slow gods
Claire North, Orbit

Claire North is a well-established author, known for writing under multiple names, but this is their inaugural foray into traditional science fiction that includes spaceships. I found the title slow gods intriguing, and the cover art appealing. I entered the narrative with elevated expectations.

It kicks off with: “My name is Maukana na Vdnadze, I am a very poor copy of myself.” A fantastic beginning.

However, I felt a bit lost after about 60 pages. While the story is crafted in a grand space opera style filled with timelines, cultures, and names—typical of the genre—I hadn’t formed a connection with the protagonist yet. The main character is an exceptional deep space pilot but struggles with a troubling history of causing fatalities. Perhaps my mood affected my reading experience. I persisted a little longer, and when the main character, Mau, encountered another figure named Gebre, I started to feel more engaged.

I’m inclined to take a leap here: please read this book. If science fiction is your thing, you’ll likely appreciate it. If you’re unsure initially, as I was, feel free to move on.

I actually have some space to elaborate on my thoughts. It’s been ages since I’ve enjoyed a science fiction piece so thoroughly. Yet, it’s more than just amusement; it’s also deeply emotional and impactful—well articulated.

North shines in creating characters with depth, along with intricate world-building and expansive plots that span galaxies. There’s humor woven throughout, and in the tradition of Ian M. Banks, there are delightful AI entities and drones that contribute to the comedic elements.

Maw is a remarkable protagonist. As a reader, it’s refreshing to have no clear idea of what the protagonist might be capable of, contemplating that it could be quite dramatic. In a pivotal moment during his first mission as a pilot, Maw dies and continues to resurrect multiple times, provided that no one witnesses or mourns his remains. It raises questions about whether Maw retains humanity or has transformed into something different.

Returning to the encounter with Gebre… Maw accepts the mission to pilot a vessel to Ajmir, a planet poised for destruction due to the impending collapse of its binary star system, LK-08091881.

A mysterious, god-like machine known as Slow had been issuing warnings about the imminent collapse of the star system, with shockwaves traveling at light speed, endangering all life within an 83 light-year radius. Unfortunately, the affected populace’s reactions were inconsistent at best. By the time Mau landed on Ajmir on its final day, countless individuals remained, hoping to win a lottery for a chance at escape.

Upon his arrival, Mau meets Gebre Netyu Chatitymska Bajwala. Currently, Gebre is somewhat “innumerable,” yet they focus less on that and more on preserving significant artifacts for future generations to understand Ajmir’s true history.

Gebre is an intriguing character, and Maw finds himself attracted to them. What steps can he take to protect Gebre? Or will he seek revenge? The groundwork has been laid.

It’s pertinent to mention that “Shines” exist as formidable villains with hostile dispositions and lethal weaponry, including “black ships” and super soldiers capable of nearly invisible city destruction.

In summary, read this book.

I also suggest Emily…

Consider Phlebas
Ian M. Banks, Orbit

Slow Gods often reminded me of Banks’ culture series, making it a natural “also recommended” option. I typically recommend The Player of Games to newcomers to the culture series, as it serves as an accessible starting point, being the first of Banks’ works in this universe. It follows a character named Horza, who possesses the ability to transform into perfect replicas of others. What else is there to wish for?

Emily H. Wilson is a former editor of New Scientist and the author of the Sumerian trilogy, set in ancient Mesopotamia. The concluding novel, Ninshubar, has been released. You can find her at emilywilson.com, on X @emilyhwilson, and on Instagram @emilyhwilson1