Ancient 3,000-Year-Old Pottery Workshop Discovered in Iraqi Kurdistan

Archaeologists from the University of Tübingen and LMU Munich have unearthed the remnants of an ancient pottery workshop in an early Iron Age Dinka settlement on the Peshdar Plain, located in Iraq’s Kurdish Autonomous Region. This groundbreaking discovery enhances our understanding of craft specializations, technical traditions, and urban life, revealing a surprising level of socio-economic complexity in the region during that era.



A 3,000-year-old pottery workshop in Jirdi Bazaar, showcasing the walls and kiln. Image credit: Andrea Scutieri.

The Dinka settlement complex, encompassing Girdi Bazaar, Karati Dinka, and neighboring areas, was excavated as part of the Peshdar Plain project launched by LMU Munich archaeologists in 2015.

This initiative concentrated on the Iron Age of the Lower Zab headwaters, a historically underexplored region in the western Zagros.

Excavations have revealed previously unknown Iron Age ruins, featuring a diverse pottery assemblage and a pottery production workshop in the bustling Jirdi Bazaar.

The workshop included two updraft kilns and manufacturing tools dating back to approximately 1200 to 800 BC.

Dr. Silvia Amicone, an archaeologist at the University of Tübingen, remarked: “The workshop was so well-preserved that we could utilize various techniques to gain a comprehensive understanding of how potters operated in this region during the Iron Age.”

Archaeologists examined materials including raw clay, finished pottery, kiln lining, contents, and fuel remnants from the firing process.

Through mineralogical and microstructural analysis of clay and pottery samples, researchers identified the raw materials and manufacturing methods employed in pottery creation.

Findings indicate that while vessels from this settlement exhibited minor variations in shape and finish—possibly reflective of their specific functions—these differences were integrated into a modular and well-organized production framework, likely catering to both the Dinka settlement and the surrounding area, with the Gil-i-Bazaar workshop playing a pivotal role.

This conclusion is corroborated by extensive evidence of pottery production across the settlement complex, including potential kilns identified through geophysical analyses.

The results suggest that pottery production was fundamental to the city’s configuration, with Gird-i Bazar being part of a network of workshops adhering to standardized production procedures.

“Our findings suggest that pottery was mainly fired at relatively low temperatures (below 900 degrees Celsius) under oxidizing conditions, utilizing simple updraft kilns with gradual heating rates and brief firing times,” the researchers stated.

“The variations in microstructural and mineralogical characteristics can be explained by different firing events conducted within a shared technological framework.”

“All types of vessels appear to have been ignited similarly, showcasing a consistent tradition of pyrotechnics.”

“Investigating pottery production in Dinka settlements provides a unique insight into the organization and innovative capabilities of early urban societies,” explained Professor Karla Pohlmann (Doshisha), Rector of the University of Tübingen.

“These discoveries illuminate how technological knowledge and community structures laid the groundwork for cultural evolution over 2,500 years ago.”

“Such research serves as a reminder that progress has always been a collective endeavor.”

For further insights, refer to this study. The survey’s results will be published on December 23rd in an archeology journal.

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Silvia Amicone et al. “Assembling the pieces of the puzzle: Integrating pottery and kiln analysis to reconstruct firework technology in Dinka settlements (Iraqi Kurdistan).” archeology journal, published online on December 23, 2025. doi: 10.1016/j.jas.2025.106425

Source: www.sci.news

Ancient Mayan Ruins Reveal 3,000-Year-Old Cosmic Map

A monumental ancient structure unearthed in Mexico could uncover how the early Maya civilization perceived the universe. Among them, new research indicates that the 3,000-year-old site known as Aguada Fénix served as a cosmogram, representing a geometric map of the cosmos.

Archaeologists initially discovered a large cross-shaped cavity (termed a cross hole) concealed within dense jungle in 2020. Upon closer inspection, they discovered that this was merely one of numerous interconnected holes linked by canals. The cumulative volume of these cross holes exceeds 3.8 million cubic meters, equivalent to nearly one and a half pyramids of Giza or over 1,500 Olympic-sized swimming pools.

Researchers from the University of Arizona utilized laser technology to identify Aguada Fénix from aerial views, situated in the current state of Tabasco on the Gulf Coast.

They now assert that the earliest examples of these findings in Mesoamerica—colored pigments discovered in pits—align with the four cardinal directions: north, south, east, and west. Specifically, vibrant blue azurite represents north, yellow ocher marks south, green malachite signifies east, and pearl-like shells denote west.

Mineral pigments found arranged to correspond with cardinal directions. Researchers suspect that the western deposits may originally included red pigments that have faded over time. – Photo credit: Takeshi Inomata/University of Arizona

According to Independent Maya Expert Dr. James A. Doyle, “The cross shape and color symbolism embedded in the architecture physically embody the concept of how the Earth’s planes are organized and directed.” The BBC Science Focus article also highlights that “the dams and canals underscore the significance of water both practically and symbolically, which is mirrored in the blue and green pigments, shells, and greenstone products.”

Crucially, the new study published in Scientific Progress posits that the construction was a collective effort by a non-hierarchical community, as there is no evidence linking dwellings, palaces, or a central ruling class to late Maya architecture.

Given the size of the structures (Doyle describes them as “some of the largest ever constructed in this area”), it is believed that at least 1,000 individuals would have collaborated over several years to carve the rock and create the cosmogram.

These individuals were likely not coerced by an elite class but were part of an egalitarian society that sought a communal space for stargazing and sharing astronomical knowledge. These vast areas probably also served for trade, social interactions, and religious ceremonies.

Researchers believe this jade artifact depicts a woman in the act of giving birth. – Photo credit: Takeshi Inomata/University of Arizona

Archaeologists have uncovered not only pigments but also jade carvings, primarily reflecting natural experiences rather than deities or leaders. These carvings largely depict animals, although some seem to portray women in childbirth.

Doyle emphasizes that there is still much to uncover about social equality at Aguada Fénix, particularly concerning the enigmatic jade woman.

“What if she represented a strong leader, akin to figures seen in many later societies across Mesoamerica, the Caribbean, and the central Andes?” he queried.

“As excavations progress and our understanding of Aguada Fénix’s builders deepens, we will gain a clearer insight into the disparities in wealth and influence.”

Read more:

Source: www.sciencefocus.com