Europa Clipper Presents a Distinct View of 3I/ATLAS

Utilizing the Ultraviolet Spectroscopy (UVS) instrument onboard NASA’s Europa Clipper spacecraft, scientists have made significant observations of 3I/ATLAS. This interstellar object is the third and only confirmed of its kind to have been detected entering our solar system from beyond it. While many telescopes on Earth and Mars struggled to track such interstellar visitors due to their proximity to the Sun, Europa Clipper was able to gather data from a distinct position as it advanced towards Jupiter.

This composite image of interstellar comet 3I/ATLAS was captured on November 6, 2025, by the UVS instrument aboard NASA’s Europa Clipper spacecraft from a distance of around 164 million kilometers (103 million miles). Image Credit: NASA/JPL-Caltech/SwRI.

Scheduled to launch in 2024 and reach the Jupiter system by 2030, Europa Clipper will orbit Jupiter and conduct 49 flybys of its icy moon, Europa.

The UVS instrument specializes in collecting ultraviolet light to analyze the composition of Europa’s atmospheric gases and the materials on its icy surface.

Dr. Curt Retherford, principal investigator for Europa-UVS and a research scientist at the Southwest Research Institute, remarked, “This unexpected opportunity to observe another target on its journey to Jupiter has us very excited.”

“Our observations offer a distinctive and detailed view of the comet.”

Discovered on July 1, 2025, by the NASA-funded ATLAS survey telescope in Rio Hurtado, Chile, 3I/ATLAS was traveling at a heliocentric distance of 4.51 astronomical units (AU) with an eccentricity of 6.13 at that time.

Within a week of its discovery, the Jet Propulsion Laboratory’s analysts had determined its trajectory through the solar system.

The Europa Clipper team quickly identified that their spacecraft could view 3I/ATLAS in November 2025, especially after Earth-based observations were largely obstructed by the Sun’s position and Mars observations became optimal.

During this period, the spacecraft provided crucial data between the Mars observations in September and upcoming Earth-based exams.

With the comet’s trajectory aligning between Europa Clipper and the Sun, the UVS team was able to observe it from a distinctive angle.

Comets feature a dust tail that trails behind and a plasma tail that extends away from the Sun.

The Europa-UVS’s unique sunward perspective enabled a rare downstream view of the comet’s two tails, primarily observing from behind the tail and toward the comet’s core and coma.

“We anticipate that this new perspective, together with data from Earth-based assets and other spacecraft, will enhance our understanding of the tail’s shape,” stated Dr. Thomas Greathouse, co-principal investigator for the Europa-UVS study.

The UVS instrument identified signatures associated with oxygen, hydrogen, and dust, reinforcing evidence of significant outgassing activity from 3I/ATLAS shortly after its closest approach to the Sun.

“Europa-UVS excels at measuring fundamental transitions of atoms and molecules,” remarked Dr. Retherford.

“We can observe gas being expelled from the comet, along with water molecules splitting into hydrogen and oxygen atoms.”

This capability allows Europa Clipper to closely analyze and measure these atomic species, offering deeper insights into the comet’s processes and composition.

“By understanding the chemical makeup of comets and how readily these gases are ejected, we can better comprehend their origins and evolution as they traverse from distant parts of the galaxy to our solar system,” explained Dr. Tracy Becker, co-principal investigator for Europa and UVS, also at the Southwest Research Institute.

“What chemical processes occur? How can we grasp the origins of comets within our solar system?”

“Are these processes akin to our theories about the formation of the solar system? That’s a key question.”

Source: www.sci.news

Trump Presents Allies with New Media Control Tool: Is It Murdoch’s TikTok? | US News

Last week, Donald Trump disclosed that the US and China are close to finalizing a deal to allow Tiktok to continue operating in the United States. While the specifics are not yet settled, the proposed agreement could see the owners of the most prominent cable television networks in the US assume control over the nation’s influential social media platforms. This arrangement would grant Trump’s billionaire allies significant influence over the vast and unique landscape of US media.

Here’s what we know: Trump stated that he has received provisional approval from China’s President Xi Jinping for a deal whereby the US version of Tiktok would gain a fresh set of domestic investors, spearheaded by the software giant Oracle. This arrangement would also protect Tiktok’s respected recommendation algorithm while enhancing its security.

