Senate Democrats Aim to Reinstate NOAA Database Monitoring $1 Billion in Natural Disasters

Senate Democrats are working to reinstate a database that monitored billions of dollars in climate and weather-related disasters for decades, which was discontinued by the Trump administration this past May.

Since 1980, NOAA has kept a disaster database for events causing damages over $1 billion in the U.S., but the agency halted its initiatives this spring due to budget cuts in climate science research under the Trump administration.

The database and its annual reports shed light on how climate change is influencing extreme weather patterns, including increased travel to flood-prone areas and rising wildfire incidents. Lawmakers have utilized the report in assessing disaster funding while raising awareness about natural disaster costs.

In a statement to NBC News in May, a spokesperson from NOAA indicated that the closure of the database was “consistent with evolving priorities and staffing changes.”

Currently, Senate Democrats, led by Peter Welch, D-Vt., have introduced a bill that mandates NOAA to revive the database and update it at least biannually. Congress holds the power to dictate NOAA’s budget and outline its administrative functions.

Welch stated, “Our legislation is crucial to reversing the reckless actions of the Trump administration, restoring this database, and mitigating the expenses associated with emergency preparedness and natural disasters. This database is essential for understanding the financial implications of constructing homes, businesses, and communities nationwide after significant weather events.”

Neither the White House nor NOAA has provided a response to requests for comments.

More than a dozen senators have co-sponsored the bill, including Sen. Angela of Brooks and Chris Van Hollen, who represents Maryland, where NOAA is based.

This legislation may face uphill battles in becoming law as Republicans, who hold the Senate, are not supporting the bill.

The introduction of this new bill reflects mounting concerns and protests regarding funding at NOAA and other climate-focused organizations. Notably, NOAA’s database has seen leading scientists resign, with some leaving the agency in May due to the planned closure of the database. One of them, Smith, has since joined Climate Central, a nonprofit research organization dedicated to climate change, to continue the work he once conducted at NOAA.

Tom Di Liberto, a spokesperson for Climate Central, indicated that the organization has refrained from commenting on current policies or proposed legislation.

“We look forward to enhancing our in-house $1 billion disaster dataset,” Di Liberto noted in an email.

From 1980 to 2024, NOAA’s database has recorded a staggering total of $40 billion in disaster-related expenses. In the previous year alone, NOAA reported $27 billion in disasters, amounting to around $182.7 billion in costs. This year ranks as the second-lowest for reported multi-billion dollar disasters since 2023.

The analysis provided “direct costs” of disasters, encompassing damage to buildings, infrastructure, and crops. However, it did not factor in other important considerations, such as loss of life, health-related costs from disasters, or economic impacts on “natural capital,” including forests and wetlands, as detailed in a 2025 report from the Congressional Research Service.

NOAA adjusts its data annually to account for inflation.

Previous Reports highlight that developments in hazardous areas vulnerable to floods, wildfires, and other natural disasters have intensified over time, leading to an increase in both the number and cost of weather and climate disasters, ultimately raising the number of at-risk assets.

Moreover, climate scientists assert that extreme weather events are occurring more frequently. Climate change is raising temperatures, heightening the risks of heat waves, intense precipitation, and rapidly intensifying hurricanes.

NOAA has utilized a combination of private and public data to generate estimates, integrating information from the Federal Emergency Management Agency, the U.S. Department of Agriculture, National Fire Centers, as well as private insurance data.

Like NOAA, these institutions are also experiencing budget cuts.

Source: www.nbcnews.com

Why Tech Startups Aim to Send Your Waste Deep Underground

Tanks for disposal at a Kansas site where waste is funneled into underground salt caves

Vaulted Deep

A startup named Vaulted Deep has partnered with Microsoft to pump millions of tons of treated human waste, fertilizer, and various organic waste deep underground as a method to reduce carbon dioxide levels in the atmosphere. This strategy also mitigates soil contamination from PFAs and other chemical pollutants that can leach from waste.

“We aim to tackle both challenges simultaneously,” Omar Abu Sei stated. “We address the waste issues that compromise local water, air, and land while also contributing to climate solutions.”

In recent years, the Texas-based startup has injected almost 70,000 tons of carbon-rich waste underground, successfully removing over 18,000 tons of carbon dioxide. The technology used is derived from the oil and gas industry, enabling the injection of a slurry comprising liquid, solid, and gas simultaneously. This type of waste typically ends up in landfills or is spread over agricultural fields.

According to Abou-Sayed, if waste is injected at depth, it will eventually release back into the atmosphere, which could potentially liberate millions of tons of carbon. The company capitalizes on this by selling each ton of CO2 removed to businesses or governmental entities.

