Why Elon Musk Misinterprets the Essence of Star Trek: Key Insights You Need to Know

Star Trek: Deep Space Nine - A scene featuring Avery Brooks, Nana Visitor, and René Auberjonois, 1993-1999

“While space travel serves as a backdrop, it is not central to the Star Trek narrative.” A scene from Star Trek: Deep Space Nine

Everett Collection Inc/Alamy

The current socio-political landscape in America is filled with contrasts. As I reflect on my day, thoughts arise concerning the potential call of construction workers to government projects. Meanwhile, dinner plans loom, prompting me to suggest to my partner that he pick up some fresh vegetables, all while he frets about being intercepted by U.S. Immigration and Customs Enforcement on his way home. I am meant to engage in scientific inquiry and broadcast the marvels of the universe, yet my focus often shifts to grim realities like children in detention camps. Despite attempts to slash NASA’s funding, it has managed to withstand the cuts, though the workforce has significantly dwindled over the years.

The very week this article circulates, NASA is poised to launch astronauts on an unprecedented mission around the Moon, part of the Artemis program leading to potential human landings on the Moon and beyond. This program is widely viewed as a crucial milestone towards sending humans to Mars. At a SpaceX event, with U.S. Department of Defense officials present, Elon Musk expressed his vision of sending humans to new planets, closely aligning with the aspirational themes found in the Star Trek universe. Enthusiasm is high, as we anticipate that these missions will propel us towards a utopia in space exploration.

What a captivating idea! However, the reality may be starkly different. In the realm of Star Trek, one might argue that many fans attending conventions deeply misunderstand the series, revealing an apparent disconnect with its core messages. If they truly grasped the themes of the Star Trek universe, they would recognize that the 2020s parallel a disheartening chapter in human history. The fictional 2024 Bell Riot reflects a rebellion against oppressive governance amid staggering wealth inequality, while the Trekkian outlook foresees humanity surviving another world war, where soldiers are coerced into committing atrocities.

Strikingly, the parallels between past fiction and current events resonate. In this narrative, the figures promoting militarized space endeavors are not the heroes, but rather the villains. Misplacing their roles, these proponents fail to understand that the core essence of Star Trek is not about reaching distant planets but about humanity’s journey towards self-improvement through collaboration, grappling with substantial ethical dilemmas, and fostering a society nurtured by principles similar to socialism, where the needs of all are attended to.


In Star Trek, the individuals advocating for militarized corporate strategies are depicted as the antagonists.

Could venturing to Mars pave the way for this enlightenment? Perhaps, in another dimension, such endeavors would embody a quest to embrace “the infinite variety in infinite combinations,” a concept that resonates with the Vulcan philosophy. We have successfully dispatched numerous unmanned missions to Mars, unveiling a wealth of astonishing discoveries about the planet’s past and the potential for other life forms.

Nonetheless, Mars presents challenges as a habitat for humans. It is inhospitable, cold, and dry, which poses formidable obstacles should we aim to establish a presence there. Even amidst the hopeful vision of a peaceful human expedition, it’s vital to acknowledge the harsh reality—Mars is fraught with dangers. The thin atmosphere makes breathing impossible, and any attempts to alter it could still prove hazardous. Dust and silica in Martian soil can inflict severe damage to human lungs, mirroring the afflictions experienced by miners.

Many might dismiss this, thinking, “I won’t be inhaling dirt!” However, Mars is notorious for its colossal dust storms that would infiltrate any human habitat. Such conditions would make it increasingly difficult to maintain a livable environment. The sheer volume of resources required to create a sustainable habitat on Mars is staggering, as launching these supplies into space is a monumental task.

In conclusion, the pursuit of colonizing Mars may not be a practical endeavor. Instead, let us cherish our own remarkable planet, Earth. While we may not have treated it with the respect it deserves, there is still time for change. This vision is at the heart of Star Trek: not about fleeing to a technologically advanced future, but about cultivating the capacity to honor the extraordinary vessel we call home.

What I’m Reading
I found Farah Daboiwala’s “What is Free Speech? A History of Dangerous Ideas” fascinating.

What I See
I admire Gina Yashea and Kelis Brooks’ work titled “Star Trek: Starfleet Academy.”

What I’m Working On
Currently, we’re navigating the complexities of daily life amidst governmental turbulence.

Chanda Prescod-Weinstein is an Associate Professor of Physics and Astronomy at the University of New Hampshire, and the author of Turbulent Universe as well as the upcoming book The Ends of Space and Time: Particles, Poetry, and the Boogie of Cosmic Dreams.

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Source: www.newscientist.com

Why ‘The Beauty’ Fails to Capture the Essence of Horror TV

Bella Hadid as Ruby in ‘The Beauty’

Photo: Philip Antonello/FX

The Beauty
From Ryan Murphy and Matthew Hodgson, exclusively on Disney+/FX

The series Beauty (Disney+/FX), created by acclaimed producer Ryan Murphy and co-creator Matthew Hodgson, reveals its intentions from the very first scene. Amidst glamorous models on the Paris catwalk, one character, Ruby (played by Bella Hadid), becomes dangerously desperate for hydration, resorting to shocking measures to quench her thirst.

