Ursula Le Guin’s Son Explains Why Her Sci-Fi Classic “Forbidden” is His Favorite

Ursula K. Le Guin in 2005

Dan Tuffs/Getty Images

When a newcomer to Lugin asks where to begin, I seldom suggest It Was Confiscated. I do not encourage strangers to plunge into the deep end of the pool. The narratives intricately navigate the complexities of the mind, not just in terms of intellect if you’re astute, but also in how we engage mentally while reading. (Things can get tricky, especially if the author is your mother.) Other Lugin works are more grounded in the psyche, making them a safer recommendation for beginners. However, if pressed for my favorite Lugin book, It Was Confiscated, published in 1974, is frequently my response.

The writing decade kicked off in the early 1960s, encapsulating the essence of Earth’s narratives. The Left Hand of Darkness sits alongside It Was Confiscated. A bibliographic account cannot adequately convey the exhilaration and exhaustion of that period. She authored novels while juggling family obligations, giving birth to her third child (me), coordinating everything (plus cats), and even spent a year in London. Ursula later confided that even with a supportive environment, one can underestimate the toll that writing a novel takes on one’s physical state. I haven’t ventured into novel writing myself, so I can only squarely reflect on her last decade and say, yes, I can envision it.

It’s certainly true that Ursula had a preference for the genre structures of the era. It Was Confiscated. Indeed, we have a rocket ship, but also cultural nuances within both Urla and Anar, from attire to social customs. Ursula’s lifelong intrigue with the natural sciences is evident in her depictions of Shebeck’s profession and the theories leading to the existing technologies. Her academic background enriched her portrayal of institutional pettiness. Above all, political philosophy and practicality emerge—a framework for radical collective reimagining and a nuanced utopia, as indicated in the full title of the book.

This framework has remarkably resonated over 50 years. I would like to acknowledge at least one generation in gratitude, alongside certain academic circles, recognizing The Left Hand of Darkness and It Was Confiscated as foundational texts in discussions on gender, anarchism, and anti-capitalism. I consider these works akin to my cousins. They are distinct yet consistently challenge my preconceptions. However, in my view, The Left Hand of Darkness addresses gender politics without being a purely “political” narrative. I can imagine myriad political systems serving as the backdrop for Geten. Indeed, Ursula remarked in a 1997 interview, “Politics is [The Left Hand of Darkness] is not thoroughly considered.” Conversely, political philosophies and systems are at the forefront. It Was Confiscated may be considered a superior work—The Left Hand excels in alternative important aspects. Yet for those who appreciate the blend of intelligence, ethics, poetic expression, and the merging of mind and heart, It Was Confiscated is hard to surpass.

For a generation whose reading may pivot on this duo of texts, the perception of the author’s legacy as an early radical thinker is enhanced by viewing her 2014 National Book Foundation speech video, with anti-capitalist themes crystallizing across both novels. I do not mind this view of my mother, nor did she—being labeled a radical thinker is preferable to being called “The Grande Dame of SFF” or any other gender and genre bias. Nonetheless, the idea of Ursula as an eternal radical oversimplifies her life’s intricacies and condenses her journey of reconciling early romantic capitalist ideals with an understanding of the intersection of art, ethics, justice, and politics. The period I’ve mentioned in Ursula’s life, from her early 30s to early 40s, profoundly shaped this reconciliation.

As a young child during that time, Ursula seldom discussed her work, leaving me to ponder the process of her artistic evolution. With her triumphs and a supportive partner, her life finally allowed for deep introspection and exploration. The roles of child, spouse, and mother transformed dramatically after her father’s passing. The U.S. engagement in the Vietnam War, which Ursula fervently opposed, crystallized her thoughts on pacifism and systemic inequality. Much had shifted in the world—and in Ursula—from The World of Locanon (1966) to It Was Confiscated as she became ready to delve into alternatives to ongoing cycles of human injustice and brutality.

The New Scientist Book Club is currently reading Ursula K. Le Guin’s It Was Confiscated. Sign up and read with us here.

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Source: www.newscientist.com

Australian Mom Considers “Cryogenic” Solution for Son After Heartbreaking Loss

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NBC News Now

Australian actress Claire McCann aims to raise funds to “freeze” her 13-year-old son’s body following his tragic passing from suicide. McCann shared insights with NBC News’ Gaddy Schwartz regarding the future possibilities of cryogenic science, especially in light of her son’s experiences with bullying.

