nature, yet often we overlook this connection.
Animate delves into the intriguing and sometimes unsettling relationship between humans and animals that began after the last ice age. In the words of the former editor of New Scientist, the time was an Eden for ancient humans, filled with encounters with cave lions, wolves, bears, and more.
Witness the remarkable emotional art created in France’s caves like Lascaux, which embodies not just the essence of creatures but also their forms and movements. According to Bond, these representations are “essential and unadorned, more like reincarnation than art.”
Rarely do human figures appear in this cave art, and when they do, they are often ambiguous. This absence emphasizes the significance of animals; they were pivotal to survival, deeply embedded in human existence.
The Neolithic era marked a shift in human perception. Art evolved into abstract representations, stripping animals of their individuality. They became mere motifs on pottery as human exploitation of animals grew, resulting in a clear distinction between humans and animals.
Why this shift? Researcher Ernest Becker, in The Denial of Death, proposed that our acute awareness of mortality drives us toward irrationality, in contrast to animals, which merely exist without such existential baggage.
Human exceptionalism, while demarcating our species as superior, has had detrimental effects on countless non-human lives. Yet, it’s challenging to envision daily life without the comfort of this separation. Bond attempts to mend this divide but confronts the obstacles of our fear of death.
For centuries, writers have likened us to animals. Bond recalls David Hume, who noted that animals, like humans, utilize observation and experience to navigate their futures. This perspective evolved, particularly after Charles Darwin’s theory of evolution challenged human exceptionalism.
However, nearly 170 years post-Darwin, we continue our complex relationship with animals. Bond eloquently critiques our disconnect, especially in meat consumption, highlighting how social distance allows many to ignore the brutal realities of slaughter.
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Bond does a good job of skewering my meat. Admittedly, I have never seen a pig being slaughtered, nor do I intend to. “
Bond’s mission is to cultivate a kinder world. Unlike previous works where optimism prevails, Animate tackles profound themes with an unfiltered narrative.
Can a confused animal, burdened with the knowledge of its identity, find peace?
Every species perceives the world through unique lenses shaped by its own needs. In his bestselling book subtitled How Animal Senses Reveal Hidden Realms Around Us, science journalist Ed Yong illustrates the diverse ways animals engage with their environments.
What did the New Scientist Book Club think of Red Mars by Kim Stanley Robinson?
I set an engaging challenge for the New Scientist Book Club this April: reading through Kim Stanley Robinson’s epic novel Red Mars, a detailed 600-page journey into the complexities of colonizing Mars. In just 30 days, our members shared their thoughts on this literary masterpiece during our vibrant discussions on Discord.
There’s a personal element to this as well; Red Mars is one of my all-time favorites. After reading a compelling article by critic George Bass about the story’s beginning in 2026, I was motivated to revisit this captivating world with our passionate community of 25,000 readers. Robinson masterfully captures the vast, alien beauty of Mars, and I loved experiencing the narrative from multiple perspectives, particularly the character Anne — a passionate advocate for preserving Mars’s natural state — and Sacks, who is determined to terraform the planet swiftly. I found the perspective of Nadia, a pragmatic engineer, especially engaging, though I admit the love triangle between John, Frank, and Maya felt somewhat repetitive.
Some members returned to Red Mars for a second read, while others picked it up for the first time, and some were inspired to finally dive into a book they had long overlooked. DavidC reflected on his initial draw to the book, stating, “I found the phrase ‘but it all happened in the mineral unconscious’ really appealing right on the first page. Now I’m ready for the next 600 pages!”
However, Zagosia expressed dissatisfaction with the dramatic opening that resulted in an important character’s demise, stating, “I don’t like the concept of spoiling the ending in the first chapter. You don’t want to know where this is going?” I, along with other members, reassured her to continue reading.
My conversation with Robinson during a video interview shed light on his intriguing narrative choice: “This is a flash-forward. It creates a sense of tension as we learn that John is dead, but we don’t yet understand why. This adds depth to every seemingly mundane detail of the town’s development.” The suspense enriches the story.
Robinson recently reread Red Mars and found it resonated well, apart from some “laughable gaps” in his knowledge of 2026 and beyond. He discussed the current misguided dreams of colonizing Mars, critically stating, “These people don’t think through the implications.” He dismissed Elon Musk’s notion that colonizing Mars would “save Earth” as unrealistic.
Reactions from our readers varied; many praised Robinson’s beautifully crafted writing about Mars while some found it hard to connect with the characters. Zagosia noted, “The portrayal of nature and scale was remarkable, yet I struggled to empathize with the characters and often felt situations lacked logic.”
Annie Greenwood enjoyed the book but craved something more relationship-driven afterward, saying, “I wanted an injection of character complexity after ‘Red Mars.’ I felt the narrative leaned heavily on ideas more than deep interpersonal dynamics.” The high-quality writing is undeniable, yet it lacked the emotional engagement she sought.
Discussions arose about the fragile state of affairs on Mars and whether a better selection of astronauts could have prevented chaos. Barbara Howe noted, “I anticipated a tale of scientific triumph over adversity, but what I encountered was a melodrama rife with human politics and flaws.” Despite personal frustrations with the plot dynamics, she appreciated the vivid descriptions of the Martian environment and found a few characters, like Nadia and Arkady, compelling.
Overall, our book club members enjoyed the rich experience of reading, discussing, and analyzing this classic sci-fi novel. Personally, I was thrilled to rediscover Red Mars as one of my enduring favorites.
Join the New Scientist Book Club today and participate in the conversation! Visit us on Discord.
George MacKay (Nick, left) and Callum Turner (Liam) embark on a haunting journey home.
Credit: Ian Kingsnorth, BFI
The Rose of Nevada Directed by Mark Jenkin Now showing in UK cinemas. US release on June 19th.
Time functions oddly in desolate locations—this is the central theme of The Rose of Nevada, directed by Mark Jenkin. The film unfolds in a once-thriving fishing village in Cornwall, England, now bereft of its inhabitants and industry. Only a few souls linger amongst the deserted pubs and derelict moorings, remnants of a once-prosperous past. The sea itself feels lifeless.
What more fitting backdrop for a ghost story than this ghost town? After all, aren’t ghosts merely echoes of time? This village exists outside conventional chronology. Three decades ago, a fishing boat and its ill-fated crew tragically vanished at sea, and their absence resonates throughout the village. The tragedy remains unresolved until the re-emergence of the vividly colored Nevada Rose in the harbor.
For Nick (George MacKay), the boat’s return comes at a crucial juncture. As a husband and father struggling to stay afloat, the arrival of the Nevada Rose seems fortuitous. Liam (Callum Turner), an itinerant worker who sleeps on docks, also finds hope when he is recruited by Mike (Edward Lowe), the owner of the Rose of Nevada. They are guided by the seasoned rental captain, Margie (Frances McGee), who has a mysterious connection to the once-missing vessel.
Together, the trio sets sail, hoping to catch enough fish to repair Nick’s leaking roof, pad Liam’s pockets, and perhaps save their village. However, upon the Nevada Rose’s return to shore, something feels amiss. Time has looped back 30 years, and Liam becomes confused for two local men: Alan, an absentee father who vanished with the Rose of Nevada, and Nick, a fisherman haunted by the guilt of missed work on that tragic day.
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What better place to set a ghost story than a ghost town? After all, what is a ghost if not a coincidence of time? “
The implications of this twist and the narrative that follows are open to interpretation. The emotional weight of The Rose of Nevada is palpable, particularly in McKay’s compelling portrayal of Nick. Navigating his past, Nick finds comfort in the empty house of long-lost neighbors who mistake him for their son, uncovering a note of love from his wife on the day he left.
The film’s mesmerizing sequences at sea offer tension and tranquility. For Nick, fishing transcends mere survival—it’s a recurring rhythm that brings him clarity amidst chaos. The quest is not just for Nick but for the entire village waiting for his return.
The Rose of Nevada marks the third installment of Jenkin’s Cornwall trilogy. The first, Feed, explores the negative impacts of tourism on a coastal community, while the second, Ennismen, follows a solitary wildlife volunteer on a remote island grappling with hallucinations. This film encapsulates themes from both predecessors with its stunning visuals and haunting setting. The iconic hand-cranked Bolex camera used in the earlier films succumbed just as this latest installment reached completion, marking a poignant end to Jenkin’s trilogy.
If this marks the conclusion of Jenkin’s journey, it will be a bittersweet farewell. His unique storytelling deserves further exploration within this picturesque Cornish setting. The Rose of Nevada stands as a significant achievement—an unforgettable tale of lost time, borrowed moments, and the quest for redemption.
George MacKay’s recent performances, especially in Fam, demonstrate his versatility. In this gripping thriller, he plays Preston, a man embroiled in a violent act that comes back to haunt him when he unexpectedly reunites with Jules (Nathan Stewart-Jarrett) at a gay sauna.
Bethan Ackerley is the associate editor at New Scientist. Her interests span science fiction, comedy, and the supernatural. Follow her on Twitter @inkerley
The biological age of an individual indicates damage over time, which can be enhanced through lifestyle adjustments such as improved diet and routine exercise.
Every compelling narrative requires an inciting event that prompts the main character into action. For freelance health journalist David Cox, this pivotal moment came in the form of a health scare. He discusses this experience in his new book: Age Code: The New Science of Food and How it Can Save Us.
In his mid-30s and deeply engaged in the growing field of geriatrics, Cox opted to determine his biological age. After undergoing three tests that all yielded alarming results, he realized he was aging prematurely.
Cox’s biological age, indicating the extent of age-related damage accumulated over 34 years, was typical for a 36-year-old. While there’s no immediate cause for concern, he explains, “If no actions are taken, by your 50s, you will face a substantially increased risk of chronic diseases such as diabetes and cancer.” This marks the beginning of his captivating and often challenging journey to lower his biological age.
Let’s address the elephant in the room: the concept of biological age is based on a solid premise. Individuals age at varying rates, leading to significant mismatches between chronological age and accumulated biological damage. The biological clock offers a clear metric for this discrepancy. It’s also important to note that age-related damage can be halted or even reversed.
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Cox chronicles his journey to understand and mitigate the factors of aging. “
However, the concept has drawbacks, including variations in test outcomes. Nevertheless, since Cox took three different tests—all yielding similar results—and focuses on lowering his biological age rather than merely obtaining a snapshot, we can trust his findings.
A healthier alternative to excessive sugary drinks and chocolate biscuits.
Carlos Gawronski/Getty Images
Realizing that dietary changes are the simplest path to lowering biological age, Cox embarked on his journey with several kilograms gained and a subpar diet full of sugary drinks, chocolate biscuits, and sedentary fast food lunches, with minimal whole grains or legumes. His daily caloric intake reached 2700 calories—above the NHS’s recommended 2500 calories for an average adult male.
Engaging with leading geriatric experts, Cox acknowledged that his diet exposed him to numerous aging factors. A total of ten factors that accelerate aging were identified, beginning with the most recognizable: excess calorie intake. Other well-documented factors included insufficient fiber, micronutrients, and unhealthy fats.
Some factors, like dietary acid load and advanced glycation end products, are still largely unrecognized outside specialized nutritional and geriatric research. Cox’s grasp of scientific principles and his ability to present them in practical ways for self-improvement impressed me.
As Cox reduced his caloric intake, he also began to identify drivers of aging and sought to limit his exposure. This process included multiple lab visits to analyze various bodily measurements and fluids.
Notably, he aimed to increase his fiber intake to over 50 grams daily, surpassing the recommended 25 to 30 grams, a concept termed “fiber maxing,” although he refrains from using that terminology.
Having undertaken a similar challenge, I can attest that obtaining this amount of fiber is remarkably difficult, and maintaining such intake is even more challenging. However, Cox’s narrative centers on his journey, rendering the book both compelling and relatable.
Each chapter stands alone, but one critique of Age Code is its lack of cohesion. Sifting through the various, sometimes conflicting dietary health recommendations can be daunting; even with my background as a science writer, a bit more guidance would have been beneficial. Numerous ingredients are heralded for their remarkable health benefits—green tea, pomegranate juice, Iberico ham, blueberries, nuts, and more. Should I strive to incorporate all of these into my diet, or concentrate on a few that offer the most benefit? Cox doesn’t delve deeply into these considerations.
Furthermore, certain methods for mitigating dietary aging seem to conflict. For example, aiming to decrease dietary acid load encourages reduced animal product intake, while increasing omega-3 fatty acids suggests incorporating more fatty fish. Which should be prioritized?
Despite these challenges, Cox’s journey deserves admiration. New Scientist readers who appreciate our health and nutrition coverage will discover a wealth of intriguing insights and practical advice for adopting a healthier lifestyle and enhancing longevity.
In the book’s conclusion, Cox revisits the lab to reassess his biological age, offering a satisfying closure. His endeavors weren’t in vain, and he makes it clear that similar accomplishments are attainable by everyone.
This insightful book on anti-aging delves into not just diet but also sleep and physical activity. While it leans towards self-help, it provides a wealth of practical advice.
This title verges on self-promotion, but it’s precisely what it claims to be. I initially wished to name it This Book May Delay Your Death, though the publisher considered that a bit gloomy.
No surprise, the titles of these books follow a distinct pattern. However, Rajan offers a humorous and insightful guide to understanding body functions and optimizing health.
Visualize this mantis shrimp donned in a spacesuit with a fascination for weaponry.
Shutterstock/Sammy Kasem
Explore the thrilling fourth installment of Adrian Tchaikovsky’s celebrated Children of Time series, Children of Conflict. I will ensure minimal spoilers while discussing all four novels.
Although the theme of “uplifted” species isn’t entirely novel, Tchaikovsky’s unique perspective sets it apart. Fans will remember that the first book in the series, Children of Time, centers around an Ark arriving at a terraformed planet.
In theory, this new world should welcome colonization—but ominously, something seems to have gone terribly wrong. Have other species been elevated to threaten humanity? Spoiler alert: this includes spiders!
The second book, Children of Ruin, shifts focus to another planet, leaving fans curious, particularly with the mention of “octopus.”
Tchaikovsky’s extensive bibliography showcases brilliance, but this series stands out as his masterpiece. These novels are must-reads for anyone passionate about science fiction and its exploration of both our past and future.
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Science fiction regarding “uplifted” species may not be a new concept, but Tchaikovsky’s approach is refreshingly innovative. “
While many renowned science fiction authors delve into intricate physics, Tchaikovsky explores deep biological concepts. His portrayal of an octopus-led society is both enjoyable and insightful.
Although I found the third book, Children of Memory, took a different trajectory that felt less impactful than its predecessors, the arrival of Children of Conflict marks a triumphant return to form. You can grasp the plot of the fourth novel without having read the third, but missing the first two might leave you puzzled.
Children of Conflict is cleverly structured across three distinct timelines, each featuring unique characters, enhancing the narrative depth.
This time, the narrative revels around our remarkable mantis shrimp. Picture an exalted mantis shrimp in a spacesuit, towering like a human and wielding formidable, futuristic weaponry. Excitingly, this volume revisits some familiar species from earlier books, ensuring delightful moments for dedicated fans.
An outstanding aspect of Children of Conflict is its vividly depicted planet. This world appears to be a terraformed paradise akin to Earth—beautiful at first glance, reminiscent of the Garden of Eden.
Yet, this planet harbors unforeseen challenges. Tchaikovsky masterfully creates an atmosphere that feels both enchanting and unnerving.
The character development is exceptional; both human and non-human figures come across as complex and believable. As always, the biological concepts are astonishingly well conceived, and the plot progresses in a thrilling, logical way.
Notably, the climax of this book, “Planetside,” may stretch a bit long but revolves around a profound choice. Overall, this book promises an extraordinary experience.
This trilogy, set within Brin’s fascinating Uplift Universe, features uplifted dolphins, chimpanzees, and grand cosmic narratives. The three interconnected books—Brightness Reef, Infinity’s Shore, and Heaven’s Reach—tell a continuous, engaging story.
Emily H. Wilson is the acclaimed author of the Sumerian series (featuring Inanna, Gilgamesh, and Ninshbar, published by Titan) and is currently writing her debut science fiction novel. Emily is a former editor at New Scientist and can be followed on Instagram @emilyhwilson1.
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Michael Pollan’s Exploration of Consciousness in ‘A World Appears’
Addictive Stock Creative / Aram
What is consciousness? This enduring question stands at the forefront of scientific inquiry, challenging our understanding of the human experience. Our familiarity with consciousness can often hinder its objective study. Science maintains an emphasis on objectivity, presenting a paradox in evaluating a phenomenon that is inherently subjective.
This dilemma is central to Michael Pollan’s compelling new book, The World Appears: A Journey into Consciousness. Pollan, known for transformative works such as The Omnivore’s Dilemma and How to Change Your Mind, delves into the intricacies of consciousness in a manner that is both enlightening and thought-provoking, capturing my interest as a science journalist.
Pollan approaches the topic with a genuine curiosity, grappling with the profound questions surrounding how and why both humans and other organisms experience consciousness. His explorations are as intriguing as the subject itself, and at times, they require deep reflection.
Over a span of five years, Pollan engaged with a variety of disciplines including artificial intelligence, plant biology, Victorian literature, and Buddhist philosophy to understand consciousness better. Managing such a broad scope of topics into a cohesive narrative is no small feat, and Pollan adeptly crafts his book into four chapters, each representing a deeper layer of consciousness.
Pollan’s initial insights stem from personal experiences with magic mushrooms, which led him to perceive the sentience of plants in his garden. His explorations prompted discussions with researchers studying similar phenomena. Noteworthy findings, such as plant roots possessing the ability to solve mazes, offer fascinating insights. While he is not yet convinced that plants have consciousness, he considers them sentient—existing in a realm just shy of awareness.
The second chapter shifts focus to emotions and feelings, presenting an intriguing yet troubling pitfall in understanding consciousness. Pollan introduces a series of scientists working on endowing machines with consciousness, including those programming computers to seek sustenance in a digital habitat. This reduction of consciousness to mere survival instincts raises unsettling questions: Is consciousness merely a byproduct of basic needs? This notion challenges our understanding and sense of wonder, a tension Pollan vividly addresses throughout the text.
The subsequent chapters address thought and self—a territory often neglected by scientists. Pollan wisely turns to philosophers and artists who have contemplated consciousness’ enigmas for much longer. He speculates that consciousness might arise from specific configurations of matter, typical in neural networks. However, this material perspective can undermine the richness and vibrancy inherent in the concept of consciousness.
Pollan ultimately posits that the materialist view of consciousness has reached an impasse. While not all scholars agree, he advocates for exploring ideas that challenge mainstream thinking, proposing that consciousness may not emerge solely from the brain or body but could be woven into the very fabric of reality, similar to fundamental forces like gravity.
Concluding his journey, Pollan acknowledges that he knows less about consciousness than he did at the outset. This sentiment resonates with me, echoing Christoph Koch—a prominent authority on consciousness—who suggests that acknowledging our limitations in understanding may pave the way to new possibilities. Pollan emphasizes that approaching consciousness as a practice, rather than a puzzle, allows us to engage fully with the present moment, a perspective I wholeheartedly support.
While I’m generally not a fan of novellas or short stories due to their brevity, compelling authors like George Saunders keep me turning the pages. This week, I present two thought-provoking reads, starting with Stay Up All Night.