The contract with Microsoft targets the removal of 4.9 million tons of CO2 over the next 12 years, addressing challenges in the carbon removal sector that attract customers. Microsoft aims to be carbon negative by 2030 and has purchased more carbon removal credits than any other organization.

Abou-Sayed mentions that this agreement will enable Vaulted Deep to identify new injection sites beyond its existing two locations. One site injects “biosolids” remaining from treated wastewater approximately 1,600 meters below the surface in Los Angeles, while the second site in Hutchinson, Kansas, pumps human waste, fertilizer, and organic materials like paper sludge into salt caverns located hundreds of meters underground.

According to one report, the global production of organic waste is substantial enough to facilitate this process and potentially eliminate up to 5 billion tons of CO2 annually.

Vaulted Deep’s mission is to ensure that the maximum amount of waste can be accessed, particularly targeting wet solid slurries that have limited disposal options. “We have developed expertise in identifying where these smooth waste materials can be found,” explains Abou-Sayed. Often, they offer to manage waste disposal at no cost or even provide payment to waste generators.

This system facilitates underground waste injection.

Vaulted Deep

With high concentrations of nitrogen and PFAs found in waste, storing waste underground instead of spreading it on fields or sending it to landfills can significantly lower surface contamination levels. Many municipalities have faced challenges in finding conventional disposal methods due to stricter PFAs pollution regulations.

“This is a highly innovative approach,” commented Diana Oviedo Valgas from the Stroudwater Research Center in Pennsylvania. “We need diverse strategies to address contaminants, not just PFAs.” However, she emphasizes that injecting waste underground does not eliminate contaminants. “It’s somewhat concealed,” she adds.

To ensure safety during the injection process, Abou-Sayed noted that all sites will undergo a thorough permitting procedure managed by the U.S. Environmental Protection Agency. This is necessary to demonstrate that leaks from the storage area into groundwater or backflow from the well won’t occur, and to reduce the risk of induced seismic activity during the injection.

topic:

Source: www.newscientist.com

Game Developers Aim for Reliability and Inclusivity Amidst AI Challenges

For those interested in gauging the atmosphere of the UK gaming industry in 2025, this week’s focal point was undoubtedly the DoubleTree bar at the Hilton Hotel in Brighton. This venue hosts the annual Develop a meeting, which has been uniting developers, publishers, students, and journalists since 2006. Over three days filled with lectures, roundtables, and keynote sessions, attendees engaged in discussions, sharing insights and concerns regarding the current state of the industry.

Given the string of cuts and closures throughout the year, I approached the event with caution. On Tuesday, I connected with numerous developers, artists, and studio heads. Many senior developers indicated that recent layoffs and project cancellations might result in significant gaps in the release schedules for several major publishers during late 2026 and into 2027. While Grand Theft Auto VI will undoubtedly be a massive hit, it appears to be the only game generating buzz in the near future.

However, there was a sense of optimism permeating the event. A standout panel discussion titled “Why Cultural Awareness Is Important for the Future of the Game Industry” hosted by UKIE shed a more positive light on the industry among politicians and policymakers in Westminster. “Three years ago, my understanding of gaming was minimal, but awareness has grown significantly lately,” one panelist noted. “Suddenly, politicians are engaging with us regarding the educational impact of gaming and its potential for self-expression among youth. We’ve even witnessed evidence that gaming can serve as a therapeutic avenue for anxiety and depression. The cultural significance of gaming now outweighs its economic benefits.”




A narrative exploring a diverse and marginalized character… unpacked. Photo: Witch Beam

Cassia Curran, founder of Curran Games Agency, remarked, “The development of AI has unlocked a treasure trove of content,” despite the concerns surrounding AI, especially large-scale language models. “For a developer to succeed, leaning into genuine human experiences is crucial. AI cannot replicate your emotions or cultural background; these elements can and should be mirrored in your game.”

There was also a captivating narrative shared by developers about their quest for authenticity. In the day’s opening talk, Jens Anderson and Pete Ward from Machine Game, famous for their Indiana Jones adventure, discussed traveling deep into northern Sweden to record whip experts executing various techniques to perfectly replicate Indy’s iconic accessory sounds in the game. Additionally, the creative team behind the procedurally generated Detective Adventure Shadows presented a captivating 1950s-style noir thriller.

