Why Project Hail Mary is the Stellar Spiritual Sibling of The Martian – A Must-Read Sci-Fi Adventure

Ryan Gosling as Ryland Grace in Project Hail Mary

Jonathan Olley/Sony Pictures

Project Hail MaryReleased in theaters on March 19th

Discover the captivating elements of Project Hail Mary, Andy Weir’s gripping tale about a desperate mission to save the sun. I initially struggled to engage with it, setting it aside after just 100 pages. The protagonist, Ryland Grace, a molecular biologist turned astronaut, awakens in a spaceship with no memory of his identity or mission.

At first, I struggled to connect with Ryland’s immature and cynical demeanor. His humorous yet crass references detracted from the book’s potential, leaving me questioning the need for interstellar missions to save the sun. Ultimately, I decided to abandon the narrative.

But I regret not persevering. The heartwarming journey and scientific depth of the film adaptation of Project Hail Mary offered unexpected joy and insights.

I felt a great sense of relief during Ryland’s awakening scene, where a robotic arm unhooks him from life support. This adaptation efficiently compresses lengthy contemplative moments often muddled in the book. The film’s pacing is swift and engaging, showcasing Ryland’s struggle effectively.

The film skillfully avoids excessive exposition, allowing the talented cast to convey essential emotional nuances. Ryan Gosling portrays Ryland as a relatable character, injecting humor and depth into his role.

As the narrative unfolds, we learn Ryland is recruited by the formidable Eva Strutt (Sandra Hüller), who heightens the story’s stakes. With the sun predicted to dim by 5% in the coming two decades, she propels the urgency of their mission to prevent impending climate catastrophe. Hüller brings a captivating emotional dynamic to her interactions with Gosling and James Ortiz, creating memorable performances.

The scientific themes, brilliantly crafted by screenwriter Drew Goddard, resonate throughout Project Hail Mary. Echoing the spirit of Weir’s previous work, The Martian, the film blends elements of survival with profound scientific concepts in physics and biology.

Faced with isolation after his pilot and engineer perish during the mission, Ryland must leverage his intellect for innovative solutions to navigate the challenges of space travel. This cleverness is sure to delight hardcore sci-fi fans, even if some explanations are not fully fleshed out.

While the plot takes unexpected twists, central questions about the essence of life and its significance drive the narrative of Project Hail Mary. Although certain character traits of Ryland may feel overplayed, I found myself surprisingly invested in his journey and fate.

Overall, Project Hail Mary presents a beautifully shot, highly entertaining adventure, transforming my initial skepticism into appreciation. I might even return to finish reading the original book!

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Source: www.newscientist.com

Stunning ‘Children of Time’ Review: Adrian Tchaikovsky’s Masterful Sci-Fi Adventure

Vibrant mantis shrimp head against a dark background, showcasing its unique features.

Visualize this mantis shrimp donned in a spacesuit with a fascination for weaponry.

Shutterstock/Sammy Kasem

Explore the thrilling fourth installment of Adrian Tchaikovsky’s celebrated Children of Time series, Children of Conflict. I will ensure minimal spoilers while discussing all four novels.

Although the theme of “uplifted” species isn’t entirely novel, Tchaikovsky’s unique perspective sets it apart. Fans will remember that the first book in the series, Children of Time, centers around an Ark arriving at a terraformed planet.

In theory, this new world should welcome colonization—but ominously, something seems to have gone terribly wrong. Have other species been elevated to threaten humanity? Spoiler alert: this includes spiders!

The second book, Children of Ruin, shifts focus to another planet, leaving fans curious, particularly with the mention of “octopus.”

Tchaikovsky’s extensive bibliography showcases brilliance, but this series stands out as his masterpiece. These novels are must-reads for anyone passionate about science fiction and its exploration of both our past and future.


Science fiction regarding “uplifted” species may not be a new concept, but Tchaikovsky’s approach is refreshingly innovative.

While many renowned science fiction authors delve into intricate physics, Tchaikovsky explores deep biological concepts. His portrayal of an octopus-led society is both enjoyable and insightful.

Although I found the third book, Children of Memory, took a different trajectory that felt less impactful than its predecessors, the arrival of Children of Conflict marks a triumphant return to form. You can grasp the plot of the fourth novel without having read the third, but missing the first two might leave you puzzled.

Children of Conflict is cleverly structured across three distinct timelines, each featuring unique characters, enhancing the narrative depth.

This time, the narrative revels around our remarkable mantis shrimp. Picture an exalted mantis shrimp in a spacesuit, towering like a human and wielding formidable, futuristic weaponry. Excitingly, this volume revisits some familiar species from earlier books, ensuring delightful moments for dedicated fans.

An outstanding aspect of Children of Conflict is its vividly depicted planet. This world appears to be a terraformed paradise akin to Earth—beautiful at first glance, reminiscent of the Garden of Eden.

Yet, this planet harbors unforeseen challenges. Tchaikovsky masterfully creates an atmosphere that feels both enchanting and unnerving.

The character development is exceptional; both human and non-human figures come across as complex and believable. As always, the biological concepts are astonishingly well conceived, and the plot progresses in a thrilling, logical way.

Notably, the climax of this book, “Planetside,” may stretch a bit long but revolves around a profound choice. Overall, this book promises an extraordinary experience.

Book Recommendation:

Children of Conflict
Adrian Tchaikovsky, Thor (March 26)

I also suggest exploring other titles…

Book Recommendation:

Uplift Storm Trilogy
David Brin, Open Road Media

This trilogy, set within Brin’s fascinating Uplift Universe, features uplifted dolphins, chimpanzees, and grand cosmic narratives. The three interconnected books—Brightness Reef, Infinity’s Shore, and Heaven’s Reach—tell a continuous, engaging story.

Emily H. Wilson is the acclaimed author of the Sumerian series (featuring Inanna, Gilgamesh, and Ninshbar, published by Titan) and is currently writing her debut science fiction novel. Emily is a former editor at New Scientist and can be followed on Instagram @emilyhwilson1.

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Source: www.newscientist.com

Fallout’s Return: How Paradise and Silo Ignite Bunker Sci-Fi Enthusiasm

Diverse Societies in Fallout’s Universe

Lorenzo Sisti/Prime

This year marks the rise of bunker-themed narratives dominating television.

Kicking off in January, season 2 of Fallout (available on Amazon Prime Video) immerses viewers in a colorful alternate reality set centuries post-nuclear devastation. Here, the privileged reside in underground “vaults,” while others navigate a perilous wasteland filled with monsters and mercenaries. Vault-dweller Lucy embarks on a quest to confront her nefarious father, Hank, alongside The Ghoul, a gritty radioactive gunslinger.

Following closely is the second season of Paradise (on Disney+), premiering this month. This tale unravels after a cataclysmic volcanic tsunami wipes out civilization, forcing America’s elite to seek refuge in Colorado’s mountains. Secret agent Xavier Collins, on a mission to uncover the truth behind U.S. President Cal Bradford’s murder, sets out to find his wife, Terry, all amid brewing political conflicts within the Corralado bunker.

Anticipation builds for season 3 of Silo (coming soon to Apple TV). Set in a dystopian future where Earth’s atmosphere becomes toxic, society collapses, leaving citizens confined to a structured, dark underground existence with no recollection of their past due to historical records being obliterated 140 years ago. When engineer Juliet discovers shocking evidence of a conspiracy within Silo’s leadership, she starts to question whether the surface is indeed as fatal as they’ve been led to believe.


No matter what flavor of bunker fiction you prefer, all roads lead to a hole in the ground.

Additional fictional bunkers echo the disaster movie genre, such as Greenland 2: Immigration and the musical Of End. This resurgence in bunker-themed narratives is no coincidence, especially as the novel I Never Knew a Man, set in an underground prison, went viral on TikTok in 2024.

While the concept is not new—dating back to Arthur Conan Doyle’s The Poison Belt from 1913—its current popularity highlights widespread global anxiety. This anxiety reflects a world where responsibility is often outsourced and where the fortunate few seek safety from external threats; rumors abound of celebrities acquiring doomsday bunkers.

Ultimately, regardless of the flavor of bunker fiction, themes of violence and survival intertwine. Whether through the clever narrative of Fallout, the intricate murders in Paradise, or the convoluted conspiracies in Silo, all narratives converge in a metaphorical “hole in the ground,” illustrating our collective fascinations with dystopian endings and the shrinking horizon of the future.

Perspectives on this phenomenon diverge. Some view it as surrendering to our inherently selfish nature, resigning ourselves to the doom we envision. Alternately, others, including myself, interpret it as a call for meaningful change—a purifying fire that compels us to reconsider societal structures. The characters we cherish in bunker fiction could not emerge without such transformative events. I find relatable figures in Fallout, Paradise, and Silo, reinforcing the idea that bunker fiction mirrors real-life aspirations for change.

TV Series:

Fallout: Season 2
Amazon Prime Video

Paradise: Season 2
Disney+

Silo: Season 3
Apple TV

Book Recommendation:

Bunker
Bradley Garrett, Penguin Books
This striking nonfiction guide explores the mindset of those preparing for an apocalypse, revealing a complex understanding of contemporary apocalypse culture.

Bethan Ackerley is an associate editor at New Scientist. With a passion for science fiction, comedy, and anything eerie, follow her on Twitter @inkerley.

Topics:

Source: www.newscientist.com

Discover the Fascinating World of Fungi: Beyond Sci-Fi Villains

New Scientist: Your source for science news, expert journalism, and in-depth features on technology, health, and the environment.

Imagine inhaling fungal spores, then feeling a peculiar sensation—maybe something biting. Suddenly, terror spreads as chaos ensues.

This dire scenario is central to the plot of Refrigerated, a thrilling film following a trio of unlikeliest heroes racing to avert an apocalypse. Their formidable foes? Mutated strains of Cordyceps sinensis—a fungus now infecting warm-blooded animals due to a malevolent twist of solar radiation. Sounds familiar, doesn’t it?

Traditionally, Cordyceps sinensis overtakes invertebrates, invading their systems and manipulating their behavior to ensure spore dispersal. Eventually, grotesque growths erupt from the decaying host, releasing spores into the environment, continuing the cycle of horror.

The shift to mammals is alarming yet plausible. This fungal nightmare isn’t new; it inspired works like The Girl with All the Gifts, which unleashed a zombie apocalypse in 2016, and HBO’s The Last of Us, which also utilized bioterrorism as a gripping theme. With a radio drama titled Spore releasing soon, the cultural fascination with this fungus is at an all-time high.

This obsession with Cordyceps sinensis misrepresents the vast fungal kingdom, which includes over 4,500 documented species in the UK National Collection of Pathogenic Fungi, far surpassing the limited narrative of terror.

Fungi boast incredible traits. For instance, Japanese oak mushroom is the largest organism on Earth, spanning approximately 10 square kilometers beneath Oregon’s Malheur National Forest. Fungi are also ancient ecosystem engineers—research indicates they colonized land before modern plants, laying the groundwork for soil. Some species, like the gill-splitting mushroom (Schizophyllum commune), exhibit remarkable sexual flexibility with over 23,000 mating types to increase reproductive success.

From decomposing organic matter to symbiotic relationships with 90% of plants, fungi play crucial roles in sustaining life. They’ve also given humankind antibiotics like penicillin, treatments for various ailments, and even contributed to beloved foods like sourdough and beer.

Despite representing only about 10% of the fungal diversity, these organisms inspire untold narratives for science fiction—from plastic-decomposing fungi to predatory strains with microscopic lassos. How will climate change affect fungal behavior to threaten crops?

Nonetheless, such inspirations remain overlooked, limiting imaginative portrayals. The fixation on Cordyceps sinensis fosters a narrow narrative that oversimplifies the rich tapestry of fungi. I urge writers to broaden their perspectives—this strange kingdom of fungi is ready to inspire and amaze.