In Stay Up All Night, prize-winning author George Saunders, known for his hit Lincoln in the Bardo, introduces us to Jill “Doll” Blaine, a ghost who returns to Earth to observe the last hours of K.J. Boone, a wealthy oil tycoon.
Jill’s mission is to provide comfort to restless souls, but she discovers that Boone, despite his life full of deception and environmental damage, is content with his choices.
Set in the final hours of Boone’s life, the narrative unfolds with the arrival of other ghosts and family members seeking closure. Jill, frustrated by Boone’s indifference, navigates her own past, returning repeatedly to his bedside.
True to Saunders’ style, the prose is vibrant and enchanting. He deftly avoids the mundane, making even the darkest themes shine.
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When intriguing authors continue to craft engaging novellas, I feel compelled to explore them. “
However, I found myself yearning for deeper insights into Boone’s psyche and hoped for a narrative reckoning that never fully materialized. Jill, with her rich backstory, was by far the most captivating character, and I wished for more exploration of her journey.
Nonetheless, Saunders’ brilliance and the pressing themes explored in Stay Up All Night make it a compelling read—one worth delving into at least twice.
Next up is Rainseekers by Matthew Cressel. This narrative blends a series of interconnected short stories, featuring protagonist Sakunja Salazar, an influencer-turned-journalist on Mars amidst the transformative terraforming of the planet.
With newly formed water bodies and breathable air, Sakunja embarks on a thrilling journey into the Martian wilderness to witness the first rainfall. This quest is both poetic and thought-provoking.
As Sakunja interviews fellow “rainseekers,” their unique stories weave into a rich tapestry that enhances the overarching narrative.
Kressel excels in crafting poignant, concise narratives, lending weight to this visionary future of the solar system.
While Sakunja lacked the depth to truly engage me, the human elements and the fun exploration of terraforming resonate strongly, reminiscent of classics like Kim Stanley Robinson’s Red Mars trilogy.
If you’re intrigued by the intersection of oil barons and climate change, this evocative novel is for you. Set in a distant future, it explores consequences for those who have wronged the planet—an excellent choice for this month’s New Scientist Book Club.
Emily H. Wilson is the author of the Sumerian series (including Inanna, Gilgamesh, and Ninshbar, all published by Titan) and is currently penning her first science fiction novel. A former editor at New Scientist, she can be followed on Instagram @emilyhwilson1.
A Brief History of the Universe By Sarah Alam Malik, Published by Simon & Schuster (UK, February 12) and William Morrow (USA, May 5)
Published in 1988, Stephen Hawking’s A Brief History of Time revolutionized the field of cosmology and became a bestseller. As a curious teenager, I attempted to read it, but I never finished. Now, nearly four decades later, particle physicist Sara Alam Malik offers her own perspective on cosmology with A Brief History of the Universe (and Our Place in It).
While Hawking’s work began with Aristotle’s heliocentric theory from 340 BC, Malik traces our understanding back to Babylonian astronomical observations recorded in cuneiform around the 7th century BC. The journey then progresses through the contributions of Aristotle and Ptolemy, reaching the flourishing of astronomical sciences in the Islamic Golden Age during the 6th century AD.
This concise history propels readers through significant milestones by page 47, covering Galileo’s discovery of Jupiter’s moons, Newton’s apple, and Einstein’s general relativity, ultimately exploring the mysteries of galaxies and black holes, leading to the concept of the universe’s thermal death. Malik adeptly connects cosmic-scale truths with the intricate world of quantum mechanics, stating, “The building blocks of the universe turned out to be as amazing as the structure of the universe they created.”
Unlike Hawking’s technical depth, Malik adopts a broader perspective, bringing to life characters such as Dmitri Mendeleev, who created the periodic table, and Fritz Zwicky, the pioneer of dark matter. Her narrative highlights a diverse cast, including medieval Islamic astronomers and groundbreaking women like Vera Rubin, who overcame gender barriers to reshape our understanding of galaxies.
Written with a more contemporary tone, Malik discusses topics Hawking could not forecast in 1988, such as the Large Hadron Collider, revealing the emotional impact of scientific breakthroughs like the Higgs boson discovery through compelling anecdotes.
This book is not only a “brief history of the universe” but emphasizes “and our place in it.” It narrates humanity’s discovery of the cosmos, underscoring our journey enabled by the giants before us. It evokes awe and humility, reminding us, “It remains a wonder of human existence that we can understand worlds so far removed from our own.” Each era has crafted its narrative of the universe, often believing its own version.
At its best, Malik’s work dives deeply into cosmic and quantum mysteries, aligning with her expertise in dark matter. While chapters on the origin of life, its future, and machine intelligence may feel less thorough, her warm, clear prose covers an impressive breadth within just 223 pages. As an 18-year-old, I might have navigated this complex narrative and been inspired to follow in Hawking’s footsteps.
Caribou Herd Spring Migration at Anaktubuk Pass, Alaska
KATIE ORLINSKEY
Frostline Neil Shea, Picador (UK, February 12) Ecco Publishing (US, available now)
The North Pole might seem like a vast, desolate place dominated by walruses and polar bears, but a new perspective emerges in Neil Shea’s compelling book. He highlights the importance of the Arctic as climate change accelerates, arguing that it demands our attention.
In Frostline: A Journey Through the Complexities of Life and Landscapes in the Warming Arctic, journalist Neil Shea gathers insights from twenty years of dedicated reporting for National Geographic. This profound narrative illuminating the North Pole’s realities resonates with readers, even those who have never set foot there.
Shea’s journey begins with breathtaking images from his inaugural trip to the North Pole in 2005, where he camped on the sea ice of Admiralty Bay, Canada. Witnessing a large gathering of narwhals was exhilarating, as the males exhibited their fangs in displays of dominance.
The sight of life converging in a fragile ecosystem inspired Shea’s deep fascination with the Arctic. He adeptly conveys his passion through vivid descriptions and memorable encounters with the wildlife of this remarkable region.
On Ellesmere Island, Shea connects with a pack of white wolves that exhibit no fear of humans, showcasing the intricate relationships within this ecosystem. In Alaska’s Kobuk Valley National Park, he camps amongst extensive caribou herds, coexisting with brown bears on their seasonal migrations.
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Melting ice makes the Arctic attractive, as President Trump’s threats against Greenland prove “
While Shea beautifully depicts the Arctic’s wildlife and landscapes, he also provides a more nuanced understanding of this complex region. The Arctic is not merely a snowy expanse; it consists of eight modern states and is home to 4 million people, including 400,000 Indigenous individuals from diverse backgrounds.
Through his vivid portrayals of the local communities, Shea highlights the unique challenges they face as they battle against climate change, which is impacting the Arctic much more rapidly than other regions on Earth. Some of his Inuit interviewees eagerly share their experiences with the changes they’ve witnessed, while others harbor reservations towards Western inquiries, seeking a more profound respect for their culture.
While reflecting on his time spent camping on frozen lakes, Shea realizes the importance of addressing climate change issues head-on. The implications of warming are becoming increasingly evident, threatening the delicate balance of the Arctic ecosystems and exposing them to further risks.
As illustrated by geopolitical tensions, such as President Trump’s threats toward Greenland, melting ice opens new access routes in the Arctic. Shea’s journey culminates on the Norwegian-Russian border, where migrants traverse dangerous icy terrains seeking refuge, reminding readers of the interconnectedness of our world.
Elle Hunt is a writer based in Norwich, UK.
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Beyond Quantum Anthony Valentini, Oxford University Press
Physics is experiencing unexpected challenges. Despite extensive research, the elusive dark matter remains undetected, while the Higgs boson’s discovery hasn’t clarified our path forward. Moreover, string theory, often hailed as the ultimate theory of everything, lacks solid, testable predictions. This leaves us pondering: what’s next?
Recently, many physicists and science writers have shied away from addressing this question. While they used to eagerly anticipate groundbreaking discoveries, they now often revert to philosophical musings or reiterate known facts. However, Antony Valentini from Imperial College London stands out. In his book, Beyond Quantum: Exploring the Origins and Hidden Meanings of Quantum Mechanics, he introduces bold, innovative ideas.
The book’s focus is quantum mechanics, a pillar of physics for the last century. This field hinges on the concept of the wave function—a mathematical representation capable of detailing the complete state of any system, from fundamental particles to larger entities like us.
The enigma of wave functions is their tendency not to describe ordinary localized objects but rather a diffuse, fuzzy version of them. Upon observation, the wave function “collapses” into a random outcome with probabilities defined by Born’s law, a principle established by physicist Max Born, typically covered in academic literature. This results in objects manifesting with clear attributes in specific locations.
The debate surrounding the interpretation of the wave function has persisted, with two primary perspectives emerging. One posits that wave functions represent reality itself, suggesting that electrons, cats, and humans exist in multiple states simultaneously across time and space—a many-worlds interpretation fraught with metaphysical implications.
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Pilot wave theory has long been known to reproduce all the predictions of quantum mechanics. “
The alternative interpretation suggests that wave functions are not the entirety of reality. This is where pilot wave theory, significantly advanced by Valentini and initially proposed by Louis de Broglie in 1927, comes into play.
Louis de Broglie: Pioneer of Pilot Wave Theory
Granger – Historical Photo Archive/Alamy
Pilot wave theory posits a real yet incomplete wave function, suggesting the wave guides individual particles instead of being mere waves influencing a floating plastic bottle. In this model, particles remain specific, and their wave-like behavior originates from the pilot wave itself.
This theory has consistently validated all quantum mechanics predictions, eschewing fundamental randomness. However, Valentini underscores that this agreement rests on the assumption that particles maintain equilibrium with waves, which aligns with current experimental data but isn’t universally applicable.
Valentini’s hypothesis suggests that in the universe’s infancy, particles existed far from quantum equilibrium before settling into their current states, akin to a cup of coffee cooling down. In this scenario, the Born rule and its inherent randomness morph from core natural features into historical anomalies shaped by cosmology.
Moreover, quantum randomness also hinders the practical utilization of nonlocality, implicating direct interactions between separate objects across time and space. Valentini argues that if the Born law had not prevailed in the universe’s early stages, instantaneous communication across vast distances may have occurred, potentially leaving traces on the cosmic microwave background. If any relics from that era exist, superluminal signal transmission might still be feasible.
Though Valentini’s insights might appear speculative without concrete evidence, his rigorous examination of how conventional quantum mechanics became dominant makes his work noteworthy. While there could be gaps, especially in clearly explaining the pilot wave aspect, Valentini’s contributions illuminate what a ‘big idea’ looks like in a field rife with uncertainty.
“Annie Bott” by Sierra Greer was the Book Club’s January pick
Dittmeyer
The New Scientist Book Club transitioned from classic science fiction reads to a contemporary choice in January with Sierra Greer’s award-winning novel, Anniebot, the recipient of the 2025 Arthur C. Clarke Award.
I felt a mixture of apprehension and excitement when announcing this book to our community. Anniebot explores the haunting tale of a sex robot entangled in a toxic, abusive relationship. With its darker themes and explicit scenes, I aimed to prepare readers for its intense narrative. Some found the scene in the cupboard particularly disturbing.
As anticipated, reactions varied. While a few opted out early due to the heavy content, many engaged deeply with the story, which sparked significant discussion (and disagreements) among members.
Let’s highlight some positive perspectives. I personally appreciated how Greer navigated the fine line between explicitness and narrative depth, steering clear of simply becoming “roboporn.” During my interview with her, she affirmed her intention to avoid categorizing the book as erotica. To me, she succeeded. Each scene, while uncomfortable, provoked thought about humanity and freedom. Annie’s existence raises questions: is she less human than primitive robots like Delta? What future awaits her? The marking of a truly impactful read is its lingering questions in your mind.
Laura Akers echoed this sentiment: “Hearing people discuss Annie as though you had no emotional investment was intriguing.” She likened it to pre-feminist exploitation, noting how Annie’s perception of sexual abuse highlighted deeper societal issues.
Annie Arnott shared her initial struggles with the portrayal of sex in Greer’s writing. “Things started off well,” she explained. “But I now carry a profound respect, recognizing the important narrative work being done—perhaps reminiscent of The Yellow Wallpaper. Greer showcases the nuanced experience of many women, culminating in an ending steeped in bitter hope.”
Before delving into the conclusion debate, let’s hear from our insightful reader, Alan Perret. He found Anniebot challenging to complete. “Annie’s plight was so harrowing that while I was relieved to finish, it was a tough journey,” he remarked.
Alan’s critique included insights into Doug’s extreme brutality, stating, “While Doug isn’t questioned about his humanity, it’s evident he lacks the vital traits that define it. Interestingly, Annie, despite not being human, displays more empathy than he does. Does that imply that humanity is merely about biological composition?”
Though Alan pointed out some plot inconsistencies—like Annie’s need for exercise—he and I both left with many profound questions after finishing the book. “I’m glad to have read it, as it pushed boundaries many would shy away from,” he concluded.
In contrast, Jennifer Bertrand struggled to connect with Annie. “The narrative reminded me constantly of her artificial nature, hindering any empathy,” she noted, wondering if Doug treated real humans poorly too.
Niall Leighton, while recognizing Greer’s strong character study, felt it lacked a nuanced exploration of AI autonomy. “I wanted deeper analysis on male behaviors within the existing patriarchal context,” he expressed. “While the book is disturbing, it didn’t offer the groundbreaking feminist perspective I hoped for.”
Jacqueline Farrand additionally criticized the absence of distinct science fiction elements in Anniebot, echoing sentiments shared by Phil Gursky, who viewed it as a raw tale of abuse.
Annie’s resolution brought a divided response. Many, including Pauline Moncrief, expressed relief that it concluded positively. In contrast, Karen Sears found the ending unsatisfactory, feeling it lacked depth. Ken Lynch too expressed disappointment, viewing Annie’s freedom as diminishing her agency. Nonetheless, he recognized the book’s ambition in tackling difficult themes.
Amid the discussions, Octavia Butler’s name frequently resurfaced, with many praising her ability to address similar themes with greater depth.
“After immersing myself in Butler’s works, I found her talent for weaving themes of slavery and oppression far more compelling,” Jennifer noted.
Members also discussed Greer’s depiction of race and recommended other books touching on similar themes, including Sarah Gary’s Echo Wife and Joanna Sinisalo’s chilling commentary on patriarchy in The Core of the Sun.
These suggestions are excellent, but I encourage our readers to finish the upcoming February books first. This novel stands as a monumental literary piece that will continue to resonate. Next in the New Scientist Book Club is Tim Winton’s Juice, depicting a future Australia plagued by devastation, questioning what led to this reality. Our science fiction critic, Emily H. Wilson, found it profoundly impactful upon its hardcover release. Prepare to explore the complexities of our world through this engaging read, and don’t forget to join the discussion in our book club or Facebook group here.
For immediate help, reach out to the UK Domestic Abuse Helpline at 0808 2000 247. using safe equipment. Click here for helplines in 46 countries.
As an avid admirer of Peter F. Hamilton, I eagerly anticipated his latest release, Empty Hole, particularly because I’ve always been fascinated by the Ark story.
Centuries have elapsed since the ship’s voyage, and its crew has devolved into a medieval-like society, residing beneath the remnants of their ancestors’ advanced technology. We uncover the challenges they encountered, including issues with the planet they were meant to land on, and a rebellious uprising on board that stranded them in perilous circumstances. At the age of 65, inhabitants must be recycled for the ship. This unique premise captivates me completely.
All of this is framed from Hazel’s first-person viewpoint, a 16-year-old girl. A significant breach exists in the ship’s hull (hence the title), she battles intense headaches, and soon finds herself ensnared in a whirlwind of dramatic events. Yet she finds time to fret about boys and garments, which I couldn’t afford. Why would a girl focus on fashion when the survival of everyone in a spaceship is at stake, and she is constantly plagued by headaches?
As fans may know, Hamilton is a master storyteller renowned for his contributions to big science fiction. My personal favorites include Empty Space and the Dawn trilogy, as well as his intricate and thrilling Commonwealth Saga duology. His narratives are dynamic, wildly innovative, and filled with complexities that often leave me thrilled, even if I don’t fully grasp every detail.
I had reservations about Hamilton’s more recent works, like Exodus: Archimedes Engine, which ties into the upcoming video game, Exodus. I felt certain plotlines were included solely to promote the game, detracting from the reader’s enjoyment. However, I appreciate that these works may not target my demographic. It’s evident the seasoned author is seeking new challenges. (For those who enjoy video game adaptations, the second installment in the game series will be released later this year and the game is set to debut in 2027.)
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If I were a movie or TV scout, I could envision Empty Hole adapting beautifully for the screen. “
All this reminds me of Empty Hole. Midway through, I realized it seemed somewhat juvenile, for want of a better term. Research revealed that this novel was initially released as an audio-only book in 2021, primarily categorized as “young adult” or targeted towards teenagers.
In a 2020 interview, Hamilton expressed, “Though young adults as protagonists define a particular publishing category, I hope this work will resonate with audiences of all ages.” Personally, I don’t believe that a youthful protagonist excludes the potential for an adult-oriented book. (I mention this as a writer of novels featuring teenage lead characters.) So, can readers of all ages enjoy this book?
The plot setup and twists are stellar, as expected from Hamilton. However, I wish he had toned down the “teenage” aspects. I don’t require an interlude where she holds her boyfriend’s hand while my hero is fleeing danger. I believe that making the protagonist face the reality of being recycled at 65 would have added significant weight.
Perhaps Hamilton will capture a fresh audience with this release. For instance, as a movie or TV scout, I could envision how Empty Hole would look great on screen. This title is the first in a trilogy, with sequels slated for release in June and December. As I highlighted in my preview of new science fiction releases for 2026, this rapid schedule is unusual, and I’m excited to see how it unfolds.
If you’re yet to experience Hamilton’s classic works, there are various entry points into the remarkable worlds he has created. I recommend Pandora’s Star and its sequel, Judas Unchained, as excellent beginnings. If “epic space opera” resonates with you, these novels are likely a perfect match.
Emily H. Wilson is a former editor of New Scientist and author of Sumerian, a trilogy set in ancient Mesopotamia. The final book in the series, Ninchevar, is currently available. You can find her at emilywilson.com, or follow her on X @emilyhwilson and Instagram @emilyhwilson1.
Last year, I penned an article for New Scientist detailing how a physicist unveiled the precise method to flawlessly cook the Italian classic, cacio e pepe. The emulsion of black pepper, pecorino cheese, and water can often turn clumpy. Ivan di Terlizzi and his team at the Max Planck Institute for the Physics of Complex Systems experimented with cacio e pepe numerous times to perfect a method that guarantees consistent results.
This topic resonated with many readers. When I recently caught up with one of the scientists involved, he suggested the draw might stem from their research’s ability to unveil order in what can otherwise appear chaotic, especially when examined through the lens of mathematics and precision.
While this perspective is captivating, it also carries risks, as C. Thi Nguyen discusses in his book, Score: How to Stop Playing Someone Else’s Game. Formerly a food critic, Nguyen is now a philosophy professor at the University of Utah in Salt Lake City. He cautions that recipes promising flawless results can obscure the essential values of food as “an exercise of taste and preference.”