A recurring theme throughout the day was the emerging concerns regarding the diversity of gaming experiences and broader representation. Lydia Cook, a doctoral researcher specializing in queer game studies, moderated an inspiring roundtable named “President of Games: Beyond the Surface.” Cook addressed the challenges to expression faced in mainstream gaming, where nontraditional characters often get labeled as commercial risks. Simultaneously, the audience highlighted recent games showcasing compelling narratives around marginalized characters, ranging from narrative puzzle-solving and lesbian romance bosses to unique portrayals, including the beloved character from the cult classic Sim Monster Prom. The key takeaway from the session was that identity need not dominate a game. The representation of diverse characters as integral parts of the story can be immensely valuable for players who don’t often see themselves reflected in the media they consume.

Outside the bar area, I had the pleasure of meeting some of my favorite indie developers who shared intriguing insights into the innovative projects they were engrossed in. The presence of talented small teams is crucial, as their engaging and creative games continue to enrich the landscape. The rest of the event featured discussions from renowned Finnish developer Housemarque, celebrating 30 years in the business, and Sam Lake from Remedy Entertainment, reflecting on three decades of storytelling. Developers exchanged experiences ranging from creating side quests in Marvel’s Spider-Man 2 to how they made players weep through narratives in indie games. In essence, the creative process remains vibrant, with people continuously crafting and playing; it’s a culture and art form that thrives beyond the grasp of CEOs and shareholders.

What to Play




A captivating twist… an angry bird bouncing off. Photo: Rovio

Angry Birds has become the Pac-Man of mobile gaming, a franchise that seemingly adapts to an infinite array of genres. Its latest version, Angry Birds Bouncing, merges the iconic bird-launching mechanics with classic block-breaking gameplay reminiscent of breakout and puzzle bobble. Players select their favorite bird, aim at the screen, and eliminate as many pigs as possible. Each character bears unique abilities and tactics, with new characters providing exciting challenges. Developer Rovio’s commitment to this franchise is evident, and this delightful iteration is sure to brighten up your commute, dull films, or tedious meetings.

Available on: Apple Arcade
Estimated playtime:
All your free hours.

What to Read




What is the price? Nintendo Switch 2. Photo: Michelle Mengsu Chang/Toronto Star/Getty Images
  • In a recent Q&A with shareholders, Nintendo President Shuntaro Furukawa defended the price of the Switch 2 console, stating that the price of £395.99 ($449.99) reflects the gaming experience it provides. He also addressed concerns regarding the use of game key cards: cartridges that store game data but provide players with download codes. More details can be found on GamesIndustry.biz.

  • For those interested in Nintendo, IGN has an article that could spark some heated discussions among fans: All Ranked Nintendo 3D Platformers, where I strongly believe number 4 deserves a higher spot!

  • Raphaël Colantonio, founder and former president of Arkane Studios, criticized Microsoft’s Xbox Game Pass service. In response to recent layoffs at Microsoft, the co-creator of the renowned Dishonored series stated that the subscription model has led to significant disruptions in the industry. Read more about this on VGC.

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What to Click

Question Block




Good ink… magazine. Photo: Game

We received this question from reader Jason:

“I grew up A deep waste of time today, and I thought that pressing a button might have suggested a new publication similar to yours. Could you please share it with others so I can spread the word?”

This topic is one of my absolute favorites, so thank you, Jason! Keza and I contributed to Above magazine, which features beautifully designed publications focused on video games. Second problem is now in its third edition.

I’m also fond of stylish publications like Lock-on from the Lost of the Cult, and the beautiful Devil’s Blush, Controller Rebellion, and Heterotopia all reflect a punk DIY spirit infused into gaming with their handcrafted aesthetics and passionate writing. A Forgotten World offers a unique selection and provides a really helpful list of independent print publications for gaming enthusiasts. It’s wonderful to see so many exciting and carefully curated gaming magazines making waves in 2025.

If you have a question for the Question Block or anything else to discuss regarding the newsletter, feel free to reply or email us at butingbuttons@theguardian.com.

Source: www.theguardian.com

As the World Cup Nears, Scientists Aim to Create the Ideal Grass

Knoxville, Tennessee – From exhilarating goals to devastating defeats, the FIFA World Cup captivates its audience.

Next year, the 2026 FIFA World Cup will commence, co-hosted by the US, Canada, and Mexico, marking a historic event.

This tournament may feature superstars like Lionel Messi and Cristiano Ronaldo, and is the first occasion where three nations co-host in 16 cities, making it the most complex World Cup ever, as per FIFA.

“No matter if they’re in Seattle or playing in Guadalajara, I need these pitches to perform consistently. I want the same bounce and the same player-to-grass interaction,” said an expert.