Nick Crampton is a researcher at the Natural History Museum in London and a published children’s author.

Source: www.newscientist.com

Review of ‘A Hole in the Sky’: Peter F. Hamilton’s Sci-Fi Epic with a Notable Flaw

Dark silhouette of a girl in a dress against the backdrop of mysterious deep space

A Hole in the Sky is narrated through the eyes of 16-year-old Hazel

Adam Selva/Alamy

Empty Hole
Peter F. Hamilton – Angry Robot

As an avid admirer of Peter F. Hamilton, I eagerly anticipated his latest release, Empty Hole, particularly because I’ve always been fascinated by the Ark story.

Centuries have elapsed since the ship’s voyage, and its crew has devolved into a medieval-like society, residing beneath the remnants of their ancestors’ advanced technology. We uncover the challenges they encountered, including issues with the planet they were meant to land on, and a rebellious uprising on board that stranded them in perilous circumstances. At the age of 65, inhabitants must be recycled for the ship. This unique premise captivates me completely.

All of this is framed from Hazel’s first-person viewpoint, a 16-year-old girl. A significant breach exists in the ship’s hull (hence the title), she battles intense headaches, and soon finds herself ensnared in a whirlwind of dramatic events. Yet she finds time to fret about boys and garments, which I couldn’t afford. Why would a girl focus on fashion when the survival of everyone in a spaceship is at stake, and she is constantly plagued by headaches?

As fans may know, Hamilton is a master storyteller renowned for his contributions to big science fiction. My personal favorites include Empty Space and the Dawn trilogy, as well as his intricate and thrilling Commonwealth Saga duology. His narratives are dynamic, wildly innovative, and filled with complexities that often leave me thrilled, even if I don’t fully grasp every detail.

I had reservations about Hamilton’s more recent works, like Exodus: Archimedes Engine, which ties into the upcoming video game, Exodus. I felt certain plotlines were included solely to promote the game, detracting from the reader’s enjoyment. However, I appreciate that these works may not target my demographic. It’s evident the seasoned author is seeking new challenges. (For those who enjoy video game adaptations, the second installment in the game series will be released later this year and the game is set to debut in 2027.)


If I were a movie or TV scout, I could envision Empty Hole adapting beautifully for the screen.

All this reminds me of Empty Hole. Midway through, I realized it seemed somewhat juvenile, for want of a better term. Research revealed that this novel was initially released as an audio-only book in 2021, primarily categorized as “young adult” or targeted towards teenagers.

In a 2020 interview, Hamilton expressed, “Though young adults as protagonists define a particular publishing category, I hope this work will resonate with audiences of all ages.” Personally, I don’t believe that a youthful protagonist excludes the potential for an adult-oriented book. (I mention this as a writer of novels featuring teenage lead characters.) So, can readers of all ages enjoy this book?

The plot setup and twists are stellar, as expected from Hamilton. However, I wish he had toned down the “teenage” aspects. I don’t require an interlude where she holds her boyfriend’s hand while my hero is fleeing danger. I believe that making the protagonist face the reality of being recycled at 65 would have added significant weight.

Perhaps Hamilton will capture a fresh audience with this release. For instance, as a movie or TV scout, I could envision how Empty Hole would look great on screen. This title is the first in a trilogy, with sequels slated for release in June and December. As I highlighted in my preview of new science fiction releases for 2026, this rapid schedule is unusual, and I’m excited to see how it unfolds.

I also recommend Emily…

Pandora’s Star
Peter F. Hamilton – Pan Macmillan

If you’re yet to experience Hamilton’s classic works, there are various entry points into the remarkable worlds he has created. I recommend Pandora’s Star and its sequel, Judas Unchained, as excellent beginnings. If “epic space opera” resonates with you, these novels are likely a perfect match.

Emily H. Wilson is a former editor of New Scientist and author of Sumerian, a trilogy set in ancient Mesopotamia. The final book in the series, Ninchevar, is currently available. You can find her at emilywilson.com, or follow her on X @emilyhwilson and Instagram @emilyhwilson1.

Topics:

Source: www.newscientist.com

Exciting Sci-Fi Movies Coming in 2026: Must-Watch Releases

Ryan Gosling in “Project Hail Mary”

Universal Pictures

This year, the promising green buds of recovery have flourished in the film industry. Expect tighter scripts, lower-budget projects—which allow studios to take more risks—and an overall more enjoyable movie-watching experience.

Mark your calendars for January 16th, as 28 Years Later: Temple of Bones will finally realize its long-awaited potential, arriving in 2025. Cillian Murphy returns, reprising his role from the original 28 Days Later, while Jack O’Connell’s acrobatic murder cult “The Jimmy’s” makes an intriguing appearance.

Nia DaCosta will take the director’s helm, a much-deserved opportunity after the struggles faced with Marvels. The screenplay, penned by Alex Garland, is poised to set the stage for DaCosta’s resurgence.

February sees the release of the remarkable science fiction film Do Your Best, Have Fun, and Don’t Die, starring Sam Rockwell as a time traveler who takes hostages in a Los Angeles diner to alter the fate of the world.

Gore Verbinski returns with a new project, following mixed reviews for his last film, Remedies for Health. Fans of his unique style have high hopes for this dynamic and adventurous narrative.

Anticipation builds for Guillermo del Toro’s latest work, Frankenstein, slated for release on March 6, featuring Maggie Gyllenhaal’s directorial debut with Jesse Buckley and Christian Bale in leading roles.

Bride of Frankenstein, a fresh take on James Whale’s 1935 classic, offers a modern twist as the duo embarks on a thrilling escapade reminiscent of Bonnie and Clyde.

For genre enthusiasts, Project Hail Mary, launching on March 20, promises to be an unmissable treat. Directed by Phil Lord and Christopher Miller, this adaptation of Andy Weir’s novel stars Ryan Gosling as Ryland Grace, a science teacher who awakens in a spaceship with no recollection of his identity, just as the sun faces extinction.


This year promises tighter scripts, cheaper projects, and a more enjoyable movie-watching experience.

In The Dog Stars, directed by Ridley Scott and featuring Jacob Elordi and Josh Brolin, survival becomes paramount in a post-influenza pandemic world as the characters grapple with a mysterious radio signal that may bring hope.

Furthermore, Steven Spielberg has an awaiting UFO film lined up for a June 6th release, showcasing his storytelling prowess alongside screenwriter David Cope. Starring Emily Blunt, Josh O’Connor, and Colin Firth, the teaser for this much-anticipated film is now available online.

In I Love Booster, Demi Moore leads an ensemble cast in a satirical sci-fi narrative about the implications of fast fashion, a follow-up to the acclaimed Sorry to Bother You directed by Boots Riley.

Flower Veil Street, set to release on August 14, is penned and directed by David Robert Mitchell. This thriller stars Anne Hathaway and Ewan McGregor as a couple in the 1980s facing bizarre occurrences within their neighborhood—following up on Mitchell’s cult hit, It Follows.

The much-anticipated follow-up to Na Hong-jin’s 2016 Voice of Lamentation centers around a ghostly tiger, unveiling twists amid extraterrestrial elements including Alicia Vikander and Michael Fassbender.

As we move toward December 18th, die-hard sci-fi fans await Dune: Part 3, the continuation of Denis Villeneuve’s captivating visuals of Frank Herbert’s legendary novel series.

Reflecting on Dune Messiah, this next chapter promises a blend of profound inner dialogue and complex themes. Fingers crossed, Villeneuve delivers another cinematic masterpiece.

Topics:

Source: www.newscientist.com

Top New Sci-Fi Shows of 2026: Must-Watch Titles Like ‘Fallout’ and ‘Neuromancer’

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Lucy MacLean (Ella Purnell) in Fallout Season 2

Amazon MGM Studios

As the new year unfolds, it brings exciting opportunities for change and reinvention. This is the perfect time to explore the best sci-fi and science-related television shows set to premiere in 2026, showcasing groundbreaking series that launched last year. Notably, the second season of Fallout on Amazon Prime Video, airing mid-December, stands out as a must-watch.

Set against a retro-futuristic America, the series dives into a world where generations of humanity live in radiation-resistant bunkers designed by the shadowy Vault-Tec corporation. In the previous season, former vault dweller Lucy (inhabited by Ella Purnell) navigates the surface in search of her missing father, encountering unexpected allies and adversaries. This season, she embarks on a new adventure accompanied by Ghoul (played by Walton Goggins), a visually striking radioactive gunman. What could be more entertaining?

The critically acclaimed Fallout is just one of many bunker-based dramas slated for 2026. On February 23, Hulu/Disney+ will launch the second season of Paradise, featuring Sterling K. Brown as Xavier Collins, a Secret Service agent residing in an underground city built to safeguard the elite from impending apocalypse. After solving the murder of U.S. President Cal Bradford and discovering survivors, he sets off on a journey back to Chicago in search of his estranged wife.

Later this year, the much-anticipated third season of Silo (Apple TV+) will air, which delves into the dark mysteries surrounding the toxic surface world, leaving viewers wanting more. If you enjoy gripping and conspiratorial narratives, this series is not to be missed.

Another intriguing dystopian tale is Dreamland (BBC iPlayer). Set in 2039, it follows Chance, a resident of the British seaside town of Margate, who turns to crime amidst widespread climate change and social inequality. When her community becomes entangled in a government rejuvenation initiative, Chance finds herself in love with Frankie, a woman with connections to the powers that be, revealing a deeper conspiracy.


In Star City, engineers and intelligence professionals work tirelessly to achieve the historic landing of the first humans on the moon.

Fans can look forward to the highly anticipated television adaptation of The Testaments (Hulu/Disney+), a sequel to The Handmaid’s Tale, also penned by Margaret Atwood. Premiering in April, it follows a new generation of women navigating freedom while being trained by Gilead’s elite.

In addition to dramatic narratives, the sci-fi genre offers exciting new adventures. Premiering on January 15th, Star Trek: Starfleet Academy (Paramount+) takes us into the 32nd century, chronicling the experiences of a group of Starfleet cadets as they develop friendships and rivalries while training to become future officers. Featuring a talented Gen Z cast alongside stars like Holly Hunter, Tatiana Maslany, and Paul Giamatti, this series promises to be fun for families. Moreover, Star Trek: Strange New Worlds is set to return for its penultimate fourth season early this year.

Following the success of Andor, which set high standards for live-action Star Wars storytelling, fans anticipate the release of season 2 of Star Wars: Ahsoka on Disney+. Though unconfirmed, more animated adventures will soon unfold, such as Star Wars: Maul – Shadow Lord, focusing on the Sith Lord as he rebuilds his crime syndicate following events from The Clone Wars, and Star Wars: Visions Presents – The Ninth Jedi, continuing the journey of Jedi Ethan and Kara.

For Marvel enthusiasts, while Vision Quest is rumored to premiere at the end of 2026, the series will feature the resurrected android superhero Vision, aiming to regain his memory post-WandaVision, alongside familiar faces like Ultron.

If you prefer small-scale robot dramas, be sure to look for Ann Droid (BBC iPlayer), a comedy by Diane Morgan, where she portrays Linda, a social robot designed to partner with the elderly in healthcare. Unexpected friendships blossom as Linda helps solve problems for her reluctant companion, Sue (Sue Johnston). With an impressive cast, this series is expected in 2026.

Fans of sci-fi comedy will also eagerly await the second season of Murderbot (Apple TV+), anticipated to premiere by year-end.

Delving into different realms of artificial intelligence, the adaptation of William Gibson’s seminal cyberpunk novel Neuromancer (Apple TV+) is set to captivate audiences. Following hacker Case (Callum Turner) as he navigates a dangerous futuristic Tokyo after losing his ability to access the virtual reality world, the series is positioned to explore high-stakes conspiracies.

