Happy Birthday to the Beloved Childhood Friend of Millions: The Nintendo NES Game Console

TThe Nintendo Entertainment System made its debut in the United States on October 18, 1985—about a year after my arrival, marking 40 years today. It’s almost as if the company sensed there were individuals ready to drop significant sums on plastic contraptions and electronic games. Truly, the entire company seemed to anticipate that a new generation of enthusiasts like me was about to enter the scene. That was indeed the moment to launch. With birthdays and Christmas gifts in hand, we were primed to spend every dollar, even when my dad urged us to keep certain things from my mom. (Perhaps I was the only one uttering that last sentiment.)

Although I’m not much younger than the NES, it felt as though that console had always been part of my life, only now am I confronting its complexities as I type this out. My childhood memories are a blur, focused on mastering the coordination of my hands and eyes, but “Nintendo” was always synonymous with gaming in my world. If a friend inquired whether there’s a Nintendo in the house, it was akin to asking if there was Coca-Cola in the fridge—no additional articles needed.




Pac-Man for the Nintendo Entertainment System. Photo: ArcadeImages/Alamy

My sister and I relentlessly pleaded with our parents for two years to get us an NES. While my mom and dad weren’t overly concerned about the potential pitfalls of gaming—those would emerge later in titles like Doom, Mortal Kombat, and even Stardew Valley—they were wary of investing in pricey toys that required even pricier accessories to function. The Nintendo Entertainment System was touted as cutting-edge technology in the U.S., despite noticeably echoing the design of the VHS cassette player, which ultimately everyone understood it was meant to be. Played. Touching my dad’s home theater triggered quite a reaction, but this was finally a gadget we kids could enjoy.

It’s also important to note that I am part of the first generation to entirely miss the Atari home video game craze of the early ’80s. The Atari system still existed during my childhood, but kids my age recounted it with a historical lens similar to discussing World War II. Just looking at Atari felt like peering into a relic of the past that none of us could fully grasp and cherish. Watching my neighbor turn on an Atari was nothing short of eye-opening. In basketball, a square was practically represented as the ball. No, thank you. I need a moment to recuperate.

But the NES—oh, the NES!—actually showcased graphics reminiscent of arcade games. Was it flawless? Certainly not! Some visuals appear quite rough by today’s standards. Yet, even at five years old, a somewhat blurred version of Pac-Man still felt like Pac-Man. My parents never let me engage in shooting games at carnivals (the reasoning remains a mystery), but duck hunting was the next best thing. No, it was even better! We quickly discovered that all we needed to do was press that silly plastic gun right to the screen and hit the target every single time. It’s a close-range approach you only learn from four-decade-old video games or by becoming a mafia hitman.

NES games also felt much more expansive. Super Mario Bros. seems unusual at present, but do you recall the first moment the plumber stepped through that pipe? My heart melted into something finer and purer. It was a game featuring a vibrant world brimming with surprises and mysteries. While secrets had been part of games before, it felt as though they were there to be discovered. They were not frustration meant to poke fun at developers but instead aid your exploration. We were traversing a fictional kingdom, something akin to a living cartoon, soaring around in quest of a hidden, unobtrusive “?” box.




“Games felt more open”…NES. Photo: Gary Heider/Alamy

Let’s also remember that the NES introduced us to the Mario we so fondly recognize today. Yes, he began as a construction worker confronting Donkey Kong. Luckily, he transitioned to a plumber, becoming the face that adorned every folder, backpack, lunchbox, flask, and bedsheet of mine and most of my friends’. Long before every gaming reference became a viral internet meme, it was part of Nintendo’s internal dialogue. We often quoted the line from the original Legend of Zelda: “It’s dangerous to go alone! Take this with you!”

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Each generation encounters its own cultural landmarks. Yet, the Nintendo Entertainment System played a pivotal role in solidifying gaming culture, particularly in America, where the ZX Spectrum and various home computers didn’t capture the same popularity as they did in Europe. It became a shared language, a toy allowing us to unleash our imaginations, and surely a way for my parents to take a momentary break from their children. I still possess the NES they gifted me, and regardless of what the Man says, you still need to blow into the cartridge to make it work.

Source: www.theguardian.com

Strauss’s “Brudanow” Waltz Soars into Space to Celebrate His 200th Birthday

Cape Canaveral, Florida – This month, Strauss’ Brudenau will embark on a journey into space. Discover the origins of King Waltz.