“Safety is paramount and must be my top priority,” Ferguson stated during an interview at the University of Tennessee facility in Knoxville, where researchers collaborate with Michigan State to help FIFA evaluate each venue’s pitch preparations for the tournament.

“Players need to feel confident as they make quick directional changes; the ground must be stable,” he added.

Managing over 12 venues for NFL games and concerts full of monster trucks is no small feat.

The U.S. venues could face increased scrutiny after last summer’s Copa America Tournament raised concerns, notably from players like Argentine goalkeeper Emiliano Martinez, who referred to conditions at Atlanta’s Mercedes-Benz Stadium as a “disaster.”

“There’s no doubt that last year’s tournament raised the stakes,” Ferguson remarked, referencing the tournament that featured the best 16 teams from North, Central, and South America, as well as the Caribbean.

“Research was in progress, but Copa highlighted more traditional hesitations regarding international football pitches. Venue schedules are packed with events transitioning from one to another continuously.”

U.S. stadiums have long been central to the debate on natural versus artificial turf in terms of safety. Next summer, all venues will adopt artificial stitch blends of natural grass, focusing on both the underlying structure and the grass itself.

In April, NBC News had exclusive access to the Knoxville facility, where researchers led by Professor John Solochan are tackling these challenges.

The team is investigating artificial stitches and layering techniques beneath the grass to improve root growth and ensure light use, contributing to consistent pitch quality indoors and outdoors.

Solochan, who specializes in turfgrass science and management, mentioned that the mix for warm-season venues includes Bermudagrass, while cool-season venues use a blend of perennial rye and Kentucky bluegrass. Indoor venues also benefit from recommended drainage layers, contributing to a firmer pitch.

“Many of these trials here were unsuccessful,” Solochan explained as he showcased a grid filled with grass plots labeled with different variables. Some experiments involved sewing fibers together to fortify the play surface, while others examined the upper layers typical in World Cup venues featuring flooring for concerts and artificial turf.

The facility includes setups that simulate indoor stadium growth conditions, along with a flex machine that tests the impact on players’ ankles by pressing soccer shoes into the grass. The initial data shows promising insights.

“You can track the speed of the ball as it moves. By analyzing the footage, we can determine its recovery speed, angle, and exit coefficients,” Solochan noted while standing next to a machine resembling one used for NFL punt returns.

Ferguson concluded, “It’s the science that underpins the game. That’s what elevates the sport.”

Source: www.nbcnews.com

Where do scientists aim to inject me?

Feedback is the latest science and technology news of new scientists, the sidelines of the latest science and technology news. You can email Feedback@newscientist.com to send items you believe readers can be fascinated by feedback.

Delicate topics

Feedback reads many academic articles, but we often suffer from their titles, which is not despicable and clearly unclear. What’s even worse is that it is the preface to the academy, which is said to be said to be a reference to humorous pop culture.

However, sometimes you come across research with a lively title and key points. We love the 2000 structural biology paper.”Ribosomes are ribozymes“This is an absolute model of efficiency (suppose you know the meaning of two nouns), and there is a February paper on Biorxiv. New Scientist Contributor Chris Sims, titled “The rough mental map of the breast is fixed to the nipple“.

It may probably require a bit of context. Parts of the human body are more sensitive to touch than other parts of the body. The face, especially the lips – and the tips of the fingers are very sensitive, but our backs are much less.

This is one of the classic experiments you can do at home. Get chopsticks and other dull tools and happily thrusts your partner gently. Whether you’re poking them with your lips or fingertips, or even just millimeters, you’ll know if you’re moving the continuous pork location. But if you thrust them back, they’ll be awful to decide if you’ve moved it or not. This is because the back has less touch sensitive nerves there.

The authors of this new preprint discovered a gap in the literature. “Tactile vision has been extensively studied in the limbs and face, while the torso vision has attracted much less experimental attention. The breasts are largely ignored,” they write.

Do not drag the suspense. The breasts have very low tactile vision, which can be seen as even worse than the back. Apparently, “Touch had to be 3-4 times further away from the chest than the hand to get comparable position identification performance.”

Feedback is not sure what this is at all Caroline Cleared Perez I had it in mind when she wrote it Invisible womandocumenting the myriad ways in which women have been excluded from scientific research. However, as part of the basic information, it appears to have its purpose.

The main point of feedback is that you want to be a wall fly due to the recruitment process. “What do you want to do with me?”

Even longer words

In early November 2024, I paddled the column with a long, increasingly long torrent of words as I had a bit of lack of feedback due to a short break (for a long time) of Global Idiosai.