Source: www.nbcnews.com

Mother files lawsuit against AI chatbot manufacturer, alleging it motivated son to take his own life

The mother of a teenage boy who committed suicide after becoming addicted to an artificial intelligence-powered chatbot has accused the chatbot’s creator of complicity in his death.

Megan Garcia filed a civil lawsuit Wednesday in Florida federal court against Character.ai, which makes customizable role-playing chatbots, alleging negligence, wrongful death, and deceptive trade practices. Her son Sewell Setzer III, 14, died in February in Orlando, Florida. Garcia said Setzer was using the chatbot day and night in the months leading up to his death.

“A dangerous AI chatbot app marketed to children abused and preyed on my son, driving him to suicide,” Garcia said in a press release. “While our family is devastated by this tragedy, I want to warn families of the dangers of deceptive and addictive AI technology and demand accountability from Character.AI, its founders, and Google. I am raising my voice.”

in TweetCharacter.ai said: “We are heartbroken by the tragic loss of one of our users and would like to express our deepest condolences to the family. As a company, we take the safety of our users very seriously. ” The company denied the lawsuit’s allegations.

Setzer was so obsessed with a chatbot built by Character.ai that he nicknamed it Daenerys Targaryen, a character from Game of Thrones. According to Garcia’s complaint, the man would text the bot dozens of times a day from his cell phone and talk to it for hours alone in his room.

Garcia has accused Character.ai of creating a product that worsened her son’s depression, which she said was already the result of overusing the company’s products. At one point, “Daenerys” asked Setzer if he had made any plans to commit suicide, according to the complaint. Setzer admitted to doing so, but didn’t know if it would be successful or cause significant pain, the lawsuit alleges. The chatbot reportedly told him, “That’s no reason not to do it.”


Garcia wrote in a press release that Character.ai “intentionally designed, operated, and marketed a predatory AI chatbot to children, resulting in the death of a young person.” The lawsuit also names Google as a defendant and the parent company of Character.ai. The tech giant said in a statement that it only has a licensing agreement with Character.ai and does not own or maintain any ownership interest in the startup.

Rick Claypool, research director at consumer advocacy nonprofit Public Citizen, said tech companies developing AI chatbots can’t be trusted to regulate themselves, and if they fail to limit harm, says he must take full responsibility.

“Where existing laws and regulations already apply, they must be strictly enforced,” he said in a statement. “Where there are gaps, Congress must act to end companies that exploit young and vulnerable users with addictive and abusive chatbots.”

  • In the US, you can call or text. National Suicide Prevention Lifeline 988, chat 988lifeline.orgor text home To contact a crisis counselor, call 741741. In the UK, a youth suicide charity papyrus In the UK and Ireland, you can contact us on 0800 068 4141 or email pat@papyrus-uk.org. Samaritan You can contact us on freephone 116 123 or email jo@samaritans.org or jo@samaritans.ie. Australian crisis support services lifeline is 13 11 14. Other international helplines can be found at: befrienders.org

Source: www.theguardian.com

My 17-year-old son arrested for distributing child abuse images, expresses relief

Louise* thought she had been honest with her two children about the risks of the internet. However, last year, at 6 a.m., the police knocked on her door looking for her 17-year-old son.

“Five or six police officers came up my stairs,” she recalled. She exclaimed, “When they informed her they were searching for her son due to indecent images, she felt like she was going to pass out.

“I said, ‘Oh my god, he’s autistic. Has he been taught?’ They confiscated all his devices and took him away. I was so stunned that I almost vomited after they left.”

Louise’s son is just one of many under-18s accused by law enforcement of viewing or sharing indecent images of children in the past year.

the study Published in February Some individuals who consume child sexual abuse material (CSAM) admit to becoming desensitized to adult pornography and are now in search of more extreme or violent content. It appears that there are people.

In December, an investigation by The Guardian revealed that in certain areas, the majority of individuals identified by authorities as viewing or sharing indecent images of children were under 18.

Experts argue that this is part of a larger crisis caused by predators grooming children through chat apps and social media platforms.

In January, the Internet Watch Foundation cautioned that over 90% of child abuse images online are self-produced, meaning they are generated and distributed by children themselves.

Louise attributes her son’s natural teenage curiosity about pornography to steering him towards a dangerous path of interacting with strangers and sharing explicit images. Alex* was convicted of viewing and distributing a small number of child abuse images, some falling under Category A (rape and abuse of young children). Categories B and C.