This plot twist may intrigue some viewers, but may also deter others. Murphy’s established fame for groundbreaking shows like Glee and American Horror Story sets a high expectation for this series. In Beauty, FBI agents uncover a deadly drug and a new sexually transmitted disease within the fashion industry’s glamorous facade. However, the series ultimately falls short.

Murphy’s work has long been associated with body horror, revealing uncomfortable truths hidden within its provocative themes. Unfortunately, Beauty merely glosses over these issues, reducing its critical commentary to superficial critiques, especially regarding the use of medications like Ozempic.

The series struggles to embody the transgressive essence of body horror. Its unoriginality stems not only from its comic-book origins but also from its predictable narrative.

Comparisons can be drawn between Beauty and David Cronenberg’s iconic film The Fly, despite their differing storylines. In The Fly, scientist Seth Brundle (played by Jeff Goldblum) embarks on romantic and scientific pursuits, ultimately leading to horrifying transformations.

Jeff Goldblum as Seth Brundle in David Cronenberg’s The Fly

Photo: 20th Century Fox/Album/Alamy

The Fly masterfully explores themes of intimacy and horror, deftly blending romance with the grotesque, while also addressing underlying societal issues. In contrast, although Beauty attempts to engage with similar themes, its execution often felt forced and lacking in depth.

Characters in Beauty navigate discussions about health and identity, reminiscent of Seth Brundle’s plight, yet the messaging comes across as overly didactic.

In conclusion, while Beauty touches on vital topics, it lacks the profound narrative power found in Cronenberg’s work, ultimately emphasizing the necessity of original storytelling in tackling contemporary issues.

Recommended: Material…

Material
Coralie Ferguito

While I had mixed feelings about this film, a standout scene featuring Elizabeth Sparkle (Demi Moore) transforming through the titular drug makes it worth a watch. Despite its shortcomings, it revitalized themes of beauty that were otherwise faltering.

Bethan Ackerley is an associate editor at New Scientist. Passionate about science fiction, comedy, and all things spooky. Follow her on Twitter @inkerley

Topics:

  • Science Fiction/
  • TV Series

Source: www.newscientist.com

Psyche Embodies the Essence of Earth and Moon

On July 20th and July 23rd, 2025, NASA’s Psyche spacecraft captured images of Earth and the Moon from a distance of approximately 290 million km (180 million miles). The spacecraft’s twin cameras took several long exposure photographs, showcasing the two celestial bodies as glimmering dots in the sunlight against the backdrop of the Aries constellation.



Psyche imaged Earth and the Moon, approximately 290 million km (180 million miles) away in July 2025. Image credit: NASA/JPL-Caltech/ASU.

Psyche is NASA’s mission aimed at studying metal-rich asteroids located in the main asteroid belt between Mars and Jupiter.

This mission marks NASA’s first endeavor to examine asteroids composed primarily of metal rather than rock and ice.

Psyche launched on October 13, 2023, at 10:19 AM aboard a SpaceX Falcon Heavy rocket from the Kennedy Space Center.

By August 2029, the spacecraft will begin its exploration of asteroids that scientists believe are remnants of planetary cores due to their high metal content.

“The multispectral imager equipment features a pair of identical cameras equipped with filters and telescope lenses designed to capture the asteroid’s surface using light across various wavelengths,” stated a member of the mission’s science team.

“The color and shape of the asteroid’s spectrum can provide insights into its composition.”

“For instance, the Moon and the large asteroid Vesta exhibit similar spectral ‘bumps and wiggles’ that scientists could potentially identify in Psyche.”

Researchers are interested in Psyche as it may enhance our understanding of how rocky planets with metallic cores, including Earth, were formed.

When selecting targets for imaging tests and calibration, they seek bodies that reflect sunlight similarly to Psyche.

This allows for comparisons with previous data obtained from telescopes or spacecraft observing these familiar spectral objects.

Earlier this year, Psyche pointed its cameras toward Jupiter and Mars for calibration purposes, and the results were successful.

To monitor changes in imager performance, researchers are also comparing data from various tests.

This ensures that when the spacecraft enters orbit around Psyche, the equipment will function as anticipated.

“We’re thrilled about the opportunity to further our understanding through our efforts,” remarked Dr. Jim Bell, Psyche Imager Instrument Lead at Arizona State University.

“We gather ‘trading cards’ from these distinct celestial bodies and run them through the calibration pipeline to ensure data accuracy.”

Psyche wasn’t the only instrument that underwent successful checkouts in July 2025.

The mission team also tested the spacecraft’s magnetometer and gamma-ray and neutron spectrometer, a routine procedure conducted every six months.

“Everything is operational and functioning well,” stated Dr. Bob Mas, the mission project manager at NASA’s Jet Propulsion Laboratory.

“We aim to fly by Mars in May 2026, having accomplished all planned activities for the cruise phase.”

“This flyby represents the next significant milestone for the spacecraft, utilizing the gravitational pull of Mars to assist in reaching Psyche.”

“This will be the first of two planned loops around the solar system, marking the initial 1.6 billion km (1 billion miles) journey since its launch from NASA’s Kennedy Space Center in October 2023.”

Source: www.sci.news