Timeless compositions will shine across the cosmos through a performance by the Vienna Symphony Orchestra. The celestial event, titled Heavenly Saying, is set for May 31 and will be broadcasted via free public screenings in Vienna, Madrid, and New York, commemorating the 50th anniversary of the European Space Agency.

ESA staff have noted that music can be transmitted as radio signals in real-time; however, to circumvent potential technical difficulties, a pre-recorded version from the orchestra’s rehearsal will be aired the day before, with the live performance accompanying it.

Radio signals travel at the speed of light, approximately 670 million miles per hour (over 1 billion kilometers per hour).

As a result, the music would reach the Moon in just an hour and a half, Mars in 4.5 minutes, Jupiter in 37 minutes, and Neptune in 4 hours. Within a day, the signal would be over 15 billion miles (24 billion kilometers) away, as far as NASA’s Voyager 1, the most distant human-made object in interstellar space.

In 2008, NASA also commemorated 50 years by sending The Beatles’ “Across the Universe” into Deep Space. Furthermore, last year, they transmitted Missy Elliott’s “The Rain (Supa dupa Fly)” to Venus.

Music is not only traveling through space; NASA’s Mars Rover has made waves back to Earth. In 2012, flight controllers at the Jet Propulsion Laboratory in California sent a recording of Will.i.am’s “Reach for the Stars,” which was then broadcasted by the Rover.

This interstellar transmission adds to a legacy of melodies shared between NASA mission control and astronauts since the mid-1960s.

Now it is Strauss’ turn, following its earlier inclusion in the Voyager Golden Records almost fifty years ago.

Released in 1977, NASA’s twin Voyager spacecraft each carry gold-plated copper gramophone records, equipped with styluses and instructions for playback.

These records feature earthly sounds and images alongside 90 minutes of music, curated by the late astronomer Carl Sagan and his committee, which included works by Bach, Beethoven, Mozart, and Stravinsky, among contemporary and indigenous artists.

Notably omitted was Johann Strauss II, whose “Blue Danube” famously accompanied Stanley Kubrick’s 1968 sci-fi film “2001: A Space Odyssey.”

The Vienna Tourism Board, located where Strauss was born on October 25, 1825, aims to rectify this “cosmic oversight” by sending the world’s most renowned waltz into the stars.

ESA’s large radio antenna in Spain, part of the agency’s deep space network, honors this initiative. The dish is directed toward Voyager 1, allowing “Blue Danube” to resonate through the cosmos.

“Music connects us across time and space in a unique way,” stated ESA Director Joseph Ashbacher. “The European Space Agency is sharing the spotlight with Johann Strauss II and inspiring future space scientists and explorers who will one day journey to the anthem of the universe.”

Source: www.nbcnews.com

Here’s Why Your Risk of Death is Higher on Your Birthday

With the approach of a special day, we often find ourselves balancing the celebration of a new year’s wisdom and the apprehension of time passing by. However, the “birthday effect” adds an interesting twist to this traditional celebration.

The birthday effect is a statistical phenomenon, which unfortunately puts a damper on parties, indicating that people are more likely to pass away around their birthdays.

This somber discovery has been supported by various studies, such as the 2012 Swiss study, which revealed a 13.8 percent increase in the number of people aged 60 and above who died on their birthdays compared to other days.

Similarly, the 2015 Study from the United States showed a 6.7 percent higher risk of mortality on one’s birthday.

Various theories attempt to explain why this phenomenon occurs. Some suggest that excessive celebrations involving alcohol on birthdays can lead to risky behavior, accidents, and poor judgment. Others believe that for those battling terminal illnesses, birthdays serve as important milestones, giving them the strength to hold on until another year passes.

Birthdays can also trigger reflection, leading to feelings of sadness and depression known as “birthday blues.” Sadly, these emotions can increase the risk of suicide, as demonstrated by a Japanese study in 2016, which found a 50 percent higher risk of suicide on one’s birthday.

Another possibility is that errors in death registration records may inaccurately document some individuals’ birth and death dates as the same. However, these errors are unlikely to significantly impact the observed results.

The birthday effect remains a complex and not fully understood phenomenon, likely influenced by a combination of factors mentioned above and others. So, while blowing out the candles, perhaps hold off on that shot of tequila.

This article addresses the question from Alex Mercado in Manchester regarding the “birthday effect.”

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Source: www.sciencefocus.com