Neuromancer is one of two Cyberpunk-themed series on the horizon, the other being Blade Runner 2099 (Amazon Prime Video). While details remain scarce, we know that Michelle Yeoh will star as a replicant nearing the end of her life in this highly anticipated series.

For technology enthusiasts, check out Altruists and Boldness. Altruists (Netflix) is a limited series due in late 2026 that chronicles the collapse of cryptocurrency exchange FTX alongside the complicated romance between its founder Sam Bankman-Fried and partner Caroline Ellison, while Boldness (AMC) follows CEO Duncan (Billy Magnussen) battling power struggles in Silicon Valley without any real-world parallels.

Let’s venture beyond Earth, with excitement building for Star City (Apple TV+), a spin-off of the acclaimed alternate history series For All Mankind, which returns for its fifth season in 2026. This new series will spotlight the Soviet perspective during the space race, depicting the efforts of astronauts, engineers, and secret agents striving to land the first Russians on the moon.

Other space-centric highlights include the potential launch of the second season of Doctor Who in December and Three-Body Problem, an ambitious adaptation of Cixin Liu’s epic series about humanity’s preparation for an alien invasion set 400 years in the future.

For those who seek gripping narratives, Beauty (FX/Disney+) features FBI agents Cooper Madsen (Evan Peters) and Jordan Bennett (Rebecca Hall) as they become engrossed in the world of high fashion while investigating tragic deaths of supermodels. The series grapples with themes of transformation, premiering on January 22nd—a significant moment for physical reinvention.

Topics:

  • Science Fiction/
  • Television

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Source: www.newscientist.com

Top 6 Sci-Fi Series to Watch in 2025

In “Common Side Effects” Marshall makes an important discovery

Warner Bros. Discovery

2025 has brought many captivating sci-fi shows showcasing themes of chaos, intrigue, and resistance. This unrest may mirror our world’s current state, but it certainly has led to some incredible television. Here are six series you should consider adding to your watch list.

Two of the standout shows have returned with new seasons. Initially, when Andor (Disney+) premiered in 2022, it felt somewhat unreal. Was it just a fun ride for both loyal fans and newcomers? A prequel focusing on Rebel Alliance spy Cassian Andor, written and performed with Shakespearean intensity? The question lingered in my mind.

However, it truly is fantastic. Remarkably, the second and final season (sadly) of Andor is even better than the first. Now centered on the battle against the Galactic Empire, Cassian, under the direction of a shadowy spymaster Lusen, steals a ship to rescue operatives, amidst a larger conflict. A timely and beautifully narrated tale amidst an era of rising authoritarianism, Andor undoubtedly stands out as the year’s finest show.

Another worthy contender from 2022 is Severance (Apple TV), which presents a starkly different set of rebels. Nestled within the enigmatic Lumon Industries, it showcases employees who opt for “separation.” Their professional memories are cut off from their true selves, generating a new entity known as “innie,” who knows nothing outside their work existence.


The instability present in numerous 2025 sci-fi series negatively portrays our reality, yet translates into remarkable television.

These innies endure relentless horrors orchestrated by Lumon’s middle management, while the “outies” who cast them into this predicament remain blissfully unaware. Their only escape? Resigning to death. The second season takes a spine-chilling turn, unveiling deeper aspects of Lumon’s bizarre operations. Severance is a thoroughly satisfying mystery, intelligently unraveling its plot while adequately addressing the intricacies behind it.

James Marsden as President Cal Bradford in Paradise

Disney Copyright: Disney/Brian Roedel

Now, let’s talk about shows that may seem ordinary at first glance. New Scientist suggests Paradise (Disney+/Hulu), which skyrocketed to popularity in January. Initially a standard political thriller, the casting of Sterling K. Brown as U.S. secret agent Xavier Collins and James Marsden as Cal Bradford, a suspected presidential murderer, proves clever. Their on-screen chemistry is outstanding, and the fast-paced plot keeps viewers guessing.

What seemed like a light binge-watch took a captivating turn towards sci-fi by the end of an unforgettable first episode. Paradise brilliantly transitions from mere entertainment to something truly engaging. Without giving away spoilers, it casts an eerie shadow over the investigation, preventing the narrative from spiraling into absurdity. Absurdity is present—many pivotal moments are underscored with airy renditions of 1980s power ballads—but it’s just the right touch.

Every year, numerous end-of-the-world narratives unfold on screens, but inevitably, some stand out more than others. Among the top shows of 2025 is El Eternaut (Netflix), which breathes life into the classic comic by Héctor Germán Oesterheld.

As heavy snow descends upon Buenos Aires, former soldier Juan Salvo dons a gas mask and waders, venturing out to locate his family. It quickly becomes clear that the snowfall is just the tip of the iceberg. Juan and other survivors must unravel the mystery of what’s happening and how to thwart it.

Delve into the grim historical backdrop of Argentina’s late 1970s military dictatorship and the assassination of Oesterheld. El Eternaut pays appropriate homage to its source material, crafting a haunting series. One of the standout scenes this year takes place in a confined apartment where survivors must huddle together and strip Juan’s clothing, realizing their survival relies on outside elements.

If you lean towards warmer dystopian narratives, consider Pluribus (Apple TV), written by Breaking Bad’s Vince Gilligan. Set against the backdrop of sunny New Mexico, it follows the tale of jaded romance novelist Carol Starka, who is anything but a hero. In a world where most of humanity becomes overwhelmed by a sudden wave of happiness, everyone clamors to serve Carol, one of the few unaffected individuals.

What if a utopia existed, but not all could bask in its light? Carol is uninterested in participating in this enforced joy, yet discovering a path to normalcy proves challenging, especially considering how lovely a world free of conflict and selfishness can be.

Pluribus exhibits excruciating confidence and leads you through unexpected twists, anchored by an impressive central performance.

Surprises Await

Let’s shift to a more uplifting topic about joy. Common Side Effects (Channel 4/Cartoon Network) has been the biggest surprise for me this year, not just for its quality—thanks to co-creator Joe Bennett, known for the remarkable Scavenger’s Rain—but because it garnered enough viewers to warrant a second season.

This animated series follows fungi expert Marshall, who stumbles upon a shocking finding—a mushroom that seems to possess the power to cure various ailments. Unsurprisingly, this mushroom, dubbed Blue Angel, quickly becomes a sought-after commodity that nefariously falls into the hands of Leutical Pharmaceuticals, a company whose newest employee is Frances, a childhood friend recently reconnected with Marshall.

With enemies in pursuit, the show transcends mere conspiracy thriller tropes or critiques of Big Pharma. Common Side Effects weaves a thoughtful, engaging narrative about envisioning a brighter future. Let’s take inspiration from this for 2026.

Topics:

  • Science Fiction/
  • TV Shows

Source: www.newscientist.com

Our Take on the Sci-Fi Novel Every Version of You: A Mostly Positive Review

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Every Version of You by Grace Chan was the November selection for the Emerging Scientist Book Club

The New Scientist Book Club delved deeper into the complexities of the mind during its November selection, transitioning from neurologist Masud Hussain’s insights on brain damage to Grace Chan’s thought-provoking exploration in Every Version of You, which imagines a reality where individuals upload their consciousness to a digital utopia.

Follow the story of Tao Yi and her boyfriend Navin—among the pioneers who have transitioned their minds to Gaia, a digital haven, even as it faces the repercussions of climate change. Every Version of You captivated my fellow book club members, myself included, as it tackled profound themes such as humanity, the essence of home, climate change, and the process of grieving.

“It was an incredible experience. Probably the best choice the club has ever made,” stated Glen Johnson in our Facebook group. “My familiarity with Avatar extends only to the first movie, so… [I] found the beginning a little perplexing,” shared Margaret Buchanan. “While I resonate with the desire to escape the chaos we’ve created on Earth, I found Tao Yi’s struggle to hold onto her identity very relatable.”

Judith Lazell found the novel to be “very enjoyable” and noted her admiration for Chan’s portrayal of the realities faced by a young adult in 21st-century Australia.

However, with our book club comprising over 22,000 members, positive feedback wasn’t universal. “I loved the book, but the ending felt unclear,” remarked Linda Jones, and Jennifer Marano expressed her dissatisfaction with certain plot elements. “The environmental crisis depicted was quite distressing,” she conveyed. “After finishing, I felt unfulfilled. There was an implication that humanity’s upload to Gaia could allow regeneration back on Earth, yet there was no explanation of how the failing digital world they escaped was maintained.”

Every Version of You lingered in my thoughts for months (I revisited it in May), prompting contemplation on the ethical dilemma of uploading my consciousness. As Chan mentioned in an interview, I’ve leaned toward the belief that it’s not a viable option for me, though discussions around this are ongoing within the group. “In the current state of our world, no, but if we faced the same degradation as in this novel, my stance might shift,” reflected Steve Swan.

Karen Sears offered a unique perspective on the topic. “Initially, I resolved to hold off on uploading until I fully understood Gaia’s framework, politics, and protocols,” she explained. “Then, after injuring my knee, my outlook transformed a bit. It made me reconsider how I would feel about staying in a world that became increasingly difficult to navigate.”

One element I appreciated in the book was its sensitive treatment of disability through Navin’s struggles in reality, which fueled his desire for the escape that Gaia represented. This was approached with care, as noted by Niall Leighton.

“It’s commendable that Chan addresses disability and marginalization issues (especially given some past criticisms of her work!), but I’m curious to see if she has even deeper insights,” noted Niall in response to Karen. “If we question the continuity of consciousness, what does the choice to upload truly signify? Today’s significant dilemmas revolve around alleviating physical and psychological suffering and the societal structures that render life challenging for individuals with disabilities.”

Niall’s review of the book featured an acknowledgment of his mixed feelings: I will write, he suggested, that “this multi-dimensional narrative tackles numerous contemporary issues, engaging my intellect and meeting my expectations for a compelling sci-fi tale. Grace Chan exhibits a strong commitment to plot and character development.” However, he contrasted it with his personal preferences, stating, “It falls within the ongoing trend of publishing a seemingly unquenchable thirst for novels that plunge us into dystopian realities.”

This sentiment has resonated with a few members, expressing it’s not merely another dystopia. “While it’s readable, I can’t say I particularly enjoyed it. It leans towards a dystopian vision of the future, and we’ve encountered several of those this year—Boy with Dengue Fever and Circular Motion,” noted David Jones.

Phil Gursky shared that the book “impressed itself upon my heart over time (initially, I wasn’t sure I’d finish it).” He found it a familiar narrative of a world succumbing to climate change, yet it kept him engaged. “A quick aside: A reality where everyone is perpetually online reminds me of my commute on the O-train in Ottawa, where I was the only one engrossed in a physical book instead of fixated on my phone!” Note to Phil: I too notice fellow readers on the London Underground, grateful I’m not alone.

Members have mentioned their desire to avoid another dystopia. However, science fiction often envisions futures, presenting compelling contrasts to our current existence. We hope our December selection resonates with you, even as it incorporates a utopian theme: Ian M. Banks’ Game Player, following another of his works, Consider Phlebas, in our book club vote. Set in a multicultural interstellar landscape of humans and machines, it follows the formidable Jernau Morat Gurge, a gaming champion challenging the merciless Azad Empire in a notoriously intricate game, with the victor crowned emperor.

Here’s an excerpt from the beginning of the novel, along with an intriguing analysis by Bethany Jacobs, a fellow sci-fi writer and admirer of Banks, who delves into his exceptional world-building capabilities. And please join our Facebook group, if you haven’t already, to share your insights on all our readings.

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Pluribus Review: Breaking Bad Showrunner Explores Happiness in New Sci-Fi Series

Rhea Seehorn stars in ‘Pluribus’, debuting on Apple TV+ on November 7, 2025.

