Chris McCausland: A Surprising Exploration of How Technology is Transforming Lives for People with Disabilities

WThe ash processor has allowed women to engage in exhausting jobs that drain their leisure time. While social media sparked one revolution, it also led to the destabilization of democracies worldwide. Now, with the rise of AI, it appears that screenwriters might be among its primary targets for replacement. It’s easy to succumb to techno-pessimism; however, the new documentary *Seeing into the Future* (Sunday, 23 November, 8 PM, BBC Two) offers a fresh perspective. For individuals with disabilities, tech advancements are already making a significant impact, and this is just the beginning.

Hosted by comedian and *Strictly* champion Chris McCausland, who is visually impaired, the show features surprisingly captivating moments early on, such as how he utilizes his smartphone. Essentially, it serves as his eyes and voice. “What T-shirt is this?” he inquired while holding up the item. “Gray T-shirt with Deftones graphic logo,” his phone declared. It even informs him if his shirt requires ironing. However, McCausland was more curious about the origins of this technology and traveled to the U.S. to explore developments in the homes of tech leaders.

He visited Meta’s facility to test smart glasses. Personally, it felt as if he were either in a lair of a fictional villain or wandering around a castle for treats. This perspective reflects my lack of immediate necessity for such tech, as documentaries aim to unveil possibilities rather than highlight deficiencies. I imagine Mr. Zuckerberg isn’t lurking in a lab with pets or spinning in an egg chair.

I enjoy broadening my viewpoint. Although a button-less glass screen appears to be an exclusive gadget, McCausland acknowledges that his smartphone has turned into the most accessible device he has ever encountered. He expresses excitement about a device he whimsically refers to as Metaspec. This device is always active, offering live video descriptions and identifying what he’s viewing. It functions like a phone but is more like a wearable gadget. “A blind person will never have both hands free,” he remarks.




McCausland and Meta’s Vice President of Accessibility and Engagement Maxine Williams test out smart glasses.
Photo: BBC/Open Mic Productions

At MIT, he learned about nanotechnologies that may enable molecular devices to repair bodily cells. He experimented with a bionic walking aid that attaches to the calf to provide the wearer with additional strength, similar to the knee brace Bruce Wayne wore in *The Dark Knight Rises*. The most significant moment for him was traveling in a self-driving car, marking his first experience of riding alone in a vehicle.

Autonomous vehicles are anticipated to debut in the UK next spring (which feels like a long wait). My instinct is to label them as NOPE. Nevertheless, McCausland noted, “it’s not terribly different from trusting an unfamiliar driver.” These extraordinary cars come equipped with rotating radars that compute data, including the speed of light, to create a 3D model of their surroundings instantly. They might even feature gullwing doors. McCausland appreciated the self-operating handle, which adds a touch of intrigue. Coolness is likely the second best drive an engineer can pursue, the first being ensuring equal access to dignity and independent living. I must clarify that my skepticism doesn’t stem from just a general mistrust of technology; it leads to a mistrust of profit-driven big tech companies in considering public welfare or accountability.


The documentary also offers similar moments of delight, showcasing cultural disparities across the Atlantic. The participants are not merely Americans but the innovative minds of San Francisco. Unintentional comedy is enhanced by McCausland’s dry wit; even while discussing a blood-based computer with a nanotechnologist that could potentially restore eyesight, he seems more inclined to grab a pint at the pub than delve into futuristic devices.

The technology portrayed is distinctly American. “Can you hear the plane?” McCausland urged Zuckerberg to test out the glasses. “Yes, I can see the plane in the clear blue sky,” a serious, bespectacled participant replied. McCausland then exchanged a wry look with his camera crew, quipping, “Do they appear to know what they’re doing?” Judging by their gear, it seems they are indeed professionals. While gadgets become more capable of divine-like capabilities, a layer of skepticism remains, even when wearing Batman’s leg braces.

Source: www.theguardian.com

Chris Packham: “This Isn’t Just an Extinction Event—It’s Extinction Itself.”

