Ultimate Guide to Vermicomposting: Compost Food Scraps, Paper, and More with Your DIY Worm Farm

Compost worms processing waste

Compost worms efficiently recycle food scraps and organic waste

Rob Walls/Alamy

Worms. I have them in abundance.

I divide my time between a bustling inner-city apartment in Sydney, Australia, and a serene property four hours south, previously a farm left to nature since the 1970s.

These places are stark contrasts. One is alive with the city’s hum, while the other resonates with the natural sounds of wildlife, including kingfishers, cicadas, night owls, and the eerie cries of possums. Yet, both locations share a common feature: thriving worm farms. The farm’s setup efficiently processes an entire household’s waste, while the urban version is compact, designed for porch placement, and accessible for anyone.

In the serenity of my farm, I let nature dictate operations while using the land as a tranquil getaway. Conversely, my basement hosts a 4,000-litre worm habitat where waste transforms into nutrient-rich liquids and castings, filtering into surrounding woodlands.

At the farm, I add compost, weeds, and the occasional wildlife carcass—kangaroos or possums—to diversify the worms’ diet. My guiding principle: anything previously alive finds its end in a worm farm.

When I peek into the depths of this decomposition marvel, I’m always astonished at the rapidity of waste reduction. A 50 kg male kangaroo (Macropus giganteus) became practically unnoticeable within a week, entirely gone by the end of the month. My worm farm has become a vibrant ecosystem, home to frogs, spiders, and fly larvae, flourishing in the nutrient-dense humidity of the Daintree rainforest in Australia’s northeast.

After eight years, despite sending copious organic matter to this voracious habitat, it appears only a quarter full. Remarkably, I’ve never detected unpleasant odors, even from the more rank offerings. This is a professional endeavor, overseen by periodic inspections from local authorities.

On installation day in 2018, I ceremonially introduced a small bag of tiger worms (Eisenia fetida), a species known globally for its composting prowess.

Tiger worms, known by multiple names, including brandling worms and red wigglers.

Daniel Sanbraus/Science Photo Library

According to independent earthworm researcher Robert Blakemore, this species thrives in temperatures ranging from -2°C to 40°C, remarkably capable of surviving the loss of two-thirds of body water and even submersion for up to six months.

Blakemore posits that no other species offers such irreplaceable benefits to humanity, with compost worms effectively processing an equal weight of their own mass daily. It’s no wonder that dead kangaroos vanish in mere weeks.

Everything entering the worm farm gets broken down, its nutrients seeping back into the ancient red gum forest, recycling life itself. I often tell my children, “When I die, place me there,” to join the countless lives absorbed by the soil. For me, heaven is being nourished by the forest. I’d be dismayed to be cremated and stored as anonymous ash.

I have a chocolate border collie, my loyal companion, who follows me like a devoted secret agent. The highest honor I could bestow is for him to be part of the worm farm when that time comes, though my daughter is not thrilled with this fate.

Ringo the border collie rests atop the underground worm farm.

James Woodford

Urban Worm Farming Insights

Since my transition to part-time city living, I’ve arrived with a bag of tiger worms from Wilderness Worm Farm, enriching a small home compost bin nestled in my courtyard.

This miniature worm farm offers a personal and public experience, about 0.5 meters tall, consisting of stackable trash cans that make for easy rotation when full.

In contrast to my country escapade, where worms dwell deep within a massive tank, my urban worms are visibly active, prompting contemplative moments as I observe their fascinating, albeit messy, composting process.

No one enjoys watching sausage made, nor compost turned. However, the sight of writhing worms in my city’s compost is mesmerizing. Should I plunge my hand into the organic mixture, it would resemble a scene from a horror film.

I ensure all vegetable scraps, dog waste, and various organic materials find their way into my city worm farm. However, Blakemore expressed concerns over my informal approach upon reviewing my worm contents.

“Eggshells tend to break down given time, but microwaving them can hasten decomposition,” Blakemore recommends. “Furry items pose similar issues, as do tea bags and labels on fruit, which likely contain plastic.”