Anna Kooris, Apple TV+

Pluribus
Vince Gilligan, Apple TV

When posed with the question of the greatest episode in TV history (a regular discussion among my patient friends), “Ozymandias,” from Breaking Bad, often comes to mind. This episode, a pinnacle in storytelling, acting, and direction, encapsulates the harrowing tale of a chemistry teacher turned meth producer after a cancer diagnosis.

Being part of a flawlessly executed episode is a substantial legacy. Creating two monumental series like Breaking Bad and its companion Better Call Saul has entirely revolutionized television. Vince Gilligan, the brilliant showrunner, has proven his mettle and with Pluribus, his intriguing new sci-fi series for Apple TV, there’s little left for him to prove.

Having viewed the first six episodes of this nine-part season, I can affirm that the series is crafted with remarkable confidence, maintaining an engaging grip through its intricate plot twists and immersive world.

Carol (Rhea Seehorn, veteran of Better Call Saul) is the writer behind Waikalo Wind, a popular series of pirate-themed novels. While her successes afford her a comfortable living, she’s plagued by creative stagnation. However, her life is about to take a darker turn.

During a book tour with her agent and partner Helen (Miriam Shor), a strange incident occurs—everyone around Carol suddenly experiences a seizure. Once the episode subsides, they find themselves in an entirely different reality, leaving her as one of the few unaffected. This anomaly may be connected to a peculiar radio signal that was detected 439 days earlier, pulsating a base-4 rhythm every 78 seconds from 600 light-years away.


Can a society become utopian without the consent of its citizens? Even if one person feels trapped, is it still a utopia?

Unbeknownst to Carol, the rest of humanity revels in liberation from trivial grievances and desperately wishes for her to join them.

I understand their obsession with her. Even prior to her becoming the world’s unhappiest individual, her cantankerous demeanor is captivating. She reminds me of Paul Sheldon in the film Misery, though disturbed by adoring fans, Carol is scrutinized by billions. Her fellow humans serve her unwaveringly as they seek to decipher her differences and remedy her situation. Eventually, she begins to navigate the rules of this new world and discovers she possesses more agency than she initially believed.

Pluribus poses many compelling questions. Can a utopian society exist without the agreement of its members? Is it still utopia if one feels isolated? Besides Seehorn’s stellar performance, the series is commendably character-focused, noticeably dedicating time to moments like a character attempting to conceal a body. There’s an organic pacing to the story development, leading to unexpected turns.

Despite having seen the majority of the first season, the direction of Pluribus remains enigmatic. Some viewers may find this ambiguity off-putting, and its deliberate pace could polarize opinions. However, I find it exhilarating, as it subverts typical big-budget sci-fi conventions.

With a second season assured, it’s certain to cultivate its own “Ozymandias” moment if it gains traction.

I also suggest:

Breaking Bad
Vince Gilligan

Need more proof of Vince Gilligan’s prowess? Check out his debut masterpiece. The tale of a chemistry teacher turned meth manufacturer is a gripping five-act tragedy, illustrating one of television’s most remarkable antiheroes.

Outlander
Adapted by Ronald D. Moore

There are significant moments in Pluribus reminiscent of character dynamics in Outlander, where rearranging a bookstore serves to provide characters interaction through literature. Diana Gabaldon’s Outlander may not be as visually depicted in the books, but the TV rendition is exceptional.

Bethan Ackerley is an associate editor at New Scientist. She enjoys science fiction, comedy, and anything creepy. Follow her at @inkerley

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Source: www.newscientist.com

Slow Gods Review: An Unforgettable Deep Space Sci-Fi Adventure That’s Both Fun and Thought-Provoking

Tragic fate awaits the inhabitants of Ajmir, destined for obliteration.

Detlef van Ravensway/Science Photo Library

slow gods
Claire North, Orbit

Claire North is a well-established author, known for writing under multiple names, but this is their inaugural foray into traditional science fiction that includes spaceships. I found the title slow gods intriguing, and the cover art appealing. I entered the narrative with elevated expectations.

It kicks off with: “My name is Maukana na Vdnadze, I am a very poor copy of myself.” A fantastic beginning.

However, I felt a bit lost after about 60 pages. While the story is crafted in a grand space opera style filled with timelines, cultures, and names—typical of the genre—I hadn’t formed a connection with the protagonist yet. The main character is an exceptional deep space pilot but struggles with a troubling history of causing fatalities. Perhaps my mood affected my reading experience. I persisted a little longer, and when the main character, Mau, encountered another figure named Gebre, I started to feel more engaged.

I’m inclined to take a leap here: please read this book. If science fiction is your thing, you’ll likely appreciate it. If you’re unsure initially, as I was, feel free to move on.

I actually have some space to elaborate on my thoughts. It’s been ages since I’ve enjoyed a science fiction piece so thoroughly. Yet, it’s more than just amusement; it’s also deeply emotional and impactful—well articulated.

North shines in creating characters with depth, along with intricate world-building and expansive plots that span galaxies. There’s humor woven throughout, and in the tradition of Ian M. Banks, there are delightful AI entities and drones that contribute to the comedic elements.


slow gods presents formidable villains with malicious intent and lethal weapons, including the “Black Ships” that raze cities.

Maw is a remarkable protagonist. As a reader, it’s refreshing to have no clear idea of what the protagonist might be capable of, contemplating that it could be quite dramatic. In a pivotal moment during his first mission as a pilot, Maw dies and continues to resurrect multiple times, provided that no one witnesses or mourns his remains. It raises questions about whether Maw retains humanity or has transformed into something different.

Returning to the encounter with Gebre… Maw accepts the mission to pilot a vessel to Ajmir, a planet poised for destruction due to the impending collapse of its binary star system, LK-08091881.

A mysterious, god-like machine known as Slow had been issuing warnings about the imminent collapse of the star system, with shockwaves traveling at light speed, endangering all life within an 83 light-year radius. Unfortunately, the affected populace’s reactions were inconsistent at best. By the time Mau landed on Ajmir on its final day, countless individuals remained, hoping to win a lottery for a chance at escape.

Upon his arrival, Mau meets Gebre Netyu Chatitymska Bajwala. Currently, Gebre is somewhat “innumerable,” yet they focus less on that and more on preserving significant artifacts for future generations to understand Ajmir’s true history.

Gebre is an intriguing character, and Maw finds himself attracted to them. What steps can he take to protect Gebre? Or will he seek revenge? The groundwork has been laid.

It’s pertinent to mention that “Shines” exist as formidable villains with hostile dispositions and lethal weaponry, including “black ships” and super soldiers capable of nearly invisible city destruction.

In summary, read this book.

I also suggest Emily…

Consider Phlebas
Ian M. Banks, Orbit

Slow Gods often reminded me of Banks’ culture series, making it a natural “also recommended” option. I typically recommend The Player of Games to newcomers to the culture series, as it serves as an accessible starting point, being the first of Banks’ works in this universe. It follows a character named Horza, who possesses the ability to transform into perfect replicas of others. What else is there to wish for?

Emily H. Wilson is a former editor of New Scientist and the author of the Sumerian trilogy, set in ancient Mesopotamia. The concluding novel, Ninshubar, has been released. You can find her at emilywilson.com, on X @emilyhwilson, and on Instagram @emilyhwilson1

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New Scientist Book Club: Explore an Excerpt from Grace Chan’s Sci-Fi Novel, Every Version of You

New Year’s Eve will be celebrated in a virtual utopia as “Every Version of You” begins

Akin Bostansi/Getty

The sky this evening is utterly dismal, with vibrant blues merging into streaks resembling turbulent sea water on the horizon, the sun setting against its distorted reflections. The tide rhythmically rolls onto the shore—1, 2, 3 splashes of sand. 1, 2, 3, 4—leaving bubbles in its wake.

Tao Yi sits cross-legged, toying with a nearly empty beer bottle. Long shadows stretch from the sandstone cliffs surrounding her. In this hidden cove, shielded by crimson-hued cliffs, the others remain unseen but their laughter and chatter resonating as they gather driftwood for a bonfire.

She reluctantly allowed Navin to convince her to come here—a mix of obligation and familiarity. This routine unfolds every New Year’s Eve: Zack hosts a party, and missing it would feel wrong.

The bottle feels chillingly cold against her hand, unaffected by her warmth. She brings it to her lips, the last sip burning her throat. The sea’s surface is rippled and opaque, resembling a silken dress blowing in the wind. Awaiting a gust to tousle her hair, she finds only stillness; Gaia’s air isn’t stagnant like a subway tunnel.

The sound of grass rustling in the sand indicates Navin’s approach. He seems almost a stranger now—tall and lean in a short-sleeved shirt and khaki pants, with a messy fringe cascading across his forehead, flashing a charming smile. He extends a fresh beer bottle toward her.

“It tastes awful,” she replies, shaking her head. “Though better than last year.”

She manages a grin, recalling Zack’s experimental brew.

“Come back,” he urges, fingers brushing her hairline. “Help me with the fire.”

Tao Yi lets him assist her to stand. She follows him out of the cove and along the shoreline, carefully sidestepping the rocky formations. His shirt hangs loosely, catching on the edges of his shoulder blades. She longs to touch that downward curve, to confirm it’s real.

Others are filling shallow pits between the dunes and the ocean with driftwood. A dozen or so well-educated twenty-somethings like her and Navin, all lively and engaged in clever banter. They belong to a fortunate generation—born into movement, brimming with opportunities, navigating waves of transformation.

Zack glides effortlessly through the group, drawing others to him like moths to a flame. He appears particularly youthful in his orange shirt and sarong. Leaning over the driftwood, he holds a lit match between his long fingers, like a conductor with a baton. Joyous cries erupt as the flames ignite. If you follow the method, a second attempt won’t be necessary.

Tao Yi activates the live interface. A neon countdown in her peripheral vision reads: December 31, 2087, 9 p.m. Just 3 hours to go! A steady stream of status updates overlays the beach scene, mostly brief four-second video snippets that vanish as soon as she focuses on them. Friends dancing at an open-air concert, racing go-karts beneath digital fireworks, and the exhilarating sound of Stimshots pulsating through a heavy beat.

Evelyn approaches. Tao Yi closes the countdown and snippets. Tonight, her petite friend appears slightly transformed. Clad in a pastel dress typical of her, her dark hair woven into a braid adorned with gothic decals on her cheeks. It’s charming, like a puppy striving for attention.

Evelyn nudges her hip against Tao Yi’s waist. “Flash?” “I’m alright. Why?”

“You seem a bit distant.”

Tao Yi wraps her hand around her elbow, feeling the symmetrical dip behind the joint. “Yeah, just taking a breather. It’s been an eventful day at work.”

“Oh, right. You’re the featured authenticity consultant now,” Evelyn chuckles, elongating the syllables.

Even after six months in this role, the title still sounds peculiar to Tao Yi. She aims to transition from marketing strategies driving consumerism to organizations like True You that steer lost souls towards their genuine selves.

“People are infatuated with their avatars. They want to ensure they’re as distinctive as everyone else.”

“Come on, Tao Yi, don’t play the cynic. I know you’re kind at heart,” Evelyn teases. “Just wait a few more months, and you’ll be spreading the mantra that’ll have you feeling as good as your boss. What’s his name again? Andy? Gary?”

“Griffin. Not even close.”

“That’s it! You know what he told me at the party you took me to last month? With his wide eyes and serious expression: ‘You need to find your own path.’”

“Oh, yeah. He repeats that daily. It’s just my brain filtering him out right now.”

“I told him I was using Google Maps. He didn’t even crack a smile.”

Tao Yi chuckles. “But he’s effective at his job. Want to set up an appointment?”

“No thanks – you all should steer clear of my virtual stuff.”

Tao Yi laughs again, then turns her gaze toward the fire. Evelyn’s attention lingers on Zack. The bonfire’s glow warms his tanned skin, illuminating his sparkling dark eyes and expressive mouth.