Apart from that, we did it wrong. Francis Wenban Smith wrote to point out our mistakes: “You were two letters short in an attempt to pad out your column with ‘Flocsinocinosis’. The correct word is “Floccinaucinihi Lipilification.” “

If you can’t see the difference between the blizzards of these two letters – and we will not blame you. I couldn’t clearly do that, so the second has an extra “li” just before “piri”. Feedback would like to assure readers that they have been given harsh stories.

In the process of verifying that I actually misspelled Floccinaucinaucinihi Lipilification, the feedback entered two versions into popular search engines. The correct version brought up dictionary entries as highlighted responses. The wrong version brought up our article (embarrassing). Above that was an AI summary of the fake words. This is the opening line:

“Flocsinisia is a long term meaning to view something as unworthy or trivial. It was the longest word in the Oxford English Dictionary until 1982. Flocsinisia is a 29-letter word with 12 syllables. It contains nine me, but no e.”

Unlike AI, readers who can count to 29 will notice everything that claims that the number of letters and syllables is wrong. Feedback is proud to contribute to the continuous pollution of our information ecosystems in our own small ways.

Unsafe date

Like many others in life, dating is becoming a micro-target. You can also use huge apps like Tinder, but there is also an increasing number of dating sites that have never been seen before.

Perhaps all niches are aimed at people who have not been vaccinated against Covid-19. Or, more precisely, “We don’t support any kind of vaccination, but the raw treatment is specifically tailored to non-vaccination or mRNA-based injections for Covid-19.”

As a technology analyst Benedict Evans Place in thread: “Someone built an entire company around the Darwin Awards“.

Feedback has many questions about uninjected, the most pressing of which is how does the company decide who can participate? Perhaps this is so basic, so there’s no need to say it, but it can’t prove to be negativity.

After scrutinizing the site’s FAQ, we found the answer. [sic] We have a foundation of trust and we operate in an honorary system. However, we recommend “Raw Verified” upgrades for those who want the most security and security when selecting a future partner. The untreated verified member has proven vaccinated via affidavit. “Like Sars-Cov-2, love is in the air.

Have you talked about feedback?

You can send stories to feedback by email at feedback@newscientist.com. Please include your home address. This week and past feedback can be found on our website.

Source: www.newscientist.com

Britain postpones AI regulation as ministers aim to align with Trump administration

Ministers have postponed the regulation of artificial intelligence in line with the Trump administration, as reported by The Guardian.

Three labor sources revealed that the AI bill, originally planned for release before Christmas, is now expected to be delayed until summer.

The Minister had intended to issue concise invoices shortly after taking office.

The bill aims to address concerns about the potential risks of advanced AI models to humanity and to clarify the use of copyrighted materials by AI companies, differing from individual suggestions.

However, Trump’s election prompted a reconsideration of the bill. Senior labor sources said the bill was being carefully reconsidered, and there are no firm proposals yet on its content. The source added that they had aimed to pass it before Christmas, but it is now delayed until summer.

Another labor source, familiar with the legislation, mentioned that earlier drafts of the bill had been prepared months ago, but they are now being held back due to Trump’s actions, which could negatively impact British businesses. They expressed reluctance to proceed without addressing these concerns.

Trump’s actions have undermined Biden’s plans for AI regulation, including revoking an executive order aimed at ensuring technology safety and reliability. The future of the US AI Safety Institute is uncertain following the resignation of its director. Additionally, US Vice President JD Vance opposed planned European technical regulations at the AI Summit in Paris.

The UK government opted to align with the US by not signing the Paris Declaration endorsed by 66 other countries at the summit. UK Ambassador to Washington Peter Mandelson reportedly proposed making the UK a major US AI investment hub.

During a December committee meeting, Science and Technology Secretary Peter Kyle hinted that the AI bill was in advanced stages. However, Science Minister Patrick Balance stated earlier this month that there is no bill currently in place.

A government spokesperson stated, “This government remains committed to enacting legislation that will ensure the safe realization of the significant benefits of AI for years to come.

“We are actively engaged in refining our proposals for publication soon to ensure an effective approach against this rapidly evolving technology. Consultations will soon commence.”

The Minister faces pressure regarding individualized plans to allow AI companies access to online materials, including creative works for training models without requiring copyright permission.

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Artists like Paul McCartney and Elton John have criticized this move, warning that it could undermine traditional copyright laws protecting artists’ livelihoods.

Source: www.theguardian.com

CERN Scientists Aim to Produce Enigmatic Higgs Particle Duplicates

Physicists from the ATLAS Collaboration at the Large Hadron Collider (LHC) at CERN have announced the results of the most sensitive search to date for double Higgs production and self-coupling, achieved by combining five double Higgs studies from LHC Run 2 data.

