Illuminating the clouds: How enhancing brightness can combat climate change

The concept of Marine Cloud Brightening revolves around the idea that by making clouds brighter or whiter, more sunlight is reflected back into space. This ultimately helps reduce the amount of heat absorbed by Earth’s atmosphere and offers a respite from the effects of increased carbon emissions.

Clouds in marine environments are believed to benefit the most from such brightening efforts. But how exactly does one go about brightening clouds, and does it work as effectively as theorized?

Scientists primarily suggest spraying aerosols, such as fine sea salt particles, to brighten clouds. These aerosols act as “condensation nuclei” within the clouds, promoting water vapor to form more liquid droplets and creating denser, brighter clouds. A similar effect can be seen with pollution particles.

Fun fact: Some clouds can contain 500,000 kg (or £ 1.1 million) of water. That’s about 100 elephants -Photo Credit: Getty

However, the challenge lies in ensuring the particles sprayed are of the right size to effectively brighten the clouds at the appropriate time. Additionally, achieving significant sunlight reflection requires scaling up the operation sufficiently. There is also the concern of unforeseen impacts on clouds and climate.

Current research efforts mainly involve small-scale experiments and computer simulations, though some real-world studies have raised questions. For instance, a bright cloud experiment in Arameda, California was halted in May following warnings from local authorities reported in the media.

Experts have suggested that useful insights can be gleaned from “natural” experiments as well. Observations near the Kilauea volcano in Hawaii showed that aerosols generated naturally during the eruption led to a 50% increase in cloud cover.

Ultimately, the decision on whether to pursue large-scale marine cloud brightening rests with policymakers, who require convincing evidence. As scientific understanding and the climate crisis evolve, attitudes may shift.


This article addresses the question (I asked from Besariany Shepherd, Derbyshire) “Is Marine Cloud Brightening useful for fighting climate change?”

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Source: www.sciencefocus.com

Cao Fei: Illuminating China’s Past and Future Through Neon Cities, Cyber Nightmares, and Dim Sum

WWhen contemporary Chinese artist Cao Fei was negotiating a solo show at Nara Badu, the contemporary art department of the Art Gallery of New South Wales, she said it would be a traditional “white rectangular box illuminated.” He firmly insisted that there would be no such attempt.

The Guangzhou-born artist has strong ties to Sydney (the vast Chinese port city’s sister city) and wanted to capture the sass and hustle and bustle of bustling malls and markets in her show.

As a result, in “Cao Fei: My City is Yours”, gallery walls are abandoned for scaffolding, and music and sound effects from her various installations, including theaters, restaurants, and factories, play into each other. They blend together and compete for the viewer’s charm. Note.




Cao Fei’s My City is Yours includes key works from her 20-year career. Photo: Diana Panuccio

“This is not a criticism of European countries.” [style]But usually I watch a lot of video shows. [installed] Inside the white cube…you’ll see the curator turn down the volume. Quieter or cleaner,” Mr Cao told Guardian Australia.

“But I want my exhibition to reflect my personality and experience. There is always a lot of construction, demolition and reconstruction going on in my city. This is my material.”

‘My City is Yours’ is the Beijing-based artist’s first major solo exhibition in Australia, featuring major works from his 20-year career including film, photography, metaverse experiments and large-scale interactive installations at AGNSW and Sydney It is on display at the Museum of Contemporary Art.

Much of Cao’s career has been spent investigating the incredible technological and social transformations that have taken place in China over the past quarter century. She has held solo exhibitions in Beijing, London, Paris, and New York, and last year was in the world’s top 10. ArtReview’s Power 100 listwhere she was described as “a key figure in envisioning our metaverse-colored future.”




“Konatsu Foyer” is a reproduction of the foyer of the currently demolished Hong Summer Theater, which was used by artists as a studio space for six years before it was demolished. Photo: Cao Fei

Source: www.theguardian.com