By employing scientific rigor—exact measurements and meticulous procedures—the outcomes might be repeatable, but this approach diminishes the diversity of culinary experiences and the delightful chaos that food can represent.
Cooking serves as merely one instance illustrating how modern tendencies to systematize and impose order on chaotic realities—often driven by state bureaucracies—can result in less-than-ideal outcomes. Nguyen constructs a vivid image of a world rife with such consequences.
Using his own academic journey as a reference, Nguyen contends with the rankings that universities and magazines impose. In philosophy, these ratings often derive from websites evaluating departments based on criteria like publishing prestige or scholars’ ability to address specialized queries, contrasting sharply with the “wild, unruly questions” that initially piqued his interest in philosophy. He began to sense a phenomenon he labeled “value capture,” where metrics intended to guide us begin to dictate our actions.
Nguyen argues for embracing these intricate rule-based systems by engaging in games as a means to explore and remain open to life’s experiences. This book encompasses a diverse array of his recreational pursuits, from Dungeons & Dragons to rock climbing, yoga, and yo-yo.
He effectively illustrates why choosing to abide by the rules within a game serves as a “spiritual vaccine” against societal pressures to conform to institutional scoring systems, like those found in educational assessments. While the notion that games can save us may seem optimistic, Nguyen compellingly presents it as a refreshing perspective.
Many of Nguyen’s concepts aren’t groundbreaking, drawing from numerous influential philosophers and scholars shaping his thought process—including Tim Marshall’s Prisoners of Geography, which explains the influence of geography on geopolitics, and James C. Scott’s Seeing Like a State, which scrutinizes the shortcomings of scientifically planned societies.
However, Nguyen’s imaginative approach to discussing the core themes of his book ensures the conversation remains engaging and thought-provoking. This work provides a compelling starting point for further exploration.
Ralph Fiennes’ Role in “28 Years Later: The Bone Temple”
Sony Pictures
It’s hard to overstate the impact of 28 Days Later. This groundbreaking 2002 film features Jim the Courier (Cillian Murphy), who awakens from a coma to find Britain devastated by an “angry virus,” a precursor to the past two decades of zombie media. The film serves as a stark reflection of societal decay and chaos.
A new trilogy could have easily followed the original formula, but in 2025, 28 Years Later shatters that mold. Set decades after the initial outbreak, this film revitalizes the series by focusing on Spike (Alfie Williams), a young boy navigating life on a virus-free island amid the ruins of Britain. His journey introduces new species of the infected and intelligent ‘alphas’ like Samson (Chee-Lewis Parry), who exhibit strategic thinking.
The second installment, Bone Temple, written by Alex Garland and directed by Nia DaCosta, shifts its focus to “the Jimmys,” a gang of youth captivated by bloodsports rather than the infected. These characters are stripped of their identities, led by the enigmatic Sir Lord Jimmy Crystal (Jack O’Connell), who dubs them all “Fingers.”
As the story unfolds, the Jimmy family’s troubling regression poses a menace to Spike as well. The harrowing first scene of Bone Temple sees Spike fighting for survival against Jimmy, marking a pivotal moment where an uninfected individual is killed, initially highlighting a crucial distinction.
This film challenges our understanding of the infected. We meet Ian Kelson (Ralph Fiennes), a retired physician and Spike’s ally, who attempts to understand these new beings. He once used morphine to subdue Samson but finds the alpha craves the drug, establishing a reluctant bond between them.
Through shared experiences, Kelson—an anthropologist at heart—investigates the cultural remnants of humanity by creating monuments and reclaiming narratives from desolate towns. His quest prompts profound questions about the consciousness of the infected. “What if you could speak?” he muses. “Do you have memories? Are you evolving?”
As Bone Temple invites us to reconsider the nature of evolution, we ponder whether beings like Samson symbolize a new paradigm. Are they regaining their humanity or transitioning into something uniquely different? As the story progresses, we ask if a cure is possible for these once-infected beings, and whether the lines between human and infected remain clear after decades.
Kelson’s psychological exploration yields unexpected revelations. Upon encountering Jimmy and his gang, he discovers a potential path to healing for the remnants of humanity—infected or otherwise. The profound message of this riveting film is that our understanding of the infected must evolve. As we follow Spike’s journey through this dystopian world, it begs the question: could the infected become humanity’s saviors? With the trilogy’s finale on the horizon, anticipation builds for what lies ahead.
Artificial intelligence is becoming an inescapable reality, seamlessly integrating into our lives. Forget searching for chatbots; new icons will soon appear in your favorite applications, easily accessible with a single click, from WhatsApp to Google Drive, and even in basic programs like Microsoft Notepad.
The tech industry is making substantial investments in AI, pushing users to leverage these advancements. While many embrace AI for writing, management, and planning, some take it a step further, cultivating intimate relationships with their AI companions.
In James Muldoon’s Love Machine: How Artificial Intelligence Will Change Our Relationships, we delve into the intricate connections humans form with chatbots, whether they’re designed for romantic encounters or simply companionship. These AI systems also serve as friends or therapists, showcasing a broad range of interactions we’ve often discussed. New Scientist dedicates 38 pages to this topic.
In one interview, a 46-year-old woman in a passionless marriage shares her experience of using AI to explore her intricate sexual fantasies set in an 18th-century French villa. This opens up broader conversations about utilizing AI in more practical life scenarios, such as during a doctor’s visit.
Another participant, Madison, recounts uploading her late best friend’s text messages to a “deathbot” service, which generates a way for her to maintain communication.
Muldoon’s anecdotes often carry an element of voyeuristic intrigue. They reveal the diverse ways individuals navigate their lives, some paths being healthier than others. What works for one person might prove detrimental for another.
However, a critical question remains. Are we naïve to think that AI services won’t evolve like social media, cluttered with advertisements for profit? Envision a long-term relationship with a chatbot that frequently pushes products your way. What happens if the company collapses? Can you secure backups of your artificial companions, or migrate them elsewhere? Do you hold rights to the generated data and networks? Moreover, there are psychological risks associated with forming attachments to these indifferent “yes-men,” which may further alienate individuals lacking real social connections.
Nonetheless, there are positive applications for this technology. In Ukraine, for instance, AI is being harnessed to help individuals suffering from PTSD, far exceeding the current availability of human therapists. The potential to revolutionize customer service, basic legal operations, and administrative tasks is immense. Yet, Muldoon’s narrative suggests that AI often functions as an unhealthy emotional crutch. One man, heartbroken over his girlfriend’s betrayal, envisions creating an AI partner and starting a family with her.
This book appears less about examining the social impacts of innovative technology and more like a warning signal regarding pervasive loneliness and the critical lack of mental health resources. A flourishing economy, robust healthcare system, and more supportive society could reduce our reliance on emotional bonds with software.
Humans are naturally inclined to anthropomorphize inanimate objects, even naming cars and guitars. Our brain’s tendency to perceive faces in random patterns—pareidolia—has been a survival mechanism since prehistoric times. So, is it surprising that we could be deceived by machines that mimic conversation?
If this provokes skepticism, guilty as charged. While there’s potential for machines to gain sentience and form genuine relationships in the future, such advancements are not yet realized. Today’s AI struggles with basic arithmetic and lacks genuine concern for users, despite producing seemingly thoughtful responses.
Exploring Complex Neurological Effects of Drinking Water
Book Review: Neural Mind: How the Brain Thinks
This is a comprehensive two-part review of an intriguing book. The first part delves into the concepts presented in Neural Mind: How the Brain Thinks, while the second part shares my impressions post-reading.
Understanding Neuroscience’s Fundamental Questions
This book confronts a major inquiry in neuroscience: how do neurons facilitate the vast range of human thoughts—from executing motor actions to articulating sentences and contemplating philosophy?
Distinct Perspectives from the Authors
The authors, George Lakoff and Srini Narayanan, offer unique viewpoints. Lakoff, a retired linguist and cognitive scientist from the University of California, Berkeley, has extensively studied metaphor’s role in human cognition. Narayanan, a senior research director at Google DeepMind in Zurich, focuses on how AI learns languages.
Central Thesis: Interconnectedness of Brain Functions
The central premise of Neural Mind is that the brain employs similar processes for motor functions, language acquisition, and abstract thinking. Lakoff and Narayanan suggest that evolution repurposed existing neural circuits for various types of thinking, revealing profound similarities beneath apparent differences.
Learning Concepts Without Language
This notion becomes clearer when examining how infants and non-verbal animals comprehend basic concepts. Despite individual experiences varying, they universally grasp ideas like up and down, motion and rest, force and resistance—essential for brain representation.
Metaphors Shape Our Understanding
In works like Metaphors We Live By, co-authored with Mark Johnson, Lakoff posits that these foundational concepts underpin the metaphors we use. For instance, emotions are often expressed in physical terms, equating happiness with “up” and sadness with “down.” This metaphorical framework explains why we describe communication as a “conveying” process.
Physical Metaphors and Abstract Thinking
A simplistic interpretation suggests that physical metaphors assist in comprehending complex ideas. However, Lakoff and Narayanan argue that these metaphors are the essence of our thought processes. Given the brain’s evolutionary timeline, early neural circuits initially designed for motor control have adapted for advanced language and thought processing.
The Complexity of Simple Actions
Consider the action of drinking a glass of water—a simple task involving multiple stages. From reaching for the glass to sipping water, each phase requires intricate neural coordination. This complexity is mirrored in our language structure, where simple actions and tenses are systematically categorized.
Metaphors and Creative Thinking
Physical metaphors also influence abstract thoughts. For instance, relationships can be described as “separated,” while state failure might be “collapsing.” While clinging to a single metaphor can constrict thinking, embracing new metaphors fosters creativity and innovation.
Future Research and Challenges
Testing these theories is challenging. Lakoff and Narayanan propose models of the brain’s circuit architecture, yet we lack a complete neuron-level map of the human brain. It may take years before their hypotheses can be rigorously validated.
Final Thoughts on Neural Mind
Despite its complexities, Lakoff and Narayanan present compelling arguments worth considering. However, the readability of Neural Mind is debatable, with its repetitive structure and disjointed thoughts making it a demanding read. Important ideas sometimes feel rushed, and the prolonged sentences can be overwhelming. Ultimately, while the book is insightful, it may be better to explore summaries rather than tackle the original text directly.
— Michael Marshall, Writer based in Devon, England
The emergence of antibiotic resistance genes presents a significant and escalating threat to global public health. A comprehensive review from scientists at Hohai University delves into the evolutionary origins, ecological factors contributing to the spread and proliferation of antibiotic resistance genes, and their broader environmental implications.
The evolution of antibiotic resistance genes is linked to unique physiological roles and ecological compartmentalization. Image credit: Xu et al., doi: 10.48130/biocontam-0025-0014.
Antibiotic resistance genes have become one of the most critical global challenges to public health, increasingly spreading across interconnected environments involving humans, animals, and the ecosystem.
These genes have been identified in some of the most pristine and extreme habitats on Earth, such as the depths of the Mariana Trench and ancient permafrost deposits, where they have remained unaffected by human-induced antibiotic exposure.
This pervasive distribution indicates that these bacteria evolved their antibiotic resistance capabilities millions of years before antibiotics were ever utilized in clinical or agricultural contexts.
“Antibiotic resistance is not a modern phenomenon,” states Guxiang You, Ph.D., corresponding author of the review.
“Many resistance genes initially evolved to enable bacterial survival under environmental stresses, long before the advent of antibiotics.”
“The pressing danger today is that human activities are disrupting natural barriers, facilitating the spread of these genes to harmful pathogens.”
“Many resistance genes stem from common bacterial genes that perform essential roles, such as the excretion of toxic substances or nutrient transport,” the researchers elucidated.
“Over time, these genes have acquired protective capabilities against antibiotics as a secondary feature.”
In natural ecosystems like soils and lakes, most resistance genes tend to remain confined within specific microbial communities, posing minimal risk to human health.
“The primary reason for this containment is genomic incompatibility,” they noted.
“Bacteria with significant genetic variations often cannot easily exchange and utilize resistance genes.”
“This natural genetic mismatch serves as a biological firewall, limiting the transmission of resistance across different species and habitats.”
“However, human actions are compromising this firewall.”
In their review, the authors emphasize how agriculture, wastewater discharge, urbanization, and global trade are increasing connectivity between once-isolated environments.
Antibiotics used in medicine and livestock create intense selection pressures, while fertilizer use, wastewater recycling, and pollution foster the interaction of bacteria from soil, animals, and humans.
These factors facilitate the infiltration of resistance genes into disease-causing microbes.
“Human-induced changes in habitat connectivity alter everything,” explained Dr. Yi Xu, the lead author.
“When bacteria from disparate environments come into repeated contact under antibiotic pressure, previously harmless resistance genes can transform into a significant public health menace.”
“Wastewater treatment plants have been identified as crucial hotspots where high bacterial populations and antibiotic residues promote genetic exchange.”
“Agricultural lands enriched with fertilizers also serve as conduits, enabling resistance genes to transfer from livestock to environmental bacteria and ultimately back to humans via food, water, or direct contact.”
Critically, scientists note that not all resistance genes pose equal threats.
High environmental abundance does not automatically equate to high risk.
Identifying which genes are mobile, compatible with human pathogens, and linked to diseases is vital for effective monitoring and control efforts.
Researchers advocate for ecosystem-centered approaches to combat antibiotic resistance.
Proposed strategies include minimizing unnecessary antibiotic use, enhancing wastewater treatment methods, meticulously managing fertilizers and sludge, and safeguarding relatively untouched ecosystems that offer a baseline for natural resistance levels.
“Antibiotic resistance extends beyond being solely a medical issue,” remarked Dr. Yu.
“It is deeply connected to ecological factors and our interactions with the environment.”
“To preserve antibiotics for future generations, we must maintain the integrity of our current ecosystems.”
“By incorporating evolutionary biology, microbial ecology, and environmental science, the One Health approach provides a pragmatic pathway to tackle one of the greatest health challenges we face today.”
Source: review published in the Online Journal on December 5, 2025, Biological Contaminants.
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Yi Shu et al. 2025. Evolutionary origins, environmental factors, and consequences of the proliferation and spread of antibiotic resistance genes: A “One Health” perspective. Biological Contaminants 1: e014; doi: 10.48130/biocontam-0025-0014
Video games in 2025 offered a plethora of unique and spectacular experiences, from a whimsical world brimming with magical creatures to an impressively detailed depiction of feudal Japan. Yet, as the year winds down, some intriguing highlights emerge. The psychological horror title “Sleep Awake” centers around synth rock innovator Gary Numan, who takes on the rather dull role of a colossal floating head known as Hypnos.
This unexpected cameo doesn’t fully represent the overall tone of the game. The hours leading to Numan’s appearance are filled with melancholy rather than chaos. Players navigate through the decaying streets of what may be the final city on Earth. This setting showcases a remarkable level of creativity. The story unfolds through the perspective of a young woman named Katya, who traverses rooftops, surveys the desolate wasteland, and delves into convoluted alleyways. The darkness and surreal logic echo the haunting underground engravings of Italian artist Piranesi.
How did Earth become so uninhabitable, leading to the extinction of life? That’s a mystery we’ll never uncover. Instead, Katya grapples with immediate dangers. Falling asleep poses a threat of vanishing into a bizarre, unreachable realm due to a condition known as Hush. Like others endlessly fatigued in this world, Katya instills arousal serum drops into her eyes. Instantly, she is flooded with psychedelic visions and a riot of colors. It appears her plans are slipping away, much like everyone else’s. The remnants of society have been obliterated by the sleep-deprived paranoia of rival factions.
Initially driven by a desire to care for an aging relative, Katya navigates the game’s haunting, decaying environments from a first-person viewpoint. At one stage, you find yourself on a cultist’s territory, wearing a gas mask, prompting you to sneak past them by crouching under walls or surfaces to stay out of sight. But the tension is minimal; enemies follow predictable patrol paths with extremely wide detection ranges. Ultimately, this makes for a lackluster game of hide and seek.
“Sleep Awake” further disappoints in its gameplay innovation. Tasks include rolling a cart to short-circuit an electrical breaker and locating conveniently placed keycards to unlock doors. Gradually, the city’s illumination fades, revealing that you are progressing through a beautifully adorned tunnel. Surprisingly, this tunnel resembles an amusement park ghost train—light, engaging, but not particularly frightening.
This is unfortunate because “Sleep Awake” is visually striking. The exploration is interspersed with dark yet gorgeous FMV sequences, showcasing eerie silhouettes of trees against a blood-red sky and showcasing bubbling liquids in extreme close-up. At times, these unsettling visuals blend seamlessly with actual 3D environments, achieving a beautifully surreal arthouse aesthetic. This surreal vibe extends to the death screens, where being struck in the head by an enemy causes you to step out of darkness toward a brilliantly lit door. As you do so, the space morphs in real-time, resembling a hallucination, culminating in an auto-save.
The death screen stands out as a rare instance where “Sleep Awake” captures something reminiscent of dream logic and the peculiar, blurred moments between states of wakefulness and sleep. Most of the time, this narcoleptic nightmare merely showcases its psychedelic aesthetics (complete with the floating Numan), lacking interactive depth. Overall, it’s too straightforward and lacks intrigue in critical areas. You might find yourself ready to sleep now.
IIn a frigid lab teeming with experimental life forms encased in cryogenic slumber, metal boots crush the frost beneath them. A solitary bounty hunter clad in a recognizable orange exosuit aims his blaster ahead. As you navigate towards the facility’s generator, you examine doors, search for hidden entrances, broken hatches, and concealed keys, pondering whether you truly grasp the chaos awaiting once this place begins to collapse. Every rattle and creak resembles a long-slumbering beast awakening from its pod. Yet, Samus Aran has never possessed fear, so she delves further.
This segment of Prime 4 encapsulates classic Metroid vibes. It’s atmospheric, eerie, desolate, perilous, and enigmatic. Samus, Nintendo’s iconic hero, shines brighter than ever, showcasing a new superpower that imbues her suit with a pulsating purple glow. (I’ve captured a multitude of screenshots of her looking undeniably cool across the game’s various planets.) While she can be maneuvered with dual analog sticks, it feels even more intuitive when using one of the Switch 2’s remotes aimed at the screen. Alternatively, you can operate it like a mouse on a desk or in your lap, but I found my wrist aching after prolonged use. She can morph into a rolling ball, telekinetically shift statues into position, and ride a high-tech, transforming motorcycle across lava and sand, traversing abandoned sites on a distant planet to reveal the lost wisdom of a bygone civilization.
Indeed, classic Metroid Prime elements abound. It’s a sentiment I’ve missed since these atmospheric journeys took a break in 2007. The focus is on gradually introducing new abilities and gadgets. The Giger-inspired aesthetics shine through. Methodically scanning everything with Samus’ visor for hints is expected. The leisurely exploration is routinely shattered by sudden, chaotic encounters as robots and aliens descend. Dazzling sights, including gigantic boss creatures, vast deserts beneath a relentless alien sun, and spectral wolves emerging from a snowy tempest, unfold dramatically.
Surprisingly, amidst the familiar spirits of the Metroid series, I noticed echoes of Nintendo’s other dormant sci-fi franchises. If you’re yearning for long-lost sequels to F-Zero or Star Fox, they may not be present, but hints are scattered throughout. Within the levitating controls of Samus’ bike and her cyberspace training arena, flying entities sometimes materialize before you, enabling you to target them and unleash explosive laser discs.
