Tag Archives: cyberpunk

Exploring ‘All That We See or Seem’: A Must-Read Cyberpunk Thriller for AI Enthusiasts

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All That We See or Seem is set in a near future filled with personal AI

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everything we see and feel
Ken Liu, Head of Zeus (UK); Saga Press (USA)

Ken Liu’s newest novel, everything we see and feel, explores the enigmatic disappearance of a professional dream weaver named Ellie in a near-future setting, framed as a cyberpunk thriller.

Full disclosure: I typically don’t seek out thrillers or cyberpunk, so I might not be in the book’s target demographic. However, I was drawn to this story since Liu is renowned not only for his writing but also for his exceptional translation of works such as memories of earth’s past Trilogy by Liu Cixin.

In Liu’s portrayal of the near future, where personal AI is omnipresent, Ellie thrives as she employs AI to craft collaborative dream experiences for a legion of enthusiasts. To her, this work constitutes art, and she’s immensely proud of it.

Then, without forewarning, Ellie awakens one night and leaves her beloved husband. She vanishes, only to be claimed by a gang that asserts they are holding her captive. Did Ellie uncover something perilous during a dream session that jeopardized her safety? Could it be that the gang is simply manipulating AI to fabricate a deepfake of her?

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Ellie utilizes personal AI to orchestrate a communal dream experience for thousands of devoted followers.
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Ellie’s husband Piers, a mild-mannered lawyer with hidden depths, is resolved to win her back. He seeks assistance from a once-renowned hacker known as Julia Z, convinced that Ellie wouldn’t have merely vanished without a word, unless it was to safeguard him.

Together they embark on a quest as Julia and Piers attempt to uncover the truth surrounding the missing Dreamweaver. Meanwhile, various antagonists threaten their safety. While the adventure unfolds, much of the action revolves around detailed portrayals of online activities. I must say, the sequence in which Julia and her AI helper decode the clues about Ellie’s fate is genuinely thrilling.

Julia’s intricate online operations are vividly envisioned, providing a realistic glimpse into how AI might be utilized in the not-so-distant future. I particularly enjoyed how she cleverly employs minor environmental details to solve puzzles or conceal her movements.

The biography accompanying my edition of the novel notes Liu as a consultant on futurism and technology, and his expertise clearly shines through in these sections. Anyone deeply invested in AI will likely appreciate this book.

However, personally, everything we see and feel didn’t resonate with me as I had hoped. The thriller elements lacked the expected excitement; the criminals often felt overly cartoonish. Furthermore, the offline portions of the plot came off as implausible, particularly in the lengthy conclusion.

There may also be an underlying challenge in setting a book so close to present events, making it difficult for general readers to discern what is feasible now. Constantly wondering, “Is this even possible?” can dim the enjoyment of speculative fiction. This might just be my perspective.

Nonetheless, regarding dandelion dynasty, let’s not overlook Liu’s considerable talent. I eagerly anticipate what he will produce next.

I also recommend Emily…

enemy of the state
Directed by Tony Scott

The connection may be tenuous, but reading Ken Liu’s book reminded me of this exceptional 1998 film featuring Gene Hackman and Will Smith. It was remarkably prescient in its portrayal of technology-driven surveillance methods, and I found it thoroughly enjoyable.

Emily H. Wilson is a former editor of New Scientist magazine and the author of the Sumerian trilogy set in ancient Mesopotamia. The latest entry in the series, Ninshubar, has been published. You can find her at emilywilson.com or follow her on X @emilyhwilson and Instagram @emilyhwilson1

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Source: www.newscientist.com

Neuromancer Review: Does William Gibson’s Cyberpunk Classic Still Captivate in 2025?

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William Gibson in 1985, a year after the groundbreaking work emerged

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Neuromancer
William Gibson (Orion Publishing (UK); Ace Books (US))

Neuromancer opens with, “The sky above the port was the color of the television, tuned to a dead channel.”

The book was released in 1984, in an era when very few individuals had access to computers. The esteemed William Gibson penned this work on a typewriter. Nevertheless, while data acts as currency and corporations craft striking depictions of the futuristic realm of “cyberspace,” they are also vulnerable to cyberattacks. There’s something intriguingly enchanting within the backdrop of AIS that exists beyond our grasp.

Neuromancer birthed the cyberpunk genre and reshaped literature 40 years later, establishing itself as one of the most prophetic texts ever created. It aligns with the Apple TV+ series. In a world where many of us carry computing devices in our pockets, how does this narrative endure? Is time spent in cyberspace (a term popularized by Neuromancer) still relevant? I decided to revisit it.

Having not read it in over two decades, I initially found it challenging. The distinctive style and the claustrophobic narrative of a former hacker navigating barrooms and gang troubles made me question if the novel had aged well. After all, its imagery and concepts are no longer shocking, having been endlessly replicated in television, literature, and film, often outpaced by reality.

Yet, I was drawn back in. There’s a moment when our protagonist receives a call in a hotel lobby, only for the next call to be an AI—an incident that sends chills down my spine and echoes the profound influence on The Matrix.

As action unfolds in virtual spaces, we get an intimate glimpse of AI. Upon reading, I recognized that the major themes in the book are as pertinent and thought-provoking today as they were in 1984. For instance, the concept of a power referred to as “Turing” foreshadows the rise of AI.

Ultimately, I grasped why readers like author Adrian Tchaikovsky constantly revisit Neuromancer: it demands slow attention, yet remains a classic with profound insights. The lingering question is how Gibson envisioned this world when he relied solely on a typewriter.

Fortunately, he has reflected on this extensively over the years. “I wrote Neuromancer without any knowledge of computers,” he shared with the Guardian five years ago. “I dismantled the poetic language of those already in the field, eavesdropping at the Seattle Science Fiction Convention where early computer programmers discussed their work.”

He recounted how this eavesdropping informed various abstract elements of the narrative at a time when Gibson couldn’t simply Google what a modem was.

In summary, the novel remains astonishing. I hope that the forthcoming TV adaptation does it justice.

I would also recommend Emily…

Burning Chrome
William Gibson (Orion Publishing (UK); Gollancz (US))

Gibson’s short story collection is truly remarkable. It was one of my favorites and remains vibrant today.

Emily H. Wilson is the former editor of the New Scientist and author of the Sumerian trilogy set in ancient Mesopotamia. The final installment, Ninshuval, is now available. Visit her at emilyhwilson.com or follow her on X @emilyhwilson and Instagram @emilyhwilson1.

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Source: www.newscientist.com