Wayward Review: An Intrusive Netflix Mystery Delving into the Challenges of Adolescence

Abby (Sydney Topriff, left) and Leila (Aribia Allin Lind)

Netflix

Whimper
May Martin, Netflix

Like many, I prefer not to revisit my teenage years. However, despite the persistent embarrassment they cause, I’ve never viewed adolescence as a mistake to be eradicated.

This perspective doesn’t hold for many characters in Whimper, a mystery series authored by comedian May Martin. The story unfolds in a fictional small-town academy in Vermont, aiming to tame unruly teens and tame the chaos of adolescence. Evelyn Wade (Toni Collett), a commanding figure, oversees the “progressive and intentional community” nestled among saccharine pines, embodying New Age ideals. Yet beneath the surface, there’s a darker undertone to this seemingly blissful place.

Through the eyes of Abby (Sydney Topriff), a Canadian stoner tomboy struggling to meet her father’s expectations, we explore Tall Pines Academy. After sneaking out to meet her best friend Leila (Arivia Allin Lind), Abby is portrayed as a troubled influence, leading to her enforced enrollment under Evelyn’s watchful eye. Upon her arrival, she is stripped of her belongings and encouraged to spy on fellow students for any offenses.

Meanwhile, newcomer police officer Alex Dempsey (played by Martin) and his pregnant wife Laura (Sara Gadon) navigate their new town, with Laura being a cherished alum of the academy, gifted their home by Evelyn. When Alex encounters a frantic runaway student in the woods, he begins to suspect something is amiss with the school.


The most frightening part is Therapis Peak, with cruelty disguised as a way to protect mental health

Tall Pines Academy, surrounded by eerie forests, seems to harbor an unsettling interest in Alex and Laura’s unborn child. Mysterious elements emerge, including a peculiar door hidden underground and Laura’s fixation on an odd toad. A former student, now an employee under Evelyn, breathlessly speaks of the academy’s transformative effects.

However, the core terror of Whimper lies in its therapy culture. The series examines how weaponized mental health jargon disguises real cruelty, cloaked as concern for well-being.

Poor Abby is the subject of attempts to reshape her into someone else, with accusations of harm and efforts to suppress her identity separating her from supportive friends like Leila.

Everyone at the academy is a skilled manipulator, but none compare to Evelyn. She turns the adage “integrity is the best policy” into a twisted form of “treatment,” where students are subjected to peer scrutiny armed with harsh “truths,” ultimately breaking them down. “It’s a way to hold yourself accountable,” Evelyn insists at dinner.

While Whimper presents many intriguing concepts, it evokes more thought than engagement. Unfortunately, after an enticing pilot, it devolves into mediocrity, leaving only fleeting moments of brilliance in character revelations.

If you’re brave enough to relive adolescence, Whimper may be worth a watch. Otherwise, your time might be better spent elsewhere.

I also recommend…

Hereditary
Ali Aster

Toni Collette delivers a standout performance in this haunting tale of intergenerational trauma, where uncanny events unfold after the family’s matriarch passes away.

Abolish the Family
Sophie Lewis

This book traces the 200-year movement to dismantle familial structures, urging alternative child-rearing methods beyond privatized units, offering insightful perspectives whether or not you fully embrace its arguments.

Bethan Ackerley is an assistant culture editor for New Scientist. She has a passion for science fiction, sitcoms, and unsettling stories. x Follow her at @‌inkerley

Source: www.newscientist.com

AI Unleashes a New Breed of Cat Videos: Addictive, Intrusive, and Nauseating Soap Opera Experiences

At the end of 2024, Billie Eilish took to the stage, seated herself, and began to play Miaou. Her fans erupted in harmony, attempting to overshadow their off-key presence. She knew, their dreams had materialized! Is this what Eilish’s Oscar-winning track was meant for? – “Lachrymose Barbie Cut Adulthood’s Ennui” has now become the quintessential soundtrack for an entirely new genre of cat video.

You may recognize it: these songs are often featured in AI-generated fantasies featuring human bodies with oddly detailed veins, reminiscent of cartoons, alongside hefty felines or equally muscular cats. Cats deceive their lovers, fall pregnant, and seek vengeance in bizarrely condensed melodramas. Much like traditional soap operas, these videos are incredibly addictive.

For example, this one. While diligently performing his tasks, Mr. Whiskers dons a red flannel shirt but accidentally ends up severing his legs while attempting to show off woodwork. He gets fired (evidently, the signs around the warehouse explicitly mention that all workers must “work with both hands”), his wife divorces him, and he struggles to piece together the fragments of his hard-knock life within 30 seconds. It all seems fine until his petite ex-wife plots to kill him, only to end up falling into a puddle and facing humiliation.

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In another video, a baby tumbles into shark-infested waters, and a buff cat (dressed in Capri pants) comes to the rescue, adopting the child and taking it back to a mansion in Beverly Hills. Each narrative is neatly packaged, kitschily over-the-top, and unnaturally swift, offering millions of viewpoints.

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The oversized felines in these video scenes suggest that Rev. Whisker and Mr. Whiskers aren’t just ordinary cats. They also embody certain human traits. Mogie, who sometimes resides in luxurious mansions, drives convertibles, and possesses a rugged, athletic physique, seems to be living the high life. Yet, many face regular struggles, illnesses, or dangers, despite their seemingly glamorous existences and comically pristine appearances, all set to eerie pop music underscoring their decline.

They find themselves tossed from ships, moaning amid house fires, dealing with substance issues, getting arrested, and being bullied. This prompts the question: Are these videos merely 30-second representations of warning signs? Are they about excess, betrayal, and redemption? Is Shakespeare somehow intertwined with Euripides? Are they modern-day parables?


Each video is marked by unfortunate domestic disasters: accidentally launching kittens into ceiling fans, or a cheating wife who neglects her husband’s pleas for attention. It’s an epic quest, entirely revolving around fur.

And it doesn’t take long for things to take a darker turn. In one unsettling video, Cat Rady finds himself submerged in Southern-Picked Cotton, just before being assaulted by a white cat clad in overalls. Each clip is disturbing, occasionally violent, and perpetually melodramatic, often garnished with bizarre AI-generated characters including erratic eagles and underwater sharks, all while the cats maintain a human-like physique and a bipedal swagger.

In another, “Luigi Meowgione” suffers as he watches his cat grandmother collapse in a grocery store. With her health insurance denied, he confronts the “Evil Corp Insurance” company, taking matters into his own hands and filling the building with Catnip gas. As a security guard falls victim to a grotesque case of Munch, Luigi Meowgione cleverly hacks the system, seemingly poised to confront the CEO… but we’re left hanging as part two hasn’t yet been revealed.

Ultimately, the Internet has always been enamored with felines possessing human characteristics. “Can I just have a cheeseburger?” This iconic phrase resonates because it encapsulates moments of feline discontent, showcasing the underlying personality. So, are these miaow-miaow videos the final evolution of anthropomorphized kittens? Or are they merely reproducing age-old motifs?

Source: www.theguardian.com