Father of Teenager Killed Over Social Media Trusts Ofcom No More

Molly Russell’s father, the British teenager who tragically took her life after encountering harmful online material, has expressed his lack of confidence in efforts to secure a safer internet for children. He is advocating for a leadership change at Britain’s communications regulatory body.

Ian Russell, whose daughter Molly was only 14 when she died in 2017, criticized Ofcom for its “repeated” failure to grasp the urgency of safeguarding under-18s online and for not enforcing new digital regulations effectively.

“I’ve lost faith in Ofcom’s current leadership,” he shared with the Guardian. “They have consistently shown a lack of urgency regarding this mission and have not been willing to use their authority adequately.”

Mr. Russell’s remarks coincided with a letter from technology secretary Liz Kendall to Ofcom, expressing her “deep concern” over the gradual progress of the Online Safety Act (OSA), a groundbreaking law that lays out safety regulations for social media, search engines, and video platforms.

After his daughter’s death, Mr. Russell became a prominent advocate for internet safety and raised flags with Ofcom chief executive Melanie Dawes last year regarding online suicide forums accessible to UK users.

Ofcom opened an investigation into these forums after acquiring new regulatory authority under the OSA, and the site voluntarily restricted access to UK users.

However, Mr. Russell noted that the investigation seemed to be “stalled” until regulators intensified their scrutiny this month when it was revealed that UK users could still access the forums via undiscovered “mirror sites.”




Molly Russell passed away in 2017. Photo: P.A.

“If Ofcom can’t manage something this clear-cut, it raises questions about their competence in tackling other issues,” Mr. Russell stated.

In response, Ofcom assured Mr. Russell that they were continuously monitoring geo-blocked sites and indicated that a new mirror site had only recently come to their attention.

Mr. Russell voiced his agreement with Mr. Kendall’s frustrations over the slow implementation of additional components of the OSA, particularly stricter regulations for the most influential online platforms. Ofcom attributed the delays to a legal challenge from the Wikimedia Foundation, the organization that supports Wikipedia.

The regulator emphasized its “utmost respect” for bereaved families and cited achievements under its stewardship, such as initiating age verification on pornography websites and combating child sexual abuse content.

“We are working diligently to push technology firms to ensure safer online experiences for children and adults in the UK. While progress is ongoing, meaningful changes are occurring,” a spokesperson commented.

The Molly Rose Foundation, established by Molly’s family, has reached out to the UK government urging ministers to broaden legal mandates for public servant transparency to include tech companies.

In their letter, they requested Victims’ Minister Alex Davies-Jones to expand the Public Powers (Accountability) Bill, which introduces a “duty of honesty” for public officials.

This bill was prompted by critiques regarding the police’s evidence handling during the Hillsborough investigation, mandating that public entities proactively assist inquiries, including those by coroner’s courts, without safeguarding their own interests.

The foundation believes that imposing similar transparency requirements on companies regulated by the OSA would aid in preserving evidence in cases of deaths possibly linked to social media.

The inquest into Molly’s passing was postponed due to a conflict surrounding evidence presentation.

“This change fundamentally shifts the dynamic between tech companies and their victims, imposing a requirement for transparency and promptness in legal responses,” the letter asserted.

Recent legislative changes have granted coroners enhanced authority under the OSA to request social media usage evidence from tech companies and prohibit them from destroying sensitive data. However, the letter’s signatories contend that stricter measures are necessary.

More than 40 individuals, including members of Survivors for Online Safety and Meta whistleblower Arturo Bejar, have signed the letter.

A government spokesperson indicated that the legal adjustments empower coroners to request further data from tech firms.

“The Online Safety Act will aid coroners in their inquests and assist families in seeking the truth by mandating companies to fully disclose data when there’s a suspected link between a child’s death and social media use,” a spokesperson stated.

“As pledged in our manifesto, we’ve strengthened this by equipping coroners with the authority to mandate data preservation for inquest support. We are committed to taking action and collaborating with families and advocates to ensure protection for families and children.”