Event display of a double Higgs candidate event, photographed in 2017. Image courtesy of ATLAS Collaboration / CERN.

Remember how hard it was to find one Higgs boson? Now try and find two of them in the same place at the same time.

This intriguing process, known as double Higgs production, can teach scientists about the Higgs particle's self-interaction.

By studying it, physicists can measure the strength of the Higgs particle's self-binding, a fundamental aspect of the Standard Model that links the Higgs mechanism to the stability of the universe.

Searching for the creation of double Higgs particles is a particularly challenging task.

This is an extremely rare process, about 1,000 times rarer than the creation of a single Higgs particle.

While LHC Run 2 produced 40 million collisions per second, ATLAS is expected to produce just a few thousand double Higgs events.

So how can physicists find these rare needles in a mountain of data?

One way to make it easier to find double Higgs production is to search in multiple locations.

By investigating the different ways in which the double Higgs decay (decay modes) and combining them, physicists can maximise their chances of discovering and studying the creation of the double Higgs.

The new results from the ATLAS collaboration are the most comprehensive search to date, covering more than half of all possible double Higgs events with ATLAS.

Each of the five individual studies in this combination focuses on a different mode of damping, each with its own strengths and weaknesses.

For example, the most likely double-Higgs decay mode is the decay into four bottom quarks.

However, the Standard Model QCD process likely also produces four bottom quarks, making it difficult to distinguish this background process from a double Higgs event.

The double-Higgs decay into two bottom quarks and two tau leptons involves moderate background contamination, but it occurs five times less frequently and there are neutrinos that escape undetected, complicating physicists' efforts to recreate the decay.

Decays into multiple leptons are not uncommon, but they have complex characteristics.

Other double Higgs decays are even rarer, such as the decay into two bottom quarks and two photons.

This final state accounts for only 0.3% of all double Higgs decays, but has a cleaner signature and much smaller background contamination.

Combining their findings for each of these decays, ATLAS physicists were able to find that the probability of producing two Higgs particles rules out more than 2.9 times the Standard Model prediction.

This result has a confidence level of 95% and an expected sensitivity of 2.4 (assuming this process does not exist in nature).

They were also able to provide constraints on the strength of the Higgs particle's self-coupling, achieving the highest sensitivity to date for this important observable.

They found that the magnitude of the Higgs self-coupling constant and the strength of the interaction between two Higgs particles and two vector particles are consistent with the Standard Model predictions.

“This overall result marks a milestone in the study of double Higgs particle production,” the researchers said.

their result will be published in journal Physics Review Letter.

_____

ATLAS Collaboration. 2024. Combined search for Higgs pair production in pp collisions at s√=13 TeV with the ATLAS detector. Physiotherapy Rev Lett,in press; arXiv:2406.09971

Source: www.sci.news

“I may be a troll, but I’m no fool”: Superstan Harry Daniels takes aim at Biden, Dua Lipa, and Anna Wintour for attention

Billy Eilish is Running away from him. Doja Cat Stops her. Her security detail made the sidewalk serenade of “Paint the Town Red” possible. Charli XCX Let’s him sing a few bars of “I Got It,” then said, “I have to try,” and turned on her heel and strolled back to the car.

Harry Daniels stakes out celebrities like Dua Lipa, Katy Perry, Ellie Goulding, and Joe Biden and serenades them while filming their reactions on TikTok. Most of these exchanges are spontaneous, as if the celebrities are genuinely surprised to have a 20-year-old man sing a song to them (usually horrifyingly, often about themselves). When Daniels found Jacob Elordi, who was at the restaurant, said the Saltburn star stayed next to a bodyguard-like man across the room and watched, amused, as Daniels headed off to the dance floor singing “Murderer.” I was a little wary.

Harry Daniels sings Lana Del Rey’s national anthem to Joe Biden. Photo: TikTok user @harry.daniels

Daniels’ videos alternate between old-fashioned trolling (Daniels once gratefully sang to Lea Michele, “All I Can Do for the Illiterate Community”) and an expression of true love for the artist. In an age when celebrities tightly control their images, his improvisations manage to reveal whether there’s a sense of humor, a lick of personality, or something going on beneath the surface. To quote a popular genre of comments Daniels receives on TikTok: “How do I find these people?!?!?”

Daniels has long cultivated an obsession with pop princesses online. “I think there’s a big element of escapism in stan culture,” he told me last week when I met him and his sister Madeline Daniels at a cafe on New York’s Lower East Side. “I found solace in other people’s careers and jobs, because I often felt insecure about my own life.”