While Louise acknowledges that her son, who received an 18-month community sentence and is now on the sex offenders register for five years, committed a serious offense and must face the consequences. But she also wants other parents to comprehend the sequence of events.

“It all began with an obsession common among many young people with autism,” she explained. “He adored manga and anime. I can’t even count how many miles he traveled to buy manga for himself.

“This interest led him from innocent cartoons to sexualized images, eventually leading him to join a group where teenagers exchange pornography.”

Alex has since admitted to his mother that he had an interest in pornography and was part of online groups with names like “Sex Images 13 to 17.” “What teenager isn’t curious?” Louise pondered.

It was on these popular sites and chat apps that adults were waiting to exploit vulnerable young individuals like him.

“He was bombarded with messages,” Louise shared. “Literally thousands of messages from individuals attempting to manipulate him. This boy has struggled for years to fit in as an autistic kid at school. He’s been a victim of bullying. And all of a sudden, he felt accepted. He felt a sense of excitement.

“Adults coerced him into sharing images of abuse. If he hadn’t been caught, who knows where it could have led?”

Louise questioned Alex why he didn’t show the images he received to an adult.

“I even asked him, ‘Why didn’t you tell me immediately when you saw the image?'” And he replied, “Mom, I know it’s difficult to do that. Did you know?” to describe the months I’ve been online in these spaces. ” His actual words when the police arrived were, “Oh, thank God.” That was a relief to him. ”

She mentioned that the lockdown has shifted the dynamics for young people like her son, with their lives increasingly reliant on the internet. “They were instructed, ‘Just go online and do everything there.”

Both Alex and his mother are receiving assistance from the Lucy Faithful Foundation, a charity aiding online sex offenders. Last year, 217,889 people expressed concern about their own or someone else’s sexual thoughts or actions and have reached out to seek help.

The organization recently launched a website called coast, targeting young individuals anxious about their own sexual thoughts and behaviors. Following the lifting of lockdown restrictions, calls to support hotlines for under-18s rose by 32%.

Alex also reflected on the precarious position he found himself in. “I was in my final year of sixth form, at home while my friends were heading off to university, so I felt anxious and fearful about our friendship drifting apart.

“Here, I made the fateful decision to use multiple chat platforms to try to build friendships. Although I had no intention of sexual involvement, I approached my friend in a natural sexual interest, experience. The fear of delay, combined with the powerful effect of anonymity, has made it very easy to engage in these matters.”

He cautions that his generation’s utilization of the online realm demands novel approaches to safeguard children better.

“This issue cannot be resolved by simply advising against talking to strangers on the internet. That information is outdated,” he remarked.

“Many people believe that this content can only be found on the dark web, when in fact it can be found in the shallowest parts of the internet without any effort. It was so scary that I might have thought about it, but unfortunately I was in too deep and it was too late.”

*Name has been changed

  • If you have concerns about images your child may have shared themselves, you can report them through the joint Childline and Internet Watch Foundation service. Delete report. You can also report images of child sexual abuse from the same website. If you are concerned about the sexual behavior of young people, please visit: shorespace.org.uk

Source: www.theguardian.com

Warframe: A Safe Haven for My Son and Many Others in an Online World Full of Toxicity

SSix months ago, my son Zach started playing a video game that I knew little about, and as a games journalist, it was a little disconcerting. Warframe is an online science fiction shooter game created by Canadian-based developer Digital Extremes and first released in 2013. Although it’s hardly talked about outside of its fanbase, it has 75 million registered users and is consistently one of his biggest titles on Steam.

Set in a far-future solar system infested with hostile alien forces, players join the side of the Tenno, an ancient warlike race whose primary weapons are barely sentient cybernetic fighters (the warframes of the title). Zack spends hours each day flying between planets, completing missions and exploring while battling enemies such as the brutal clone army known as the Grineer and the giant, disease-ridden Infested. This sounds similar to Destiny, The Division, Final Fantasy XIV Online, and a dozen other so-called live service games that run indefinitely online, with new tasks, locations, and items added all the time. However, Warframe attracted his son’s attention. He has one important reason for that. It’s a very friendly and welcoming community.

Zach is on the autism spectrum and is now 18 years old, but he still finds it difficult to socialize in the real world. He’s loved games like Minecraft and his Fortnite for years, but as he’s gotten older, he’s gotten into darker, more mature stories and worlds. When I saw that he stumbled upon this epic gothic space opera, I was concerned that it would lead him to join gaming’s less bland communities: edgelords, griefers, and Call of Duty fans. I was worried that I would be in contact with aspiring professional gamers who could turn a shooting game like this into a game. A difficult place for vulnerable people.




