TikTok: Transforming the Way We Experience Musicals with Innovative Storytelling

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Jorge Rivera Herrans unveils some aspects of the Epic: Musical. Last Christmas, he managed to dethrone Taylor Swift from the number one spot on the US iTunes album chart. The stakes are high as the final installment of his musical rendition of the Odyssey is set to release on Christmas Day.

Rivera Herrans’ project has already seen remarkable success, boasting 1.6 million monthly listeners on Spotify, surpassing industry stalwarts like Morrissey, Liam Gallagher, and the Sex Pistols. In the last 28 days alone on the platform, he garnered 119 million views.

“I craved sword fights, the sea, gods, monsters, spells, love, lust, and revenge,” he expressed to the observer. “I want people to experience wonder and feel like kids again when they engage with it.”

Amazing is not just a musical but a 40-song concept album where Rivera Herrans takes on the role of Odysseus during his decade-long journey back to Ithaca post-Troy’s siege, with each step portrayed on TikTok.

Amazing caters to the fascinations of teen pioneers of Generation Alpha, blending Greek mythology and fan interaction.

Rivera-Herrans initiated the writing and recording process in his bedroom studio, later constructing a soundproof vocal booth with his father. While most artists guard their creative processes zealously, Rivera-Herrans takes the opposite approach, openly sharing everything from song motifs to orchestration choices and audition procedures.

“It was daunting initially,” he confessed. “The first time I shared a video on TikTok, I was so nervous that sleep eluded me that night. However, it turned out to be one of the best decisions I’ve made. Sharing the process online is fantastic because it’s a collective adventure. We can witness real-time feedback on what works and what doesn’t.”

The debut song was a solo effort, but Rivera Herrans later held auditions on TikTok, where interested candidates showcased their singing talents. “We were anticipating around 30 auditions initially, but by month’s end, we had received 1,000 video submissions,” he revealed.




Jorge Rivera-Herrans, the mastermind behind Epic: The Musical. “I craved sword fights, the sea, gods, monsters, spells, love, lust, and revenge,” he remarked.

Enthusiasts also have the opportunity to animate and breathe life into their interpretations of Amazing‘s songs, a prospect that Rivera Herrans relishes. “If I subtly hint at forthcoming events in earlier songs and embed numerous clues through musical motifs, will the audience catch on? When they do, it’s immensely gratifying.”

One of the most enigmatic leitmotifs fans have deciphered is a trumpet melody signifying Poseidon’s involvement in the storm that detained Odysseus and his crew at sea for years, without any deity visibly intervening. The theme resurfaces later, sung by a god.

“It’s truly astonishing how fans pieced this together,” Rivera Herrans stated. “We’re devising captivating storytelling techniques along the way. It’s truly invigorating.”

Claire Chandler, a senior lecturer in musical theater at the University of Lincoln’s School of Creative Arts, noted that fan engagement with musical theater has surged since composers began showcasing their work on YouTube circa 2015.




Jorge Rivera-Herrans: playwright, composer, lyricist, actor.

The pandemic has fostered the emergence of two other TikTok musicals. Firstly, Remy’s Delicious Restaurant originated from the online meme culture that sprouted around Pixar movies. Various TikTok users crafted songs, ultimately leading to a Broadway performance of Ratatouille for a charitable event.

Then Abigail Barlow and Emily Bear crafted an unofficial bridgerton musical after Barlow shared a snippet of her singing the piece. While they secured a Grammy for Best Musical Theater Album, they faced a lawsuit from Netflix for their attempts to stage the show.

Fans of Amazing inquire about the possibility of a stage adaptation.

Following the conclusion of the narrative on Christmas Day, they might receive an answer when Odysseus finally reaches Ithaca. Rivera Herrans and his team are in discussions with a “prestigious company” to produce an animated film and another entity for a live-action stage presentation. Three video games are in the works, with two already in development. The team acknowledges fans’ eagerness to participate in bringing these projects to fruition.

“What’s the next iteration of Amazing? What have we bequeathed to the world? I am receptive to all possibilities since each rendition can illuminate a distinct facet of the story,” Rivera-Herrans affirmed.