He warns that dog feces carry parasitic risks, although worms can often stabilize those parasites.

Despite my contributions, the worms in my urban compost catch up rapidly. Eventually, I switch the layers, transforming the top barrel’s enriched contents into nutrient-rich soil for my garden.

This lively whirlwind of decay serves as a vivid reminder of life’s cyclical nature, as the humble earthworm facilitates recycling and the processing of what was once alive.

Blakemore summarizes well: “Every person should compost. Ignorance and laziness are the only barriers.”

Starting Your Own Worm Farm: Key Considerations

  • Commercially available compost worms, particularly the tiger worm (Eisenia fetida), are easily accessible. I’ve gifted “starter” colonies from my compost to friends, leading to rapid population growth in their setups.
  • You may be surprised by the amount of waste an insect colony can process, even in compact urban settings. A large professional setup is necessary for handling an entire household’s waste.
  • In the city, I store the worm breeding box in the shade, as direct sunlight can be harmful, especially in warmer climates. Surprisingly, there’s minimal odor, despite the theatrical appearance when the lid is opened.
  • Items I enjoy composting include unwanted bills and promotional materials (though avoid glossy papers). Watching undesirable items transform into rich soil in a week is immensely satisfying.

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Source: www.newscientist.com

Buy Your Own DIY Quantum Computer Today!

Two quantum engineers working on a quantum system at Kilimanjaro's Multimodal Quantum Data Center.

Two Engineers Working on Kilimanjaro’s Quantum Computers

Credit: Qilimanjaro

Quantum computers, once viewed as futuristic devices, are now becoming more accessible. With DIY kits, individuals with sufficient resources and engineering expertise can assemble their own quantum systems.

The Barcelona-based quantum computing firm, Kilimanjaro, is revolutionizing access to this technology through their EduQit initiative. Inspired by the concept of “flat-pack furniture,” Kilimanjaro supplies all necessary components, allowing users to assemble their own quantum computing kits.

Each EduQit kit features a chip crafted from tiny superconducting circuits, which is essential for quantum computation. It includes a specialized refrigerator to install the chip, alongside electronics that utilize radio and microwave signals to govern the chip and interpret its calculations—all bundled with racks, power cables, and supplementary devices to construct the entire quantum computer.

While assembling the kit may seem challenging, comprehensive instructions are provided. As Marta Estarellas from Kilimanjaro states, their team offers training and support throughout the construction process. Training may take up to three months, with the complete system ready for operation in approximately ten months.

The EduQit quantum computer boasts five qubits and occupies less than one-tenth the space of cutting-edge models, yet is available for the relatively modest price of about 1 million euros. In contrast, most existing quantum computers are produced by major tech corporations or well-funded startups and research facilities. To illustrate, Google aims to reduce component expenses by a factor of ten, as current systems can cost less than $1 billion.
See more about quantum computing costs in a recent study.

Kilimanjaro Quantum Chip

Credit: Qilimanjaro

While compact commercial machines are available, they usually don’t include complete kits. For instance, Rigetti, a California company, offers small superconducting quantum computers for research starting at around $900,000, which only encompass the main chip and a few components—akin to obtaining just a motherboard without peripherals.

Kilimanjaro aspires to furnish comprehensive kits to numerous research institutions, where access to quantum computing technology remains limited due to funding constraints. Their goal is to equip the next generation of researchers with hands-on experience in building and operating quantum systems.

Currently, students engage with quantum computers via cloud platforms or simulated models. However, EduQit aims to provide practical skills in quantum computing, potentially becoming the educational equivalent of the Raspberry Pi—small, easily customizable computers that evolved from learning tools into essential resources for hobbyists and scientists alike.

Quantum computing holds promise for performing complex calculations unattainable even by today’s top supercomputers. From breaking secure internet codes to simulating molecular behavior for drug discovery, the potential is vast. Yet, the fragility and susceptibility to errors of quantum chips pose significant challenges in realizing this technology’s full potential.

A quantum computer like EduQit would have competed with the most advanced lab systems a decade ago. Its availability as a DIY kit showcases the rapid advancements in quantum computing technology in recent years.