For a moment, Tao Yi observes Evelyn fixated on him. Then she soon slips away.

every version of you Written by Grace Chan (Verve Books) is the New Scientist Book Club’s November 2025 read. Sign up to read together here.

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“Where Did My Jetpack Go? Other Sci-Fi Tech Questions”

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“You might still be waiting for a jetpack. I’m still waiting for a pregnant man.”

Kevin Hyde/Getty Images

Some individuals enjoy pondering the future with games like “Where is my jetpack?” We relish the sci-fi visions from recent decades and question, “Why haven’t we received all the exciting advancements that were promised?” Certainly, we’ve seen videophones, pocket computers, and robots exploring Mars. Yet, what about jetpacks and flying cars?

It often seems there’s always something missing—an image or concept that once embodied the “future” but now resides in a bygone era. Nevertheless, the pursuit of making jetpacks a reality continues.

When contemplating the absence of jetpacks, I don’t focus solely on lost gadgets. I ponder: “Where is the societal revolution we were promised when we were younger?”

For me, the 20th-century vision of revolutionizing gender equality stands out. The narrative of how future men and women would interchange gender roles captivated audiences. However, that ideology of emancipation now feels as outdated as a Flash Gordon tale.

Recently, I engaged in a discussion with fellow writers during a panel on retrofuturism at the Science Fiction Convention World Concert. This prompted reflection on how past ideas about the future possess significant influence.

Science fiction authors have envisioned female empowerment since as early as 1915 when Charlotte Perkins Gilman published the novel Herland. In this tale, a band of male explorers discovers a country governed by women, thriving in a utopian setting reminiscent of Wonder Woman’s beloved Themyscira.

Iconic films of the late 20th century, particularly Zardoz in 1974, depicted a future of free love where men can even marry each other. Anyone who’s witnessed this eccentric film won’t forget Sean Connery donning a lace wedding dress to tie the knot with a man in a high-tech, bohemian ceremony.

Now, women enjoy voting rights in most countries, and same-sex marriage is a reality in numerous places. Yet, other cultural shifts remain elusive, much like our dreams of jetpacks.

Take, for example, the concept of male pregnancy. Surprising as it may seem, this theme frequently appears in science fiction.

The plot of the 1994 comedy Junior is perhaps the most renowned, starring Arnold Schwarzenegger as the first male to become pregnant and give birth, showcasing how advanced science might render such feats possible.


Those who saw Zardoz will forever remember Sean Connery in a lace wedding dress marrying a man.

Moreover, this idea surfaced in classic feminist literature of the 1970s, such as A Woman on the Edge of Time by Marge Piercy, wherein children are born from artificial wombs and can be breastfed by individuals of any gender.

My personal favorite is the truly extraordinary 1985 film Enemy Mine, which explores the unlikely friendship between pregnant alien males and their human counterparts after crash-landing on a desolate planet.

Just like jetpacks are prevalent in certain sci-fi eras, so too is the notion of male pregnancy. While these stories were not completely off the mark, only a few documented instances of male pregnancy exist, alongside a minor number of DIY jetpack enthusiasts. Yet, neither group has reached the popularity that pop culture suggests.

So, what led to the rise of male pregnancy fantasies in the latter half of the 20th century?

Partly due to a sexual revolution, which prompted challenging traditional views on gender and family dynamics. If women can achieve parity in traditionally male sectors, why shouldn’t men find equal footing in domains like parenthood?

The impact of the LGBTQ+ rights movement cannot be overlooked. By the century’s close, the concept of “chosen family” had become widely accepted, with authors envisioning diverse familial arrangements involving multiple fathers, mothers, or even families with robots and octopuses.

Ultimately, if children are nurtured in joyful and stable settings, does it matter that you have a pregnant dad?

In the 1990s, Schwarzenegger opened up the dream of men experiencing childbirth—what a remarkable thought!

Fast forward to 2025, when President Donald Trump issued an executive order asserting only two genders, embedded in birth certificates as immutable identities. Women become pregnant; men do not.

Regardless of what is dictated, you may still be anticipating your jetpack, yet I’m here, still waiting for a pregnant man.

What I’m reading

Cannupa Hanska Rugers Survivor: Future Ancestor Field Guide, A science fiction artbook on Indigenous technology of tomorrow.

What I’m seeing

Legend, from Vox Machina’s My Mouth is Happy to Be Calm, Dungeons and Dragons Adventure Anime.

What I’m working on

I assist plants and fungi in coexisting harmoniously in my garden.

Annalee Newitz is a science journalist and author. Their latest book is Automatic Noodles. They co-host the Hugo Award-winning podcast Our Opinions Are Correct. Follow them at @annaleen or visit their website at TechSploitation.com.

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Top New Sci-Fi Novels of September 2025 Featuring Cixin Liu and John Scalzi

In Mason Coyle’s exile, a human crew arrives on Mars

Shutterstock/Gorodenkoff

This month brings new releases from renowned authors like Cixin Liu, Stephen Baxter, and John Scalzi. I’m particularly interested in Ian McEwan’s journey into a submerged world of 2119 in Salt Crop. The tale chronicles the downfall of Mason Coil within a fledgling Martian colony, while also capturing my attention is the time-travel noir from the talented Nicholas Binge.

This month, I’m taking a classic route in the New Scientist Book Club with Ursula K. Le Guin’s 1974 masterpiece, The Dispossessed. Join us in reading and see how it stands against today’s best science fiction. But let’s not forget about September 2025…

Literary authors are turning to sci-fi—this isn’t unprecedented (who could forget the 2010s’ Solar?). In his latest, we’re taken back to 2014, reflecting on great poems never to be heard again. Fast-forward to 2119, as lowland Britain finds itself submerged. Scholar Tom Metcalfe delves into early 21st century archives, uncovering the myriad opportunities of the past. He discovers a clue that might lead to “the great lost poem”…

For fans of The Three-Body Problem, Cixin Liu presents a collection of short stories exploring first contact, artificial intelligence, and cosmic dread. With 32 stories included, expect explorations of devoured planets and interstellar crafts.

Three Body Problem adaptation in 2024

Ed Miller/Netflix

The hearth serves as the “celestial birthplace” of countless planets, where humanity has flourished for millennia. As an unknown foe covets the wealth of this realm, Commander Ula Breen strategizes to unite diverse forces and retaliate. Will she uncover humanity’s original purpose for coming here?

In a future where coastal cities are submerged and oceans teem with mutated fish, we follow Sailor Skipper, the youngest of three sisters who make a life by collecting and selling ocean plastic. When she receives a mysterious call for help from her oldest sister, Nora, who seeks a remedy for failing crops, she and another sister, Carmen, embark on a perilous journey across the sea. Kitasei, the author of Deep Sky and Stardust Grey, delivers an astonishing tale.

In a time-travel murder investigation, detective Julia Togrimsen (what a name!) returns from retirement to solve the case of a billionaire she once infiltrated. However, she discovers two bodies—both belonging to billionaire Bruno Donaldson. We loved Binge’s previous sci-fi thriller, Dissolution, and anticipate this next offering.

This marks Scalzi’s seventh installment in the Old Man’s War series. After a decade of peace in interstellar space, humanity faces the threat of war from the most advanced alien species yet. Caught in the tumult, bureaucrat Gretchen Trujillo receives a covert mission that could reshape the future for both humans and aliens.

Exile by Mason Coil

I am captivated by the cover and premise of this new novel from the late author of William (which I enjoyed). Set in 2030, this tale reveals a human crew preparing the first Martian colony, only to discover a half-destroyed base. They must question three robots dispatched four years earlier, one of which is still missing…

In a desolate lab in the desert, Kinsey and her team unearth bizarre specimens in the sand. Breaking quarantine to bring one inside, they soon realize it seeks a new host.

This intriguing blend of horror, science fiction, and fantasy captures my attention. Set against a backdrop of ecological dread, Kinsey excavates two ancient bodies found in Somerset Fen, while also exploring “her own wildness,” alongside archaebotanist Nell.

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Ursula Le Guin’s Son Explains Why Her Sci-Fi Classic “Forbidden” is His Favorite

Ursula K. Le Guin in 2005

Dan Tuffs/Getty Images

When a newcomer to Lugin asks where to begin, I seldom suggest It Was Confiscated. I do not encourage strangers to plunge into the deep end of the pool. The narratives intricately navigate the complexities of the mind, not just in terms of intellect if you’re astute, but also in how we engage mentally while reading. (Things can get tricky, especially if the author is your mother.) Other Lugin works are more grounded in the psyche, making them a safer recommendation for beginners. However, if pressed for my favorite Lugin book, It Was Confiscated, published in 1974, is frequently my response.

The writing decade kicked off in the early 1960s, encapsulating the essence of Earth’s narratives. The Left Hand of Darkness sits alongside It Was Confiscated. A bibliographic account cannot adequately convey the exhilaration and exhaustion of that period. She authored novels while juggling family obligations, giving birth to her third child (me), coordinating everything (plus cats), and even spent a year in London. Ursula later confided that even with a supportive environment, one can underestimate the toll that writing a novel takes on one’s physical state. I haven’t ventured into novel writing myself, so I can only squarely reflect on her last decade and say, yes, I can envision it.

It’s certainly true that Ursula had a preference for the genre structures of the era. It Was Confiscated. Indeed, we have a rocket ship, but also cultural nuances within both Urla and Anar, from attire to social customs. Ursula’s lifelong intrigue with the natural sciences is evident in her depictions of Shebeck’s profession and the theories leading to the existing technologies. Her academic background enriched her portrayal of institutional pettiness. Above all, political philosophy and practicality emerge—a framework for radical collective reimagining and a nuanced utopia, as indicated in the full title of the book.

This framework has remarkably resonated over 50 years. I would like to acknowledge at least one generation in gratitude, alongside certain academic circles, recognizing The Left Hand of Darkness and It Was Confiscated as foundational texts in discussions on gender, anarchism, and anti-capitalism. I consider these works akin to my cousins. They are distinct yet consistently challenge my preconceptions. However, in my view, The Left Hand of Darkness addresses gender politics without being a purely “political” narrative. I can imagine myriad political systems serving as the backdrop for Geten. Indeed, Ursula remarked in a 1997 interview, “Politics is [The Left Hand of Darkness] is not thoroughly considered.” Conversely, political philosophies and systems are at the forefront. It Was Confiscated may be considered a superior work—The Left Hand excels in alternative important aspects. Yet for those who appreciate the blend of intelligence, ethics, poetic expression, and the merging of mind and heart, It Was Confiscated is hard to surpass.

For a generation whose reading may pivot on this duo of texts, the perception of the author’s legacy as an early radical thinker is enhanced by viewing her 2014 National Book Foundation speech video, with anti-capitalist themes crystallizing across both novels. I do not mind this view of my mother, nor did she—being labeled a radical thinker is preferable to being called “The Grande Dame of SFF” or any other gender and genre bias. Nonetheless, the idea of Ursula as an eternal radical oversimplifies her life’s intricacies and condenses her journey of reconciling early romantic capitalist ideals with an understanding of the intersection of art, ethics, justice, and politics. The period I’ve mentioned in Ursula’s life, from her early 30s to early 40s, profoundly shaped this reconciliation.

As a young child during that time, Ursula seldom discussed her work, leaving me to ponder the process of her artistic evolution. With her triumphs and a supportive partner, her life finally allowed for deep introspection and exploration. The roles of child, spouse, and mother transformed dramatically after her father’s passing. The U.S. engagement in the Vietnam War, which Ursula fervently opposed, crystallized her thoughts on pacifism and systemic inequality. Much had shifted in the world—and in Ursula—from The World of Locanon (1966) to It Was Confiscated as she became ready to delve into alternatives to ongoing cycles of human injustice and brutality.