Source: www.theguardian.com

Oldest Evidence of Storytelling in Art Found in 51,200-Year-Old Indonesian Cave Paintings

Archaeologists used a new technique called Laser Ablation U-series (LA-U-series) to re-date some of the oldest cave paintings in the Maros-Pangkep region of South Sulawesi and date stylistically similar motifs at other Maros-Pangkep sites. They found a minimum age of 50,200 years ago (± 2,200 years) for a hunting scene from the Leambur Sipong 4 cave site, first dated to a minimum of 43,900 years ago using a previous approach, meaning it is at least 4,040 years older than previously thought. They also assigned a minimum age of 53,500 years ago (± 2,300 years) to the newly described Leang Karampuang cave painting. Painted at least 51,200 years ago, the narrative work depicts human-like figures interacting with pigs and is now known as the world's oldest surviving example of figurative art and visual storytelling.

A 51,200-year-old mural from Leang Karampuan. Image courtesy of Griffith University.

Prehistoric rock art provides important insights into past human cultures, but is typically difficult to date in an accurate and reliable way.

Over the past few decades, solution-based U-series methods have been used to determine early dates for rock art in several regions, including Western Europe, island Southeast Asia, and Siberia.

In Spain, a handprint stencil was dated to at least 64,800 years ago by solution U-series analysis of the overlying calcite and attributed to Neanderthals.

Until now, the oldest evidence of representational art is a naturalistic painting of a warthog at Reang Tedonggae in Maros-Pangkep, Sulawesi, which was dated to at least 45,500 years ago using the solution U series.

“We have previously used uranium-series methods to date very ancient rock art in two areas of Indonesia, Sulawesi and Borneo, but our new laser ablation U-series (LA-U-series) technique is more accurate,” said Professor Maxim Aubert from Griffith University, lead author of the study.

“This will allow us to date the oldest calcium carbonate layers that formed in the murals and get a more accurate idea of when the murals were created. This will revolutionize the dating of murals.”

“The innovative technique we developed allows us to create a detailed 'map' of the calcium carbonate layers,” added study co-author Professor Renaud-Joannes Boyau from Southern Cross University.

“This feature makes it possible to precisely identify and avoid areas affected by natural diagenesis resulting from complex growth histories.”

“As a result, dating of rock art becomes more certain and reliable.”

The discovery that the Leang Karampuang paintings are at least 51,200 years old has important implications for understanding the origins of early art.

“Our results are very surprising. Apart from some controversial finds in Spain, none of the famous Ice Age rock arts in Europe are this old. This is the first time that Indonesian rock art has been dated to more than 50,000 years,” said the study's lead author Adi Agus Octaviana, a rock art expert at Jakarta's National Research and Innovation Agency and a doctoral student at Griffith University.

The scientists also used the LA-U series technique to re-date calcium carbonate deposits that lie above cave paintings at the Leang Bru Sipon 4 cave site.

The paintings, which consist of narrative “scenes” depicting figures interpreted as therianthropes (half-human, half-animal) hunting warthogs and dwarf buffalo, were estimated by the team to be at least 43,900 years old.

Using new techniques, the authors prove that the artwork dates to a minimum of about 48,000 years ago, making it 4,040 years older than present.

“The cave paintings at Leang Karampuang and Leang Bul Siphon 4 shed new light on a great period and the vital role of storytelling in art history,” said Professor Adam Blum of Griffith University, co-author of the study.

“It is remarkable that the oldest cave paintings found so far in Sulawesi consist of recognizable scenes – pictures of humans interacting with animals – and we can infer that the artists were trying to tell some kind of story.”

“This was a new discovery because the academic consensus on early figurative cave art was that it consisted of panels with single figures, no clearly defined scenes, and that pictorial representations that conveyed a narrative emerged much later in European art.”

This discovery suggests that narrative storytelling has been an important part of human artistic culture in Indonesia from very early times.

“Humans have probably been telling stories for much longer than 51,200 years, but because words don't fossilize we have to rely on indirect evidence like depicted scenes in artwork, and the Sulawesi artworks are the oldest such evidence known to archaeology so far,” Octaviana said.

of Investigation result Published in a journal Nature.

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AA Octaviana and othersl. The story of Indonesian cave paintings from 51,200 years ago. NaturePublished online July 3, 2024; doi: 10.1038/s41586-024-07541-7

Source: www.sci.news