It’s hard to overstate the impact of 28 Days Later. This groundbreaking 2002 film features Jim the Courier (Cillian Murphy), who awakens from a coma to find Britain devastated by an “angry virus,” a precursor to the past two decades of zombie media. The film serves as a stark reflection of societal decay and chaos.

A new trilogy could have easily followed the original formula, but in 2025, 28 Years Later shatters that mold. Set decades after the initial outbreak, this film revitalizes the series by focusing on Spike (Alfie Williams), a young boy navigating life on a virus-free island amid the ruins of Britain. His journey introduces new species of the infected and intelligent ‘alphas’ like Samson (Chee-Lewis Parry), who exhibit strategic thinking.

The second installment, Bone Temple, written by Alex Garland and directed by Nia DaCosta, shifts its focus to “the Jimmys,” a gang of youth captivated by bloodsports rather than the infected. These characters are stripped of their identities, led by the enigmatic Sir Lord Jimmy Crystal (Jack O’Connell), who dubs them all “Fingers.”

As the story unfolds, the Jimmy family’s troubling regression poses a menace to Spike as well. The harrowing first scene of Bone Temple sees Spike fighting for survival against Jimmy, marking a pivotal moment where an uninfected individual is killed, initially highlighting a crucial distinction.

This film challenges our understanding of the infected. We meet Ian Kelson (Ralph Fiennes), a retired physician and Spike’s ally, who attempts to understand these new beings. He once used morphine to subdue Samson but finds the alpha craves the drug, establishing a reluctant bond between them.

Through shared experiences, Kelson—an anthropologist at heart—investigates the cultural remnants of humanity by creating monuments and reclaiming narratives from desolate towns. His quest prompts profound questions about the consciousness of the infected. “What if you could speak?” he muses. “Do you have memories? Are you evolving?”

As Bone Temple invites us to reconsider the nature of evolution, we ponder whether beings like Samson symbolize a new paradigm. Are they regaining their humanity or transitioning into something uniquely different? As the story progresses, we ask if a cure is possible for these once-infected beings, and whether the lines between human and infected remain clear after decades.

Kelson’s psychological exploration yields unexpected revelations. Upon encountering Jimmy and his gang, he discovers a potential path to healing for the remnants of humanity—infected or otherwise. The profound message of this riveting film is that our understanding of the infected must evolve. As we follow Spike’s journey through this dystopian world, it begs the question: could the infected become humanity’s saviors? With the trilogy’s finale on the horizon, anticipation builds for what lies ahead.