New research suggests early mammals possessed dark, dim greyish brown fur

Fur colours, which serve many functions, are essential for the evolution of mammal behavior, physiology and habitat preferences. However, little is known about the colour of Mesozoic mammals that co-evolved with dinosaurs. In a new study, scientists from China, Belgium, the Netherlands, the UK and the US used the dataset Melanosome (Melanin-Containing Organelle) We quantitatively measured the morphology and quantitatively measured hair colours of 116 live mammals to reconstruct the colours of six Mesozoic mammals, including the species Yuhalamiidan mammals that were not previously described.

Reconstructing the life of Shenshou Luian extinct squirrel-like euhalamidian species from the Jurassic region of central China. Image credit: Tamuranobu, http://spinops.blogspot.com.

From communication to camouflage, animal colour plays an important role in many behavioral ecological functions.

Some animals exhibit distinct and vivid arrangements like birds, but mammalian fur is generally limited to muted tones due to their dependence on the single pigment melanin.

Mammals lack palettes, but have evolved a diverse and distinctive coat pattern.

However, due to lack of data on pigmentation in extinct mammals, the evolutionary history of hairy colour is not well understood.

Recent studies have shown that melanosomes, which cause pigmentation, can be preserved in fossilized specimens.

A similar technique has successfully reconstructed the colours of dinosaurs, but despite well-preserved fur specimens, it has not been widely applied to fossil mammals.

In the new study, Dr. Ruoshuang Li, a colleague of the Chinese University of Earth Sciences and colleague, analyzed melanosomes in 116 living mammals and created a predictive model to reconstruct the hairy colour based on melanosome morphology.

The authors applied the model to six Mesozoic mammalian forms of fossilized melanosomes, including the newly described euhalamyidan species that lived 158.5 million years ago (Late Jurassic Epoch).

The authors found that the fur of these early mammals was primarily and uniformly dark in colour, with no stripes and spots that adorn many modern mammals.

This suggests that despite evolutionary differences in phylogenetics and ecology, the early mammalian melanin colored systems remained little different.

This is in stark contrast to the diverse melanosome structures found in feathered dinosaurs, early birds and pterosaurs, indicating a distinct evolutionary pattern of mammalian colour.

“The typical modern nocturne mammals, such as the dark, uniformly dull fur found in these species – moles, mice, rats and nocturne bats, support the previous hypothesis that early mammals are also largely nocturne and colored for camouflage,” the researchers said.

“In addition, the high melanin content of the fur may have been beneficial in providing mechanical strength for thermoregulation and protection.”

“Following the Cretaceous – Fat extinction event, mammals rapidly diversified into niches previously occupied by dinosaurs, leading to more diverse melanosome structures and new perage colour strategies that are more suited to a more diverse environment.”

Survey results It was published in the journal today Science.

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rushuang li et al. 2025. Mesozoic mammalian forms illuminate the origin of the colour of the hair. Science 387 (6739): 1193-1198; doi: 10.1126/science.ads9734

Source: www.sci.news

Cao Fei: Illuminating China’s Past and Future Through Neon Cities, Cyber Nightmares, and Dim Sum

WWhen contemporary Chinese artist Cao Fei was negotiating a solo show at Nara Badu, the contemporary art department of the Art Gallery of New South Wales, she said it would be a traditional “white rectangular box illuminated.” He firmly insisted that there would be no such attempt.

The Guangzhou-born artist has strong ties to Sydney (the vast Chinese port city’s sister city) and wanted to capture the sass and hustle and bustle of bustling malls and markets in her show.

As a result, in “Cao Fei: My City is Yours”, gallery walls are abandoned for scaffolding, and music and sound effects from her various installations, including theaters, restaurants, and factories, play into each other. They blend together and compete for the viewer’s charm. Note.




Cao Fei’s My City is Yours includes key works from her 20-year career. Photo: Diana Panuccio

“This is not a criticism of European countries.” [style]But usually I watch a lot of video shows. [installed] Inside the white cube…you’ll see the curator turn down the volume. Quieter or cleaner,” Mr Cao told Guardian Australia.

“But I want my exhibition to reflect my personality and experience. There is always a lot of construction, demolition and reconstruction going on in my city. This is my material.”

‘My City is Yours’ is the Beijing-based artist’s first major solo exhibition in Australia, featuring major works from his 20-year career including film, photography, metaverse experiments and large-scale interactive installations at AGNSW and Sydney It is on display at the Museum of Contemporary Art.

Much of Cao’s career has been spent investigating the incredible technological and social transformations that have taken place in China over the past quarter century. She has held solo exhibitions in Beijing, London, Paris, and New York, and last year was in the world’s top 10. ArtReview’s Power 100 listwhere she was described as “a key figure in envisioning our metaverse-colored future.”




“Konatsu Foyer” is a reproduction of the foyer of the currently demolished Hong Summer Theater, which was used by artists as a studio space for six years before it was demolished. Photo: Cao Fei

Source: www.theguardian.com