sDevelopment cost. A long-term production cycle. Careful C-sweets that are trying to provide shareholders with reliable returns: For many reasons, big-budget video games lack original programming. Already this year we have seen the arrival of the 7th Mainline Civilization Game, the 14th entry in the Assassin’s Creed franchise, and the 27th Monster Hunter title of all the brain melting. But let’s take a look. This is a magical, authentic story with moody, hurricane-difficult imagination in America’s Deep South.

Midnight South gives a wonderfully atmospheric first impression. BL links with dim wind. It rains on the tin roof. The world is rendered in the creepy, bent details of Tim Burton’s films. Within minutes, the home of high school athlete Hazel and her mother, a social worker, are transported along the flooded river. Play as Hazel, you chase and run the boundaries with whimsical teenage wanderings across different platforms until the storms are harmonious. Then there are miles of stagnant, unfurried swamps. At one horrifying point, we explore a farm stacked with dead pigs that did not survive the typhoon.

As the main character, Hazel holds himself against this vivid and unusual world (at least for video games). With a mere flick of her wrist, a metaphysical sickle-like blade, Hazel tears through reality itself. This brave and determined young woman is a weaver, skilled at magically dispelling the unpleasant spirit that lurks in the shrilling glass bottles of her southern home. As a weaver, she can see a spectacular tapestry of a massive universe where myths, reality, time and space collide. Looking into the past, she learns the ancestors who helped her free slaves and tragic children die.

Layout an energy-sprinting imaginative food stall in the south of midnight. The action-packed chapter whisks the action-packed chapter from Bios to chilly mountains, which feel like they’re bordering towards Appalachia. The atmosphere is thick – sometimes it becomes a little too thick. A friendly guide to this folktales is the giant catfish who speak in a clear Creole roll, especially about the classic Southern Dish Grits.

However, in actual performances, Midnight South is simply thin. With its almost linear mix of 3D platforms and close combat, the game evokes the PlayStation 2 era title. However, neither element has much personality. The brawl looks stylish and ends with a brutal finishing move where Hazel unleashes the very fabric of her wraith-like enemy presence. Truly, it lacks the depth and expressive possibilities of titles such as God’s War. The platform feels floating, from one prominently painted white shelf to another. And it just feels normative and clunky.

A team of visual artists, sound designers and screenwriters for the Microsoft-owned studio, Forced Games, created this sturdy, rustic place, but was able to be reverted with the gameplay of heartfelt smoothness. At various points, you have to escape from the vague, misty beings. However, these sequences are simple enough to lack dramatic tension. It is repeated many times throughout the approximately 12-hour period of the game, with the difficulty increasing slightly each time.

The other loops grate when time is stacked. Clear this area of ​​decaying material (visual symptoms of land pain and trauma). Check out another lightly animated flashback. This lovingly described portrayal of Minami is rich and arrested, but the game is memorization.

All you’re left is a game where all the best ideas are optical. The Southern style of fairy tales unfolds like modern, summoning some of the whimsical and damaged beauty of 2012’s Beast of the Southern Wild, while taking on Toni Morrison’s fiction. The soundtrack is a rough collage of Howling Blues, awful folk and light-hearted jazz. Forced Game bottled a lot of Southern magic during the creation of this seemingly dangerous gambit for Microsoft, but it couldn’t take risks where it really matters.