Wildlife broadcaster Chris Packham developed a deep connection with nature long before he could articulate it. As a child in his parents’ modest Southampton backyard, he became captivated by tadpoles, snails, and ladybugs. His interests quickly flourished, transforming his bedroom into a sanctuary of jars and tanks, with the garden evolving into a habitat for foxes and kestrels.

Packham attributes part of his intense curiosity to autism, which he believes enhances his pattern-finding abilities while also necessitating refuge from overwhelming social interactions. Unreservedly vocal both on-screen and off, Packham champions environmental issues and animal rights, spearheading campaigns like one aiming to cease game shooting and industrial agriculture. These outspoken views have not been without consequences; in 2019, threats against him escalated to the point where a dead crow and a fox were left hanging from his gate.

Yet these acts of violence only fortify his resolve to advocate for the natural world. In a conversation with New Scientist, he shared insights about his ongoing campaign against fossil fuel advertising in the UK, his upcoming evolution television series, and strategies for fostering a sustainable future on Earth.

Thomas Luton: Your connection with nature is evident every time I watch BBC’s Spring Watch. Does your autism you have help forge this bond?

Chris Packham: My fascination with nature comes from my meticulous observation and rapid memorization skills, allowing me to identify behaviors and anatomical patterns. I found a comfort zone in the natural world, free from peer judgment. My father, a marine engineer, and my mother, the Attorney General, didn’t directly fuel my interest, but they offered support.

Walking through the forest is one thing people who don’t need to overconsume can do

Kevin Britland / Alamy Stock Photo

As a child, my room was filled with living specimens. However, everything changed when I turned 12 and received a pair of binoculars from my dad. My passion shifted from maintaining creatures to observing them in their natural habitats.

I had an intense interest in natural history, often jumping from one species to another. While it may now be termed “intense interest,” I prefer the term “obsession.” The greater your ability to concentrate on specific tasks, the easier it is to push aside distractions and delve deep into the subject matter, which becomes a driving force behind your curiosity.

Those are remarkable abilities. However, being neurodivergent has its challenges. How might you encourage others to consider how a neurodivergent individual with autism perceives the world?

It’s essential to focus not just on challenges but also on the opportunities and strengths that come with neurodiversity. As a child, I felt drawn to the forest to engage with the wonders I desired to see and capture. In truth, I found solace there, free from judgment.

I became completely immersed in the experience. While most can identify trees by looking at their shape, leaves, or bark, I can recognize them by the sound of raindrops on their leaves when I close my eyes. It’s not an extraordinary skill—anyone can learn it—but it reflects how deeply I wish to engage with the natural world.

You’ve dedicated a significant portion of your life to environmental protection. Why do you think you’ve faced backlash as an activist?

Like many, I’m asking essential sections of society to reassess their opinions and habits. Humans are remarkable creatures—intelligent, adaptable, and innovative—yet we often struggle to change our minds.

We burn the natural resources of the planet

Jim West / Alamy Stock Photo

However, it’s evident that if we don’t change our philosophies and practices, we will continue to dive deeper into crisis. There are opportunities to address these issues, and it’s vital we seize them while we can. Unfortunately, some segments of society resist this change, and that small minority can react aggressively.

Why do you think you’re confronted with such violence?

I genuinely don’t let it affect me. I’m a determined individual; if I believe in the cause, I won’t be deterred by threats. I don’t engage in a fight because I expect to win; I choose my battles based on what I believe is right. Winning isn’t about crossing the finish line; it’s about perseverance.

Currently, it can be quite challenging to unite activists, campaigners, and protestors in solidarity.

How can this be achieved?

In the UK, public protest is hindered by an unjust legal landscape. Sometimes, merely wearing a T-shirt or holding a sign can lead to arrest. We have to confront the ongoing atrocities related to environmental legislation, not just locally but especially regarding protections elsewhere in the world.

Nonetheless, I remain optimistic. Humanity possesses incredible tools, technologies, and capabilities to adapt to the challenges we’ve created. The key is to harness and deploy these resources effectively and swiftly.