Nonetheless, there are aspects that do not have the Metroid essence, often detrimentally. It seems that someone at Retro Studios or Nintendo was concerned players might feel lost, so Samus has a companion suggesting directions. The rescued engineer Miles McKenzie faced significant criticism during previews for Metroid Prime 4. Understandably, he’s visibly irritated, delivering a series of Joss Whedon-style dialogues as he gazes at Samus, who can only assume is silently judging him. Fortunately, he only lingers for the initial 15 minutes before being trapped in the base camp at the conclusion of the game’s first zone, granting Samus (and the player) the freedom to explore uninterrupted.
The patient’s exploration is disrupted by a sudden, chaotic surge. Photo: Nintendo
Apart from a few unwelcome nudges during my extensive desert explorations, Miles didn’t reappear unless I called for assistance. (In the vast abandoned facility dominating the game, his radio signal is distorted, so he can’t offer guidance even if he wished to.) However, Samus encounters more stranded soldiers as the game progresses. all of them proved bothersome, frequently interrupting your explorations with soundbites and unwarranted advice. Meanwhile, the desert linking various areas sadly feels barren. Particularly in the latter segments of the game, a tedious back-and-forth walk across this expansive terrain becomes distinctly un-Metroid (and less enjoyable) when compared to the constricted corridors and tense space station confrontations found in other sections.
Metroid Prime 4 frequently evokes the feel of a game from 15 years past. I emphasize that, overall, this is a positive aspect. Surprisingly, it avoids many pitfalls of contemporary game design. Ironically, the lengthy wait for Prime 4 rendered what might once have seemed tiresome or outdated into something delightfully retro. The methodical gameplay rhythm and the anticipated structure of defeating five distinct boss creatures in five obvious arenas to secure five different keys comes off as nostalgic. However, certain elements are less forgiving, like inconsistent autosaves. It’s frustrating to experience an accidental death and then face a restart of 30 minutes worth of exploration in a molten weaponry facility. do not have fun.
Had Metroid Prime 4 been released in 2010, I might have found it disappointing. However, following an extended hiatus, I’m thrilled to engage with this retro gameplay approach – slow, painstaking, and occasionally frustrating. This serves as a reunion, rather than a revival of the Metroid Prime series. While some of the new features may not resonate, the classics shine just as brightly as ever.
Beatie Wolfe (left) and Brian Eno prepare for the launch of their latest album.
Cecily Eno
liminal Brian Eno and Beatie Wolfe, Verve Records
One sunny October day, I found myself in a field in New Jersey, gazing up at a giant metallic marvel. I was at the Holmdel Horn Antenna, and I can confidently say it was the most peculiar album launch I’ve ever experienced. Beside me stood Nobel Prize laureate Robert Wilson, the astronomer who reshaped our understanding of the universe. In 1964, he and his colleague Arno Penzias uncovered the cosmic microwave background radiation (CMB), a faint energy signature permeating the cosmos and a significant confirmation of the Big Bang theory.
In addition to this cosmic radiation is liminal, the third installment in a trilogy of albums by ambient music innovator Brian Eno and conceptual artist Beatie Wolfe. Wolfe and Eno refer to their album as “dark matter music,” a fitting description for the enigmatic yet captivating tracks it encompasses. “This album ties everything together, bringing forth the unseen elements surrounding us,” says Wolfe. Eno elaborates, “There’s a notion that the universe teems with entities we cannot perceive.”
Wilson and his colleague Greg Wright repurposed the Holmdel Horn, transforming the 16-ton antenna from a receiver to a transmitter. We leaned over the signal modulator, attempting to catch a glimpse of Wolfe’s resonant voice through the tiny apparatus. “Beatie’s voice possesses a beautiful, rich undertone that’s often elusive,” Wilson noted. But through the horn, the authentic recording emerges, even if it’s inaudible from where I stood.
“The beam width measures around 1 degree, thus any triangulation will diminish the signal before it escapes Earth’s orbit,” Wilson explained. He asserted that the album’s signal is potent enough to resonate within low Earth orbit, but by the time it reaches the moon, it will be drowned out by the CMB.
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Brian Eno expresses that the album evokes the notion that the universe brims with things we cannot detect. “
Wright and Wilson directed their horns skyward, ready to transmit a message: liminal to the stars. The album depicts a surreal landscape, with layered synths and guitars creating lush ambient tracks, interspersed with songs that showcase Wolfe’s poignant vocals. The immersion is surreal, nearly impossible to articulate—listening felt like the sensation of slipping off a ship and drifting into the vastness of the ocean in a liberating manner.
Following the release of two albums earlier this year, Luminal and Lateral Direction, this work completes the trilogy. “Frequently, when I revisit my work, I struggle to recall how I crafted it,” Wolfe admits. “Including who actually generated the sounds,” Eno adds. “It’s akin to having an intriguing dialogue with someone; you often forget the nuances of how it unfolded.”
The album flows like a conversation, transitioning between dynamic yet tense tracks such as matrix, coupled with foreboding robotic lyrics amidst a whirlwind of drones. Then it evolves into something all-encompassing and deeply evocative, epitomized by little boy—Eno’s favored track.
“Over the past 70 or 80 years, the most significant development in music has been the ability to create new sonic realms that only exist in a fictional sense,” he explains. “One could employ a year-long reverb or fabricate an infinitely expansive space. What we aim to explore is these novel environments and the experience of existing within them.”
While it’s common to label ambient music as “otherworldly,” liminal offers more than that. Its edges lack polish, rendering the human voice and imperfections audible. “Recognizing that different individuals contributed to these creations was crucial,” says Eno. “Interestingly, this view contributes to my skepticism about AI. While I admire AI-generated content, I often feel a void when I realize it was produced by a machine.”
When I inquired whether they believed someone in space might hear their music after transmitting it, they surprised me by revealing they don’t really consider their audience during the creative process. “The beauty of this music lies in the fact that we weren’t focused on anyone while crafting it. We created it simply because it felt enjoyable, thrilling, and exploratory,” Wolfe reflects.
“Play is integral to science, just as it is to art. All the scientists I know are driven by their fascination. It’s the same underlying motivation, as they feel they’re uncovering something profound and significant.”
I recall Wilson, standing in the room where he transformed our comprehension of the cosmic timeline, smiling at his laptop as he discussed the current state of music. It is stretching out beyond the Moon, mingling with the rest of the dark matter on its journey to the constellation Canis Major.
In his book Quantum 2.0: The Past, Present, and Future of Quantum Physics, physicist Paul Davies concludes with a beautiful reflection: “To grasp the quantum world is to catch a glimpse of the grandeur and elegance of the physical universe and our role within it.”
This enchanting and romantic viewpoint resonates throughout the text. Quantum 2.0 presents a bold attempt to elucidate the fringes of the quantum universe, with Davies as an informed and passionate storyteller. However, his enthusiasm occasionally edges toward exaggeration, with his remarkable writing skills often compensating where more direct quotations might have been fitting.
Davies’ book is quite accessible, despite its ambitious aim of covering nearly every facet of quantum physics. He addresses quantum technologies in computing, communications, and sensing, touches on quantum biology and cosmology, and manages to explore various competing interpretations of quantum theory.
There are no equations in Quantum 2.0, and while some technical diagrams and schematics are included, they do not detract from the reading experience.
As a writer on quantum physics myself, I appreciate how clearly Davies articulates the experiments and protocols involved in quantum information processing and encryption—a challenging task to convey.
As a navigator through the quantum realm, Davies serves as a delightful and amiable companion. His genuine curiosity and excitement are palpable. Yet, this exuberance doesn’t always align with the rigor that contemporary quantum physics research demands. In my view, most quantum-related excitement should come with cautionary notes.
“
Readers unfamiliar with quantum research might confuse speculative claims with the truth. “
For instance, within the first 100 pages, Davies asserts that quantum computers could enhance climate modeling—an assertion not widely accepted among computer scientists and mathematicians, especially concerning near-future machines.
In another section regarding quantum sensors, he mentions manufacturers proposing their utility in evaluating conditions like epilepsy, schizophrenia, and autism. I anticipated a justification or insights from experts outside the sensor industry, but the ensuing discussion was lacking in depth and critical analysis.
Additionally, the example Davies provides to demonstrate quantum computers’ advantages over classical ones dates back several years.
Less experienced readers in quantum research may find some of Davies’s speculative statements misleading, although the book remains an engaging read. This is underscored by bold assertions such as, “Whoever masters Quantum 2.0 will certainly control the world.”
To clarify, I don’t dispute Davies’ sentiments. Many gadgets that influence our lives currently depend on quantum physics, and the future may usher in even more quantized technology. I support this notion.
Emerging fields, such as quantum biology and better integration of quantum and cosmological theories, also seem poised for significant breakthroughs. Just ask the numerous researchers diligently working toward a theory of quantum gravity.
However, conveying this future to newcomers necessitates a blend of precision and subtlety in storytelling and writing.
Otherwise, the outcome may lead to disappointment.
When posed with the question of the greatest episode in TV history (a regular discussion among my patient friends), “Ozymandias,” from Breaking Bad, often comes to mind. This episode, a pinnacle in storytelling, acting, and direction, encapsulates the harrowing tale of a chemistry teacher turned meth producer after a cancer diagnosis.
Being part of a flawlessly executed episode is a substantial legacy. Creating two monumental series like Breaking Bad and its companion Better Call Saul has entirely revolutionized television. Vince Gilligan, the brilliant showrunner, has proven his mettle and with Pluribus, his intriguing new sci-fi series for Apple TV, there’s little left for him to prove.
Having viewed the first six episodes of this nine-part season, I can affirm that the series is crafted with remarkable confidence, maintaining an engaging grip through its intricate plot twists and immersive world.
Carol (Rhea Seehorn, veteran of Better Call Saul) is the writer behind Waikalo Wind, a popular series of pirate-themed novels. While her successes afford her a comfortable living, she’s plagued by creative stagnation. However, her life is about to take a darker turn.
During a book tour with her agent and partner Helen (Miriam Shor), a strange incident occurs—everyone around Carol suddenly experiences a seizure. Once the episode subsides, they find themselves in an entirely different reality, leaving her as one of the few unaffected. This anomaly may be connected to a peculiar radio signal that was detected 439 days earlier, pulsating a base-4 rhythm every 78 seconds from 600 light-years away.
“
Can a society become utopian without the consent of its citizens? Even if one person feels trapped, is it still a utopia? “
Unbeknownst to Carol, the rest of humanity revels in liberation from trivial grievances and desperately wishes for her to join them.
I understand their obsession with her. Even prior to her becoming the world’s unhappiest individual, her cantankerous demeanor is captivating. She reminds me of Paul Sheldon in the film Misery, though disturbed by adoring fans, Carol is scrutinized by billions. Her fellow humans serve her unwaveringly as they seek to decipher her differences and remedy her situation. Eventually, she begins to navigate the rules of this new world and discovers she possesses more agency than she initially believed.
Pluribus poses many compelling questions. Can a utopian society exist without the agreement of its members? Is it still utopia if one feels isolated? Besides Seehorn’s stellar performance, the series is commendably character-focused, noticeably dedicating time to moments like a character attempting to conceal a body. There’s an organic pacing to the story development, leading to unexpected turns.
Despite having seen the majority of the first season, the direction of Pluribus remains enigmatic. Some viewers may find this ambiguity off-putting, and its deliberate pace could polarize opinions. However, I find it exhilarating, as it subverts typical big-budget sci-fi conventions.
With a second season assured, it’s certain to cultivate its own “Ozymandias” moment if it gains traction.
I also suggest:
Breaking Bad Vince Gilligan
Need more proof of Vince Gilligan’s prowess? Check out his debut masterpiece. The tale of a chemistry teacher turned meth manufacturer is a gripping five-act tragedy, illustrating one of television’s most remarkable antiheroes.
Outlander Adapted by Ronald D. Moore
There are significant moments in Pluribus reminiscent of character dynamics in Outlander, where rearranging a bookstore serves to provide characters interaction through literature. Diana Gabaldon’s Outlander may not be as visually depicted in the books, but the TV rendition is exceptional.
Bethan Ackerley is an associate editor at New Scientist. She enjoys science fiction, comedy, and anything creepy. Follow her at @inkerley
In today’s landscape of live service “Forever Games,” it seems almost outdated to view the annual release of a new Call of Duty title as a significant occasion. Yet, Black Ops 7 emerges as a fresh assault of stunning military shooting action, merely a year after its immediate predecessor. This latest installment takes place in the dystopian year of 2035, where a global arms manufacturing firm named Guild claims to be the sole solution to a looming apocalyptic terrorist threat. But are things really that straightforward?
The response is a resounding “No!” Black Ops serves as the paranoid, conspiracy-driven cousin to the Modern Warfare series, drawing inspiration from ’70s thrillers like The Parallax View and The China Syndrome, while incorporating concerns from the Vietnam era related to rogue CIA operatives and unusual psychological tactics. This campaign mode, which comprises just a quarter of this year’s storyline, presents a surreal exploration of sociopolitical themes such as psychotic companies, hybrid warfare, robotics, and high-tech oligarchy. The result is a deafening barrage of explosive gunfight set pieces in exotic locales, placing our four main characters—members of an ultra-elite special forces unit—under the influence of psychotropic substances as they navigate their darkest nightmares. Fortunately, they wield advanced weaponry, cutting-edge gadgets, and enough light-hearted banter to destabilize an entire nation. It’s chaotic, uncompromising, and incredibly entertaining, especially when experienced in co-op mode with three equally reckless friends.
In an intriguing twist, the campaign concludes with a new mode called Endgame. This cooperative PvE (player vs. environment) feature is inspired by the endgame content found in MMO (massively multiplayer online) games, such as World of Warcraft, and is intended to keep players engaged even after reaching maximum levels. In this Call of Duty iteration, players arrive in the fictional city of Avalon, undertaking missions to defeat high-value targets and safely escort valuable military technology across a vast open world. As you progress, you’ll upgrade your characters and weapons, with Activision promising new missions and objectives that will likely introduce public events where teams collaborate to take down megabosses. Only time will reveal the true potential, but for now, it’s an excellent way to extend the campaign and gear up for online action.
Future War … Call of Duty: Black Ops 7. Photo: Activision
Make no mistake, the core of the game lies in traditional multiplayer, introducing fresh modes, firearms, and gadgets to the classic Call of Duty experience. Twelve players engage in frenetic skirmishes within confined spaces in a mechanized bloodbath. New maps, such as those set in a Tokyo-inspired shopping area or a deep-sea oil rig, are masterfully crafted death chambers, featuring alleyways, high windows, and plazas that strategically lead players toward confrontation. My favorite is the Alaska Basemap, where moving platforms turn capturing objectives in Domination and Hardpoint modes into a fascinating challenge. Additionally, a new wall-jumping feature enhances the verticality of maps, enabling players to discover new paths through intricate structures. If you’ve never appreciated the high-paced brutality of the Call of Duty online experience, this likely won’t change your opinion, but for veterans of the carnage, there’s plenty to relish.
Then there’s the Zombies mode—an additional online co-op feature set within a nightmarish landscape filled with abandoned frontier towns and irradiated wastelands. Players must endure endless waves of undead foes while upgrading their weaponry and abilities. This iteration returns to the round-based format of earlier Zombies entries, offering new weapons and features, including the ability to traverse different areas in a pickup truck while blasting away at rampaging zombies from the hood. It feels like an exhilarating amusement park ride, and it’s a thrill to join forces with friends who share the same passion.
Additionally, there’s Dead Ops Arcade 4, a standalone top-down twin-stick shooter for up to four players. This extra mode began as a side project by original Black Ops team members and is cleverly hidden within the main game. It’s back and just as exciting as ever, evoking memories of classic multi-directional shooters like Smash TV and Geometry Wars. Between stages, players can also engage in mini-games that explore various genres, such as top-down racing and side-scrolling shooters, ensuring that even casual players can join in on the fun.
With all this, don’t forget the usual updates to the battle royale mode Warzone, creating a robust package for Call of Duty aficionados. Regardless of your views on the series and its complex role in the broader gaming industry, as well as its community, it delivers sophisticated and exhilarating entertainment. Where else can you find yourself exploding massive robots in a state-of-the-art science lab one moment and then enjoying a modern twist on Atari’s Super Sprint the next? In today’s gaming landscape, value reigns supreme, and like everything else, Call of Duty does not hold back in this department. It stands as a maximalist celebration of the chaotic truths of video game design. It’s a load of fun to shoot on-screen.
“We are not just composed of human cells and microorganisms, but fragments from others as well…”
Lois Fordham/Millennium Images
Hidden Guests Translated by Lise Barnoud and Bronwyn Haslam, Greystone Books
Although my children were conceived using donated eggs, one might presume we lack any genetic connections. Yet, science confirms that this assumption is not entirely accurate.
Research reveals that during pregnancy, fetal cells traverse the placenta and integrate into the mother’s body, affecting various organs. Likewise, my mother’s cells—and even those transferred from her to me—can also reach my children. With an older sister, the cellular sharing could potentially be even more extensive. Her cells may have crossed into my mother, then to me, and subsequently transferred to my children.
This intriguing concept and its ramifications—that we are holobionts, consisting not just of human cells and microbes but also fragments of other cells—lie at the core of the book. Hidden Guests: How Cell Migration and the New Science of Microchimerism Are Redefining Human Identity by Liz Barneau.
Barneau not only documents the serendipitous discovery of these microchimeric cells but also discusses how cultural and political factors have shaped their interpretation. The notion that pieces of a parent, sibling, or even a fetus reside within our bodies or minds can elicit a spectrum of emotions.
“Some find solace in feeling connected to deceased loved ones, while others worry about renewed control exerted by men,” she notes, referencing claims by some anti-abortion advocates that fetal cells “haunt” women post-abortion, causing illnesses and punishing them.
Fortunately, Barneau primarily focuses on scientific evidence. She chronicles the journeys of researchers through their errors, inquiries, and breakthroughs, illustrating how cells derived from fetuses can have both beneficial and detrimental effects. While these cells might facilitate tissue repair and combat tumors, they are also implicated in autoimmune disorders. Barneau handles the more sensitive topics with care, describing how the cells of an aborted fetus can persist in a woman’s body for decades.
Additionally, she explores how their presence can disrupt traditional genetic inheritance patterns, unveiling remarkable biological enigmas. For instance, a woman may use her own eggs to conceive all her sons, yet only a third of her sons may exhibit shared genetic features. Alternatively, a woman with hepatitis C might possess numerous liver cells that correspond to DNA from two former partners, potentially linked to an aborted pregnancy years before. There’s also the case of an Olympic cyclist who tried to explain a suspicious blood type mix by claiming “vanishing twins,” referring to fraternal twins whose DNA merges in utero.
“
The existence of microchimeric cells could create extraordinary biological mysteries “
Hidden Guests is clearly articulated and full of insightful analogies. Journalist Barneau likens microchimeric cells in our bodies to stars in distant galaxies that “bear molecular signatures distinct from ours.” She draws parallels stating that blaming a cell for a tumor’s growth is akin to assigning fault for a fire to a firefighter.