Daniels grew up on Long Island, the son of an accountant and a homemaker. “Harry first attended Stan University when he was about 11 years old, where he completed his PhD,” said Madeleine, who also serves as his cameraman and unofficial manager. He loves Demi Lovato, Billie Eilish, Fifth Harmony, and Haim, and learned how to follow his favorites in real life by interacting with their fans on social media.

Two years ago, Daniels used his superior education to compete for face time with superstars. “I went to everyone’s shows and meet-and-greets and engaged with them in a way that made me feel connected to them,” he said. However, he felt the interaction was too formulaic. “How many times do I say ‘I love you so much’ to someone?” Wanting to leave a lasting impression, he decided to entertain himself by being a damn, a troll.”

Daniels and Paris Hilton were photographed shortly after the hotel heiress sang her 2006 hit “Stars are Blind.” Photo: Harry Daniels

Daniels’ first recorded TikTok serenade was at Sabrina Carpenter’s album signing in 2022. In the video, Sabrina Carpenter sang her diss track “Skin” while sitting behind a table. He suppressed an obviously nervous laugh. As soon as Daniels finished speaking, Carpenter issued a very diplomatic “thank you.” At that moment, a fool was born.

Daniels quickly became “smarter” than he appeared in person. He was waiting outside the Broadway stage door. He serenaded Sarah Paulson. Sometimes he got lucky. One night while he was eating at a diner, he ran into Ethan Cutkosky, who played Carl in the American version of Shameless.

“I think people think I’m hiding in the bushes, but I actually just show up where I know they’ll be,” he said. (It helps that he lives just outside New York City.)

Eventually, Daniels reached such a level of virality that some artist teams started reaching out. The music industry’s heavy reliance on TikTok as a promotional tool means that labels are likely to back artists who can generate buzz on the app. A cleverly planned “surprise” with Daniels, who has over 1 million followers, is a boon for artists looking to go viral or curate a relatable online persona.

Ripa’s team invited Daniels to surprise their star during a press tour. Similarly, Daniels used backstage access to go to Coachella earlier this month and sing Taylor Swift’s “Antihero” to Jack Antonoff and Paris Hilton’s “Stars Are Blind” to the heiress herself. Daniels says many of his videos are “just for fun,” meaning he doesn’t get paid. Money comes in when sponsors pay him to take pictures with artists at events. (Daniels declined to reveal his maximum performance fee.)

Daniels said that while the artist’s team may know what’s going on, the artist “legitimately doesn’t know anything,” which makes it difficult for the created situation to remain authentic. He claims it’s helping. “But lately, people have started trying to teach me how to create their own content.” He says he’s been asked by artists to promote new music or promote the names of products. “I wanted my videos to be less commercial and more culturally relevant, so I had to put my foot down,” he said.

Although Daniels prefers to stay in the pop culture realm, he recently filmed a video with Biden after receiving an invitation to a star-studded Radio City Music Hall fundraiser in March. Daniels was able to get close to the barricade where Biden walked around shaking hands with attendees. So he learned to sing Lana Del Rey’s national anthem dedicated to the 81-year-old politician. “He was very present, but I think he was literally like, ‘What the heck?'” Daniels said.

Harry Daniels surprises Greta Gerwig in New York. Photo: TikTok user @harry.daniels

Daniels also intended to sing for Kamala Harris if given the chance. What song? Of course, the wheels of the bus are “The Vice President’s Obvious Love” laugh out loud about buses, laugh out loud about buses. But don’t expect a Trump video. “I don’t think I’ll ever get this close to him,” Daniels said.

Not everyone appreciates Harry Daniels’ treatment. At a Biden fundraiser afterparty, Ms. Daniels unsuccessfully tried to sing to the incomparable Anna Wintour, the editor-in-chief of Vogue: I may be a troll, but I’m not stupid,” Daniels said. “So I introduced myself and said I was a fan of hers, and she was like, ‘Thank you, that’s so sweet.’ I started singing and she just walked away.”

Daniels also came under heavy attack after the match. Ask America Ferrera if she wanted a “gay son or creepy daughter” at the People’s Choice Awards. His critics accused him of being “uninteresting” and “not a real journalist.” He dismissed that, telling Rolling Stone, “My job is to create content that generates clicks and views.”

Daniels’ post has an ulterior motive. According to Rolling Stone, he’s also a singer himself, and he’s not bad at it. The magazine said his vocals had “an inherent melancholy similar to that of Troye Sivan.” “The only reason I really started doing all of this is because I wanted to pursue music. Basically, everyone I’ve ever talked to in this industry has told me that you need to get a following on social media. I said it consistently,” Daniels said. “So if people want a follow, I’ll give them a follow.”