Recently, you launched a petition to end fossil fuel advertising and sponsorships in the UK. Is this a significant hurdle to climate action?

In the UK, fossil fuel companies may not invest heavily in advertising, yet they cleverly target their efforts towards decision-makers and influential figures. This manipulation breeds skepticism.

Moreover, billions are funneled into sports sponsorships by these companies, subtly embedding themselves into daily life, thereby normalizing their practices.

Protesters fighting Shell’s British Cycling sponsorship

Andrea Domeniconi/Alamy Live News

Such sponsorships should not normalize corporations that harm our planet. The juxtaposition of cycling—an activity promoting health and reducing carbon emissions—with Shell’s sponsorship is nothing short of absurd. Additionally, allowing fossil fuel companies to sponsor institutions like the Science Museum and British Museum is unacceptable.

What does a sustainable future entail for you?

While technology presents challenges in forecasting, what I need is a shift in mindset. The prevalent focus on economic growth must be abandoned, as such growth often comes at the expense of our planet’s resources. Carefully managing these limited resources is essential for our future.


I ask important parts of the population to change their minds and habits

People need to reevaluate their desires. Does consuming more truly bring happiness? What genuinely enriches our lives—whether it’s nature, art, music, or dance—does not necessitate piling up possessions.

What additional changes are essential beyond mindset? Should we consider reducing population growth as part of achieving sustainability?

When discussing overpopulation, precision is essential. More people typically mean more consumption, but we must consider who is consuming. In many rapidly growing regions, consumption levels remain low.

If everyone consumed resources at the same rate as individuals in the US, we would require the resources of five planets to uphold that demand. Given the vast disparities in resource availability, equality is crucial for addressing climate change.

One of the most disappointing aspects of the Climate Summit discussions is the reluctance to subsidize poorer nations, which bear the brunt of climate change, due to selfish interests.

Shifting topics, you recently completed filming a BBC series on evolution, set to debut next year. How can humans benefit from understanding their place in the lengthy history of evolution?

We must first recognize how fortunate we are to exist. Mutations are random occurrences, and the conditions that foster success can be incredibly rare. The chances of human life evolving were slim, often hinging on serendipity.

Moreover, evolution offers critical insight into the harm humans inflict on nature. While examining historical extinction events, it’s important to remember that they aren’t always catastrophic for all life forms. For instance, while the extinction of dinosaurs presented hurdles for them, it opened up numerous ecological niches for mammals to thrive.

Today, we aren’t merely observing extinction events; we’re actively causing them. We must use accurate language to address this issue. No matter the harm inflicted on our planet, the resilience of life suggests it will endure, possibly evolving into forms more beautiful than before.

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Source: www.newscientist.com

Spotlight on October 2025’s Top Science Fiction Release: A Tribute to Ursula K. Le Guin Featuring Chris Hadfield

Sci-fi writer Ursula K. Le Guin in 2001

Benjamin Brink/Oregonian/AP/Alamy

Like many others, Ursula K. Le Guin is undoubtedly one of my beloved sci-fi authors. I’m thrilled about this month’s compilation of maps that I plan to use as inspiration for my story. Especially after enjoying It Was Confiscated. Join the New Scientist Book Club: Do Do Do Do and Jo, and share your insights on this classic with fellow readers!

This month not only brings back science fiction, but I eagerly anticipate it. Ken Liu will introduce a thriller based in the near future. I’m particularly interested in the tale of flooded Kolkata and the challenges faced by the mother, Megamajumdal. Additionally, there’s a story from astronaut Chris Hadfield and a new offering from author Mark Z. Danielewski, titled Leaf House.

Le Guin will venture into her great stories, promoting the Earthsea series (I recall the archipelago mentioned in those books) and I Always Go Home. This new collection features these maps alongside interviews, poetry, recipes, and contributions from various writers. It seems like a true treasure trove for fans like me of Le Guin.

Set in the not-so-distant future, this sci-fi thriller revolves around hacker Julia, who is tasked with rescuing a “dream artist” while uncovering the mysteries of virtual reality. This is the first in the Julia Z series, which has received the Hugo Award.

