Infection after 28 years
Miya Mizuno/Sony
Written by Danny Boyle and Alex Garland
In theaters from June 20th
Here’s a piece of scriptwriting advice: simplify the plot while adding complexity to the characters.
The narrative of 28 Years Later can be summarized in a few sentences. This long-awaited third chapter of the series that began in 2002 with 28 Days Later revolves around a neurotoxic virus that has spread uncontrollably across Europe, turning people into an army of infected (which some might call zombies, though the term isn’t explicitly used). The infection ultimately becomes contained within the UK, safeguarded by the International Fleet to prevent anyone from escaping the island.
A young boy named Spike (played by newcomer Alfie Williams) resides in the relative safety of a small northern island linked to the mainland by a causeway that is passable only at low tide. At 12 years old—an age his father thinks makes him ready—Spike ventures onto the mainland in search of adventure. He navigates through the possibly long-abandoned woods. While there may not be much tracking after 28 years, the film showcases Spike skillfully battling slow-moving zombies and avoiding the much quicker ones, all while providing some context for these encounters.
Upon his return, despite his mother (Jodie Comer) being bedridden with an unknown illness, Spike is hailed as a hero, while his father, Jamie (Aaron Taylor-Johnson), seeks comfort with another woman. Determined, Spike sneaks out to find the only doctor he knows about to help his mother.
Let’s throw in a twist. However, introducing a twist often implies that there isn’t one. Author Alex Garland, who set the rules of the world in 28 Days Later, stays true to his vision. The world is thriving yet shadowed by the remnants of an earlier outbreak, where some zombies have mutated, growing larger and posing new challenges. These are not just recycled dangers but add complexity within Spike’s idyllic yet troubled village.
Visually, the film offers a unique experience. Boyle incorporates elements reminiscent of Laurence Olivier’s Henry V wartime newsreels and original footage of the 28 Weeks Later outbreak, providing a contemplative layer to the community’s defenses. It evokes a sense of folk horror, nodding to films like Apocalypse Now and Alien 3. Yet, despite its depth, the film remains accessible, conveying themes of loss, disillusionment, and personal growth through the relatable actions of its characters.
The budget is reasonable (estimated between $60 million and $75 million), with a keen eye for casting (like Christopher Fulford as Spike’s grandfather, who brings depth to a tragic backstory). Don’t be mistaken: 28 Years Later is filled with clever nods and callbacks that will engage fans. However, there is no unnecessary complexity. No contrived MacGuffins, pointless quests, or mystical items. Spike’s journey, portrayed expertly by Alfie Williams, is a relatable and poignant evolution, where he learns that to grow into manhood, he must let go.
The acclaim for 28 Days Later back in 2002 still resonates, as does its 2007 sequel 28 Weeks Later, which was equally impressive. The crown for this genre, at least for now, belongs to 28 Years Later.
Boyle and Garland have triumphantly revisited the territory they first explored over two decades ago.
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Source: www.newscientist.com