Many revelations await readers. Spoiler alert: Barneau encourages contemplation on the fact that, just as donor cells migrate from a transplanted organ to various parts of a recipient’s body, cells containing a partner’s genetic material can enter blood and lymphatic vessels surrounding the vagina, embedding themselves across the body or brain.
This genetic ambiguity, wherein cells journey back through familial lines, can indeed be perplexing. Nevertheless, Barneau excels at elucidating the current landscape of this nascent field and its significant implications for both medicine and human identity without veering into speculation. She adeptly unravels the long-standing perspective of “one individual, one genome” in an engaging manner.
As a mother who once believed I lacked any biological link to my children, I now realize: Hidden Guests is scientifically enthralling and profoundly reassuring. Barneau enlightens us that we carry traces of others within us. Thanks to her insights, I eagerly anticipate the future developments in this field.
Helen Thomson, a writer based in London, columnist for New Scientist
Claire North is a well-established author, known for writing under multiple names, but this is their inaugural foray into traditional science fiction that includes spaceships. I found the title slow gods intriguing, and the cover art appealing. I entered the narrative with elevated expectations.
It kicks off with: “My name is Maukana na Vdnadze, I am a very poor copy of myself.” A fantastic beginning.
However, I felt a bit lost after about 60 pages. While the story is crafted in a grand space opera style filled with timelines, cultures, and names—typical of the genre—I hadn’t formed a connection with the protagonist yet. The main character is an exceptional deep space pilot but struggles with a troubling history of causing fatalities. Perhaps my mood affected my reading experience. I persisted a little longer, and when the main character, Mau, encountered another figure named Gebre, I started to feel more engaged.
I’m inclined to take a leap here: please read this book. If science fiction is your thing, you’ll likely appreciate it. If you’re unsure initially, as I was, feel free to move on.
I actually have some space to elaborate on my thoughts. It’s been ages since I’ve enjoyed a science fiction piece so thoroughly. Yet, it’s more than just amusement; it’s also deeply emotional and impactful—well articulated.
North shines in creating characters with depth, along with intricate world-building and expansive plots that span galaxies. There’s humor woven throughout, and in the tradition of Ian M. Banks, there are delightful AI entities and drones that contribute to the comedic elements.
“ slow gods presents formidable villains with malicious intent and lethal weapons, including the “Black Ships” that raze cities. “
Maw is a remarkable protagonist. As a reader, it’s refreshing to have no clear idea of what the protagonist might be capable of, contemplating that it could be quite dramatic. In a pivotal moment during his first mission as a pilot, Maw dies and continues to resurrect multiple times, provided that no one witnesses or mourns his remains. It raises questions about whether Maw retains humanity or has transformed into something different.
Returning to the encounter with Gebre… Maw accepts the mission to pilot a vessel to Ajmir, a planet poised for destruction due to the impending collapse of its binary star system, LK-08091881.
A mysterious, god-like machine known as Slow had been issuing warnings about the imminent collapse of the star system, with shockwaves traveling at light speed, endangering all life within an 83 light-year radius. Unfortunately, the affected populace’s reactions were inconsistent at best. By the time Mau landed on Ajmir on its final day, countless individuals remained, hoping to win a lottery for a chance at escape.
Upon his arrival, Mau meets Gebre Netyu Chatitymska Bajwala. Currently, Gebre is somewhat “innumerable,” yet they focus less on that and more on preserving significant artifacts for future generations to understand Ajmir’s true history.
Gebre is an intriguing character, and Maw finds himself attracted to them. What steps can he take to protect Gebre? Or will he seek revenge? The groundwork has been laid.
It’s pertinent to mention that “Shines” exist as formidable villains with hostile dispositions and lethal weaponry, including “black ships” and super soldiers capable of nearly invisible city destruction.
Slow Gods often reminded me of Banks’ culture series, making it a natural “also recommended” option. I typically recommend The Player of Games to newcomers to the culture series, as it serves as an accessible starting point, being the first of Banks’ works in this universe. It follows a character named Horza, who possesses the ability to transform into perfect replicas of others. What else is there to wish for?
Emily H. Wilson is a former editor of New Scientist and the author of the Sumerian trilogy, set in ancient Mesopotamia. The concluding novel, Ninshubar, has been released. You can find her at emilywilson.com, on X @emilyhwilson, and on Instagram @emilyhwilson1
YYou can picture the home fans belting out their chants at the Stadium of Light. “Top of the league, you’re smiling!” Until this afternoon, your Liverpool squad boasted a five-point advantage at the summit, but in the 82nd minute, they’re trailing by two. You might question where Mo Salah misplaced his finishing skills or why Virgil van Dijk has seemingly forgotten how to tackle. However, this is not on the players; the responsibility lies with you. You fix your gaze on the tactical screen, pondering which of the numerous adjustments could potentially alter the course of this disheartening match.
Football Manager has consistently served as a data-centric alternative to the visually stunning FIFA series (now EA Sports FC), yet the latest versions are beginning to close the visual gap. The 3D rendered match highlights have been revamped using the new Unity engine, and the results are remarkable. Premier League derbies, Champions League finals, and even away clashes in the North East now carry visual significance, despite replays and key moments occasionally dragging on. While you won’t hear fully orchestrated FIFA-style chants ringing throughout the stadium, the atmosphere is tangible, with your imagination filling in the empty spaces.
Specific influences on tactics …Football Manager 26. Photo: Sega
This new engine and enhanced match experience are the most significant indicators of Football Manager’s future direction. Nevertheless, visual improvements go beyond mere aesthetics; they have a substantial effect on tactical decisions. As you observe the match, you can analyze player movements on the field and make real-time adjustments. Yet, data-driven metrics remain crucial when you’re desperately aiming to turn the tide in front of a raucous crowd of 45,000 Mackems. You can also modify your build-up tactics to counter the press or overload one side with overlapping runs. The possibilities are endless, and you’ll be eager to experiment with them all.
The most significant change lies in the differentiation of tactical strategies when in possession versus when not in possession. This marks the most substantial overhaul in a decade and appropriately reflects the intricacies of modern gaming. You can now completely alter formations, rearrange player positions, and issue detailed instructions that vary based on which team controls the ball. Want to switch your full-backs as you enter the final third? Not only can you do this, but they’ll promptly revert to their original positions when Alexander Isak is taken down on the edge of the box.
However, there is a notable teeth problem. Following a year off to transition to a new engine, Football Manager 26 still feels somewhat unrefined. A series of hotfixes have been rolled out to address some of the more glaring bugs, yet several persist, such as duplicated UI elements, secondary players entering the pitch in jerseys, and menu glitches that hinder progress.
Between matches, adapting to the new UI will take some time. Notably, key screens that were once easy to access are now a few clicks away. All the same information is available, just in slightly altered positions (especially with the introduction of a women’s league). Re-learning years of muscle memory can be frustrating, and additional customization options would be beneficial, but this is a minor grievance that will be resolved over time.
Despite these challenges, this is still Football Manager, complete with intricate tactics that will keep you engaged. Thanks to an updated tactic and match engine, it has never been simpler to make the perfect tactical adjustments to stage a dramatic comeback and silence overconfident home fans. Football Manager 26 offers immediate feedback on split-second choices and allows you to envision enduring rivalries that can stretch across several seasons. And the exhilaration of scoring three goals in the final five minutes to triumph over Sunderland is unparalleled.
Apple’s affordable Watch SE has received almost all the enhancements of the superb mid-range Series 11, yet it is priced around 40% less, making it an excellent value smartwatch for iPhone users.
The new Watch SE 3 begins at £219 (€269/$249/AU$399), positioning it as one of the most affordable fully-featured smartwatches compatible with iPhones, significantly cheaper than the £369 Series 11 and the premium Apple Watch Ultra 3 at £749.
The SE series has seen periodic updates, and while it has offered good value, it has missed key features that enhance Apple’s other watches. The most significant improvement in the Watch SE 3 is the always-on display, aligning it with the Series line and allowing you to view the time and notifications at a glance, eliminating the need to raise your wrist to activate the screen.
The Flow watch face is displayed when the screen is on (left) and the time remains visible when idle and in always-on mode (right). Photo: Samuel Gibbs/The Guardian
The SE 3 follows the older Apple Watch design seen in the 2020 Series 6, featuring a smaller display and thicker bezels, with options for 40mm or 44mm case sizes compared to the latest series watches. While it doesn’t shine as bright as the pricier models in direct sunlight, it remains sharp and appealing.
Equipped with the same S10 chip as the Series 11 and Ultra 3, the SE 3 provides a similar responsive experience. It also includes excellent touch-free gestures like double-tap and wrist flick to effortlessly dismiss notifications, timers, and alarms.
Furthermore, the watch supports all the standard Apple Watch functionalities found in watchOS 26, such as contactless payments via Apple Pay, detailed notifications, music playback controls, third-party apps, and various watch face options.
The SE 3 runs all the same applications and services as its pricier counterpart. Photo: Samuel Gibbs/The Guardian
The SE 3’s battery life falls slightly short of that of the Series 11, lasting approximately a day and a half under typical usage, which includes one night of sleep tracking. Many users may need to recharge it every other day, especially if they monitor workouts. The SE 3 allows for up to 7 hours of GPS and heart rate tracking during running, which is sufficient for a marathon. Charging fully with the magnetic charger takes about 1 hour, reaching 70% in 30 minutes.
Connectivity: Bluetooth 5.3, Wi-Fi 4, NFC, optional 5G
Health and Workout Tracking
The SE 3 retains the crown and side buttons of the Series 11, but omits the metal contacts needed for ECG. Photo: Samuel Gibbs/The Guardian
A significant drawback of the SE 3 is the absence of the electrical sensor on the watch’s back, which enables ECG monitoring on the Series and Ultra models. It also lacks blood oxygen monitoring and blood pressure alerts, but it does feature an accurate optical heart rate sensor with most related capabilities, such as high and low heart rate notifications.
The SE 3 includes a skin temperature sensor. Its Vital app provides sleep tracking, along with retrospective ovulation estimates for cycle tracking applications. This smartwatch excels in tracking popular workouts using GPS, including walking, running, and cycling, among others.
Additionally, the watch supports offline music playback via Bluetooth headphones from subscription services like Spotify and offers offline access to Apple Maps in case you lose your phone.
Sustainability
The recycled aluminum body is available in Starlight (shown) or Midnight (black). Photo: Samuel Gibbs/The Guardian
According to Apple, the battery can last more than 1,000 full charge cycles while retaining at least 80% of its original capacity and is replaceable at a cost of £95. Repair costs range from £195 to £229, depending on the model.
The watch contains over 40% recycled materials, including aluminum, cobalt, copper, glass, gold, lithium, rare earth elements, steel, tin, titanium, and tungsten. Apple also provides device trade-ins and free recycling options, while its report details the environmental impact of its products.
Price
The Apple Watch SE 3 starts at £219 (€269/$249/AU$399) for the 40mm variant and £249 (€299/$279/AU$449) for the 44mm variant.
For reference, the Apple Watch Series 11 is priced at £369, and the Apple Watch Ultra 3 retails for £749.
Verdict
The Apple Watch SE 3 stands out as the best value in Apple’s smartwatch lineup this year, delivering nearly all of the remarkable features found in the Series 11 at a much lower price point.
With its new always-on display, S10 chip, and watchOS 26, the SE 3 is equally user-friendly for daily tasks. The main feature missing is the EKG capability, but this may not be a concern for those who don’t require it. The 40mm version’s battery life of 1.5 days is decent, while the larger 44mm model should provide slightly longer use.
Limited color selections can be easily improved with brighter bands, but the older design featuring a smaller display, larger bezels, and thicker body is acceptable considering the pricing.
Pros: Excellent value Apple Watch, always-on display, Apple Pay, double-tap and wrist flick gestures, solid health and fitness tracking, long-lasting software support, environmentally friendly materials, and 50 meters of water resistance.
Cons: Lacks EKG, no blood oxygen monitoring, no blood pressure alerts, older design, compatible only with iPhone, no third-party watch faces, and display can be dim in bright sunlight.
The new Exactograph face in watchOS 26 appears stunning on the 40mm Apple Watch SE 3. Photo: Samuel Gibbs/The Guardian
TThe Outer Worlds 2 was first revealed in June for £70/$80, becoming the priciest game on Xbox at that point. However, this status was short-lived, as Microsoft quickly reverted to the typical £60/$70 price point after just a month. Although The Outer Worlds 2 is larger than its 2019 predecessor, the decision was indeed prudent. This game does not warrant a £70 price tag.
Nonetheless, it offers a delightful experience that can easily consume your time, enhancing the original game significantly. With improved combat and more intricate role-playing elements, The Outer Worlds 2 smartly expands its scope without overextending its narrative, even if the storyline doesn’t quite deliver the same level of satisfaction.
You don’t need to have played the first game to grasp the sequel’s premise. You take on the role of an agent for the slow-moving, “benevolent” space police known as the Earth Directorate, with a mission to impose order on the galaxy known as Arcadia. Much like Halcyon in the original, Arcadia is in disarray due to the rampant spread of capitalism. Players wield significant power to form new alliances and mend old ones amidst various groups of conflicting ideologies.
Frequent conflict between factions is a given, but there are more pressing issues than the divide among them. You soon discover that a rift in the universe poses a serious threat. This concept is introduced early in the game, where you investigate these rifts caused by the Protectorate, an authoritarian group that is altering the universe’s fabric. Upon your arrival, betrayal from trusted allies leads to a decade spent in suspended animation.
Colorful vendors…The Outer Worlds 2. Photo courtesy of Obsidian Entertainment
Upon waking ten years later, you’ll find that Arcadia has undergone significant changes, with the rift expanding uncontrollably. To save the galaxy, you’ll need to assemble a new crew.
Unfortunately, the narrative peak experienced at the beginning of The Outer Worlds 2 is not echoed throughout the game. A lingering sense of disappointment follows me as I spend about 30 hours journeying through the plot. I hoped for unexpected character developments or story twists, but instead found myself predictably nodding through most scenes. There are intriguing characters present, such as psychopathic cultists and spies, yet I struggled to bond with this team, similar to my experience in the first installment.
Despite the presence of three major factions vying for attention and favor, The Outer Worlds 2 offers limited impactful choices. Awkward dialogues with narrow-minded capitalists compel you to reflect on your involvement in the actual economic system, but the simplistic portrayals of characters provide more insight than substantial moments.
If your “speech” skills are sufficiently high, you can often navigate most situations with ease. This can feel jarring, especially when a blind follower of the Protectorate changes her stance drastically after a specific dialogue choice, yet is content to monologue as you exit a boss fight. In almost every significant conflict, it feels as though your actions carried minimal weight—at least, that’s how it seems.
Attribute firepower…Outer World 2. Photo courtesy of Obsidian Entertainment
This aspect made it difficult for me to engage fully with the storyline. While the characters around me may have strong opinions, they rarely seem to exhibit genuine anger, even when I disregard their beliefs. The Outer Worlds 2 lacks a certain persuasiveness, which is disappointing because its clever humor often brings joy but seldom serves to deliver a biting ideological critique.
The game features impressive depth in its combat and role-playing systems, significantly refining what was introduced previously. While gunfights can sometimes drag and frustrate, the diverse range of weaponry and their varying effects add excitement to each encounter. Elemental damage influences enemies in different ways, each requiring distinct ammunition. Running low on energy during a tough skirmish forces creativity, and I’ve often found myself trying weapons I hadn’t used before out of sheer necessity, which turned out to be quite enjoyable.
Character development is more intricate than in the original game, featuring a “flaws” system that tracks your actions and may even prompt you to adopt traits that bear both negative and positive consequences. For instance, depending on item crafting can lead to acquiring the “Hermit” flaw, which doubles vendor prices, while dismantling junk can yield opportunities for additional items. This became particularly helpful during crafty moments but posed challenges when I had limited resources and needed vendors. This filled my experience with fun dilemmas, prompting me to rethink my approach.
Developer Obsidian has had a stellar year, launching the fantasy adventure Avowed alongside the insect-filled survival game Grounded 2. All three titles showcase the studio’s remarkable ability to craft diverse worlds that adapt to player choices.
While The Outer Worlds 2 may not consistently amaze, it does offer significant value as an engaging role-playing experience that can keep you entertained for hours. The focus isn’t necessarily on reinventing the wheel but rather on enhancing its framework. In essence, it’s a gratifying, reliable experience—satisfying yet rarely surprising—capable of delivering joy quite regularly.
Super 8 film captured a close-up of a silvery fritillary butterfly
Nature Hunter Films Limited
super nature Ed Sayers hitting UK cinemas in 2026
Ed Sayers, a director of commercials and music videos, has an affinity for Super 8, a film format introduced by Eastman Kodak in 1965, and he’s not alone. This delicate film cassette continues to thrive thanks to a dedicated community of filmmakers worldwide.
What distinguishes Sayers is his organizational skill. His project, super nature, which premiered last month at the London Film Festival, showcases Super 8 footage from 25 countries, contributed by 40 filmmakers and local advocates for nature in their regions.
I must confess that as I looked over the concept of this film, I endured scenes with a sparrow and a household cat for 82 minutes, which I regret.
While the film’s distributor, BFI, boasts of its “green” credentials, the pitch feels a bit lacking despite the feature being a globally-focused documentary with zero air miles. It’s worth noting how uniquely different everything appears through this handheld, low-fidelity medium.
Super 8 resembles, as Sayers puts it in the narration, “someone painted your memories.” This becomes apparent as you adjust to the glare, flare, rocking movements, and shifts in color and tone inherent in this format. The Super 8 world reflects our own—not polished or curated, with imperfect lighting, much like real life.
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Among the film’s many charming moments is the delightful observation that puffins “have the kindest eyes.” “
However, the film is often breathtakingly beautiful, and this production is no exception. Some ambitious shots featuring elusive and wary creatures are challenging to interpret. Just because we catch a fleeting glimpse of them doesn’t imply their value is diminished. One sequence that didn’t resonate with me was the goose migration, which, despite being exquisitely filmed and edited, felt overly clever and “staged” with its setup involving microlights and two cameras. In contrast, lying in a puddle with a plastic bag over my head to shoot snails would make for a great idea.
Contrasting with high-budget nature documentaries, this film seeks to uncover hidden worlds, and while the thirst for new discoveries is compelling, I can’t help but ponder whether viewers will become weary of impeccably-lit, framed, and timed images found in productions like walking with dinosaurs.
super nature offers a refreshing take on the genre. Its structure revolves around its production journey. Each segment (from flamingos to earthworms to corals) comes with a voiceover by each filmmaker, sharing the significance of their footage. Among many delightful moments are descriptions of the sounds puffins make while running (humorous, reminiscent of oversized slippers) and the remark that “puffins have very kind eyes.”
The creators are genuinely inspiring. Some embarked on Super 8 journeys seeking a new perspective after experiencing personal hardships. Others advocate for environmental consciousness, while a few may even brave a cold water faucet (as ibex seem to understand the wisdom of the mountains).
Then we have Sayers’ own narrative. Act 1: The director dreams of documenting the natural world using retro technology and local filmmakers. Act 2: He faces disillusionment, piecing together footage of floods, fires, marshes in Ukraine, and plastic waste. Act 3: The director finds renewed hope, and the playful antics of seals turn the project into a triumph.
