Mind-Blowing Sci-Fi Series ‘Miniature Wife’ Starring Elizabeth Banks and Matthew Macfadyen

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“Miniature Wife” Starring Matthew Macfadyen and Elizabeth Banks

Credit: Peacock

Miniature figures have long captivated audiences within science fiction and fantasy, a tradition that traces back to Jonathan Swift’s Gulliver’s Travels. The concept of shrunken characters has graced numerous classic films, from Bridal of Frankenstein to modern hits like Ant-Man and Honey, I Shrunk the Kids. The new Peacock limited series, Miniature Wife, pays homage to these films but falls short of being a noteworthy addition to the genre.

Based on Manuel Gonzalez’s 2014 short story, Miniature Wife follows Elizabeth Banks as Lindy Littlejohn, a once-celebrated author turned university professor overshadowed by her scientist husband, Les (Matthew Macfadyen). Lindy’s feelings of insignificance in both her personal and professional life are amplified when she becomes literally small due to Les’s experimental invention, designed to shrink objects to 1/12th of their original size.

Lindy’s most pressing dilemma is that Les has not yet found a stable antidote for the shrinking process. His failed attempts often lead to catastrophic results. Complicating matters further, Lindy navigates a plagiarism scandal involving a student’s accidental publication of a story under her name in the New Yorker. An emotional tangle with Les’ colleague, Richard (OT Fagbenle), also arises, whose affections for her are stronger than her feelings for him.

Meanwhile, Les strikes a deal with a sinister oligarch (Ronnie Cheng) that pressures him to produce an antidote within 30 days, jeopardizing all his work if he fails. The series often drags with dull office politics, including dealings with a demanding scientist named Vivienne (Zoe Lister-Jones) who becomes Lindy’s new boss. Subplots concerning their college-age daughter, Lulu (Sofia Rosinski), and Lindy’s best friend Terry (Sian Clifford) feel like unnecessary padding, contributing to a scattered narrative.

Creators Jennifer Ames and Steve Turner could have benefitted from trimming the number of episodes, currently awkwardly balancing comedy and drama at around 45 minutes each. Miniature Wife showcases Lindy’s clumsy adaptations to dollhouse life, coupled with the strains of her rocky marriage to Les amid extraordinary circumstances.

“We all suck,” Lulu candidly remarks about the Littlejohn family, and she’s not wrong. Both Lindy and Les are portrayed as unlikable individuals whose relationship deteriorates under pressure. While this could work in a dark comedy context, attempts to depict the Littlejohns as a couple worth rooting for fall increasingly flat. Banks and Macfadyen’s chemistry is lacking, with Macfadyen often treating robberies as emotional expressions.

As a science fiction piece, Miniature Wife is convoluted, filled with complex jargon that ultimately lacks substance. Its special effects struggle to match the more straightforward visuals of Lily Tomlin’s 1981 comedy, The Incredible Shrinking Woman. Les lamentably claims to have created “a little monster,” yet he has only triggered mild annoyances.

Topics:

  • Science Fiction/
  • Television

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Source: www.newscientist.com

SEO-Optimized Title: “Exploring Science Fiction: A Review of George Saunders’ The Vigil and Matthew Cressel’s Rainseekers”

In “Vigil,” a dying oil tycoon is visited by a ghost.

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Stay Up All Night
George Saunders, Bloomsbury

While I’m generally not a fan of novellas or short stories due to their brevity, compelling authors like George Saunders keep me turning the pages. This week, I present two thought-provoking reads, starting with Stay Up All Night.

In Stay Up All Night, prize-winning author George Saunders, known for his hit Lincoln in the Bardo, introduces us to Jill “Doll” Blaine, a ghost who returns to Earth to observe the last hours of K.J. Boone, a wealthy oil tycoon.

Jill’s mission is to provide comfort to restless souls, but she discovers that Boone, despite his life full of deception and environmental damage, is content with his choices.

Set in the final hours of Boone’s life, the narrative unfolds with the arrival of other ghosts and family members seeking closure. Jill, frustrated by Boone’s indifference, navigates her own past, returning repeatedly to his bedside.

True to Saunders’ style, the prose is vibrant and enchanting. He deftly avoids the mundane, making even the darkest themes shine.


When intriguing authors continue to craft engaging novellas, I feel compelled to explore them.

However, I found myself yearning for deeper insights into Boone’s psyche and hoped for a narrative reckoning that never fully materialized. Jill, with her rich backstory, was by far the most captivating character, and I wished for more exploration of her journey.