In the UK, you can contact the youth suicide charity Papyrus at 0800 068 4141 or email pat@papyrus-uk.org. For support, reach out to the Samaritans at freephone 116 123 or email jo@samaritans.org or jo@samaritans.ie. In the United States, contact the 988 Lifeline for suicide and crisis at 988 or chat. In Australia, you can reach Lifeline at 13 11 14. Other international helplines are available at: befrienders.org

Source: www.theguardian.com

Zelda Williams Responds to AI-Generated Video of Her Late Father: “Stop This” | Robin Williams

Zelda Williams, the daughter of the late actor and comedian Robin Williams, has voiced her opposition to AI-generated content featuring her father.

“Please, stop sending videos of dad generated by AI,” Zelda posted on my Instagram story on Monday. “Stop assuming that I want to see it or that I’m interested; I don’t, I really don’t. If you’re just trying to annoy me, I encounter something worse, I block it and move on.”

“To reduce the legacy of real individuals to something like, ‘Just this vague appearance and sound, that’s sufficient,’ is disheartening.”

“You’re not creating art; you’re producing grotesque, over-processed versions of human life, derived from art and musical history.”

“And for heaven’s sake, stop referring to it as the ‘future’; AI is merely a mishmash of recycled content that badly reflects the past. It’s integrating superficial human content.”

Robin Williams with Zelda at the premiere of his film RV in 2006. Photo: Mario Anzuni/Reuters

This isn’t the first instance where Zelda Williams, an actor and filmmaker who directed the 2024 horror-comedy Lisa Frankenstein, has addressed the recreation of her father, who passed away at 63 in 2014. The potential for realism is concerning.

“I’ve encountered AI imitating his ‘voice’ and saying what people want to hear. While I find this intrusive personally, the implications extend far beyond my own sentiments.”

“These recreations are inferior imitations of great individuals and, at their worst, resemble horrifying Frankenstein-like constructs formed from the industry’s lowest points.”

Zelda’s recent commentary arrives amidst a surge of celebrity deepfakes on social media, which span various themes, including adult content, political messages, scams, and advertisements.

In January, actress Scarlett Johansson highlighted the “immediate dangers of AI” following her condemnation of Kanye West’s anti-Semitic comments, after deepfake videos surfaced featuring other prominent Jewish celebrities like Jerry Seinfeld, Drake, and Adam Sandler.

A fraudulent advertisement featuring Deepfark in August was falsely attributed to Crowded House frontman Neil Finn, who stated he was incorrectly represented discussing erectile dysfunction, prompting the band to issue a disclaimer.

The deepfakes of Robin Williams are part of a larger trend in AI-generated content, fueled by the rapid proliferation of low-quality material produced by entertainment-free generation AI applications.

The recent TikTok video featuring Robin Williams appears to have been created using Sora 2, OpenAI’s new video generation app, and includes a simulated interaction between the comedian and the late Betty White.

Within days of launch, Sora’s feed was inundated with videos featuring copyrighted characters from series like SpongeBob SquarePants, South Park, Pokémon, and Rick and Morty.

OpenAI informed the Guardian that content owners can report copyright violations through a “copyright dispute form,” although individual artists and studios cannot opt out broadly. Varun Shetty, Head of Media Partnerships at OpenAI, commented:

Source: www.theguardian.com

Seeing Through His Eyes: A Reflection on Super Mario, My Father, and Me

oMy early memories NE watches my mom and dad play the opening level of Super Mario Bros in cooperative mode on Nintendo’s entertainment system. This was in the early 1990s, and joined the sofa waist and laughed at the idea that two Portly plumbers would become huge after consuming a ton of magical mushrooms.




“Not a tragic myth, normal man has been photographed by Thomas Hobbs’ family with his father, Jonathan. Photo: Thomas Hobbs

At this moment I felt their natural chemistry, but the intoxicating mix of 8-bit visuals and lively, synth-heavy music blew my toddler’s mind. It was frustrating to see me at the end of the level not being able to jump high enough to hit the top of the flagpole, but I remember it being translated to a TV screen.

I was only four years old when my father passed away. It suddenly happened when he was 37 years old and I witnessed it on my bike…it broke my family forever. However, the formative image of his most carefree and in love dad remained, clutching the rectangular controller connected to a grey slab of Japanese joy. It was something I could use whenever I was too sad. Most importantly, memories allowed us to visualize our father as an ordinary person, rather than the tragic myth that he later came to life.

