One weekend, I observed one of my family’s cats, a Byronic fellow named Solomon, playfully swat his sister, regurgitate on her bed linens right before my father, who loves birds, and finish off her gold crest. Yet we couldn’t hold it against Solomon. After all, I harbor no ill feelings toward him or his sister. This paradox defines the experience of cat enthusiasts.
The domesticated house cat (Felice Catus) stands as one of the world’s favorite pets. However, there remains uncertainty over whether they can genuinely be classified as domesticated and why anyone sought to do so in the first place. How did we come to cherish them in their various forms, particularly given that numerous species throughout history counted humans as prey?
In his book, archaeologist Jerry D. Moore delves into the origins of that inquiry, Cat tales: history. More noteworthy than its subtitle “History” is the cover’s text: “How we learned to coexist with them.” It’s ambiguous whether this reflects a human viewpoint or a disgruntled feline’s perspective. Regardless, this book is more about our evolving bonds with cats than a mere study of the creatures themselves.
The narrative of cat domestication narrates how, once humans formed settlements and began hoarding grain, rats descended to feast on their hard-won resources, leading them to the African wildcat (Felice Ribica). Thus, a mutually beneficial arrangement formed: humans stored the grain, and the cats enjoyed a free meal.
Yet, the reality is more nuanced, according to Moore. Domestication, typically involving breeding for specific traits, has only become prevalent with cats in the last century, as humans have aimed for particular appearances and unique characteristics. The humorous notion about cats comes to mind, but another frequent catalyst for domestication is herding.
Moore posits that understanding commensalism offers valuable insight into our bond with cats. Nevertheless, cats can exhibit fickle and aloof behavior, and mice often outmaneuver other species, such as terrier dogs. Cats seem to have confidently established themselves within human homes, suggesting an admirable sense of self-assurance. In essence, they have self-domesticated.
Moore effectively links the depictions of big cats in ancient cave art to their visibility in contemporary conservation campaigns. A 2018 study revealed that big cats consistently rank as among the most charismatic animals.
He also positions cats among history’s elite seafarers, traversing trade routes to Asia and the Mediterranean alongside African and Arab navigators. Their later journeys aboard European colonial vessels wreaked havoc in regions like Australia and New Zealand, where local fauna fell victim to feral cats.
While Moore’s writing occasionally flows gracefully, there are also meandering sections that detract from the book’s overall impact. A notable instance involves an early discussion on 20th-century human tool use. Initially puzzling, he later contends that portraying ancient humans as adept hunters minimizes the influence of ancient cats—the primary predators of our ancestors who shaped our physiology and cognition.
Moore indicates that the dynamics between cats and humans may have been more varied than those with other animals. “Cats have existed as agents of fear, subjects of veneration, deities in religious rites, and have been brutally exploited for amusement.”
For me, Cat tales may not present a wealth of groundbreaking information, but it serves as an excellent collection of archaeological insights paired with stunning photography. Even if our understanding of cats remains shrouded in some mystery after reading this book, perhaps that’s exactly how they prefer it.
Once upon a time, a strong and attractive hero lost one or both of his parents. He then overcomes a series of obstacles and faces off against a monster that terrorized his community. The hero defeated the monsters and was celebrated.
If this story sounds familiar, it’s because it’s a path traveled by Superman, Harry Potter, Luke Skywalker, and countless other fictional heroes dating back centuries. Its enduring appeal has been baffling researchers for almost a long time. However, in recent years, storytelling research has been energized as linguists, psychologists and cultural evolutionary experts have begun to investigate subjects using myths and large private databases, powerful algorithms and evolutionary mindsets. We have finally begun to connect answers to key questions, such as why we make a good story, why there are more permanent than others, and how we can trace the roots of the most popular, and how stories can pass through time and space.
It’s an epic quest, but there has never been a better time to take on it. Unlike his brother Grimm and other early folktales collectors, modern surveyors of storytelling don’t need to do any painstaking fieldwork. They don’t even have to stray from computer screens and diagram the emergence and evolution of stories. “Social media is an almost natural experiment in storytelling, and we do our collections through that platform,” says Timothy Tangerini, folklore player and ethnic editor at the University of California, Berkeley. Furthermore, this new scientific approach can illuminate some phenomena that look like modern times…
IIf there’s one thing you should know about me, it’s that I’m really into drugs. I read Empire of Pain by Patrick Raddon Keefe earlier this year, which has long been on my “to-read” pile, and found its story of the rise and growth of the Sackler drug dynasty to be truly horrifying (although isn’t artist turned oxycodone campaigner Nan Goldin a total hero?).
Naturally, I script This week, I’m writing about the new Atlantic miniseries, Brain Drugs and the Stories to Tell Them. It’s sensitively done, but all of this stuff is scary. The story of two brothers who are treated for the same heroin addiction but end up living very different lives will stay with me for a while. As with Dan Taberski’s recent series, Hystericalis about a group of girls who simultaneously develop a Tourette’s syndrome-like condition, but while it features real people battling an incredibly difficult illness, we’re also never far from bigger questions about how we think about mental health and the self.
Read on for this week’s picks, from con man dads to gritty Paralympic shows, plus five podcasts we recommend for fans of classic film, from old Hollywood hits to the history of Hammer horror.