Reynolds once wrote fantastic sci-fi short stories for New Scientist. In one, we follow Yuri Gagarin, a private investigator observing a death aboard a spacecraft, weaving a tale through the vastness of space.

I’m not sure how far this fits within the realm of science fiction, but I believe there are many overlaps between sci-fi enthusiasts and those who adore Danielwski’s inventive works, particularly Leaf House. In fact, my colleague Jacob Aron selected it as one of the greatest sci-fi novels ever written. Therefore, I imagine quite a few people, myself included, are eager to hear about Danielewski’s latest novel this month. It ostensibly follows two friends who are trying to escape a massacre in a small town in Utah called Orbop, though I suspect there’s much more to it than that.

This dystopian narrative unfolds in a setting where a mysterious illness has stripped people of their memories, challenging how they interact and live. However, as “fragments of memory” start resurfacing, they threaten the center’s rigid structure, prompting students to question their reality. I love how they occupy their free time, watching old tapes and embodying characters like Chandler and Gunther, Maria and Chino!

Fits by Ariel Sullivan

Drawing comparisons to The Hunger Games, this story takes place in a dystopian world where individuals are evaluated based on their ability to fit in, centering on a woman caught in a love triangle. It highlights the perils of social and genetic engineering.

In Cold Eternity, a fugitive takes refuge on an abandoned spaceship

roman3dart/Getty Images

This slice of space horror is perfect for the Halloween season. Halley embarks on an adventure after uncovering an interplanetary conspiracy. She takes refuge in the Elysian Field, a drifting space vessel once believed to be a sanctuary by the wealthy until its inhabitants succumbed to death. After being abandoned for over a century, Halley now senses something amiss aboard…

Astronaut Chris Hadfield’s Cold War thriller is set in the 1970s during a space race involving the US, Soviet Union, and China. The narrative follows a new Apollo mission as it ventures into orbit. This marks the third entry in Hadfield’s series, following Apollo Murder and Exile.

This tale strikes me as a must-read. It unfolds in present-day Kolkata, where climate change and food scarcity have led to flooding and hunger. MA teams up with her husband in Michigan, bringing their 2-year-old daughter and elderly father. Just as they prepare to depart, MA realizes her immigration documents have been stolen. What ensues is a frantic one-week search for the thief. Meanwhile, the offender, Bulba, grapples with escalating crimes while trying to provide for his family. As disaster looms, what lengths will each individual go to protect their children?

European grey wolf (Canis Lupus) hunting in the forest

Arndt Sven-Erik / Arterra Picture Library / Alamy

Lucy, whose earliest memories date back to the Covid-19 pandemic, is now striving to restore lost species. Hester was born on the day of the Chernobyl disaster. In the words of Kim Stanley Robinson, this is “enduring” and “unforgettable.”

We receive two stories in one with this doubleheader. The first presents crime-laden narratives set in a futuristic scientific cosmos. Mirrors Red Star Hustle follows the adventures of a high-end escort entangled with a “noble clone of a murderous puppet monarch,” a unique blend that intrigues me. Kowal’s Anxiety also unfolds a tale of a grandmother whose grandchild is tempted into a terrorist group, all while a new planet harbors new challenges and possibilities.

If you enjoy Pride, Prejudice and Zombies, then Zenith (or Nadile) reimagines Jane Austen. This is an inventive remix of Pride and Prejudice and Frankenstein, depicting the lesser-known sister, Mary Bennett, as a brilliant scientist aspiring to revive the dead in search of her husband. But then she meets a remarkable young woman, leading her to reconsider her true desires.

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Source: www.newscientist.com

Mark Zuckerberg’s Era of Deception: The Battle for Truth on Social Media | Chris Stokel Walker

SSocial media has always served as an entertainment mirror for society as a whole. The algorithms and amplification of our always-on online presence have highlighted the worst parts of our lives while obscuring the best parts. This is part of why we are so polarized today, with two tribes screaming at each other on social media and plunging into a gaping chasm of despair.