We were a working class family with limited space, so the NES eventually disappeared. No one could resolve whether they were collecting dust in old plastic bags in their relatives’ lofts or if it was accidentally thrown away. So I was recently shocked when mom unexpectedly handed over the console after finding it during the spring clean. She asked me if I could try to fix it.

There were no leads, games or controllers. Also, it was dirty, especially with sticky clumps of dirt around the AV slot, and as judged by the rust gathering in the cartridge slot, there was serious flood damage. After buying an expensive device that cleans deeply, removes all the damp dust from the inside and converts games to HD, I turned it on. For some reason, it still worked. Clearly, like most consumer devices produced in the 1980s, the NES was built to withstand nuclear winters if the Cold War heated up.




The retro Nintendo Family Computer was sold in Japan as a pioneer of the Nintendo Entertainment System (NES). Photo: Oli Scarff/AFP/Getty Images

The last few weeks of retaking the game and getting lost in their fuzzy charms were really recovery for my mental health. A chance to reconnect with my roots. It took me about 15 minutes to understand how to jump to the Fortress level in Super Mario Bros. 3 World Level 1. The spikes were down from the ceiling just as my squirrel suit was flying to the other side. But working out made me just patient and had to dive into a small space to avoid any danger.

I’m particularly obsessed with Mike Tyson’s punch-out!! Despite the clunky 2D crowd and square dimensions, the boxer’s movements have a real dynamism, with the sense that David can beat Goliath by simply swinging, weaving and flipping the collision with the jabs he appears in. Later boxing games may have been dripping with body fluids like life, but I have yet to find anything that will replicate more of what is moving for the magic and murder of boxer tastes than this 1987 NES game.

The double dragon was also a revelation. This cooperative fighting game offers a large open space to navigate, making you feel like Brue Three despite the graphical limitations: surrounded by enemies, but with enough battlefield intelligence to use your environment to your advantage and kick your enemies into the dust. The early sequence of fighting some weight on a moving conveyor belt in a race that accompanied a 24-hour tension felt like he was in a John Woo action movie.

These games don’t have a save mode, allowing you to invest in continuous improvement. So, I’m confident that I’ll avoid the same mistake the next time I hit the scary “Game Over” screen. This glyft is oddly addictive and it’s easy to imagine that my father took a quick break after putting the baby to sleep. His heart is heartened by the charm of the hard work at the heart of this more patient era of Nintendo games.




Real dynamism…Mike Tyson’s punch-out!! Photo: Nintendo

Knowing that he once had the same smile while playing NES made him more concrete in my mind. It was possible for me to see through his eyes. And my 2-year-old son feels like he’s putting his father’s energy to life as he experiences his own father, obsessed with firing flower power-ups and defeating Dracula Duck in the final boss battle of the family’s melodrama, a Duck Tales.

Retro games are on the rise in the UK and the US, with many players rediscovering the joy of consoles in the analog era. Playing these old cartridges on the original machine is an escape from a world that gives you a deeper understanding of the evolution of the game and feels much more comfortable than in the days when these machines were thriving. Perhaps they also hope to rekindle memories of those who have passed and continue to connect with their loved ones who once invested time in these devices.

Rather than making that old console a home for spiders in the loft, dust it and play it. It may help you to sadden you, or you may relive special memories that may have been easily lost. When I heard the opening chords for the Super Mario Bros theme song, I immediately went back to that couch with Mom and Dad and assured me that everything would be fine.

We opened comments to readers to share their own story of the console, which reminds us of lost friends and relatives.

Source: www.theguardian.com

Broadband provider leaves blind father without panic button

My father, who is 101 years old, was left without a landline or panic button when BT switched his phone service from analogue to digital without warning. BT told me his contract was ending and to contact them about renewing it. I did, but was not informed to contact the panic button provider or that I needed an adapter for his analogue phone to work with the new service. After spending 4 hours on the phone with BT, they finally told me I needed a digital adapter for the phone to function. However, 4 days later, the adapter had not arrived and BT could not expedite delivery. My father, who is blind and has limited hearing, was unable to use his panic button for 5 days until the Careline team helped him.tuberculosis, Birmingham

This incident highlights the difficulties faced by vulnerable individuals when analogue phone lines are transitioned to digital services. Since September, customers renewing or starting contracts have been moved to digital voice, which requires a broadband router. However, digital landlines do not work during power outages and some panic buttons are incompatible, posing risks to vulnerable users.