Among the investors mentioned, Trump pointed out during a Fox News interview on Sunday that media tycoon Rupert Murdoch and his son Lachlan, CEO of Fox Corporation, are involved. Additionally, Michael Dell, the head of computer manufacturer Dell, is expected to take part as well.

Tiktok is reportedly set to appoint seven new board members, with six of them being American. Notably, it seems that Rupert Murdoch, Lachlan Murdoch, and Oracle’s Larry Ellison, along with the CEO of Paramount Skydance and Larry Ellison’s son, will occupy several of these positions.

Murdochs

Lachlan Murdoch, aged 54 and the son of 94-year-old Rupert, serves as the executive chair and CEO of Fox Corporation, the parent company of Fox News. Lachlan took over the company following a legal settlement with his brothers in September, one of whom, James, has distanced himself from their father’s conservative empire. The Tiktok deal might involve investments from Fox’s parent company rather than directly from Rupert or Lachlan, as reported by CNN.

“I hate to tell you this, but there’s a guy named Lachlan involved. Do you know who Lachlan is? It’s a very uncommon name, Lachlan Murdoch,” Trump remarked. “Rupert will likely join the group. I think they will be part of it. There are others involved as well. They are exceptional people, very well-known, and American patriots who love this country, so they’ll do a great job.”

If oversight of Tiktok happens, it would provide Elder Murdoch with new opportunities in technology—similar to how News Corp acquired MySpace for $580 million in 2005. While MySpace peaked as the most visited website in the US three years later, it was quickly overshadowed by Facebook, and as Bloomberg’s billionaire index indicates, Mark Zuckerberg is now worth ten times more than Rupert Murdoch.

Ellison

Trump seems to have a penchant for father-son duos. On the opposite end of Tiktok’s American boardroom, 81-year-old Larry Ellison, co-founder and CTO of Oracle, alongside his 42-year-old son David, the founder of Skydance Media, may play significant roles.

Larry Ellison holds about 40% of Oracle’s shares and has been a fixture in Silicon Valley, temporarily surpassing Elon Musk as the world’s richest person following Oracle’s impressive revenue report. He is also a longtime supporter of Trump, hosting a presidential fundraiser at his Southern California home in 2020, and is known for his luxurious lifestyle and ventures in Hawaii.

David Ellison’s company has made a significant mark in the entertainment sector, managing CBS, BET, Nickelodeon, Paramount+, and UK Channel 5. Following a recent acquisition of Paramount, which also produces the Mission: Impossible franchise, Paramount Skydance is reportedly planning a cash offer to acquire Warner Bros. Discovery, which owns CNN, HBO, DC Comics, and other major properties.

Leading up to this merger, CBS News reached a settlement over a lawsuit regarding ‘60 Minutes’, appointing Trump allies as ombudsmen and courting former New York Times columnist Bari Weiss as a potential leader for the channel’s revamped version. This could serve as a precursor to how David Ellison might manage Tiktok.

How Powerful Will They Become?

Should Tiktok’s deal and David Ellison’s acquisition of Warner Bros. Discovery proceed, the combined power of the Murdochs and Ellisons would be immense. They would control media outlets that engage both older and younger demographics, yielding significant authority and sway. The only age group potentially unaffected by their influence may be those on Tiktok, who are skeptical of their parents’ viewing trends.

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Is such integration legal? The Federal Communications Commission’s website includes stringent anti-monopoly regulations regarding television broadcasting. Regulations do not specifically address Fox News Channel or CNN.

Nevertheless, such regulations are pertinent. What implications arise when the owner of the most powerful cable channels in the US also controls the nation’s critical social media platforms? Might this breach antitrust laws?

The answer may lie within the regulations, particularly surrounding changes made eight years ago that lifted the ban on owning both television stations and daily newspapers in the same market. This decision was based on the claim that entertainment, news, and information had diversified significantly within the modern media landscape.

If an individual owns a local television station and its newspapers, why shouldn’t billionaires be able to oversee extensive social networks and the country’s leading channels?