The New Scientist Book Club is currently reading Ursula K. Le Guin’s It Was Confiscated. Sign up and read with us here.

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Shroud Review: David Cronenberg’s New Sci-Fi Film is Both Heart-Wrenching and Enigmatic

Shroud’s Karsh (Vincent Cassel, left) and Molly (Guy Pearce)

Gravetech Productions Inc./SBS Productions

Shroud
David Cronenberg
Released in the UK and US

Myrna (Jennifer Dale) perhaps experienced a more favorable blind date. Her appetizer of edible flowers appear somber. The two tables are surrounded by an oddly shaped shroud of Vitrine covering the setting. After a brief conversation with her date, Karsh (Vincent Cassel), who owns the restaurant, it becomes evident that the environment is intricately linked to the cemetery in architectural, economic, and intellectual aspects.

This cemetery isn’t just a place; it includes gravestones equipped with screens. The deceased are enveloped in a technologically advanced, camera-laden shroud, allowing visitors to witness their loved ones from afar as they undergo life-changing events.

Over his five-decade career, David Cronenberg has perfected the craft of delivering narratives at an unconventional pace. On paper, as well as within the context of “Plesis,” his films might read as satire. Their whimsical nature is apparent, considering the characters’ last names—Karsh is “Relikh,” and Myrna is “Shovlin.” By treating this scenario earnestly, one can discern the potential for conversations with AI-created avatars of the deceased, engaging in various money-driven ventures alongside lists of “grief technology” startups.

Yet, Cronenberg seldom writes pure satire; he crafts narratives that resonate deeply with what we could genuinely experience.

Although Karsh’s date with Myrna is uneventful, he finds solace (and more) with Terry, a digital personification resembling his late wife, Becca. Diane Kruger portrays both the role and voice of the unreliable digital assistant, Honey, created by Terry’s ex-husband, Molly (played by the cunning Guy Pearce).

After many projects, it is evident that sorrow fuels the entirety of David Cronenberg’s artistic journey.

By night, Becca battles bone cancer, navigating her illness without arms. Are these nocturnal encounters mere reflections or figments of his imagination? Amidst everything, Karsh’s affections remain unwavering for his wife, raising the question: will he become more human? Or will they truly care for him?

Kirsh grapples with conflicting emotions—guilt, rage, and longing—as Becca might be deceiving him with her past professor and first love. Yet, these layers serve as mere facades, obscuring more significant, political conspiracies involving China, Russia, or Budapest. Meanwhile, Terry, who enjoys the unfolding drama, finds herself in the position of encouraging Kirsch’s obsessive behaviors.

Carolyn Zeyfman, Cronenberg’s spouse, passed away in 2017. Shroud emerges as a product of profound emotional sharing, delving into every stage of grief through an exceptional portrayal by Kassel—armed with unresolved, fantastical plot elements twisted by delusional technological visions. Is there a chance that China could exploit our physical forms for surveillance? Or did Morley code this metamorphosis?

Meanwhile, Shroud firmly establishes that sorrow remains the pivotal force driving Cronenberg’s cinematic catalog. It resembles a constructed film where characters articulate complex revelations to one another while maneuvering through intricate conspiracy theories, perpetually shrouded. Nothing significant evolves because, ultimately, we confront… death. It unfolds at a calm, steady pace, relentlessly.

This ranks among the catastrophic productions great directors occasionally create when they have nothing left to prove, and the only narrative to convey.

I would also recommend Simon’s works…

Asphyx
Peter Newbrook

The two Edwardian Tinkers (Robert Stephens and Robert Powell) attempt to invent a method for the Grim Reaper to freeze mid-strokes.

Ring
Nakata Fumi

No one consulted us about our desire to live. This thriller explores mortality through cursed videotapes that ensnare viewers within a week.

Simon Sings is a novelist and science writer. Follow him on X @simonings

The Arts and Science of Writing Science Fiction

Join us this weekend to explore new dimensions in science fiction writing, dedicated to crafting innovative worlds and artistic expressions.

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Source: www.newscientist.com

Five Years Later: How Have the Developers of the Sci-Fi Cult Classic Evolved?

Forest (Nick Offerman) is the CEO of Quantum Computing Firm Amaya

Album/Alamy

Developer
Alex Garland
FX Hulu, Disney+

March 2020 was an awkward period for many. This might explain why Developer, an eight-part sci-fi series by Alex Garland, premiered during a global lockdown and struggled to garner a wide audience; I, too, unfortunately, missed it.

There are various reasons I decided to catch up on it now: Garland’s works had lingered in my mind after enjoying 28 Days Later, and the darkly captivating worlds of Developer felt like a welcome escape from the heatwave. However, mainly, I was curious about how it had aged five years after its debut.

In Developer, Lily Chan (Sonoya Mizuno) works as an engineer for Amaya, a quantum computing firm based in San Francisco. Each day, she collaborates with her boyfriend and colleague Sergei (Karl Glassman), who is involved in Amaya’s AI division. After being invited to join the secretive Devs program, Sergei disappears nearly immediately, leaving Lily convinced that Amaya and the enigmatic Devs project played a role in his vanishing.

Everything in Developer feels cold yet beautiful. The score and sound design are haunting, punctuated by jolts of static and dialogue. The performances reflect this chill, particularly Mizuno’s compelling portrayal of Lily. Meanwhile, Allison Pill shines as Katie, a scientist at Amaya. The company’s campus is an ethereal setting of glass and refined concrete enveloped by pine trees and illuminated by glowing halos, all under the watchful gaze of a towering young girl statue.

The Devs compound feels like entering a Byzantine mosaic, transformed into a secular, three-dimensional space.

Yet, the stunning DEVS compound overshadows everything else; it feels like stepping into a Byzantine mosaic, now rendered secular and three-dimensional. This space serves as a meticulously organized sanctuary for clandestine research, immersed in lavish gold while floating within an electromagnetic field inside a Faraday cage.

The nature of this research prompts a profound shift that delves deep into human impulses, despite the risks of redefining humanity itself. Forest posits that the project is fundamentally tied to all that is valuable. It boldly explores the extent of incredible technological advancements that might arise—or be stunted—due to the personal philosophies of privileged figures like himself.

Watching Developer at its peak feels akin to being enveloped in a soothing sound bath, the slow reverberations drawing you in. At its least inspired, it can seem self-indulgent. Still, it offers an intellectual experience, addressing fascinating concepts such as the multiverse. However, Lily’s pursuit to unravel the truth about Sergei gets sidelined in favor of Amaya’s overarching mysteries, causing the series to spiral into self-importance.

In a twist of life’s quirks (light spoilers ahead), the show’s most insightful theme might revolve around the desire to revisit the past and what we gain or lose along the way. Interestingly, such reflections may prove more compelling than lofty visions about our technological future. I’m glad I finally watched Developer five years post-release; despite some indulgent tendencies, it left me with plenty to appreciate. Even if Forest and his counterparts might not find full success, Developer still resonates deeply with me.

I also recommend…

Ex Machina
Alex Garland

In Garland’s directorial debut, programmer Caleb (Domhnall Gleeson) is tasked by his boss with evaluating whether Ava, an artificial intelligence, possesses true sentience. The film delivers a chilling psychological exploration.

Never Let Me Go
Mark Romanek

This adaptation of Kazuo Ishiguro’s novel features a rare boarding school depicted through a haunting lens; it’s flawed yet captivating and definitely worth the watch.

Bethan Ackerley is a sub-editor at New Scientist, with a passion for science fiction, sitcoms, and the eerie. Follow her on Twitter at @inkerley

The Arts and Science of Writing Science Fiction

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Top Sci-Fi Books of 2025: Featuring Adrian Tchaikovsky and Martha Wells

Here and beyond, it takes 42 light years to reach the new planet

Gremlin/Getty Images

This year has been quite promising for science fiction. My top pick so far is Hal Lacroix’s Here and Beyond, especially as I’m captivated by the Ark storyline.

In “Take the Trope,” Lacroix depicts a spacecraft named Shing World en route to HD-40307G, a journey spanning 42 light-years. Consequently, none of the 600 passengers will live to see their destination; only the seventh generation will witness the creation of planets.

Strict regulations govern life aboard the ship. Passengers receive treatments to maintain health but cannot have children until reaching their 50s. Every aspect of their existence must align with the mission—reaching the planet—since no current resident will see it.

The Arkship narrative (or Generation Ship story) must navigate the challenge of switching between characters across generations. Fortunately, Lacroix excels at quickly establishing compelling characters. As generations pass, readers become experts in the history of Shipworld, enriching the unfolding drama. This dynamic allows us to witness the evolution of living history as it slips into the distant past for the inhabitants.

Interestingly, Lacroix sometimes sidesteps the most dramatic moments, opting instead for an understated approach. This artistic decision often leaves significant events in the shadows, such as a mysterious object that impacts the shipworld.

Personally, the ending didn’t resonate with me, but crafting a satisfying conclusion to a story spanning 360 years is no small task.

Fans of Alexander Skarsgård’s portrayal of Murder Bot on Apple TV+ might enjoy the original story. Thankfully, Martha Wells’s The Murderer’s Diary has been released in a three-volume Omnibus version earlier this year. (Interestingly, when I first read, I perceived Murderbot as female, a common assignment of gender among readers. Hence, I was surprised when Skarsgård was cast to voice “her.”)

Adrian Tchaikovsky has entered a particularly prolific phase, exploring non-human intelligence in his upcoming works. In February, he released Shroud, featuring a uniquely terrifying extraterrestrial life form. Last month, his third book, The Dog of War, titled Bee Speaker, was published. Though less recognized than his acclaimed series Children of Time, these stories delve into the capabilities of non-human animals.

It’s refreshing to see Tchaikovsky embracing creativity through his perspectives on animals. His journey began with Rex, a character that perplexingly balances being a devoted dog and a formidable seven-foot “bio-o-form” combatant.

This year has also introduced notable AI-themed novels. Laila Lalami’s deeply crafted dystopian work, Dream Hotel, and Grace Chan’s nuanced virtual reality narrative, All Versions of Yours, transport humans escaping climate disasters by uploading their consciousness into a digital paradise.

Meanwhile, Kaliane Bradley’s hit novel Time Saving was released in paperback in March, providing a delightful alternative for those who missed the hardcover edition. It’s an engaging read brimming with vibrant energy. Another standout from April was Roz Dineen’s beautifully written climate change narrative.

The second half of this year promises even more thought-provoking science fiction. I eagerly await sharing these discoveries with you.

Emily H. Wilson is the author of the Sumerian trilogy.

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Pragmata: A Unique Sci-Fi Game Making Its Comeback | Games

When Pragmata was unveiled five years ago, the specifics of what Resident Evil publisher Capcom was creating remained uncertain. The initial trailer presented an eerie, futuristic scene featuring an astronaut and a blonde girl, yet it offered little clarity on the game’s direction. The anticipated 2022 release slipped away, leading to a “pause indefinitely”, leaving many to wonder if Pragmata would actually launch in 2023.

Everything changed on June 4th, when a new trailer premiered during the PlayStation Showcase. The blonde girl is revealed to be a combat-ready android, teaming up with an astronaut named Hugh (naturally) amid an intense battle within a space station. The following weekend, I had the opportunity to play for about 20 minutes at the Summer Game Fest. Long, troubled development cycles are often a bad omen, yet my experience was surprisingly promising.

Pragmata opens with the astronaut Hugh Williams lying unconscious among metallic wreckage. A young girl dressed in an oversized blue jacket with long, flowing blonde hair (a peculiar choice, if I’m being honest) stumbles across Hugh while grappling with a large case nearby. After finally managing to topple it, she opens the case to reveal a device that emits the Lunafilament nanowave, which she uses to repair his suit.

We discover that they are located on a lunar space station, where a robotic security system mistakenly identifies Hugh as an intruder, leading to a confrontation. I was not prepared for how enjoyable the combat would be.