It’s a narrative arc as compelling as any, yet entirely predictable in contrast to the footage’s unpredictability.
Simon tooRecommends… Film silent world
Jacques Cousteau and Louis Malle While not the first to depict the deep ocean in color, Cousteau and Malle’s 1956 documentary transformed our perception of two-thirds of Earth.
TV Series walk together dinosaur
Tim Haynes First aired in 1999, this six-part BBC documentary (rebooted in 2025) introduced scientific rigor into its thrilling portrayal of the Mesozoic era.
T
he Oakley Meta Vanguard represents a new era of display-less AI glasses, crafted for running, cycling, and action sports, featuring robust integration with Garmin and Strava. These could potentially be the first functional sports smart glasses on the market.
These innovative glasses serve as running eyewear, open-ear headphones, and alternatives to head-mounted action cameras—all in one. They mark the latest collaboration between Meta and the sunglasses giant, Essilor Luxottica, which includes brands like Ray-Ban and Oakley.
Unlike the popular Ray-Ban Meta Wayfarer, which focuses on leisurely use, the Vanguard is specifically engineered for athletes, enabling them to move fast and track their performance without hesitation.
As one of the priciest screenless AI glasses available, they start at £499 (€549/$499/AU$789), surpassing the £399 Oakley Meta HSTN and £379 Ray-Ban Meta Wayfarer.
The included silicone nose pads come in three sizes, allowing for a customized fit that remains secure and balanced. Photo: Samuel Gibbs/The Guardian
The Vanguard distinguishes itself from traditional smart glasses, thanks to a design brought together by Oakley, ensuring a great fit and finish. The large wraparound visor and 3-point fit system take cues from the renowned Oakley Sephala sports glasses, ensuring that the 66g frame stays snugly in place, even under a helmet.
With two frame colors and four contrast-enhancing lenses, though without prescription options, the glasses incorporate a small button on the left arm to power on and off, allowing for dual functionality as sunglasses.
The speaker is conveniently located next to a large camera button and a small action button, allowing you to configure various functions using the Meta AI app. Photo: Samuel Gibbs/The Guardian
The hidden speakers within each arm can be directed towards your ear for listening to music, taking calls, and engaging with Meta’s AI chatbot. They offer superior sound quality compared to other open-ear speakers, and are loud enough to be heard over wind and road noise. Although they may not deliver the bass of traditional headphones, they are well-suited for music during physical activity. The five beamforming microphones effectively minimize background noise during calls or interactions with the AI, even in busy environments.
A touch panel on the right arm allows for manual control of playback and volume. Music automatically pauses when the glasses are removed, and the volume adapts to match surrounding noise—a great feature for road use.
Specifications
Size: 136×120×59mm
Weight: 66g (258g case)
Water resistance: IP67
Camera: 12MP/3K Ultra Wide
Speaker: Stereo open-ear
Microphone: 5-microphone array
Battery life: 6 hours of music playback (30 hours with case)
Connectivity: Bluetooth 5.3, Wi-Fi 6
Storage: 32GB
The ultra-wide camera is discreetly mounted between your eyes and remains unseen when worn. An LED directly above indicates when the camera is in use. Photo: Samuel Gibbs/The Guardian
The central camera captures quality 12-megapixel photos and stable video at up to 3K resolution for five-minute intervals. It also supports hyperlapses that combine a series of action shots into a single fast-paced clip, as well as slow-motion video at up to 120 frames per second at 720p.
While it cannot compete with high-end smartphones, the camera effectively captures live action—similar to mid-range action cameras commonly used by adventurers. Users can take photos by pressing the camera button, initiate video recording with a long press, or request the Meta AI for hands-free photo or video capture.
All functionalities, including voice controls for music, auto volume adjustments, and camera operations, work seamlessly with Bluetooth-connected devices, like running watches. For enhanced AI features, however, connections to Android or iPhone devices are necessary, via the Meta AI app.
The Meta AI app enables you to configure settings for the glasses, sync media, and translate or transcribe conversations with the chatbot. Composition: Samuel Gibbs/The Guardian
Similar to any chatbot, you can query Meta AI about its visual input. It can identify plants, translate text, and address inquiries about your surroundings. Notably, it also quickly converts distance and pace between metric and imperial units while running, although it falls short of the comprehensive capabilities of Google’s Gemini on mobile.
Furthermore, users can send messages, share photos, and make hands-free calls using their glasses, connected to devices or apps like WhatsApp, Facebook, or Instagram.
One of Vanguard’s standout features is its seamless integration with the latest Garmin running watches and bike computers. Utilizing the free Meta AI app on Garmin, you can access real-time statistics during activities just by asking.
An LED indicator next to the right eye flashes to inform you when the AI is listening, interacting, or capturing an image. Photo: Samuel Gibbs/The Guardian
The AI can relay personal metrics such as pace, distance, heart rate, and cadence on request by saying “my stats,” which are gathered directly from Garmin at that moment. It audibly communicates your pace and other metrics for each lap, mile, or kilometer using a small LED indicator at your right eye to indicate your status in pace or heart rate zones, turning red when outside desired ranges.
Garmin integration also allows the camera to automatically document your workouts, whether walking, hiking, running, or biking. It captures five-second videos every kilometer or mile, or during significant milestones like sprint finishes or heart rate spikes. After your activity, the Meta AI app compiles your manually captured videos and highlight reels. You can overlay workout stats like distance, pace, altitude, time, heart rate, and power data, then quickly share this content with Meta’s app or Strava for immediate posting to your activity log.
The Meta AI app showcases a workout summary and processes any videos automatically captured via the glasses. Composition: Samuel Gibbs/The Guardian
All functions operate effectively, and although not every run needs a video documentation, the capability to automatically capture highlight moments without hassle is a substantial bonus.
However, video capture does drain the battery. During a one-hour run, I interacted with Meta AI multiple times, listened to music, automatically recorded 14 five-second videos, and manually shot 13 minutes of 1080p/30fps video along with 14 photos. The glasses concluded the run with 25% battery life intact.
They should survive a full marathon with automatic capture activated, but caution is advised for prolonged filming to ensure coverage over the entire 42km distance.
For those without Garmin devices, the Meta AI app can sync with Apple Health, Google Health Connect, or Strava to retrieve data retrospectively from other trackers, such as Apple Watch and Coros devices. However, the metrics displayed on videos are limited, and there are no automatic capture features or running statistics available for these integrations.
The glasses provide up to six hours of continuous music playback and come stored in a durable Oakley case, complete with four additional charges while transmitting photos and videos to the cloud during recharging. Photo: Samuel Gibbs/The Guardian
Sustainability
The glasses’ battery retains at least 80% capacity even after 500 full charge cycles. Replacement lenses (£69), charging case (£139), and nose pads (£10) are offered, but the glasses themselves cannot be repaired, and the battery is non-replaceable, ultimately deeming them disposable. Currently, these glasses do not incorporate recycled materials, and Meta lacks any trade-in programs or environmental impact reports for the product.
Price
The Oakley Meta Vanguard is priced at £499 (€549/$499/AU$789).
For reference, the pricing for other models includes the Ray-Ban Meta Wayfarer (gen 2) at £379, the Oakley Meta HSTN at £399, the Oakley Sphaera at £191, and the Shokz OpenRun Pro 2 at £169.
Verdict
The Oakley Meta Vanguard stands out as the finest sports smart glasses available. While expensive, they are clearly crafted for athletes by individuals who comprehend the needs of runners and sports enthusiasts.
By concentrating on the essentials for runners, cyclists, and adventure seekers—like an impeccable fit, lenses that effectively shield from the wind, decent water resistance, clear open-ear audio, extended battery life, and user-friendly controls—you end up with an excellent product without unnecessary bells and whistles.
The nose-mounted camera is excellent and could easily substitute for action cameras for many users. The microphone performs adequately, and Meta’s integrated AI is beneficial for answering inquiries that arise while on the move.
The primary highlight is unquestionably the integration with Garmin, allowing users to monitor statistics and create an automatic highlight reel from their camera capture during activities. However, it requires you to carry your phone while running, which could be a minor inconvenience. The glasses also have links to Strava and other fitness applications for non-Garmin users.
If you utilize them with your running watch to listen to music without needing your phone, basic voice commands for volume, playback, and camera will still operate smoothly.
Although the steep price is hard to justify, the main drawback remains the non-replaceable battery. While the lenses and nose pads are replaceable, like most earbuds and other smart glasses, they cannot be repaired, which detracts from the overall score.
Pros: Large, high-quality lenses; secure fit; powerful and clear open-ear speakers; nose-mounted camera; IP67 waterproof rating; long battery life; protective case; excellent Garmin integration; compatible with Strava and other fitness apps; customizable lenses and nose pads.
Cons: Very costly; non-repairable; advanced features necessitate a phone; excessive vocal commands while driving.
The Oakley logo doubles as part of the touchpad for controlling music playback and volume adjustments. Photo: Samuel Gibbs/The Guardian
“If you create a sound by clapping your hands together, what sound is produced by clapping just one hand?”
At the start of his book, neuroscientist Nikolai Kukushkin asserts that if you meditate on this Zen Buddhist koan (a paradox utilized for training Zen monks) long enough, it might unveil the roots of the mind and even human experience.
Yet, as many Buddhists recognize, the path to enlightenment is often lengthy and arduous, although it is ultimately fulfilling. One Hand Clap is no different.
The book, initially published in Russian, has been translated into English by the author, who is presently affiliated with New York University. In it, Kukushkin delves into the origins of life and its evolution across a notably varied spectrum. He encourages us to contemplate origin stories through what he terms the idea or essence of nature, rather than a simplistic reductionist approach.
With an understanding of the subtleties of such terms, Kukushkin asserts: Idea If you find that term unsettling or unscientific, you may simply refer to it as essence: Natural Ideas: The Rational Outcomes of Choice.” He relates this to Plato’s concept of the Idea of Nature, known as Eidos or essence.
Through this lens, hydrothermal vents—his favored locations for the origin of life—transform from mere porous rocks and flowing liquids into patterns of activity observable throughout nature. For instance, existence demonstrates a tendency to become progressively intricate by tapping into greater energy sources. This dynamic is common to deep-sea vents, photosynthetic cells, and humans utilizing fossil fuels.
Other essences differentiate between movement and freedom, or desire and preference. However, I discovered that Kukushkin’s research on the sea slug Aplysia revealed how this unassuming creature devised abstract concepts vital for its survival, offering the clearest demonstration of this capability.
The book spans multiple pages and describes interactions among sensory neurons, motor neurons, muscles, and the siphon, which is a crucial respiratory organ on the slug’s back. Kukushkin notes that each neuron’s activity conveys a “different meaning,” such as “touching the tail” or “touching the body regardless of location.” When the slug learns the sources of potential danger (considering that the siphon must be safeguarded at all times), it employs the abstraction of “dangerous contact regardless of location” to make suitable decisions.
Kukushkin argues that similar patterns of abstraction and identification underpin our thought processes, albeit with greater complexity in the human mind. On this foundation of simple abstractions, we build numerous additional concepts that shape every facet of experience, from vision to language.
One Hand Clap encompasses a vast array of topics, giving it the feel of an engaging lecture series peppered with humorous sketches. Some may find Kukushkin’s joviality somewhat excessive. Yet, don’t dismiss it.
Contemporary scientists often refrain from attributing rationality and creativity to biological or chemical systems, steering clear of concepts involving agency and direction in life. Kukushkin highlights that ancient thinkers faced no such dilemmas. Recently, there has been a revival of ideas among certain biologists suggesting that evolution may, in a sense, occur “on purpose.”
Scientists might worry that this perspective resembles pseudoscience or the “intelligent design” of a religious faction. However, especially when tackling profound questions like the origins of life and consciousness, we may need to revisit concepts that provoke discomfort by association.
Despite being constituted of the same matter as the physical world, our subjective experiences involve something remarkably distinct—the “hard problem” of consciousness.
For Kukushkin, the resolution is found in a long arc. Eidos spans from atoms to cells to brains, being objective in their existence “out there.” However, we usually perceive abstraction as internal and subjective. “What if subjectivity is merely an intricate form of objectivity? What if every notion is an essence?” he contemplates.
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Kukushkin recommends thinking about the story of the origin of life in terms of what he calls the concept or essence of nature. “
This is an ingenious attempt to argue that objectivity and subjectivity are two aspects of the same phenomenon. If contemplated thoroughly, Kukushkin asserts, complex problems can be resolved. Personally, I find the phenomenal nature of conscious experience, which intertwines our senses, emotions, and thoughts, more comprehensible when viewed through this lens. However, I wrestle with appreciating how it can bridge the divide between subject and object entirely.
This conundrum may never find a resolution. Yet, for now, One Hand Clap serves as an enlightening koan: the journey toward understanding is often more significant than the understanding itself.
Google has introduced its third-generation foldable phone, now the first completely waterproof and dustproof model on the market. It’s touted as being more robust than any existing phone, featuring cutting-edge AI and a collection of adaptive cameras.
The Pixel 10 Pro Fold enhances last year’s highly praised 9 Pro Fold by eliminating the hinge mechanism along the spine. This improvement addresses the dust issue that has plagued previous foldable devices, thereby elevating its usability beyond that of typical flat phones.
However, similar to other foldable smartphones, the Pixel comes with a hefty price tag of £1,749 (€1,899/$1,799/AU$2,699), significantly higher than the £1,199 Pixel 10 Pro XL and comparable to the similarly priced Samsung Galaxy Z Fold 7.
According to Google, the Pixel 10 Pro Fold’s innovative gearless hinge can endure over ten years of folding. Photo: Samuel Gibbs/The Guardian
Beyond the enhanced durability, there are minimal design modifications compared to the Pixel 9 Pro Fold. The outer display is marginally larger due to slimmer bezels, and both screens are a bit brighter. When closed, the Fold is perfectly shaped for mobile tasks, while its spacious internal screen elegantly accommodates two full-sized apps side-by-side.
Nonetheless, the Pixel feels quite hefty and somewhat bulky in contrast to Samsung’s unexpectedly slim and lightweight Z Fold 7. Weighing in at 258g, it’s comfortable to handle and fits in your pocket, yet remains notably thicker than standard phones and its modern competitors.
The inclusion of Qi2 charging compatibility enhances its versatility with various magnetic accessories, including the Superior Magnetic Accessories. Twelve South Curve Nano stand (left) and QDOS SnapStand Qi2 Charger (right). Photo: Samuel Gibbs/The Guardian
The Fold operates on the same Google Tensor G5 chip utilized across the Pixel 10 lineup, equipped with 16GB of RAM and a minimum of 256GB of storage. Its performance aligns with that of the Pixel 10 Pro, providing snappy responsiveness and managing tasks effortlessly. Nonetheless, for the top frame rates in high-end gaming, a device with Qualcomm’s premier Snapdragon chip has an advantage.
As with all foldable models, the Fold’s battery life shifts significantly based on which display you predominantly use. With approximately 5 hours of active screen time on a bright day, evenly split between the inner and outer displays while mostly on Wi-Fi, the Pixel achieved around 38-40 hours between charges. On heavily 5G days with extensive screen usage, it lasted about 28 hours, concluding the day with 25% battery remaining. While this isn’t unacceptable, it certainly lags behind its top competitors and larger screens such as the Pixel 10 Pro XL.
To achieve a full charge, it takes 90 minutes and reaches 50% in just 30 minutes with a 30W or higher USB-C power adapter (sold separately). It also supports 15W Qi2 wireless charging. Photo: Samuel Gibbs/The Guardian
Water Resistance: IP68 (30 minutes at a depth of 1.5 meters)
Dimensions when folded: 155.2×76.3×10.8mm
Unfolded Dimensions: 155.2×150.4×5.2mm
Weight: 258g
Android 16, Magic Cue, Gemini
If you’re running two apps simultaneously on your screen, you can slide one out of the way for additional space. Tap it to restore the app to full screen. Photo: Samuel Gibbs/The Guardian
The Fold operates on the same Android 16 software found across the Pixel 10 Pro lineup, featuring a vibrant and colorful exterior while integrating advanced AI tools throughout the device.
Key features include the Gemini chatbot, which can observe and interpret user interactions, engage with different apps, and overall provide greater utility. Additionally, there’s an innovative real-time translation system for calls, replicating the caller’s voice directly.
A notable addition is Magic Cue, a discreet assistant that functions in the background, synthesizing information from various Google services and presenting it when pertinent. For example, if a friend texts asking for flight details, it can suggest corresponding information from your calendar for easy sharing. Likewise, when contacting a business, relevant order details from Gmail are displayed in your phone app.
Moreover, the Fold has been optimized to fully utilize the expansive internal display. A taskbar at the bottom facilitates quick app placement into split screen mode. Similar to the Honor Magic V5 and OnePlus Open, it allows for resizing apps across the screen’s borders, offering increased adaptability when multitasking with two apps.
The Fold also includes subscriptions for Google AI Pro at £19 a month for the first year, granting access to more robust Gemini AI models along with 2TB of cloud storage for photos, documents, and emails. The device is also eligible for software updates until October 2032.
Sustainability
The recycled aluminum framework offers a premium and sturdy feel. Photo: Samuel Gibbs/The Guardian
The battery is rated to endure over 1,000 full charging cycles, maintaining at least 80% of its original capacity. The phone can be repaired by Google, at third-party services, or through self-repair options with available manuals.
The Pixel 10 Pro Fold comprises 29% recycled materials by weight, including aluminum, cobalt, copper, glass, gold, plastic, rare earth elements, tin, and tungsten. The company provides insights on the lifecycle impacts of its products in its report and offers to recycle old devices for free.
Camera
The camera application offers multiple functionality modes, but shooting images is most efficient when the Pixel is closed, much like a traditional smartphone. Photo: Samuel Gibbs/The Guardian
The 10 Pro Fold features a camera system comparable to last year’s 9 Pro Fold and the new Pixel 10. It includes a 48MP primary camera, a 10.5MP ultra-wide camera, a 10.8MP 5x telephoto camera that can outperform rivals in its class, along with two 10MP selfie cameras.
The primary camera captures excellent images across various conditions, though some blurriness and graininess may occur in low-light scenarios. Google’s Night Mode remains the industry’s best for darker environments. The ultra-wide-angle camera performs well, and the 5x optical zoom telephoto lens effectively closes distances to subjects, although detail may falter in less-than-ideal lighting. While the camera consistently delivers high-quality photos and videos, it doesn’t entirely meet the high standards expected from the Pixel 10 Pro line at this price point.
The Fold comes with unique features such as the ability to utilize the main camera for selfies, alongside various shooting modes that engage both displays while at a partially folded position. A captivating “Made You Look” option plays a lively animation on the outer screen that captures your child’s attention, allowing you to seize the perfect moment. Regrettably, this feature employs one of the selfie cameras instead of the primary one, prioritizing fun over quality.
Price
Pricing for the Google Pixel 10 Pro Fold starts at £1,749 (€1,899/$1,799/2,699 AUD).
For reference, the Pixel 10 is priced at £799, the Pixel 10 Pro at £999, and the Pixel 10 Pro XL at £1,199. In comparison, the Samsung Galaxy Z Fold 7 retails for £1,799, while the Honor Magic V5 is available for £1,699.99.