Examining the intricacies of FCC regulations may not be as crucial as Trump’s influence, which plays a significant role in high-level decisions by the US government. Trump’s administration has successfully influenced the FCC to facilitate deals that levy pressure on networks outside of his allies’ control. Recently, the Supreme Court ruled that Trump could dismiss the singular Democrat on the committee, with Secretary Brendan Carr’s role in overseeing Jimmy Kimmel’s program suspension being questioned.

The American media landscape is taking on a distinctly Republican hue as Trump’s Tiktok transaction unfolds. Nexstar, the largest owner of local US television stations, expressed alignment with Trump’s decision to halt Kimmel’s shows, mimicking local television giant Sinclair. Currently, CBS and CNN, two major news networks, may soon be following Fox’s conservative trajectory. Online, X has shifted from a diverse platform to a more conservative social network, and Tiktok may follow suit under a board approved by MAGA.

At this juncture, the Murdochs and Ellisons appear to be benefiting from Trump’s favor.

Source: www.theguardian.com

Tesla Presents Elon Musk with a Trillion-Dollar Compensation Package

Elon Musk might become the first individual to exemplify a significant milestone as he targets ambitious goals set by Tesla, where he holds the largest shareholding, in a plan unveiled by the electric vehicle giant.

In the recent stock market update, Tesla detailed an incentive package that is unparalleled in corporate history, stating, “Yes, I’m interpreting this correctly.”

The company reported that Musk aims to elevate its market value from over $1 trillion today to an astonishing $8.5 trillion over the next decade.

If he achieves this level of growth, the 54-year-old mogul could obtain additional shares in the company, raising his stake from nearly 16% to more than 25%, thus propelling the world’s richest individual’s fortune to exceed $200 billion.

Current estimates of Musk’s net worth vary; however, live rankings from Forbes indicate that the South African-born entrepreneur’s wealth stands at $43.09 billion, while Larry Ellison, co-founder of Oracle, follows with $200 billion.

Tesla’s incentive plan was revealed in a filing with the U.S. Securities and Exchange Commission on Friday.

This filing paved the way for a potential $55.8 billion bonus, linked to a compensation deal that Musk received in 2018, approved by Tesla shareholders.

“Ultimately, this new award aims to build on the successes of the CEO Performance Awards framework established in 2018, ensuring that Elon is compensated solely based on performance and motivating him to steer Tesla through its growth phase,” the company stated.

Tesla noted that the new plan also sets a profit goal of 28 times that of the 2018 scheme, depending on the success of new offerings, such as operating 1 million “Robotaxis” and developing 1 million AI-driven Humanoid Robots.

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In defense of Musk’s potential compensation, Tesla noted: “His leadership propels Tesla to become the most valuable company in history.”

The projected $8.5 trillion market value more than doubles the current valuation of Nvidia, the leading chip manufacturer presently recognized as the world’s most valuable company.

Source: www.theguardian.com

The Pennsylvania Museum Presents a Sanctuary Beneath the Artist’s Glass Dome

This article forms part of the museum’s special feature on how artists and institutions are evolving in response to a changing world.


“Super/Natural”—an immersive, dome-shaped stained glass artwork by Judith Schaechter—truly comes to life from within.

Entering through the small portal, one is enveloped by vibrant glows of birds, stars, insects, and fantastical plants and roots in optimal lighting. Earlier this year, I had the chance to experience it firsthand in Schaechter’s home studio, and I felt a unique blend of serenity and admiration.

This evokes a thoughtful design. Such illumination profoundly affects human emotions, a truth acknowledged by medieval architects and glass artisans centuries ago.

“I’m not particularly religious, but it’s hard not to feel a sense of reverence and awe when stepping into the dome,” noted Chief Curator Laura Turner Igo. The James A. Michener Museum in Doylestown, Pennsylvania, currently features nine glass panels and two related drawings that delve into the eight-foot-tall artwork and our connection to the universe. The exhibition, Super/Natural, opened on April 12th and extends through September 14th.

“You’re enveloped by a riot of plants, insects, and birds,” Igo explained. “Skeletons and bones are present, representing both the splendor of life and the interconnectedness of death and decay. It’s beautiful yet slightly unnerving.”