As Katia Moskovich notes, companies like Quantum Machines highlight the multitude of unanswered questions regarding the future of quantum computing, emphasizing that broader experimentation will enhance understanding and innovation in this field.

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Source: www.newscientist.com

Say Goodbye to Spotify: A DIY Movement for Artists and Fans to Ditch Music Apps

TThis past month, independent musicians in San Francisco convened for a series of discussions titled “Death to Spotify,” where attendees delved into “the implications of decentralizing music discovery, production, and listening from a capitalist framework.”

Hosted at Bathers Library, the event featured speakers from indie radio station KEXP, record labels Cherub Dream Records and Dandy Boy Records, along with DJ collectives No Bias and Amor Digital. What began as a modest gathering quickly sold out, gaining international interest. Organizers were approached by individuals as far away as Barcelona and Bengaluru eager to replicate the event.

“Death to Spotify” event held on September 23rd at Buzzards Library in San Francisco, California. Photo: Dennis Heredia

These discussions occur as the global backlash against Spotify gains traction. In January, music journalist Liz Perry released *Mood Machine*, a critical examination arguing that streaming services have decimated the industry, turning listeners into “passive, unstimulated consumers.” Perry asserts that Spotify’s business model pays artists meagerly, particularly if they consent to be “playlisted” in discovery mode, which delivers a bland, ambient soundtrack that blends into the background.

While artists have long voiced concerns over inadequate compensation, this past summer, criticism turned personal, specifically targeting Spotify’s billionaire co-founder Daniel Ek’s backing of Hellsing, a German company developing military technology AI. Prominent acts like Massive Attack, King Gizzard & the Lizard Wizard, Deerhoof, and Hotline TNT have pulled their songs from the platform in protest, though Spotify stresses that “Spotify and Hellsing are entirely separate entities.”

“Mood Machine: The Rise of Spotify and the Cost of the Perfect Playlist” by Liz Perry. Photo: Hodder

In Oakland, Stefani Dukic read *Mood Machine*, learned about the boycott, and felt inspired.

While not a musician, Dukic, who investigates city police complaints, describes her fascination with sound alongside her friend Manasa Karthikeyan, who works in an art gallery. They decided to foster a similar dialogue. “Spotify plays a vital role in our music interaction,” Dukic explains. “We thought it would be enriching to investigate our relationship with streaming, the significance of deleting a file, and the process involved.” Thus, Death to Spotify was conceived.

In essence, the aim was to “end algorithmic listening, cease royalty exploitation, and discontinue AI-generated music.”

Karthikeyan believes the onus of quitting Spotify falls on both listeners and musicians. “One must acknowledge that not everything is instantly available,” she states. “It prompts deeper consideration of what you support.”

Yet, will musicians and fans truly commit to a long-term boycott of the app?

Numerous prominent artists have previously pulled their catalogs from Spotify amid much fanfare, only to quietly return. Taylor Swift, one of the platform’s biggest stars, returned in 2017 after a three-year boycott over unfair payment practices. Thom Yorke, the frontman of Radiohead, removed some solo projects in 2013 for similar reasons, labeling Spotify as “the last desperate fart of a dying corpse,” yet he later reinstated them.

In 2022, Neil Young and Joni Mitchell left the platform due to an exclusive deal with anti-vaccine podcast host Joe Rogan. Having both contracted polio in their childhood during the 1950s, they have also reinstated their catalogs on Spotify.

Eric Drott, a music professor at the University of Texas at Austin, suggests this latest wave of boycotts feels distinct. “These artists are not mainstream. Many have realized for years that streaming isn’t lucrative, but they still sought recognition. With the sheer volume of available music, people are questioning its overall value.”

Will Anderson of Hotline TNT asserted there is “0%” chance his band will return. “There’s no rationale for genuine music enthusiasts to be there,” he claims. “Spotify’s primary objective is to encourage you to stop pondering what’s being played.” When the band sold their new album, “Raspberry Moon,” directly via Bandcamp and a 24-hour Twitch stream, it sold hundreds of copies and generated substantial revenue.