Nonetheless, Saunders’ brilliance and the pressing themes explored in Stay Up All Night make it a compelling read—one worth delving into at least twice.

Rainseekers
Matthew Cressel, Tor Publishing

Next up is Rainseekers by Matthew Cressel. This narrative blends a series of interconnected short stories, featuring protagonist Sakunja Salazar, an influencer-turned-journalist on Mars amidst the transformative terraforming of the planet.

With newly formed water bodies and breathable air, Sakunja embarks on a thrilling journey into the Martian wilderness to witness the first rainfall. This quest is both poetic and thought-provoking.

As Sakunja interviews fellow “rainseekers,” their unique stories weave into a rich tapestry that enhances the overarching narrative.

Kressel excels in crafting poignant, concise narratives, lending weight to this visionary future of the solar system.

While Sakunja lacked the depth to truly engage me, the human elements and the fun exploration of terraforming resonate strongly, reminiscent of classics like Kim Stanley Robinson’s Red Mars trilogy.

I also recommend:

Juice
Tim Winton, Pan Macmillan

If you’re intrigued by the intersection of oil barons and climate change, this evocative novel is for you. Set in a distant future, it explores consequences for those who have wronged the planet—an excellent choice for this month’s New Scientist Book Club.

Emily H. Wilson is the author of the Sumerian series (including Inanna, Gilgamesh, and Ninshbar, all published by Titan) and is currently penning her first science fiction novel. A former editor at New Scientist, she can be followed on Instagram @emilyhwilson1.

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Source: www.newscientist.com

Matthew McConaughey and Michael Caine Secure Voice Agreement with AI Firm

Academy Award-winning actors Matthew McConaughey and Michael Caine have entered into an agreement with AI audio firm Eleven Labs.

The New York-based company is now authorized to produce AI-generated voice replicas as part of its initiative to tackle “significant ethical challenges” in the intersection of artificial intelligence and Hollywood.


McConaughey, who has also invested in the company and collaborated with them since 2022, will allow Eleven Labs to produce a Spanish audio version of his newsletter “Lyrics of Livin'” using his voice.

In a statement, the Dallas Buyers Club star expressed his admiration for Eleven Labs and hoped this collaboration would enable him to “reach and connect with an even broader audience.”

Eleven Labs is launching the Iconic Voices Marketplace, allowing brands to collaborate and utilize officially licensed celebrity voices for AI-generated applications. Caine’s new agreement includes his iconic voice in this lineup.

“For years, I have lent my voice to stories that inspire people—tales of bravery, ingenuity, and the human experience,” Caine stated. “Now, I am helping others to discover their voice. With Eleven Labs, I can save and share everyone’s voice, not just mine.”

He further mentioned that the company “leverages innovation to celebrate humanity, not to replace it,” asserting that it “does not replace voices, it amplifies them.”


Caine has also revealed plans to return from retirement to co-star with Vin Diesel in The Last Witch Hunter 2.

Other voices featured in the marketplace include legendary Hollywood figures like John Wayne, Rock Hudson, and Judy Garland, alongside contemporary stars such as Liza Minnelli and Art Garfunkel. The list also encompasses notable figures like Amelia Earhart, Babe Ruth, J. Robert Oppenheimer, Maya Angelou, and Alan Turing.

Recently, Eleven Labs was valued at approximately $6.6 billion.

This news follows a series of celebrity and AI partnership agreements, including various celebrities who have consented to allow Meta to utilize their voices. Last year, the company released a list that featured Judi Dench, John Cena, and Kristen Bell.

Other stars, including Ashton Kutcher and Leonardo DiCaprio, have also made investments in AI enterprises.

Source: www.theguardian.com

Zuckerberg Introduces AI “Superintelligence” Amidst On-Stage Glitch with Smart Glasses

As we near the threshold of the AI apocalypse, glimmers of hope remain. The technology may not always function as intended.

This was evident last week when Mark Zuckerberg attempted to showcase his company’s latest AI-powered smart glasses. “I’m not sure what to say, folks,” he told his supporters after struggling multiple times to make a video call through the glasses, which ultimately failed.

This mishap came after an ambitious start to the event at Meta Connect 2025, a developer conference held in Menlo Park, California. The keynote was set to unveil the Ray-Ban Meta Display, essentially a modern version of the wearable iPhone—ideal for those too lazy to dig their devices out of their pockets, and appealing to fans of both Buddy Holly and the Terminator. Yet, despite its alluring design, the presentation was riddled with technical blunders, perhaps serving as an ironic tribute to the latest, meaningless iterations of digital devices.