This is what makes a statement released by one of the tech giants this week so alarming. Let those who enter give up hope. With less than two weeks until Donald Trump returns to the White House for the second runoff of the US presidential election, Meta, the parent company of Facebook, WhatsApp, Instagram and Threads, is making major changes to its content moderation. added. In doing so, it appears consistent with the president-elect's views.

Meta CEO Mark Zuckerberg announced in a bizarre video message posted to his Facebook page on Tuesday that the platform would be eliminating fact checkers. Instead of them? mob rules.

Zuckerberg said the platform: Over 3 billion people The company, which around the world logs on to its app every day, plans to adopt an Elon Musk-style community note format to police what is and isn't acceptable speech on its platform. . Starting in the United States, the company plans to dramatically shift the Overton window to those who can shout it loudest.

Meta's CEO largely acknowledged that the move was politically motivated. “It's time to go back to our roots around freedom of expression,” he said, adding that “restrictions on topics like immigration and gender… […] It deviates from mainstream discourse. ” He acknowledged past “censorship mistakes,” by which he likely meant the past four years of suppressing political speech during the Democratic president's tenure, and added that he “worked with President Trump to ensure that U.S. companies We will prevent foreign governments from attacking the United States.” Please check more. ”

The most dog-whistle comment was that Meta's remaining trust and safety and content moderation teams would be relocated from liberal California, and that its U.S. content moderation arm would now be based in solidly Republican Texas. It was a throwaway line. The only thing missing from the video was Zuckerberg wearing a MAGA hat and carrying a shotgun.

Let me be clear: all businessmen make smart decisions based on political circumstances. And few storms are as violent as Hurricane Trump as it approaches the United States. But few people's decisions are as important as Mark Zuckerberg's.

Over the past 21 years, Meta CEO has found himself a central figure in society. Initially, he oversaw a website used by college students. Now billions of people from all walks of life use it. In the early 2000s, the eccentric pursuit of online fun was nowde facto public town squareIn the words of Elon Musk. Where the meta goes, the world follows, online and offline. And Meta just decided to do a dramatic handbrake right turn.

Please don&#39t believe it. Trust the watchdog. “Today’s Meta announcement is a retreat from a healthy and safe approach to content moderation.” The Real Facebook Oversight Committeesaid in a statement that he is an independent person who sees himself as the arbiter of Meta&#39s movements.

They say that because if there&#39s one thing we&#39ve learned from social media polarization over the past decade, it&#39s that the angriest person wins the argument. Anger and lies can spread on social media, and are only partially contained by the platforms&#39 ability to intervene if things get out of hand. (Recall that exactly four years ago, Meta suspended Donald Trump from Facebook and Instagram for two years for inciting the violence that stormed the Capitol on January 6, 2021.)


Social networks have always struggled with controlling speech on their platforms. Regardless of the outcome of the debate, what they are sure to do is annoy 50% of the population. These platforms are chronically underinvested in growing their businesses at all costs. Platforms have long argued that effective moderation is a problem of scale, and this is the problem they have created by pursuing scale at all costs.

To be sure, policing online speech is difficult, and the level of content moderation that companies like Meta are trying to operate at doesn&#39t work. But abandoning it completely in favor of community notes is not the answer. Suggesting that it is a rational, evidence-based decision masks the reality. It’s a politically expedient move for someone who this week supported the resignation of self-proclaimed “radical” centrist Nick Clegg as head of global policy. A person who leans toward the Republican Party. He appointed Dana White, CEO of Ultimate Fighting Championship and a close Trump ally, to Meta&#39s board of directors.

In many ways, you can&#39t blame Zuckerberg for bending the knee to Donald Trump. The problem is that his decisions have a huge impact.

This is an extinction event for the idea of ​​objective truth on social media. The creature was already on life support, but one of the reasons it&#39s hanging on is that Meta has decided to fund an independent fact-checking organization to try to keep some elements of social media afloat. This is because he was ambitious. Authenticity and freedom from political bias. Night is day. The top is the bottom. Meta is X. Mark Zuckerberg is Elon Musk. Live out four tumultuous, bitter and unfounded years online.