More friendly shooting…Warframe. Photo: Digital Extremes

But in Warframe, the experience was different. The other players were immediately friendly, welcoming, and accommodating. What helped Zack from the beginning was the game’s well-maintained and very lively on-screen chat window. This allows players to ask questions and share tips and experiences without speaking. This is a huge advantage for neurodivergent players. In-game chat is not uncommon in live service games, but this place is mostly fine with proper moderation. Other players will do their best to help Zack, helping him find rare resources such as argon crystals, and escorting him to planets they have not yet unlocked. They also gave him weapons and items. He joined the Clan a few weeks ago and has made new friends throughout the US and Europe and hangs out together regularly.

According to Digital Extremes, they realized very early in development that building and maintaining a welcoming community was essential. “The community department was one of his first departments on the team,” says his creative director Rebecca Ford. She nods in recognition when I tell her how much people have helped my son. “[The in-game chat] is a place where you can say, “I have no idea what I’m doing” or “Does anyone have any advice for this build?” Warframe is a complex, cooperative, hard science fiction world. For us, that channel was essential.”




Rebecca Ford, Creative Director at Digital Extremes. Photo: Digital Extremes

Source: www.theguardian.com

Son utilizes artificial intelligence to bring his deceased father back for the holidays.

It allowed her to talk to the ghosts of her past loved ones. A Missouri man brought the internet to tears by using artificial intelligence to revive his late father’s voice as a special Christmas card for his mother. “This Christmas I decided to do something special for my mom,” Phillip Willett, 27, explained in the caption. He wanted to do something unique to honor his “hero” and decided to resurrect him digitally using AI, specifically technology that he uses frequently in his work. Mr Willett was initially hesitant to use words similar to his father’s, he said, as he felt it was “strange”. But the digital guru finally came up with this idea after finding a community of people who use technology to communicate digitally with their deceased loved ones. The Missouri resident specifically used Eleven Labs’ text-to-speech software to match his late father’s exact voice. This he considered to be the most important thing to make the project a reality. Using this technology, content creators were able to create digital dead ringers that matched the tone and rhythm of their fathers. “The first words I actually put into the program were ‘Hello, honey,'” Willett said. “And I can’t tell you how many times I’ve heard that.” [my late father] That’s why I put it into my life first. “When the show said it in his voice…I got chills all over,” added the author, who said he worked all day on the gift. “This Christmas I decided to do something special for my mom,” Willett, 27, said. They then created a digital Christmas card using their father’s voice to simulate him being home for the holidays. In the touching clip, Willett’s mother Trish Willett is seen opening a video book featuring a montage of photos of the two of them. Suddenly, her late husband greeted her: “Hello, honey, I love you,” the AI voice actor piped up as the widow sobbed. “I hear your prayers.” I want you to know that you are the best mother to our children.” The facsimile added: “And you are the strongest woman in the whole world. I will always be with you, honey, I hope you guys have a merry Christmas.” The clip ends with mother and son embracing in a heart-wrenching memory. “It’s been a long time since I’ve heard his voice,” Willett said, adding that she thought the result was “amazing.” “I can also say with confidence that it will be easier for her to get through this holiday because she remembers him and knows that he will always be with her,” he concluded. TikTok commentators were similarly moved to tears by the heartfelt gesture. “Oh yeah. Here’s another Tik Tok where I sob for people I’ve never met,” said one viewer, expressing their emotion, while another said: “I knew I was going to cry but I still couldn’t stop.” Another viewer added, “Because I think your father deserves to be known.” Willett initially found the idea “bizarre” but was swayed to find a community of people thinking the same thing. A third said: “I lost my dad to pancreatic cancer 2 years ago. I don’t know if I can survive this but I miss his voice so much.” Willett replied: It was definitely a tearful process. But it turned out to be something very special.” This comes as a number of companies, from Somnium to DeepBrain, are working on AI technology that can upload the consciousness of a deceased loved one to a computer. Of course, this raised concerns about the ethics of putting words into someone’s mouth after death. Critics also worry that portraits of both living and dead people could be used for fraud and other illicit purposes. In September, Hollywood icon Tom Hanks posted an advisory on Instagram warning his followers about a commercial that used an AI-generated version of himself to promote a dental plan.

Source: nypost.com