Verdict
The Pixel 10 Pro Fold represents a subtle improvement over last year’s exceptional 9 Pro Fold, but its true influence may unfold in the future. As the first genuinely dustproof foldable device, it establishes a new durability standard, gradually aligning itself with conventional flat phones.
That said, the inner screen is inherently softer than regular tempered glass to accommodate folding, necessitating careful handling to avoid marks.
The addition of Qi2 magnetic accessories and charging support is a valuable enhancement for the Fold, as it is across other Pixel models. This phone offers impressive speed, reasonable battery life, efficient software, and leading-edge AI capabilities. The camera is competent for foldable devices, though it doesn’t quite match up to regular smartphones.
The Pixel does a commendable job of functioning as a standard phone when closed and a versatile tablet when expanded, though it is bulkier and heavier than the noticeably sleeker Samsung Galaxy Z Fold 7.
Pros: Combines the functionality of a phone and tablet, waterproof and dust resistant, supports Qi2 magnetic accessories and charging, fantastic tablet display, powerful performance, excellent camera with 5x zoom, rich AI features including Magic Cue, accompanied by a year of Google AI Pro service, and 7 years of software updates.
Cons: High price point, more fragile than standard devices, costly repairs, thicker and heavier, the camera doesn’t rival the regular Pixel 10 Pro, battery performance could improve, and lacks advanced features for power users in comparison to competitors.
In its closed form, the Pixel 10 Pro Fold approximates the size of an ordinary smartphone. Photo: Samuel Gibbs/The Guardian
President George H.W. Bush (left) and environmental protection advisor Bill Riley
Netflix
white house effect Directed by Boni Cohen, Pedro Cos, and John Schenck, available on Netflix starting October 31st
The opening scene of white house effect transports viewers to the devastating Great Drought of 1988. The backdrop is a scorching summer in North America, presenting the USA with its worst drought since the Dust Bowl. Relief is nowhere in sight; the heat is relentless.
This climate crisis defined the presidential election that year, pitting Democrat Michael Dukakis against Republican George H.W. Bush, who triumphed with a landslide victory on a pledge for enhanced environmental protection.
“Some may argue these challenges are insurmountable,” President Bush remarked during a campaign stop in Michigan, addressing climate change. “My belief is clear: it is achievable, and we must act. These matters transcend ideology and politics.” Such a sentiment from a prominent Republican seems unimaginable today.
In 1988, the U.S. was a nation where addressing environmental issues garnered votes, and where the connection between fossil fuels and climate change was discussed with a mix of urgency and skepticism.
Predominantly narrated through archival footage, white house effect serves as a window into a hopeful future that never came to fruition. It tells the tale of a populace ready to acknowledge climate change as a bipartisan issue, only to be steered away from that consensus.
The film centers on a struggle between two advisors to President Bush. In the blue corner, Bill Riley, former president of the World Wildlife Fund and the U.S. Environmental Protection Agency administrator starting in 1989. In the red corner stands John H. Sununu, the chief of staff known for his climate skepticism. These two figures will shape the environmental policies of the Bush administration and face off for years, with dire consequences for our planet.
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George H.W. Bush stated that climate change knows no political boundaries. “
With hindsight, one could easily predict the outcome. Yet, what’s intriguing about white house effect is that it refrains from presenting this as inevitable. It explores a gradual march towards a destiny. The archival footage is always engaging, often shifting timelines to reinforce the film’s message, keeping the audience aware and engaged despite the grim reality on display.
Consider the 1979 energy crisis, during which Exxon experienced a staggering 119% profit increase while countless drivers waited hours to refuel due to plummeting oil production. One driver at a gas station remarked that everyone should just return home and await the gas shortage. When asked why he wasn’t turning back, he responded: “I’m not going back because no one else is.”
This documentary features numerous climate scientists, but none resonate more than Steven Schneider, a pioneer advocating for climate action. His journey forms the film’s emotional core, from his Senate testimony in 1988 to his final interview before his passing in 2010.
“Looking back at our early efforts, many of our immediate goals fell short. But here we are, making gradual progress,” he reflects. “The problem of global warming has been recognized, and we’re pushing for a cultural shift—something that will take a generation.”
It’s heart-wrenching to ponder how Mr. Schneider would view the last 15 years of fruitless attempts and the current direction of America.
Viewing white house effect can feel suffocating. It stirs frustration, particularly for those, like me, born too late to witness these events firsthand. While the film is polemical, it serves a vital purpose—shaking us out of apathy and urging action, no matter the cost.
The most powerful and impressive Apple Watch returns for its third generation. Now featuring a larger display, extended battery life, and satellite messaging capabilities to help you stay connected, even in remote areas.
The Ultra 3 is Apple’s response to adventure watches such as Garmin’s Fenix 8 Pro, but it doubles as a comprehensive smartwatch for your iPhone, complete with all essential features. Priced at £749 (€899/$799/AU$1,399), it’s £50 less than the 2023 variant, yet pricier than the Series 11 starting at £369 and the Watch SE 3 at £219.
At first glance, the Ultra 3 doesn’t appear markedly different from its predecessor released two years ago. Available in natural or black titanium, it maintains the same dimensions but now boasts a slightly larger display with reduced bezels, affirming its status as the largest Apple Watch yet.
The screen presents greater brightness at various angles, enhancing visibility at a glance, and displays a ticking seconds feature when idle, much like the Series 10 and 11. It’s exceptionally bright, shielded by ultra-durable sapphire glass, and ranks among the finest screens available on a wearable.
The robust crown and reinforced side buttons minimize accidental touches during workouts and are user-friendly even with gloves on. Photo: Samuel Gibbs/The Guardian
Equipped with the same S10 chip as the Series 11, the Ultra 3 incorporates excellent touch-free gestures. A double-tap of your thumb and index finger can activate buttons or scroll, while swiftly releasing your wrist and returning it dismisses an alarm or notification or goes back to the watch face.
Apple has successfully integrated a 6% larger battery into the Ultra 3, allowing over three days of usage in typical conditions, including overnight sleep monitoring. Most users will find a recharge necessary every three nights. This represents a full day longer than other Apple Watch variants, though it still lags behind adventure-watch competitors like Garmin that offer week-long battery life.
A full charge is achievable in about two hours, and it reaches 50% within 30 minutes using the included USB-C magnetic charging cable.
Satellite and 5G
If you subscribe to a compatible phone plan, your watch can leverage 5G, greatly enhancing mobile connectivity in areas with weak 4G signals. Apple has also introduced complimentary satellite SOS messaging from your iPhone to the Ultra 3, enabling emergency text communications via satellite, even without cellular service. Satellite usage is also available for “Find My location” tracking and messaging to friends, although this feature is limited to the U.S., Canada, and Mexico, and both require an eligible cellular data plan.
The Ultra 3 operates on the latest watchOS 26 software like the Series 11 and other Apple Watches, featuring a refreshed design with new watch faces. Moreover, the Ultra 3 showcases a captivating new Waypoint watch face that includes a live compass displaying surrounding points of interest. This face adds to several other information-rich Ultra-exclusive designs, including Wayfinder and Modular Ultra.
A collection of Ultra 3 watch faces, including the new Exactograph (top left), Waypoint (top-center), Flux (top right), and an always-on off-angle display. Photo: Samuel Gibbs/The Guardian
Connectivity: Bluetooth 5.3, Wi-Fi, NFC, UWB, satellite, optional 5G/eSIM
Top-Notch Sports and Health Tracking
A domed sapphire glass sensor array on the back captures most health metrics and fits snugly on your wrist. Photo: Samuel Gibbs/The Guardian
Ultra encompasses the same extensive health and fitness tracking capabilities found in standard Apple Watches, including rich heart monitoring features, ECG, abnormal rhythm alerts, blood oxygen tracking, and a new high blood pressure warning that assesses readings over 30 days.
It introduces Apple’s innovative Sleep Score metric for easily interpreting your tracked sleep, wrist temperature monitoring, cycle tracking with ovulation prediction, and more functionalities.
Ultra enhances typical Apple Watch workout tracking in several notable ways. An extra action button allows immediate workout initiation, and unlike other Apple models, you can delay until GPS has locked before pressing it a second time to begin your workout.
The Precision Start feature, exclusive to the Ultra, is anticipated to also be integrated into standard Apple Watches. Photo: Samuel Gibbs/The Guardian
Notably, its dual-band GPS system enhances tracking precision in challenging environments, such as urban areas with tall buildings or dense forests. This feature, found in premium running watches, has shown marked improvement since the first Ultra, establishing it as one of the most accurate timepieces available, often matching or surpassing the best performers in urban GPS assessments.
It tracks an array of metrics including running power and dynamics, training load, heart rate zones, and more, alongside conventional stats like distance, pace, and cadence. The Ultra can store structured workouts such as interval training and features an excellent track detection mode for laps. It’s equally effective in cycling, swimming, triathlons, and supports diving up to 40 meters along with more than 22 other activity types.
Brilliant orange action buttons can be customized for various functions, including workouts, torches, stopwatches, voice memos, and more. Photo: Samuel Gibbs/The Guardian
Combined with a large, bright display, it offers a commendable 11-14 hour battery life during high-accuracy run tracking, making the Ultra 3 a surprisingly effective sports watch.
Ultra also offers new features like Apple’s Workout Buddy AI Coach for walking, running, hiking, cycling, and various training workouts, providing both pre- and post-activity encouragement through Bluetooth headphones. However, you will need to carry an iPhone 15 Pro or later model for this functionality.
Sustainability
Apple states that the battery can endure over 1,000 full charge cycles while retaining at least 80% of its original capacity and is replaceable for £95. Repair costs for damage amount to £489.
This watch incorporates over 40% recycled materials, including cobalt, copper, gold, lithium, rare earth elements, steel, titanium, and tungsten. Apple provides device trade-ins and free recycling services, along with a report detailing the environmental impact of its watches.
Price
The Apple Watch Ultra 3 is available in two colors and various bands, starting at £749 (€899/$799/AU$1,399).
Verdict
The Ultra 3 is the largest and most potent Apple Watch available, but enhancements over previous variants are minimal.
Aside from the satellite SOS messaging, which may truly prove vital in emergencies, the rest of the features chiefly improve upon the Ultra 2.
Nonetheless, the longer battery life is a much-appreciated upgrade, and the increase in screen size and brightness on the same watch frame is fantastic. The new software capabilities are impressive, particularly the flick-through-list gesture for clearing notifications, representing one of the best recent upgrades to the Apple Watch.
The Ultra remains a unique option compared to other models; if you desire a less common Apple Watch, this is the right choice for you. However, those in search of a high-end, specialist sports watch might prefer alternatives like Garmin. Yet, the Ultra 3 boasts all the qualities of an excellent smartwatch compatible with your iPhone while serving effectively as a training companion, provided it is charged frequently.
The Ultra 3 stands tall as the premier Apple Watch, though significant upgrades from earlier Ultra models are generally absent.
Pros: Exceptional display, durable yet elegant design, double-tap and wrist-flick gestures, three-day battery life, 5G and satellite SOS/messaging capabilities, top-tier health monitoring, excellent activity tracking with dual-band GPS, customizable action buttons, 100m water resistance, 40m dive support, and sustained software updates.
Cons: Quite costly, only compatible with iPhones, and lacks the ability to support third-party watch faces. The previous Ultra model offers no major enhancements and does not match the battery longevity of rival adventure watches.
The Ultra 3 is a sizable Apple Watch, yet remains more compact than competing adventure watches, making it easier to fit beneath your cuff. Photo: Samuel Gibbs/The Guardian
A A quirky group of misfits and a sharp-dressed investigator harboring their own secrets reside in an isolated mansion on Ireland’s west coast. A seance at Blake Manor may seem like the perfect setting for a cozy evening, but this folk horror drama delivers far more than mere entertainment for Agatha Christie enthusiasts.
Set in October 1897, you step into the shoes of private detective Declan Ward. Tasked with uncovering the fate of Evelyn Dean, a guest who has mysteriously vanished, you find yourself in a once-grand mansion turned into a luxurious hotel. Inside, a host of eccentric characters await: from a camera-wielding medium to a voodoo practitioner named Ungan, and a Brazilian woman searching for her family’s history. They’ve gathered for a grand seance on the eve of All Hallows’ Eve, when the veil between the living and the dead is at its thinnest. As you explore the intricately designed rooms and gardens from a first-person perspective, you soon realize that every attendee harbors dark or tragic secrets and knows more about young Miss Dean than they let on.
A captivating experience…the séance at Blake Manor. Photo: Spooky Doorway/Raw Fury
What ensues resembles a classic detective adventure, presented in a graphic novel style, with art that draws inspiration from the likes of Mike Mignola (Hellboy) and Eduardo Risso (The Hundred Bullets). Engage in conversations with suspects, rummage through rooms for hidden clues and valuable items, and gradually compile a list of potential culprits. The game features a real-time clock and a schedule of events that must align with your investigation. Time only advances when you are actively exploring or interrogating guests, compelling you to apply your detective skills judiciously. Being at the right place at the right time to overhear clandestine conversations about spiritualism, mythology, and the mansion’s history in the Great Drawing Room is crucial.
All your findings can be meticulously organized through a set of graphical inventory screens, including a dynamic mind map of clues and actions. Though initially overwhelming, as you gather letters, keys, and hints, you quickly adapt and realize that taking notes is essential. While it may not exhibit the structural freshness of Blueprint, the game creatively guides you in certain directions, featuring a word game deduction mechanism that allows you to formulate theories regarding motives and backgrounds when approaching suspects.
As you delve deeper into the investigation, it becomes apparent that this is more than just a quaint mystery. The mansion, steeped in historical and religious significance, serves as a poignant reminder of colonialism, highlighting the stark contrast between the guests’ wealth and the struggles of the hotel staff. The narrative weaves themes of appropriation and cultural destruction alongside the enigma of a missing person, revealing the true implications of the mansion and its affluent owners, the troubled Blake family. Guests arriving from colonized regions, seeking answers to intricate family histories, enhance this diaspora narrative, while stories of addiction, trauma, and sorrow are thoughtfully interlaced throughout. There are chilling moments, where ghosts flicker just out of sight or unsettling events transpire during the night.
The outcome is a spellbinding detective tale—a well-researched interactive folk horror experience that stands alongside notable titles like Strange Antiquities and Wadjet Eye’s landmark The Excavation of Hob’s Barrow. Immersed in a world of cultural conflict and supernatural vengeance, it tackles profound themes of colonial trauma, identity, and spirituality all within the context of a singular location and event. For those eager to explore spiritualism, folklore, and ancient Irish history further, diving into a bookstore or library is essential.
Undoubtedly, The Séance at Blake Manor is a seasonal delight filled with eerie moments, but it is also an enlightening journey. Overall, it’s a game that challenges, engages, excites, and educates harmoniously.
The latest translucent noise-cancelling earbuds from Nothing feature an innovative twist: the case includes a high-quality built-in microphone that enables you to communicate simply by pressing a button.
This so-called super microphone caters to those who desire a more direct microphone experience for improved clarity during conversations, recordings, and voice notes, even in bustling environments. It’s particularly suited for individuals who speak directly into the bottom of their phones.
However, this enhancement in the case’s functionality has led to a price increase, with Year 3 now retailing at £179 (€179/$179/AU$299), which is £50 more than the prior model’s launch price. While still competitively priced compared to leading competitors, it’s now closer to the Google Pixel Buds Pro 2 and Apple AirPods Pro 3.
Visible magnets and other features through the earbuds’ case add an intriguing touch to the design. Photo: Samuel Gibbs/The Guardian
Ear 3 maintains Nothing’s hallmark translucent aesthetic, introducing various small design details that set them apart from mundane earbuds, while incorporating aluminum in place of some plastic for a more polished appearance.
The earbuds have been redesigned for enhanced comfort during prolonged listening sessions. Their lightweight and secure fit ensures a snug seal in your ear. The stem features squeeze controls for playback, noise cancellation, volume adjustments, and voice assistant activation. Although somewhat limited, the controls are customizable and function effectively.
The earbuds come in a square, flip-top charging case that is compact yet noticeably heavier this year. With a battery life of 6 hours on a single charge, and with noise cancellation active, you can enjoy at least 22 hours of total playback when utilizing the case for recharging. The case itself charges in slightly over an hour via USB-C and around 2 hours using Qi wireless charging.
Activating the earbuds’ Super Microphone involves pressing and holding the “Talk” button on the case, which emits a subtle sound when the microphone is turned on. Photo: Samuel Gibbs/The Guardian
Equipped with a capable built-in microphone, the earbuds effectively filter out ambient noise, although they may occasionally sound somewhat robotic. The Super Mic offers richer, fuller audio, making it ideal for voice memos, transcription, and calls. Nevertheless, the audio quality doesn’t quite reach the standards for a lapel microphone or similar recording devices.
Specifications
Water Resistance: IP54 (splash-proof)
Connectivity: Bluetooth 5.4 (SBC, AAC, LDAC)
Battery Life: 5.5 hours with ANC (22 hours with case)
Earphone Dimensions: 30.5×21.5×20.8mm
Earphone Weight: 5.2g each
Driver Size: 12mm
Charging Case Dimensions: 56×55.5×22.3mm
Charging Case Weight: 61g
Case Charging: USB-C
Sound Quality and Noise Cancelling
Each earbud comes with three sizes of silicone tips for a comfortable fit and a secure seal. Photo: Samuel Gibbs/The Guardian
These earphones utilize high-quality Bluetooth 5.4 alongside standard SBC and AAC audio formats, with support for LDAC for compatible Android devices. They also offer the capability to connect to two devices simultaneously; however, this may slow the Super Mic’s performance.
Previous models from Nothing have consistently provided excellent value, characterized by easy-to-listen sound with ample detail and clear sound separation. The Ear 3 follows this tradition, offering louder sound with a prominent bass response right out of the box. It’s well-balanced and does not overshadow the overall sound range, while the Nothing X companion app allows for extensive customization if desired.
The noise cancellation effectively reduces common ambient sounds and low-frequency commuting noises, handling higher-pitched disturbances like keyboard taps and conversations better than prior Nothing models. However, it doesn’t quite match the level of noise cancellation provided by higher-end alternatives, such as the AirPods Pro 3.
The transparency mode performs admirably, delivering a natural sound; however, neither mode excels at managing wind noise.
Sustainability
One of the microphones inside the case is adjacent to the USB-C charging port, indicated by a green LED light when active. Photo: Samuel Gibbs/The Guardian
The earbuds and charging case are designed to maintain at least 80% battery capacity survival even after 500 complete charge cycles. Although earbuds themselves are not repairable, they can be replaced individually through service if they fall out of warranty.
The casing is made from recycled aluminum and tin, though Nothing does not provide trade-in options. The estimated carbon footprint of the earbuds stands at 2.87kg.
Price
The cost of the Nothing Ear 3 is £179 (179 EUR/$179/AU$299).
For comparison, the Ear priced at £119, the headphone price for 1 is £299, the Google Pixel Buds Pro 2 costs £219, the Samsung Galaxy Buds 3 Pro is £219, and the Apple AirPods Pro 3 retails for £219.
Verdict
Nothing has introduced some features we haven’t previously encountered in earbuds, such as the integration of a microphone and push-to-talk button directly into the charging case. This concept is original and serves as an excellent alternative to traditional interview or video microphones, albeit lacking in certain aspects.