Source: www.theguardian.com

Is Your Data Safe from AI Giants? Not unless you opt out | Chris Stokel Walker

IImagine someone driving a high-end sports car to a pub. £1.5 million Koenigsegg Regerapark and saunter out of your car to pick one at random. They come to the pub where you’re drinking, start walking around the patrons, slip their hands into their visible pockets, and smile at you as they pull out your wallet and empty it of cash and cards.

Not-so-sophisticated pickpockets will stop if you ask out loud, “What the hell are you doing?” “We apologize for the inconvenience,” says Suri. “It’s an opt-out system, dude.”

It sounds ridiculous. But this appears to be the approach the government is pursuing to appease AI companies. A consultation meeting will be held soon, Financial Times coverageThis will allow AI companies to scrape content from individuals and organizations unless they explicitly opt out of having their data used.

The AI revolution is both rapid and comprehensive. Even if you’re not one of them, 200 million people If you log on to ChatGPT every week or dabble in generative AI competitors like Claude or Gemini, you’ve undoubtedly interacted with an AI system, knowingly or not. But to keep the AI fire from burning out, we need two constantly replenishing sources. One is energy. This is why AI companies are getting into the nuclear power plant acquisition business. And the other thing is data.

Data is essential to AI systems because it helps them recreate how we interact. If the AI has any “knowledge”, which is highly disputed given that it is actually a fancy pattern matching machine, it comes from the data used to train it. .

In some studies, large-scale language models such as ChatGPT Training data is missing By 2026, that appetite will be huge. But without that data, the AI revolution could stall. Tech companies know this, which is why they license content from left, right, and center. But it has created friction, and an unofficial mantra has continued in the sector over the past decade.move fast and break things” causes no friction.

This is why they are already trying to steer us towards an opt-out approach to copyright, rather than an opt-in regime, where everything we type, post and share is locked in until we say no. It is destined to become AI training data by default. Companies must ask us to use their data. We can already see how companies are nudging us towards this reality. This week, X began notifying users of changes to its terms of service that will allow all posts to be used for the following purposes: train grokElon Musk’s AI model designed to compete with ChatGPT. Meta, the parent company of Facebook and Instagram, then made similar changes, resulting in the widespread urban legend of “Goodbye Meta AI,” which purportedly invalidates legal agreements.

It’s clear why AI companies want an opt-out system. If you ask most people if they want to use something in the books they write, the music they produce, or the posts and photos they share on social networks to train an AI, they’ll probably say no. And the gears of the AI revolution will turn off. Why the government would want to enable such a change to the concept of copyright ownership that has existed to date. over 300 yearsis stipulated by law. 100 or moreit’s not so obvious. But like many things, it seems to come down to money.

The government faces lobbying from big tech companies suggesting this is a requirement for the country to be considered as a place to invest in AI innovation and share the spoils. A lobbying document prepared by Google suggests support for its approach to an opt-out copyright regime.guarantee uk In the future, it could become a competitive arena for developing and training AI models. ”So the government’s discussion of how to frame the issue, with opt-out options already on the table as a countermeasure, is a major victory for big tech lobbyists.

With so much money flowing into the tech industry and high levels of investment going into AI projects, Keir Starmer understandably doesn’t want to miss out on the potential benefits. It would be remiss of the Government not to consider how to appease the tech companies developing world-changing technology and help turn the UK into an AI powerhouse.

But this is not the answer. To be clear, the copyright system in question in the UK means that companies effectively own every post we make, every book we write, every book we create. This means it will be possible to add nicknames to songs and to our data without being penalized. That requires us to sign up to every individual service and say, “No, we don’t want you to chop up our data and spit out a poor composite image of us.” The number can number in the hundreds, from large technology companies to small research institutes.

Lest we forget, OpenAI – now Over $150 billion – The company plans to abandon its original nonprofit principles and become a for-profit company. Rather than relying on the charity of the general public, we have enough funds in our coffers to pay for our training data. Surely such companies can afford to line their pockets, not ours. So please let go.

Source: www.theguardian.com