Daniels doesn’t seem annoyed by the give-and-take. He respects the hustle and bustle. Still, there’s something dark about how his outsider side inevitably becomes part of the star machine. The more celebrities are tipped off about a potential interaction with Harry Daniels, the more the video feels like an SNL short, less gonzo fun and more fuel for PR campaigns and album release calendars.

Harry Daniels, his sister Madeleine, and Charlie D’Amelio. Photo: Harry Daniels

Regardless, Daniels says, “The music comes first.” He describes his work as hyperpop, a bubblegum-meets-chaos genre typified by Charli XCX and Kim Petras. “It’s larger than life and reminds me of what music is supposed to be. Music is supposed to soundtrack something bigger than yourself and make you feel things you can’t put into words,” he said.

Although he hasn’t released any tracks yet, he said 2024 will be the last year of his current idiocy. He’s not done yet. He knows that if he wants to stay relevant, he’ll have to create content forever, and that’s fine with him. He just sees it as an opportunity to “strike while the iron is hot.” He is currently in talks to expand the Homespun team to include not only his sister but also the pros.

As Daniels left the cafe, a young woman who appeared to be a fan standing near the exit quietly said, “I love you.” Daniels breathlessly responded with a sweet, “I love you too.” I’m sure it’s something he inherited from the celebrities he’s sung to.

Source: www.theguardian.com

Unity’s aim to provide developers with ethical and useful generative AI through Muse

Unity is joining other companies in providing users with generative AI tools, but ensuring that those tools (unlike some) are built on a foundation that is not based on theft. I have been careful to check. Muse, a new suite of AI-powered tools, starts with texture and sprite generation and gradually moves into animation and coding as it matures.

The company announced these features at the Unite conference in San Francisco, along with Unity 6, the next big version of its cloud-based platform and its engine. After a turbulent few months that saw major product plans completely scrapped and a CEO ousted, you’re probably looking to get back to business as usual if possible.

Unity has traditionally positioned itself as a champion for small developers who lack the resources to adopt broader development platforms like rival Unreal. Therefore, the use of AI tools can be considered a useful addition for a developer who cannot afford to spend days creating, for example, 32 slightly different wooden wall textures in high resolution. can.

There are many tools out there to help you create and modify assets like this, but it’s often desirable to be able to say “make something more like it” without leaving your main development environment. The simpler your workflow, the more you can do without worrying about details like formatting or siled resources.

AI assets are also often used in prototyping, where things like artifacts and slightly wonky quality (which these days are common regardless of model) don’t really matter. However, illustrating your gameplay concept with original, well-made art rather than stock sprites or free sample 3D models can make the difference in communicating your vision to publishers and investors.

Examples of sprites and textures generated by Unity’s Muse.

Another new AI feature, Sentis, is a little harder to understand. “It enables developers to bring complex AI data models into the Unity runtime to create new gameplay experiences and features,” Unity’s press release states. So it’s kind of his BYO model, with some features built in, and it’s currently in open beta.

AI for animation and movement is in development and will be added next year. These highly specialized scripting and design processes can greatly benefit from generative first drafts or multiplicative helpers.

Image credits: unity

The Unity team emphasized that a big part of this release is to ensure that these tools are not overshadowed by future IP infringement lawsuits. Image generators like Stable Diffusion are fun to play with, but they’re built using assets from artists who never agreed to have their work taken and regurgitated.

“To provide usable output that is safe, responsible, and respectful of the copyrights of other creators, we challenged ourselves to innovate the training techniques for the AI ​​models that power Muse’s sprite and texture generation.” says a blog post on responsible AI. Techniques associated with presentations.

The company said it used a completely custom model trained with images owned or licensed by Unity. However, they essentially used stable diffusion to generate a larger synthetic dataset from the small, carefully selected datasets they had assembled.

Image credits: unity

For example, this wood wall texture may be rendered with several variations and color types using a stable diffusion model, but no new content will be added. At least that’s how it’s described to work. But as a result, new datasets are not only based on responsibly sourced data, but also one step removed from it, making it less likely that a particular artist or style will be duplicated.

Although this approach is more secure, Unity admitted that the quality of the initial models it was providing was reduced. However, as mentioned above, the actual quality of the generated assets is not necessarily important.

Unity Muse costs $30 per month as a standalone product. We’re sure you’ll soon hear from the community about whether this product is worth its price.

Source: techcrunch.com