For non-content creators, this setup is perfect for phone calls, recording voice notes, and interacting with your phone’s AI assistant, resembling a modern dictaphone. However, personal frequency of use may vary.
The earbuds present a noteworthy offering from Nothing, delivering impressive sound quality, effective noise cancellation, robust battery life, and a comfortable fit, making them a refreshing alternative to typical earbuds.
While the price increase to £180 places them alongside some top-tier earbuds, they haven’t yet reached that elite status. Additionally, similar to many competitors in the space, these earbuds are non-repairable, which affects their overall score negatively.
Pros: Super microphone, unique design, excellent sound quality, reliable noise cancellation, comfortable fit, intuitive controls, Bluetooth 5.4 with multipoint support, cross-platform app options, and impressive battery life.
Cons: Non-repairable, higher cost than its predecessor, a fairly heavy case, the Super Mic doesn’t fully substitute for a dedicated mic, and noise cancellation struggles in high-noise settings.
The Nothing Ear 3 boasts attractive design features along with a couple of unique functionalities. Photo: Samuel Gibbs/The Guardian
While it may not seem as distinct as this year’s refreshed Pro models, or as sleek as the new iPhone Air, the iPhone 17 signifies a significant milestone for standard Apple smartphones.
This is especially noteworthy since Apple has finally introduced a high-refresh-rate 120Hz display, a top feature of modern smartphones, into its base model flagship.
Moreover, the starting storage has been doubled without a price increase. The iPhone 17 is priced the same as its predecessor at £799 (€949/$799/AU$1,399), which is less than the £999 Air and £1,099 Pro, yet it offers substantial value for the price.
Externally, it appears similar to the iPhone 16, but the 17 is slightly taller, allowing for a bigger screen fitting into slimmer bezels without greatly increasing the phone’s overall dimensions. The 6.3-inch display now rivals the ultra-bright screen of the 17 Pro, protected by enhanced toughened glass for better scratch resistance.
The new anti-glare coating on the screen enhances visibility and usability, even in bright sunlight. Photo: Samuel Gibbs/The Guardian
The 120Hz “promotion” technology significantly increases the screen refresh rate, resulting in smoother scrolling and animations. This feature has been a staple in competitor smartphones for years, while Apple reserved it for Pro versions of its devices until now.
Additionally, the 17 now includes features previously exclusive to Pro models, such as the Always-On Display, which shows widgets and notifications while the phone is idle. It operates on the same iOS 26 as the entire iPhone range and offers Apple’s revamped glass-like interface design, which appears somewhat simplified to reduce on-screen distractions while maintaining functionality.
Specifications
Screen: 6.3 inch Super Retina XDR (120Hz OLED) (460ppi)
Using a 20W or higher USB-C power adapter (sold separately), your phone can fully charge in 82 minutes, reaching 50% in just 21 minutes. Photo: Samuel Gibbs/The Guardian
Powered by Apple’s new A19 chip, the iPhone 17 is among the fastest in the smartphone market, being only slightly less powerful than the A19 Pro. Apple maintains a technological edge over Android rivals, even in its more budget-friendly offerings.
As a result, the 17 manages multitasking and various applications with ease. Its battery performance is commendable for its size, lasting around 44 hours between charges using Wi-Fi and 5G, and about 6 hours of active screen use with the always-on feature. Though slightly reduced from its predecessor, it offers longer life than the comparably sized 17 Pro and notably outlasts the iPhone Air. Most users will require charging the 17 every other day.
Sustainability
The sleek recycled aluminum body and matte glass back provide a solid and premium feel, even without a protective case. Photo: Samuel Gibbs/The Guardian
This device consists of over 30% recycled materials encompassing aluminum, cobalt, copper, gold, lithium, plastic, rare earth elements, steel, tin, and tungsten. Apple evaluates its environmental impact through various reports and offers trade-in and free recycling programs, even for non-Apple devices.
Camera
The camera app has been streamlined by concealing many features behind a sliding selector and pop-out menus to maximize the viewfinder space. Photo: Samuel Gibbs/The Guardian
The iPhone 17 features two 48-megapixel rear cameras (main and ultrawide), alongside Apple’s new 18MP front-facing camera found on the iPhone 17 Pro and Air.
While the main camera remains unchanged from the iPhone 16, it captures excellent photographs in various lighting scenarios. It may occasionally overexpose in bright light or appear slightly blurry in low-light conditions, yet it remains a dependable compact digital option. It supports a 2x crop zoom, effective in bright areas and acceptable in dim indoor settings. The ultrawide camera is notably enhanced from the previous model, enabling more detail and a broader range, particularly effective for macro photography.
Despite the camera’s ability to achieve a digital zoom of up to 10x, resulting images may lack detail and clarity. True telephoto capabilities remain exclusive to Pro models.
The front camera delivers slightly improved selfies compared to previous iterations, with a standout feature allowing it to digitally pan and zoom to encompass all subjects in a group shot, regardless of phone orientation—ideal for capturing landscape shots while holding the phone vertically.
The iPhone 17 offers various shooting modes for video capture, including a dual capture mode that records from both front and rear cameras simultaneously, placing the user in a small inset frame.
Price
Pricing for the iPhone 17 starts at £799 (€949/$799/AU$1,399) for the 256GB version.
By comparison, the iPhone 16e retails for £599, the iPhone Air is priced at £999, the iPhone 17 Pro costs £1,099, the iPhone 17 Pro Max is £1,199, and the Google Pixel 10 is also £1,199. The Samsung Galaxy S25 is priced at £699, while the Fairphone 6 retails at £499.
Verdict
While the iPhone 17 may not visually distinguish itself from its predecessor, it represents a notable advancement over previous standard iPhones.
The incorporation of key features from Apple’s more premium Pro models—including a superior, brighter, and smoother 120Hz display—is particularly significant. An always-on display enhances functionality, and the doubling of base storage to 256 GB, along with improved battery life extending roughly two days, are both highly appreciated changes. After years, the iPhone 17 no longer feels like a substantial downgrade from the Pro model.
The dual rear cameras are impressive, though the absence of a telephoto option limits their capabilities somewhat. The iPhone 17 retains a compact feel for a modern smartphone, akin to the iPhone Air but without being onerously heavy.
For users not requiring a telephoto lens, the standard iPhone 17 is an excellent choice.
Pros: Rapid performance, impressive 120Hz display, quality dual cameras with macro functionality, minimum of 256GB storage, comfortable size, tactile action and camera control buttons, USB-C, robust battery life, extended software support, Face ID.
Cons: No telephoto lens, identical design to its predecessor, not the thinnest, lightest, or most powerful option.
The iPhone 17 remains the last model with a straightforward two-camera configuration, arranged vertically on the back, making it less obtrusive compared to other models. Photo: Samuel Gibbs/The Guardian
YYou awaken as an ancient and formidable vampire in the basement of a crumbling building in Seattle, with no recent memories and a peculiar seal on your hand. The first thing you do is provoke the cop who spots you. In a swift movement, you slam him against the wall, blood painting the bricks. A frenzied display of fangs follows as you seek favor with the local vampire court, while viciously battling hostile undead and their ghouls, all while attempting to remain hidden from the unsuspecting mortals in this sultry city.
Yet, this is also a detective narrative. Young night stalkers share your mind, including a voice named Fabian who speaks like a 1920s gumshoe, likely because he once was one. Unlike you, Fabian isn’t violent. He collaborates with human police and the vampire underbelly, extracting the blood of willing donors and wielding his mind-reading powers to uncover murders. These two narratives present distinctly different gameplay experiences in the same setting. Unfortunately, Bloodlines 2 feels awkwardly pieced together. Having just indulged in AMC’s Interview with the Vampire series, the juxtaposition is striking. One provides a thrilling, sexual, and clever adaptation of vampire lore, while the other is lacking.
“The interactions with the people in Seattle were really puzzling.” … Bloodlines 2. Photo: The Chinese Room/Paradox Interactive
Notably, this vampire tale appears to be under a curse. The original Bloodlines game, a cult classic RPG released in 2004, took more than a decade to spawn a sequel. Development for Bloodlines 2 commenced in 2015 at Hardsuit Labs in Seattle, led by writers from the first game. However, the creative lead was dismissed in 2020, and another writer was involved in a now-resolved cheating scandal. By 2021, a new developer, The Chinese Room, took over the project. The outcome is an intriguing patchwork, with The Chinese Room integrating elements from Hardsuit’s version into a coherent 25-hour narrative that, while not entirely resolved, is mostly understandable.
For instance, the vampire abilities you can acquire are displayed on a large screen, intended to offer multiple approaches to gameplay, such as seduction, coercion, and manipulation. Nonetheless, there’s little incentive to learn more skills as you begin immensely powerful, gaining some of the most enjoyable mind control and dark powers within the first few hours. When I attempted to utilize these abilities creatively, such as possessing dangerous prey on the street or probing someone’s mind for interrogation, the game frequently denied my attempts.
While the vampire interactions held intrigue, the encounters with Seattle’s humans were utterly baffling. Walking down the street, I heard sex workers yell, “I have to pay my school fees!” to no one in particular. A businessman on a bench initially asked, “Do you want to start a business together? A sexy business?” before he commenced following me around, exclaiming, “I can’t wait to have sex!” until my annoyance grew and I ended up consuming him. Although vampires may view mortals as inconsequential puppets, this felt excessively bizarre.
“Some of the most awkward first-person combat I’ve played in decades”…Bloodlines 2. Photo: The Chinese Room/Paradox Interactive
This odd and misplaced behavior from non-player characters further amplifies the feeling of Bloodlines 2 being a product of the late ’00s. Not only does the animation appear dated, but it also conjures memories of the clunky yet captivating first-person games emerging since Deus Ex in 2000. While gliding across Seattle’s rooftops at unnatural speeds is entertaining, much of the gameplay entails traversing the city and speaking with various characters. However, when facing ghouls—of which there are plenty—you’re thrust into some of the most awkward first-person combat I’ve experienced in years. I found it so tedious that I opted to lower the difficulty after a few hours to expedite the monotonous skirmishes.
Hidden within is an acceptable vampire story. Engaging conversations with dangerous fellow vampires represent the most compelling aspect of Bloodlines 2. I appreciated several locations in Seattle, particularly the dive bars pulsating with goth music. The Chinese Room has managed to transform a troubled game development saga into something playable and somewhat engaging. However, as time passed, my motivation to continue stemmed more from curiosity than genuine enjoyment.
The newest upgrade to Garmin’s leading Fenix adventure watch introduces potentially life-saving capabilities: independent communication and emergency messaging through 4G or satellite.
The Fenix 8 Pro builds upon the already remarkable Fenix 8, incorporating new cellular technology as well as an advanced microLED display in a special edition of the watch. As Garmin’s flagship model, it’s designed to be your comprehensive tool for exploration and tracking.
This ambitious design comes at a high cost, starting from £1,030 (€1,200, $1,200, AU$2,300) for the 47mm OLED variant, and £1,730 (€2,000/$2,000/AU$3,399) for the 51mm model with a microLED screen, nearly double the price of the standard Fenix 8.
You get remarkable value with top-tier exercise, activity, and adventure tracking capabilities. If you find yourself lost without your phone, an extensive offline map of the world will guide you back. It boasts a stunning, large, clear, and exceptionally bright touchscreen.
The Fenix 8 Pro is thicker and heavier than the regular Fenix 8 by 2.2 mm and 4 g, respectively, giving it a rather bulky presence on the wrist. Photo: Samuel Gibbs/The Guardian
The Fenix 8 Pro is offered exclusively in case sizes of 47mm or 51mm, lacking the smaller 43mm option available in other Garmin models, making it suitable for larger wrists. Nevertheless, the 47mm OLED version we examined supplies an additional day of battery life for smartwatch usage with the screen continuously on, lasting 8-9 days between charges.
Messaging, Calls, and Live Tracking Without Phone
Garmin utilizes its own inReach LTE (4G) and satellite subscription services, rather than depending on a watch plan linked to a smartphone provider like other smartwatches. However, unlike satellite-enabled devices from Apple and Google, emergency SOS messaging isn’t offered for free.
Plans begin at £7.99 per month or its equivalent, offering unlimited LTE text and voice messaging, calls, and services. LiveTrack enables location sharing, allowing friends and family to monitor your whereabouts while engaging in activities like running or cycling, and providing emergency satellite SOS messaging as well.
Establishing and activating an inReach subscription can be relatively time-consuming, but it’s a one-time process. Photo: Samuel Gibbs/The Guardian
Satellite check-ins and text messages incur extra costs, escalating to an unlimited plan of £50 monthly for higher-tier options that provide various satellite allowances. The watch includes a 30-day free trial enabling you to test the service.
Once configured, simply step outside without your phone, and your watch will connect to LTE. While it can’t stream music, you can make calls, send texts, and stay in touch with loved ones.
Messages—including texts, reactions, audio messages, and transcriptions—will display on your watch as well as in the recipient’s Garmin Messenger app. Photo: Samuel Gibbs/The Guardian
When you send a text, Garmin transmits an SMS from a random number, and the recipient can reply directly to your watch. Install the Garmin Messenger app to send and receive both text and voice messages as well as making voice calls. Recipients don’t need a Garmin account; a phone number is all that’s required to register for text messaging.
Messaging on the smartwatch functions adequately, but typing on the small onscreen keyboard can be slow. It also includes customizable quick replies for faster interactions. Voice messages and calls work fine, though the quality may not be ideal for lengthy conversations.
LiveTrack is an especially valuable feature. You can configure it to automatically send a link to select contacts when you start an activity, allowing them to track your real-time location on a map. This feature is fantastic for monitoring progress during races and primarily acts as a safety measure for someone you trust to know your whereabouts. The actual location may experience slight delays when transitioning in and out of a strong LTE signal, but it generally performs well.
To transmit a satellite message, your watch must be oriented correctly, with a clear view of the sky. Photo: Samuel Gibbs/The Guardian
All these features are accessible on other Garmin watches as long as you have your phone, but in locations where LTE coverage is absent, the Fenix 8 Pro activates satellite communication for sending texts, location check-ins, and emergency SOS notifications.
The guide provides instructions on how to establish a line of sight to a satellite and to send and receive messages within approximately 10 to 30 seconds. While this function is remarkably user-friendly and can prove to be a critical lifesaver, it’s essential to understand that satellite coverage is confined to the continental U.S., most of Canada, and much of Europe, excluding certain regions of Scandinavia above 65 degrees north latitude.
Sustainability
Watches are typically optionally repairable as explained on the support site. The battery is rated to retain at least 90% of its initial capacity after two years of weekly recharging. Currently, this model contains no recycled materials. Garmin provides a recycling program for new purchases.
Price
Pricing for the Fenix 8 Pro begins at £1,029.99 (€1,199.99/$1,199.99/A$2,299). Optional Garmin inReach subscription plans are available starting at £7.99 (€9.99/$7.99/A$13.50).
Verdict
The Fenix 8 Pro enhances the existing Fenix 8, transforming it into an exceptional adventure watch by adding LTE capabilities for messaging, calling, and LiveTrack, alongside satellite messaging, check-ins, and emergency SOS features when a signal is unavailable.
The result is an even more powerful adventure tool for those seeking to go phone-free. If you’re looking to have someone monitor your safety while you’re out at night or in remote areas, Garmin provides this capability without the need for additional devices.
While it is liberating to venture outdoors without your phone, this convenience comes with a hefty price tag, both in terms of the watch’s significant cost and the ongoing subscription fee for the inReach service. At least it is independent of phone providers, working with any smartphone brand or network.
The Fenix 8 Pro is an excellent choice for those who prefer not to carry the bulk of their phone while running, cycling, or hiking but still want to remain trackable and reachable. For others, it might feel excessive, especially given that the excellent Fenix 8 model is readily available.
Pros: Track everything with LTE and satellite messaging, an ultra-bright OLED display, best-in-class GPS, an integrated torch, phone and offline voice control, over 8 days of battery life, Garmin Pay, complete offline mapping and routes, offline Spotify access, 100m water resistance and 40m diving capability, with both button and touchscreen functionalities.
Cons: High price point, LTE and satellite features require a monthly subscription, limited banking support for Garmin Pay, sluggish voice functionalities, and smartwatch features are comparatively limited compared to Apple/Google/Samsung devices.
One weekend, I observed one of my family’s cats, a Byronic fellow named Solomon, playfully swat his sister, regurgitate on her bed linens right before my father, who loves birds, and finish off her gold crest. Yet we couldn’t hold it against Solomon. After all, I harbor no ill feelings toward him or his sister. This paradox defines the experience of cat enthusiasts.
The domesticated house cat (Felice Catus) stands as one of the world’s favorite pets. However, there remains uncertainty over whether they can genuinely be classified as domesticated and why anyone sought to do so in the first place. How did we come to cherish them in their various forms, particularly given that numerous species throughout history counted humans as prey?
In his book, archaeologist Jerry D. Moore delves into the origins of that inquiry, Cat tales: history. More noteworthy than its subtitle “History” is the cover’s text: “How we learned to coexist with them.” It’s ambiguous whether this reflects a human viewpoint or a disgruntled feline’s perspective. Regardless, this book is more about our evolving bonds with cats than a mere study of the creatures themselves.
The narrative of cat domestication narrates how, once humans formed settlements and began hoarding grain, rats descended to feast on their hard-won resources, leading them to the African wildcat (Felice Ribica). Thus, a mutually beneficial arrangement formed: humans stored the grain, and the cats enjoyed a free meal.
Yet, the reality is more nuanced, according to Moore. Domestication, typically involving breeding for specific traits, has only become prevalent with cats in the last century, as humans have aimed for particular appearances and unique characteristics. The humorous notion about cats comes to mind, but another frequent catalyst for domestication is herding.
Moore posits that understanding commensalism offers valuable insight into our bond with cats. Nevertheless, cats can exhibit fickle and aloof behavior, and mice often outmaneuver other species, such as terrier dogs. Cats seem to have confidently established themselves within human homes, suggesting an admirable sense of self-assurance. In essence, they have self-domesticated.
Moore effectively links the depictions of big cats in ancient cave art to their visibility in contemporary conservation campaigns. A 2018 study revealed that big cats consistently rank as among the most charismatic animals.
He also positions cats among history’s elite seafarers, traversing trade routes to Asia and the Mediterranean alongside African and Arab navigators. Their later journeys aboard European colonial vessels wreaked havoc in regions like Australia and New Zealand, where local fauna fell victim to feral cats.
While Moore’s writing occasionally flows gracefully, there are also meandering sections that detract from the book’s overall impact. A notable instance involves an early discussion on 20th-century human tool use. Initially puzzling, he later contends that portraying ancient humans as adept hunters minimizes the influence of ancient cats—the primary predators of our ancestors who shaped our physiology and cognition.
Moore indicates that the dynamics between cats and humans may have been more varied than those with other animals. “Cats have existed as agents of fear, subjects of veneration, deities in religious rites, and have been brutally exploited for amusement.”
For me, Cat tales may not present a wealth of groundbreaking information, but it serves as an excellent collection of archaeological insights paired with stunning photography. Even if our understanding of cats remains shrouded in some mystery after reading this book, perhaps that’s exactly how they prefer it.
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