In Pragmata, the robotic enemies all possess robust shields, rendering Hugh’s arsenal (which can be expanded by locating various firearms in the environment) largely ineffective. Fortunately, the girl, now identified as Diana, has the ability to hack these foes, making them vulnerable—all while dodging attacks as she perches on Hugh’s shoulder.

To navigate the robots’ mainframe, you’ll need to use the face buttons on the controller to disarm their shields temporarily, reaching a green tile arranged in rows and columns. This must be done quickly, and while dodging their strikes, which often resulted in failed attempts and resets, creating a genuinely thrilling (and fun) battle scenario.

Hacking in Pragmata evokes the urgency of calling in a Stratagem in Helldivers 2, requiring swift yet deliberate button presses under intense pressure. Each gunfight becomes a moment of high tension: different robot types necessitate various hacking strategies, and they scatter in confusion once compromised. During my brief session with Pragmata, I encountered an array of opponents and weaponry.

Just as someone tapped me on the shoulder to signal the end of the demo, I found myself captivated by the combat (unfortunate timing just before the Big Boss showdown). Despite the protracted development period of over five years, the gameplay feels refreshingly new.

  • Pragmata is set to launch on Xbox, PlayStation, and PC in 2026.

Source: www.theguardian.com

Is Superintelligent AI Just Around the Corner or Merely a Sci-Fi Fantasy?

Could machines surpass human intelligence?

chan2545/istockphoto/getty images

Listening to the leaders of AI companies suggests that the coming decade will transform human history profoundly. We’re entering an era described as “radical abundance,” which presents an optimistic view reminiscent of groundbreaking advancements in high-energy physics and aspirations for space colonization. Yet, the experience of researchers working with today’s leading AI systems reveals a contrasting narrative. In practice, even the top-performing models struggle with basic tasks that most individuals find simple. So, who should we trust?

According to Sam Altman of OpenAI and Demis Hassabis of Google DeepMind, a transformative AI system is on the horizon. In Altman’s blog post, he predicts that the 2030s will usher in significant changes compared to prior decades, suggesting that breakthroughs in materials science might enable high-bandwidth brain-computer interfaces within just a year.

Hassabis also projects a fruitful decade ahead in an interview with Wired, claiming that artificial general intelligence (AGI) will tackle major challenges like the treatment of severe diseases, potentially leading to improved health and longevity. He confidently states, “If all this transpires…”

This ambitious outlook heavily relies on the premise that larger language models (LLMs) such as ChatGPT can effectively utilize more data and computing power. While this “scaling approach” has proven successful in recent years, signs have begun to signal a slowdown. For instance, OpenAI’s latest GPT-4.5 model demonstrated only modest gains over its predecessor, GPT-4, despite likely costing hundreds of millions to train. Such expenditures pale compared to future investments; Meta is poised to announce a $15 billion investment aimed at realizing “superintelligence.”

Yet, the sole approach to resolving these challenges isn’t merely financial. AI companies are shifting towards “inference” models like OpenAI’s O1, which was introduced last year. These models require more computational resources, taking longer to generate responses while processing their output iteratively, mimicking a human-like “thinking” process. Noam Brown from OpenAI cautioned about AI’s limitations, noting last year that both the O1 model and its iterations indicate that “scaling methods” can indeed progress.

Nevertheless, recent studies reveal that these inference models can falter even on straightforward logic challenges. Research conducted by Apple scientists found that AI models, including Deepseek’s inference model and Anthropic’s Claude Thinking model, encountered obstacles during basic tasks. The study highlighted that while the models demonstrated limitations in accurate computations, they frequently failed to apply explicit algorithms and reasoning consistently.

The researchers tested AI performance on various puzzles, including scenarios where individuals must transport items using the least number of moves, as well as the Tower of Hanoi challenge requiring sequential movement without placing larger discs atop smaller ones. Although the models could tackle simpler instances, they struggled as complexity increased. This research suggests that while more intricate problems may require longer contemplation from AI, the reduced number of “tokens” (information bundles) indicates that the apparent “thinking” time of the models may be deceptive.

“It’s concerning that these can be easily resolved,” remarked Artur Garcez from the University of London. “We mastered symbolic AI inference techniques for these tasks half a century ago.” Although enhancements and fixes could eventually enable these new systems to tackle complex problems, Garcez suggests that merely increasing the model size or computational capabilities is unlikely to be a panacea.

These models also illustrate their persistent difficulties in addressing scenarios they haven’t encountered in their training data, remarked Nicos Aletras from the University of Sheffield. “In practical terms, while they excel at information retrieval, summarization, and related tasks due to their training, they can come off as impressive without being truly adaptive,” Aletras concluded. “Apple’s research has undoubtedly highlighted a significant blind spot.”

Additionally, other research indicates that extending “thinking” duration could detrimentally affect AI model performance. Soumya Suvra Ghosal and colleagues at the University of Maryland analyzed Deepseek’s model and uncovered that prolonged “thinking chains” reduced accuracy in mathematical inference tests. In a mathematical benchmark, they found that tripling the number of tokens enhanced performance by around 5%, but using 10-15 times the tokens led to a decline of roughly 17% in scores.

In certain instances, the “chain of thought” generated by AI bears little relation to the eventual answer it provides. When testing Deepseek’s navigation abilities in a simple maze, Subbarao Kambhampati from Arizona State University discovered that even when the AI solved the issue, its “chain of thought” contained mistakes not reflected in its final answer. Moreover, presenting AI with an irrelevant “chain of thought” sometimes improved the accuracy of its responses.

“Our findings challenge the common belief that intermediate tokens or ‘thought strands’ provide a meaningful trace of internal inference in AI models,” Kambhampati stated.

All recent studies assert that the terms “thinking” and “inference” in relation to these AI models are misleading, according to Anna Rogers at the University of Copenhagen. “Many leading techniques I’ve encountered in this field have historically been accompanied by vague, cognitively-inspired analogies that ultimately proved incorrect.”

Andreas Vlachos from Cambridge University observed that while LLMs have distinct applications in text generation and other tasks, recent insights imply that Altman and Hassabis may face difficulties confronting the complex challenges they anticipate solving in the near future.

“There is an inherent conflict between their model training—predictions based on the forthcoming words—and our objectives, which involve generating true inferences,” Vlachos remarked.

On the other hand, OpenAI maintains a different stance. A spokesperson remarked, “Our research indicates that chain-like inference methodologies can significantly enhance performance on complex problems, and we are actively pursuing advancements in training, evaluation, and model design.” Deepseek has yet to comment on requests for input.

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Source: www.newscientist.com

Top New Sci-Fi Releases for June 2025: Exploring Taylor Jenkins Reid’s Alternate 1980s

June’s new science fiction features Megan E. O’Keefe’s Space Opera

Science Photo Library / Alamy Stock Photo

Are you a fan of dystopian worlds plagued by relentless viruses and advanced technology? If so, June has a lot in store for you. Expect narratives that range from infections inciting greed to nerve chips that eliminate sleep. Inga Simpson delivers a tale of environmental apocalypse in Thin, while EK Sathue offers a feminist body horror twist in a story reminiscent of American Psycho meets Material. Also on the menu is the intriguing new space opera by Megan E. O’Keefe titled Atmosphere.

Those crafty scientists are up to something again, developing a nerve chip designed to eliminate sleep. This chip soon becomes ubiquitous, leaving humanity in a state of sleep deprivation. Survivors in the Tower of London work tirelessly to find a cure… it’s a mix of eerie entertainment and genuine fright.

We’ve encountered plenty of apocalyptic viruses before. In this installment, a deadly virus leaves infected individuals “wild with desire.” Sophie, our protagonist, is a “good Catholic girl” who will stop at nothing to find her family. Originally published in the US, this novel hits the UK shelves this month.

Although not strictly science fiction, the upcoming book offers a unique perspective against the backdrop of the 1980s space shuttle program. Taylor Jenkins Reid, known for Daisy Jones & Six and Malibu Rising, introduces us to Professor Joe Goodwin, who begins training astronauts at the Johnson Space Center in Houston in 1980. Everything shifts with Mission STS-LR9 in December 1984…

Taylor Jenkins Reid’s Atmosphere is set during the 1980s space shuttle program

NG Images/Alamy

This standalone space opera features Faven Sythe on a quest to find her missing mentor. Sythe, a “Crystbon,” charts stellar routes across the galaxy. The only individual who stands a chance of aiding her is the enigmatic pirate Amandine, and together they uncover a conspiracy that spans the galaxy.

Finn lives in a secluded area with his mother, Dianera, always ready to escape. The environment beyond their sanctuary is deteriorating, and as extinction looms, Finn must join forces with an unlikely ally—an evolved human—on a mission to restore the balance of nature.

As a virus decimates half of China’s population and heads towards the UK, the government resorts to distributing “pills of dignity.” Meanwhile, Hart Ikeda discovers a method to mutate the virus, reprogramming it to foster compassion in its hosts. Will this be the salvation needed?

Pitched as American Psycho meets Material, this body horror narrative follows a young woman who starts working for the upscale skincare brand Hebe. As Sofia quickly learns, all is not as it seems; the Youth Juice moisturizer she tests could come with costs she never anticipated. How far is she willing to go to preserve her youth?

This compelling tale unfolds as scientists, facing humanity’s potential extinction, utilize technology intended for interstellar exploration to send someone 10,000 years into Earth’s future. Microbiologist Nicholas Hindman finds himself navigating an uncharted wilderness, searching for the remnants of humanity amidst a devastating pandemic in 2068.

Enca and Mathilde bond as art school friends, but when Mathilde’s rise to fame threatens their relationship, Enca becomes desperate to maintain their connection. Will the cutting-edge technology known as scaffolding—allowing Enca to live within Mathilde’s mind—forge a stronger bond, or will it complicate their lives?

Beginning in present-day India and moving into a near future, this story centers around a populist movement that rejuvenates the ancient Saraswati River. Though it’s labeled “not exactly science fiction,” it contains “strong speculative elements deeply rooted in contemporary politics.” Compared to the works of David Mitchell, Zadie Smith, and Eleanor Catton, it’s certainly worth exploring.

Set in a near-future London where technology intertwines with everything from physical health to political dynamics, journalist Pers Budmouth seeks to uncover the truth behind the mysterious disappearance of young black children. Instead, her assignment takes her to cover protests in Benin, where tourists participate in sacred rituals. When she partakes in the Spirit Vine—an ingredient often found in ayahuasca—she uncovers a destiny that could change everything. This story is a must-read for fans of NK Jemisin’s Supacell.

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Source: www.newscientist.com

Larry Niven’s Ringworld: Our Take on the Sci-Fi Classic – Impressive Math but Disappointing Teela

Book Club shares their thoughts on Larry Niven’s Ringworld

Eugene Powers/Alamy

Experiencing the vibrant world created by Michel Nieva in his dystopian vision was something special—even more so while exploring Larry Niven’s classic science fiction work, Ringworld. Initially published in 1970, it reflects the hallmark traits of that era’s science fiction writing. While not a negative experience, it certainly offers a jarring shift for the New Scientist Book Club. Revisiting Ringworld as an adult from my teenage years prompted me to reflect on how it held up over time.

It’s important to note that much of what I cherished from Ringworld remains intact. The novel still evokes a sense of wonder, showcasing the depth of imagination, the expansive scale of its universe, and the cosmic distances it portrays. I fondly remember our protagonist, Louis Wu, at the brink of a distant planet, captivated by the Longfall River cascading into the highest waterfall in known space. His gaze followed it through the foggy mist, enthralled by the allure of the unknown.