The event kicked off with quite the spectacle. Attendees watched as Zuckerberg made his way to the stage, hitting the beat while sharing numerous fist bumps along the way. The camera on the glasses displayed “Mark’s POV” for the audience, all while he undoubtedly received an avalanche of texts filled with genuine excitement: “Let’s Gooo” followed by rocket emojis, accompanied by GIFs of two guys exclaiming, “The audience is hyped,” and “It’s Time.”

Zuckerberg eventually reached the stage, clad in his trademark baggy t-shirt and tousled hair. He expressed the company’s dedication to developing attractive eyewear, all while referencing the ironic concept that technology “doesn’t interrupt” human interactions, alongside the equally ironic assertion that “serious Super Intelligence” is the cornerstone of our age. “AI must serve humanity, not just those in data centers automating our lives,” he stated.

Things seemed to flow smoothly until it was time to actually utilize the AI features. Zuckerberg attempted a video call with chef Jack Mankuso, suggesting a dish inspired by “probably Korean-style, like steak sauce.”

“What should I do first?” he asked the Oracle.

“You’ve already combined the basic ingredients,” the AI mistakenly informed him, leading to an awkward silence.

“What do I do first?” Mankuso inquired again.

“You’ve already combined the base ingredients, so grate the pears and gently mix them into the base sauce,” the AI patiently reminded him.

“I think the Wi-Fi is acting up. Sorry. Back to you, Mark.” (Certainly the fault lay with the Wi-Fi, not the AI itself.)

To his credit, Zuckerberg maintained his composure. “It’s all good. What can you do? It’s all good,” he said. “The irony is that you can spend years crafting technology, only for the Wi-Fi of the day to trip you up.”

Failing AI demonstrations are not new phenomena. They’ve become a tradition; last year at Google, a presenter attempted to use the Gemini tool to scan posters for Sabrina Carpenter’s concert to find her tour dates. The bot remained silent when asked to “Open Gemini and take a photo and ‘Check out the calendar for my availability when she visits San Francisco this year.” It eventually worked on my third attempt on another device.

This year, Google demonstrated its translation features with its own smart glasses, which failed only 15 seconds into the presentation. To be fair, a blunder in a high-stakes tech demonstration doesn’t equate to a non-functioning product, as anyone familiar with a certain Tesla CyberTruck presentation will remember. It flopped when the designer threw metal balls at the truck’s so-called “armor glass”; the incident paved the way for a bright future and earned the dubious title of “more fatal than the Ford Pinto.”

At this juncture in his presentation, one might assume Zuckerberg would play it safe. However, when it came time to demonstrate the new wristbands for the Ray-Ban Meta display, he chose to rely on live trials instead of slides.

The wristband, which he dubbed a “neural interface,” detects minimal hand gestures by picking up electrical signals from muscle activity. “You can be among others, yet still type without drawing attention,” Zuckerberg explained. In essence, the combination of glasses and wristbands is practically a stalker’s fantasy.

At least, that is, when it operates correctly. Zuckerberg repeatedly attempted to call his colleague Andrew Bosworth, but each attempt was met with failure. “What a letdown. I’m not sure what went wrong,” he said after the first unsuccessful attempt. He tried again: “I’ll pick it up with my neural band,” he quipped, but still couldn’t connect.

“I’m not sure what to tell you guys, it’s impressive, we’ll bring Boz out here and move to the next presentation and hope it works.” The sign at the back of the room that appeared on-screen read, “Live Demo – Good Luck.”

If the aim was to humanize Zuckerberg, it indeed succeeded: he put forth his best effort in the face of disasters and smiled through it all, making it easy to forget the childlike wonder.


However, the overall event felt like a misaligned millennial dream, a bizarre echo of early 2000s optimism that only Silicon Valley billionaires could buy into. The spectacle mirrored Steve Jobs’ iPhone unveiling in 2007, with two key contrasts: back then, the U.S. hadn’t crumbled behind the scenes—not yet—and it was clear why people were eager to see the devices’ launch. They were on the internet! In your pocket! Can you believe this incredible human innovation?

This event is mired in hardware and software that seems to function without them, with many AI pushes hoping to harness the same energy remotely and without comparable offerings.

For amateurs, it appears consumer technology has entered an era of solutions searching for problems. Witnessing our high-tech overlords stumble on stage raises a broader question: Is that not the case?

Source: www.theguardian.com