Hannah J. Davis Newsletter Deputy Editor
This week’s picks
Michael Jordan and Gary Binder. Photo: Public Relations
#1 Dad Widely available, all episodes available now Comedian Gary Vidor hasn’t spoken to his con man father in 24 years. As a child, his dad made him pose as a young journalist to sneak into Michael Jordan’s locker room (above) and help him photocopy dollar bills to earn money for his school lunches. In this wild journey, Gary tries to track down his dad, find out if he’s still the same fake accent, court-waging man he always was, and hope it doesn’t tear his family apart.Alexi Duggins
Fraud Clinic Widely available, with weekly episodes Nick Stapleton, presenter of BBC One’s Bafta award-winning show Scam Interceptors, tries his hand at helping members of the public in this investigative show. The opening double feature features a startling interview with the man alleged to be the mastermind behind a £100,000 theft, and he’s just so keen to have a fun conversation about podcasting equipment that it’s mind-blowing to listen to. advertisement
Head Number 7 Widely available, with weekly episodes You’d think that if you were to donate your body for scientific research, Harvard Medical School would manage it. So when families found out that parts of their loved ones’ bodies had been sold and misplaced, it became a horrific scandal. Now, DNA expert Dr. Tuli King is asking where the bodies went, starting with the NYPD officer’s noticeably large head. Hannah Verdier
Don’t drink milk Widely available, with weekly episodes Sex, drugs and turf are promised in the second series of this series which explores the unexpected backstories of familiar things. Reality TV and the missionary position will make an appearance, but first Rachel Stewart heads to Scotland to put an entertaining spin on witch hunting and investigate the history of misogynistic medieval conspiracies. HV
Rising Phoenix: What does it take? Widely available, with weekly episodes It’s a cliché to say anything Paralympic-related is inspiring, but this podcast, full of courage and humour, is just that: armless archer Matt Stutzman and fellow medallist Michael Johnson interview athletes including Kadeena Cox, who talks about her determination to return to sport after suffering a stroke and being diagnosed with multiple sclerosis at age 23. HV
There is a podcast
Marilyn Monroe in Some Like It Hot, explored in detail on the Unspooled podcast. Photo: United Artists/All Star
this week, Graham Virtue Pick the top 5 A podcast for classic film fansFrom highlights of the Hammer Horror catalogue to series re-evaluating films like Some Like It Hot.
Keep this in mind Meticulously written and narrated by film historian Karina Longworth, recent seasons of this riveting show charted the rise and fall of the erotic thriller of the 1980s and 1990s. But YMRT became an early big hit with Longworth’s immersive dive into Hollywood’s Golden Age, unravelling rumors surrounding doomed starlets and spotlighting the sins of amoral moguls. To mark its 10th anniversary earlier this year, the “lost” first episode, long in limbo due to music licensing issues, was remastered and re-released. An insightful profile of Vertigo star Kim Novak will have you revisiting her lavish 200-plus-movie back catalogue. Hammer House Most profiles of the British film studio Hammer focus on its golden age of illuminating, badly received horror films from the mid-1950s through the 1970s. But the biweekly podcast The House of Hammer has been patiently working its way through the studio’s filmography chronologically since 1934, applying detailed context and affectionate irony to forgotten films like the nylon-smuggling crime drama River Patrol (1948). Between hosts Sev Moore, Ben Taylorson, Adam Roche, and a first-person voice, Smokey, the overall atmosphere is laid-back and welcoming. But things have certainly heated up over the past year, as the show has tackled such foundational Hammer texts as The Quatermass Experiment (1955), The Curse of Frankenstein (1957), and Christopher Lee’s immortal Dracula (1958).
Rewound Are there any so-called classic films that should be left out? When the slickly produced Unspooled first launched in 2018, film critic Amy Nicholson and actor/writer/comedian Paul Scheer aimed to take a fresh look at the prestigious Motion Picture Association of America’s 2007 Top 100 Movies list. Two years later, the affable but studious hosts have removed 60 titles from the original ranking and added new ones in an attempt to formulate a more representative selection of films (intended to be launched into space to educate and entertain passing aliens). But it’s worth scrolling through Unspooled’s extensive list of episodes, all the way back to the early days when the pair debated the value of hallowed titles like Ben-Hur, The African Queen, and Some Like It Hot.
movie theatre Consciously or not, many podcasts about classic movies try to evoke the decadent cocktail-and-cigarette spirit of Old Hollywood, often using seductive sound mixes to help you forget the decades that have passed. The Movie Palace is more down to earth, but what it lacks in sonic flourishes it more than makes up for in thoughtful discussion. In each episode, Dr. Carl Sweeney invites a knowledgeable guest to discuss a notable film, from influential noir to fraught westerns. The result is a concise, accessible primer on classic cinema. Hitchcock appears repeatedly throughout the show’s 130-plus episodes, particularly in a comprehensive eight-part miniseries analyzing Psycho.
The conspiracy deepens Not all film podcasts have a direct connection to Hollywood’s Golden Age, but US network Turner Classic Movies’ The Plot Six is hosted by Ben Mankiewicz, the grandson of Citizen Kane screenwriter Herman Mankiewicz, the subject of David Fincher’s 2020 biopic Mank. Previous seasons of The Plot Six have delved into the careers of Peter Bogdanovich (a director obsessed with Hollywood’s past) and righteous blaxploitation powerhouse Pam Grier. But the current episode, Unlocking the Mystery of John Ford, seeks to assess the notoriously difficult but Oscar-winning king of 20th-century filmmaking, with the help of previously unreleased interviews with co-stars such as John Wayne, Henry Fonda and Jimmy Stewart.
Give it a try…
after schoolOur newsletter for the general public, Decoding Gen Z, “ ,” will be delivered in podcast form.
Frank Skinner and Faye Ripley star in Radio 4 workplace comedy Good People.
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