Manasa Karthikeyan (left) and Stephanie Dukic. Photo: Eva Tuff

Pop-rock artist Caroline Rose and others are also experimenting with alternative distribution methods. Her album *Year of the Slug*, influenced by Cindy Lee’s “Diamond Jubilee,” was exclusively released on vinyl and Bandcamp, initially available only on YouTube and the file-sharing platform Mega. “It’s disheartening to pour your heart and soul into something only to give it away online for free,” Rose articulates.

Rose is a member of the Union of Musicians and Allied Workers (UMAW), an advocacy organization established to protect music professionals since the onset of the COVID-19 pandemic. Joey DeFrancesco, a member of the punk band Downtown Boys and a UMAW co-founder, stated the group “clearly advocates for artists as agents, holding corporations accountable and facilitating necessary dialogue,” including efforts to remove music from Spotify. He also noted the “limitations” inherent in individual boycotts.

“Our goal in the labor movement and within UMAW is to act collectively,” he emphasized. Notable examples include UMAW’s successful campaign—in partnership with the Palestine for Palestine coalition—to persuade the South by Southwest music festival to cut ties with U.S. military and arms manufacturers as sponsors for its 2025 event, as well as the introduction of the Living Wage for Musicians Act (a bill aimed at regulating payments to artists on Spotify) championed by Congresswoman Rashida Tlaib.

The organizers of Death to Spotify assert that their intent isn’t to dismantle the app but rather to prompt users to critically reflect on their music consumption habits. “We want to encourage a more thoughtful engagement with how we listen to music,” Karthikeyan explains. “Sticking to algorithmically generated comfort zones only serves to diminish the richness of our culture.”

Source: www.theguardian.com

Urine Tests Identify High-Risk HPV as Effectively as DIY Vaginal Swabs

Assessing cervical cancer risk non-invasively using a urine sample

SolStock/Getty Images

Urine tests can detect strains of human papillomavirus (HPV), linked to cervical cancer, with accuracy comparable to that of self-administered vaginal swabs.

Historically, cervical cancer screening involved healthcare professionals collecting cell samples from the cervix to test for abnormal cells or HPV strains. HPV 16 and 18 are the most common culprits.

In nations like the US and Canada, individuals can now opt for self-collected vaginal swabs that avoid direct contact with the cervix. This approach is similarly being adopted in the UK as part of a new strategy. Such swabs have been linked to increased screening uptake, although they may still be invasive and uncomfortable for some individuals.

Previous research indicates that HPV DNA can be identified in urine. To explore this further, Julia Lynch from the International Vaccine Institute in Seoul, along with her colleagues, surveyed 753 sexually active women aged 18-25, asking them to provide urine samples at any time and to perform vaginal swabs in clinical settings across Bangladesh, Pakistan, and Nepal.

The results revealed that the capacity of the tests to identify seven high-risk HPV strains was strikingly similar, with 5.3% of self-collected swabs testing positive for one or more of these strains compared to 5% of urine samples. For HPV 16 and 18 specifically, the figures were nearly identical—2.3% for swabs and 2.4% for urine.

Urine samples were also preferred by many participants. “We operate in regions with diverse social contexts, and vaginal swabs were less accepted among certain age groups in some countries,” Lynch notes.

The World Health Organization set elimination goals for cervical cancer in 2018, primarily hinging on the success of HPV vaccinations. However, maintaining screening uptake remains critical, as the effects of vaccination programs may take years to be evident on a population level, according to Lynch.

Several types of HPV vaccines protect against all strains 16 and 18. Nonetheless, the data concerning HPV risks generally originates from North America and Europe, as Lynch states. Thus, this research could provide insights into the circulating strains in various regions globally to inform vaccine strategies.

The study focused solely on young women, which means the findings may not apply to broader demographics. Beverly Green from Kaiser Permanente Washington Health Research Institute mentioned that the current study is a part of a wider project aimed at determining HPV prevalence in eight low- and middle-income countries throughout South Asia and Africa, with additional studies within the same project assessing a sample of older women.

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Source: www.newscientist.com