IThis was one of history’s monumental moments, but if John Glenn had not stopped at a supermarket on his way aboard Friendship 7 to pick up a Contax camera and 35mm film, the visual record may not have existed. A photograph taken by an American astronaut through the window of a capsule while in Earth orbit on February 20, 1962, provided unprecedented evidence of Project Mercury’s first orbital mission. The Soviet Union may have beaten the Americans in the race to human spaceflight, but the Americans were also taking the first color photographs of the galaxy.

German gallerist Daniel Blau points out that these photos are also “the most expensive photographs ever taken.” Billions of dollars were spent to obtain them. Blau has an original print of Glenn’s first photograph taken in space. Photos from Paris this yearalong with NASA’s cache of rare photographic prints, many of which have never been publicly displayed before, most of them by unknown scientists and astronauts.

“At that time, NASA didn’t provide cameras to astronauts,” Blau says. “In a way, this was Glenn’s private photograph.” Despite their scientific motivations, Glenn’s images convey the inescapable mystery of the universe. A warm, glowing ball of light spreads out from the center of the frame. Luminescent flashes blaze into the deep darkness of the void, dancing like the “fireflies” described by Glenn. It must have been terrifying to watch. In fact, the spark turned out to be condensation.

Traveling at 28,000 km/h, humans managed to reach space, but they had not yet designed a photographic machine powerful enough to keep up with the journey. Lacking much visual information or detail, Glenn’s photographs probably reveal less about the universe and have become totems of human ambition. Glenn later added a personal caption, warning, “I guarantee you a photo will never be able to recreate the brilliance of a real scene.”

Blau began carrying vintage NASA prints in the 1990s. “The Space Race and the Cold War were the defining forces of the second half of the 20th century. Of course, my generation remembers all the important moments.” Some of the photos were published at the time, but original prints It is difficult to obtain. “These scientists and the people who worked on the missions passed down their personal archives to their children, and now their grandchildren, so there is still a lot of material on the market. It was natural for me to start searching and working with these photographs.”

At Paris Photo, a crowd gathered around a series of six silver gelatin photographs from 1948 overlooking the Rio Grande from a V-2 rocket at 73,000 feet. Also on display were humanity’s first close-up photo of Mars, taken in 1965, and the first panoramic photo of Earth seen from the moon. The latter was not photographed by humans, but was sent by radio signal from an unmanned mission in August 1966. They were then stitched together pixel by pixel into a single image at NASA’s Jet Propulsion Laboratory.

By 1979, the interstellar probe Voyager was able to take better pictures of the planet, and its images of Jupiter and its four moons suspended like marble in an onyx atmosphere were particularly startling.

The impressive large-scale mosaic of Mercury’s pockmarked surface, created in 1974, is “the only mosaic of this size I’ve ever seen,” Blau says. “It was probably produced for a NASA presentation, similar to Voyager’s photo of Mars.” This photo only shows part of the solar system’s smallest planet, but it doesn’t fit our understanding and You get another glimpse of what lies beyond your control.

By the late ’70s, photography had taken on a more central role in missions and the advancement of space science. “NASA was and still is dependent on public funding, but Glenn’s color photographs taken in Earth orbit showed that the best and most positive way for NASA to demonstrate its accomplishments was through photography.” It became clear that there was one thing,” Blau said. “Of course, the scientific side of things is the driving force, but photography tells a first-hand story.”

Blau’s footage was released the day after the US presidential election. He said he wanted to remind visitors of the “positive common efforts of many countries.” They are certainly humble. “Perhaps no photograph embodies more than this photograph the combination of mystical awe and mastery of nature that constitutes the human condition,” Blau muses. “Humans escape from the confines of the earth to see and record things that have never been seen or recorded before – the impossible.”