Its grand scope is a significant aspect of why science fiction resonates with me. What insights can one gain, and what remains uncharted? The haunting imagery of razor-sharp sunflowers on Ringworld—the crew’s exploration of its vastness—created indelible impressions. Ringworld encapsulates that sense of wonder perfectly with lines like, “Men can lose their souls among the white stars… They call it A distant look. It’s perilous.”

Furthermore, I appreciated Niven’s ability to weave historical breadcrumbs into the narrative, referring to influential figures like Freeman Dyson, who inspired the concept of the Dyson sphere, as “one of the ancient natural philosophers, predating even the atomic age.” Such details are enjoyable nuggets to uncover. Additionally, Niven’s portrayal of aliens—from speakers to creatures—brilliantly evokes their essence through clever naming and design, particularly the inspiring vision of the speaker as a colossal version of our domestic cat.

As I previously mentioned, the prose does feel distinctly rooted in its time—somehow dated—with sexist undertones amidst the engaging scientific elements and intricate mathematics. The characters tend to lack depth; Louis Wu, for instance, can be quite off-putting, while Teela, our sole female character, deserves more agency. The narrative often drifts rather than following a tightly plotted journey, with characters simply moving from one event to the next without clear direction.

Intense discussions have emerged within our Facebook group, with many sharing similar sentiments. “I found enjoyment, yet felt distracted by the slow progression and the scientific facets overshadowed by the pervasive sexism,” remarked Eliza Rose, who likened it to early spy films where attractive women exist merely as accessories to the male protagonists.

Alain Pellett expressed distinct discomfort regarding Louis Wu’s treatment of women, noting that his interactions come off as unsettlingly superficial.

Gosia Furmanik, who grew up during Niven’s era, pointed out the challenge faced by non-male authors in finding supportive literary spaces. She stated, “Returning to science fiction after discovering works by authors beyond this genre’s prevalent pitfalls has been crucial,” reflecting on Ringworld in her review.

Undoubtedly, the arc of Teela’s character drew significant criticism from many readers. “I was frustrated with the conclusion of Teela’s storyline, which suggested women can only achieve significance through male figures,” wrote Samatha Lane.

Samantha also addressed a pivotal critique regarding the notion that “human males stand as the most astute beings in the universe.” This hubris roots itself in traditional humanism, positioning humanity at the center of all. This echoes the ongoing narrative surrounding our historical conquests in space—just a year after landing on the moon.

On a positive note, Niall Leighton spoke highly of the sheer scale of the novel, noting it hasn’t aged as poorly as some science fiction from that time.

Some readers appreciated Niven’s rigorous incorporation of mathematics into the narrative, stating it added an enjoyable layer to the experience. Linda Jones noted, “It has certainly enriched my enjoyment,” whereas Darren Rumbold found Klemperer Rosettes “particularly appealing.” However, not all shared this enthusiasm, as Phil Gersky commented, “I was eager to delve into this classic sci-fi novel. Unfortunately, the technobabble often marred my experience.”

Ultimately, I believe our Book Club’s exploration of this science fiction classic serves as a fascinating exercise capable of resonating with modern readers. I’m contemplating a journey into another classic soon, with suggestions pouring in from members eager to explore works by Ursula K. Le Guin, NK Jemisin, and Joan D. Vinge.

Next, we’re diving into a more contemporary read: Karian Bradley’s bestselling time travel novel, Time Saving. Yes, it features a female lead, and indeed, it passes the Bechdel Test. You can visit Karian’s site to read more about her novel and explore the intriguing opener. Join us for the discussion and share your thoughts over at our Facebook page.

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Source: www.newscientist.com

The Top New Sci-Fi of May 2025 Includes an Uplifting Dining Tale by Gracechan

Bora Chong’s Red Sword is set on a planet of conflict

Liu Zishan/Shutterstock

Although there are no blockbuster science fiction releases for May, several remarkable titles stand out. All Versions of Yours is a book I want everyone to read. This month also features two intriguing sci-fi thrillers by Adam Oevani and Burnaby Martin, but it’s Catherine Chidsey’s eerie Guilt that has captivated me enough to consider it my next read—unless I get sidetracked by a narrative of warfare on an alien planet inspired by the true history of Boracheon, Red Sword.

Set in Australia during the late 21st century, this novel (originally released in Australia in 2022 but now gaining broader distribution) tells the tale of Taoi, who lives in a world where most people immerse themselves in a virtual reality called Gaia. Each day, she enters Gaia from her apartment pod to work. The real world is a grim place riddled with relentless heat, devoid of trees and wildlife. This chilling future vision prompts her partner Navin to consider uploading himself to Gaia permanently, seeking an escape as his physical body deteriorates. Taoi, however, is conflicted. This is currently my favorite read—an engaging, thought-provoking sci-fi narrative that lingers in my mind. Watch out, New Scientist Book Club: this might be a selection for us later this year!

I enjoy speculative thrillers, and this one examines the scars left by the Atlantic slave trade. The story kicks off with an unexplainable death – a man found 1600 km from any ocean, while his son appears to have drowned. Detective Ethan Kroll delves into the mystery, uncovering details about Abi Eniola, who claims to be an ordinary Nigerian woman, although her extraordinary skills and high-tech tools suggest otherwise.

On the disputed planet, women are compelled to battle for POWs, revealing a “truly alien landscape” that exposes scientific hatred and the truth about her identity and her fellow captives. Bora Chong draws upon real history to create this narrative, particularly the Korean soldiers who fought for the Qing Dynasty against Russia. It seems like a must-read!

Requiem unfolds in a moon-sized graveyard in space

Luca Oleastri/Alamy

Another riveting sci-fi horror piece comes from former president of the Association of Horror Writers, John Parisano. Set within the lunar cemetery of Eden, this story follows entities in the universe reclaiming the souls of the deceased. A spirit named Roland must fight to protect what he loves as their souls are threatened.

I’m also intrigued by never let me go, which reimagines England in 1979, where triplets Vincent, Lawrence, and William reside in a government-run facility known as the Sycamore scheme. They are monitored by three figures: morning, afternoon, and night mothers, recording their every move and keeping meticulous notes of their dreams and sins. As the government begins shutting down these homes, the children start to realize their lives might differ drastically from what they’ve been led to believe. I can’t wait to uncover the mystery of this tale.

This upcoming novel is being labeled speculative fiction, suggesting it isn’t traditional fantasy or science fiction, but it definitely piques my interest. The story revolves around Lina and her father arriving at a peculiar seaside building with a “time-made” design that symbolizes a clash between past and future. There, they meet an excommunicated 17th-century Jewish scholar and poets from the Tang Dynasty. What brings Lina and her father to this location?

As a reader, I’m often drawn to narratives focusing on mothers trying to protect their children in perilous futures. This one involves a world of extreme heat, forcing people to live nocturnally, with a mysterious sound field that has loomed for two decades. Scientist Hanna, once affiliated with Soundfield, must now safeguard her gifted son, Isaac.

In a grim future filled with raging wildfires, Iris, a hotelier in the German spa town of Badheim, believes the arrival of a young mother and daughter guests poses a significant threat.

I find the pitch for one novel appealing: “Boy Meets Girl Meets AI Therapist.” Adrian begins using Sike, an AI psychotherapy app designed to monitor users’ emotions and behaviors for optimal mental well-being. He becomes entangled with venture capitalist Maquie, keen on the next tech breakthrough, but she refuses to engage with Sike.

There’s nothing better than a good alien insect…

Victor Zastolskiy/Alamy

Jeff’s ordinary existence is upended when he encounters “a pale woman”; suddenly, he finds himself as a mercenary battling alien insects on the front lines. This intriguing premise is from the publisher of Joe Haldeman’s military sci-fi novel, Eternal War—a title I’m eager to explore, especially given my fascination with alien insects.

The Art and Science of Writing Science Fiction

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April 2025’s Top Sci-Fi Pick: Sayaka Murata’s Intriguing New Novel

April is watching the release of a new space opera trilogy from Neil Usher

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When the sun comes out, it’s almost warm to read outside here in northeast London. So it’s time to take out the best new science fiction and find a protected place. Whether it’s aging or artificial intelligence, I love the way this genre continues to tackle today’s biggest issues. At the top of my mountain, Lucy Lapinska sees how robots deal with being freed from human governance, and while Nick Halcaway’s latest latest (at a huge price) is looking forward to the set in a world where you stop aging, it will also make you grow very big. And I would like to try Sayaka Murata’s vision of a strange and disturbing future, The world that disappears.

Our Science Fiction Hub is where you can read all the roundups, reviews and interviews with leading science fiction writers.

New novels with interesting sounds from bestselling authors Convenience store woman. Amane lives in a society where children are pregnant through artificial insemination and are raised by parents in a “clean” sexually unsexual marriage. When she and her husband heard about an experimental town where residents are randomly chosen to be artificially inseminated and children are raised collectively and anonymously, they decide to try and live there.

We loved Nick Halcaway’s first titanium noir novel here New ScientistThe world is set in which Megarich can take anti-aging medications, but grow them into a giant, Titanic-proportion. This latest in Halcaway, fresh from continuing his father’s John Le Carré legacy Carla’s Choicehe tells the story of a detective and Titan Cal investigating the murder of a young woman in a devastated holiday town.

This is the first in a new cosmic opera trilogy from Usher, following the story of Captain Bright, who is continuing to kill someone. The mysterious black diamonds left behind him by the “dark AI” keep him alive, but each attempt in his life creates a temporary anomaly. Bright is trying to reveal the true nature of dark diamonds…

For Jamie Pike, Fair Harbor is a city stuck in eternal winter. In the case of Esther Pike, it is stuck in a constant summer. In both versions, intense forces were controlled after the cataclysm and fell apart into a once united city. Jamie and Esther have found a way to communicate across a broken world, but can they solve the mystery that split Fair Harbor?

Highly praised by our sci-fi columnist Emily H. Wilson, this follows the story of Abigail, a robot set during the final days of humanity and embedded in the image of David’s late wife. However, the law is about to change, and soon Abigail can go where she likes and do what she wants. Recently, there have been many interesting and fictional take on robot ethics and freedom, and I am keen to read this “robot liberation” story.

Abigail is a robot about to be released in Lucy Lapinska’s novel

Getty Images/Istockphoto

For me, time travel counts as sci-fi, so I plan to relax in this time travel romance where student Joe dreams of a future where he becomes a famous writer. Meanwhile, ESI (People from the Future) heads out on a time-travel tour to witness the biggest moments in history, including Joe Falls for Diana, the subject of his famous love poem. However (of course!) Fate is disappointed by the arrival of ESI, and she and Joe begin to fall for each other instead…

In this speculative thriller, injections were invented to slow aging. Of course, the super-rich people are ruining things and getting upgrades that further expand human lives. As dangerous side effects of vaccines appear and planets are under threat, populations are skyrocketing…

This sounds like a fun thought experiment. Humanity has dipped to the height of the Handspan, not only has its world a place full of danger, but it has also brought richness. Giles awakens with his new body on a remote coastal road and sets out on a quest to find his loved one.

Ray Naylor is an incredible writer – I loved his previous novels, Sea mountainsand he wrote an article with great comments for me. New Scientist The government argues that speculative fiction should be used to predict the future. In this latest in a horrifying sound, the President of the Authoritarian Federation maintains a grip of power by downloading his mind to a series of new organisations, while Western Europe is plump for AI-driven prime ministers rather than human governance. However, the artificial mind is malfunctioning and disaster is looming.

This story, countering East London’s swamp, is a story that is left out of the corrupt government and is left out of the outsider, and a climate-stricken city goes back three centuries, moving from the next 100 years to save her present.

Arts and Sciences in Writing Science Fiction Courses: England

Explore the world of science fiction and learn how to create your own fascinating science fiction stories in this immersive weekend break. Hosted by New Scientist Comments and Culture Editor Alison Flood, along with author and former new scientist editor Emily H. Wilson.

Source: www.newscientist.com