Critics have raised concerns about the slow rollout of this service, originally set to complete by the end of next year. Following reports of “serious incidents” due to faulty panic buttons, the government has urged providers to extend the deadline. BT has pledged not to switch panic button users unless their equipment is compatible and to provide battery back-up solutions for power outages.

Despite these assurances, your father’s situation suggests that these promises were not fulfilled, potentially putting him at risk. You had to be by his side for five days in case of an emergency.

The Observer contacted BT about your father’s case and, although he was not eligible for their priority repair scheme, they expressed regret for the situation and offered a goodwill gesture to acknowledge his experience.

Email us at your.problems@observer.co.uk including your address and phone number. All submissions and publications are subject to our terms and conditions.

Source: www.theguardian.com

Son utilizes artificial intelligence to bring his deceased father back for the holidays.

It allowed her to talk to the ghosts of her past loved ones. A Missouri man brought the internet to tears by using artificial intelligence to revive his late father’s voice as a special Christmas card for his mother. “This Christmas I decided to do something special for my mom,” Phillip Willett, 27, explained in the caption. He wanted to do something unique to honor his “hero” and decided to resurrect him digitally using AI, specifically technology that he uses frequently in his work. Mr Willett was initially hesitant to use words similar to his father’s, he said, as he felt it was “strange”. But the digital guru finally came up with this idea after finding a community of people who use technology to communicate digitally with their deceased loved ones. The Missouri resident specifically used Eleven Labs’ text-to-speech software to match his late father’s exact voice. This he considered to be the most important thing to make the project a reality. Using this technology, content creators were able to create digital dead ringers that matched the tone and rhythm of their fathers. “The first words I actually put into the program were ‘Hello, honey,'” Willett said. “And I can’t tell you how many times I’ve heard that.” [my late father] That’s why I put it into my life first. “When the show said it in his voice…I got chills all over,” added the author, who said he worked all day on the gift. “This Christmas I decided to do something special for my mom,” Willett, 27, said. They then created a digital Christmas card using their father’s voice to simulate him being home for the holidays. In the touching clip, Willett’s mother Trish Willett is seen opening a video book featuring a montage of photos of the two of them. Suddenly, her late husband greeted her: “Hello, honey, I love you,” the AI voice actor piped up as the widow sobbed. “I hear your prayers.” I want you to know that you are the best mother to our children.” The facsimile added: “And you are the strongest woman in the whole world. I will always be with you, honey, I hope you guys have a merry Christmas.” The clip ends with mother and son embracing in a heart-wrenching memory. “It’s been a long time since I’ve heard his voice,” Willett said, adding that she thought the result was “amazing.” “I can also say with confidence that it will be easier for her to get through this holiday because she remembers him and knows that he will always be with her,” he concluded. TikTok commentators were similarly moved to tears by the heartfelt gesture. “Oh yeah. Here’s another Tik Tok where I sob for people I’ve never met,” said one viewer, expressing their emotion, while another said: “I knew I was going to cry but I still couldn’t stop.” Another viewer added, “Because I think your father deserves to be known.” Willett initially found the idea “bizarre” but was swayed to find a community of people thinking the same thing. A third said: “I lost my dad to pancreatic cancer 2 years ago. I don’t know if I can survive this but I miss his voice so much.” Willett replied: It was definitely a tearful process. But it turned out to be something very special.” This comes as a number of companies, from Somnium to DeepBrain, are working on AI technology that can upload the consciousness of a deceased loved one to a computer. Of course, this raised concerns about the ethics of putting words into someone’s mouth after death. Critics also worry that portraits of both living and dead people could be used for fraud and other illicit purposes. In September, Hollywood icon Tom Hanks posted an advisory on Instagram warning his followers about a commercial that used an AI-generated version of himself to promote a dental plan.

Source: nypost.com