Schaechter created this exquisite piece during her recent tenure as an artist-in-residence at the Penn Neurotherapy Center in Philadelphia, situated about 40 miles from Michener. The center was on her radar due to her interest in literature regarding the science of consciousness and beauty, often referred to as the “aesthetic brain.” I will oversee the center’s various activities.

When Schaechter reached out a few years back, she found that the center frequently hosts artists, and the timing coincided with the end of the current residents’ term. Excitedly, she volunteered for the next opportunity.

Upon arrival, she aimed to create an immersive experience that positions humans at the center of a “three-layer cosmos,” as she described in a video interview. The resulting structure serves as a serene and enigmatic sanctuary.

Dr. Chatterjee remarked that he wasn’t surprised by the emotional impact of Schaechter’s work. “Usually, feelings of reverence arise in the presence of vastness, making individuals feel small and connected to something greater,” he mentioned in an email interview. “The brain’s network that triggers contemplation and rewards likely gets activated. This can lead to the release of endogenous endorphins related to transcendence, as well as the pleasant emotions of oxytocin associated with connection.”

Schaechter began her BFA at the Rhode Island School of Design in 1983 and was recently honored with the 2024 Smithsonian Visionary Award. She is represented by the Claire Oliver Gallery, and her works are part of collections at both the Philadelphia Museum and the Victoria and Albert Museum in London.

“No one works in glass quite like Judith,” Igo said. She recounted her recent visit to the Met, where she viewed “Garden Landscape,” a three-part stained glass window crafted by Agnes Northrop at Louis Comfort Tiffany’s studio. “Such artworks likely share the immersive quality and technique of ‘Super/Natural,'” she noted, referencing Maxfield Parrish’s “Dream Garden.”

“Of course, Northrop’s work was produced by a larger studio, while Judith meticulously crafted every piece for ‘Super/Natural,'” she added.

Last month, Schaechter discussed her work in a video interview from a beautifully restored 19th-century row house in Philadelphia. The conversation was edited for clarity and brevity.

What artistic goals did you set during your residency at the Penn Neuroaesthetics Center?

They focus on three core themes: beauty and morality, the built environment and wellness, and the relationship with art.

I aimed to undertake a project that confronted issues of beauty and morality, yet I yearned for artistic inspiration. At the onset of my residency, I delved into natural history illustrations, particularly those created by women, which had been one of the few acceptable art forms for women in the 17th and 18th centuries. I found Maria Sibilla Merian’s work particularly inspiring. These artists aimed to render nature objectively, yet their work often appeared more artistic than scientific. I sought to explore this intersection.

What is your experience like at the center?

The atmosphere is fascinating, accommodating around 15 individuals at any time. There are undergraduate students, many of whom are pursuing dual majors in artistic disciplines like architecture and fine art. There is also a medical student focused on plastic surgery who is keen on aesthetics for evident reasons. Weekly lab meetings gather everyone to share project updates, including both Dr. Chatterjee and myself.

Reflecting on my experience in “Super/Natural,” why do you believe glass, particularly the way it interacts with light, evokes such a sense of awe?

I think it has a biological basis. We have an inherent physical response to light, particularly when it’s refracted through glass. Colored light holds a certain magic; it isn’t simply perceived as absence. Most artworks are intended to be appreciated in reflected light since, as humans, we aren’t designed to gaze directly at the sun. Thus, the role of stained glass artists is to modulate that light, rendering it visible.

It’s as though you can reach out and touch the light; glass lets you momentarily grasp something ethereal.

Indeed, people are captivated by radiant light. Just think of how someone might place an empty vodka bottle in a kitchen window to catch the light. It doesn’t always have to be extravagant to be appreciated. There lies an extraordinary resonance in that experience.

What do you hope visitors take away from their experience with your work?

I aim to spark inspiration in others. Everything crafted within the dome emanates from my imagination.

I am immensely grateful for advancing technology, which allows me to explore the craft field within the dome without negating the human touch. However, I feel that many become enamored by technology and overlook the extraordinary power of our own hands and intellect. So while working on the dome, I relied on few reference materials; at 64, my mental repository is rich with experiences and knowledge.

Source: www.nytimes.com