Evidence from ethnohistory and recent archaeology indicates that Easter Island (Rapanui) had a politically decentralized structure, organized into small kin-based communities that operated with a degree of autonomy throughout the island. This raises significant questions regarding the over 1,000 monumental statues (moai). Was the production process at Rano Raraku, the main moai quarry, centrally managed, or did it reflect the decentralized patterns observed on the island? Archaeologists utilized a dataset of more than 11,000 UAV images to create the first comprehensive three-dimensional model of a quarry to examine these competing hypotheses.

The monumental Moai of Easter Island stand as one of the most remarkable archaeological achievements in Polynesia, with over 1,000 megalithic statues spread across the volcanic isle, which is just 100 miles long.²

This significant investment in monumental architecture seems paradoxical when compared to ethnohistorical records that consistently depict Rapa Nui society as composed of relatively small, rival kin-based groups rather than a centralized polity.

Early ethnographers described a sociopolitical environment with numerous matas (clans or tribes) maintaining distinct territorial boundaries, independent ceremonial centers, and autonomous leadership structures.

This leads to the question of whether the construction of the moai was similarly decentralized.

In a recent study, Professor Carl Lipo from Binghamton University and his team compiled over 11,000 images of Rano Raraku, a key moai quarry, and developed a detailed 3D model of the site, which includes hundreds of moai at various stages of completion.

“For archaeologists, quarries are like an archaeological Disneyland,” Professor Lipo stated.

“Everything you can imagine about the making of a moai is represented here, as most of the crafting was performed directly on site.”

“This has always been a goldmine of information and cultural significance, yet it remains greatly under-documented.”

“The rapid advancement in technology is astounding,” noted Dr. Thomas Pingel of Binghamton University.

“The quality of this model surpasses what was achievable just a few years ago, and the ability to share such a detailed model accessible from anyone’s desktop is exceptional.”

In-depth analysis of the model revealed 30 distinct quarrying centers, each exhibiting different carving techniques, indicating multiple independent working zones.

There is also evidence of the moai being transported in various directions from the quarry.

These observations imply that moai construction, like the broader societal structure of Rapa Nui, lacked central organization.

“We are observing individualized workshops that cater specifically to different clan groups, focusing on particular areas,” said Professor Lipo.

“From the construction site, you can visually identify that specific groups created a series of statues together, indicating separate workshops.”

This finding challenges the prevalent assumption that such large-scale monument production necessitates a hierarchical structure.

The similarities among the moai appear to be the result of shared cultural knowledge rather than collaborative efforts in carving the statues.

“Much of the so-called ‘Rapanui mystery’ arises from the scarcity of publicly available detailed evidence that would empower researchers to assess hypotheses and formulate explanations,” stated the researchers.

“We present the first high-resolution 3D model of the Rano Raraku Moai Quarry, the key site for nearly 1,000 statues, offering new perspectives on the organization and manufacturing processes behind these massive megalithic sculptures.”

Findings are detailed in an article published in the Online Journal on November 26, 2025 in PLoS ONE.

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CP Lipo et al. 2025. Production of megalithic statues (moai) at Rapa Nui (Easter Island, Chile). PLoS One 20 (11): e0336251; doi: 10.1371/journal.pone.0336251