Spotlight on October 2025’s Top Science Fiction Release: A Tribute to Ursula K. Le Guin Featuring Chris Hadfield

Sci-fi writer Ursula K. Le Guin in 2001

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Like many others, Ursula K. Le Guin is undoubtedly one of my beloved sci-fi authors. I’m thrilled about this month’s compilation of maps that I plan to use as inspiration for my story. Especially after enjoying It Was Confiscated. Join the New Scientist Book Club: Do Do Do Do and Jo, and share your insights on this classic with fellow readers!

This month not only brings back science fiction, but I eagerly anticipate it. Ken Liu will introduce a thriller based in the near future. I’m particularly interested in the tale of flooded Kolkata and the challenges faced by the mother, Megamajumdal. Additionally, there’s a story from astronaut Chris Hadfield and a new offering from author Mark Z. Danielewski, titled Leaf House.

Le Guin will venture into her great stories, promoting the Earthsea series (I recall the archipelago mentioned in those books) and I Always Go Home. This new collection features these maps alongside interviews, poetry, recipes, and contributions from various writers. It seems like a true treasure trove for fans like me of Le Guin.

Set in the not-so-distant future, this sci-fi thriller revolves around hacker Julia, who is tasked with rescuing a “dream artist” while uncovering the mysteries of virtual reality. This is the first in the Julia Z series, which has received the Hugo Award.

Reynolds once wrote fantastic sci-fi short stories for New Scientist. In one, we follow Yuri Gagarin, a private investigator observing a death aboard a spacecraft, weaving a tale through the vastness of space.

I’m not sure how far this fits within the realm of science fiction, but I believe there are many overlaps between sci-fi enthusiasts and those who adore Danielwski’s inventive works, particularly Leaf House. In fact, my colleague Jacob Aron selected it as one of the greatest sci-fi novels ever written. Therefore, I imagine quite a few people, myself included, are eager to hear about Danielewski’s latest novel this month. It ostensibly follows two friends who are trying to escape a massacre in a small town in Utah called Orbop, though I suspect there’s much more to it than that.

This dystopian narrative unfolds in a setting where a mysterious illness has stripped people of their memories, challenging how they interact and live. However, as “fragments of memory” start resurfacing, they threaten the center’s rigid structure, prompting students to question their reality. I love how they occupy their free time, watching old tapes and embodying characters like Chandler and Gunther, Maria and Chino!

Fits by Ariel Sullivan

Drawing comparisons to The Hunger Games, this story takes place in a dystopian world where individuals are evaluated based on their ability to fit in, centering on a woman caught in a love triangle. It highlights the perils of social and genetic engineering.

In Cold Eternity, a fugitive takes refuge on an abandoned spaceship

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This slice of space horror is perfect for the Halloween season. Halley embarks on an adventure after uncovering an interplanetary conspiracy. She takes refuge in the Elysian Field, a drifting space vessel once believed to be a sanctuary by the wealthy until its inhabitants succumbed to death. After being abandoned for over a century, Halley now senses something amiss aboard…

Astronaut Chris Hadfield’s Cold War thriller is set in the 1970s during a space race involving the US, Soviet Union, and China. The narrative follows a new Apollo mission as it ventures into orbit. This marks the third entry in Hadfield’s series, following Apollo Murder and Exile.

This tale strikes me as a must-read. It unfolds in present-day Kolkata, where climate change and food scarcity have led to flooding and hunger. MA teams up with her husband in Michigan, bringing their 2-year-old daughter and elderly father. Just as they prepare to depart, MA realizes her immigration documents have been stolen. What ensues is a frantic one-week search for the thief. Meanwhile, the offender, Bulba, grapples with escalating crimes while trying to provide for his family. As disaster looms, what lengths will each individual go to protect their children?

European grey wolf (Canis Lupus) hunting in the forest

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Lucy, whose earliest memories date back to the Covid-19 pandemic, is now striving to restore lost species. Hester was born on the day of the Chernobyl disaster. In the words of Kim Stanley Robinson, this is “enduring” and “unforgettable.”

We receive two stories in one with this doubleheader. The first presents crime-laden narratives set in a futuristic scientific cosmos. Mirrors Red Star Hustle follows the adventures of a high-end escort entangled with a “noble clone of a murderous puppet monarch,” a unique blend that intrigues me. Kowal’s Anxiety also unfolds a tale of a grandmother whose grandchild is tempted into a terrorist group, all while a new planet harbors new challenges and possibilities.

If you enjoy Pride, Prejudice and Zombies, then Zenith (or Nadile) reimagines Jane Austen. This is an inventive remix of Pride and Prejudice and Frankenstein, depicting the lesser-known sister, Mary Bennett, as a brilliant scientist aspiring to revive the dead in search of her husband. But then she meets a remarkable young woman, leading her to reconsider her true desires.

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Explore an Excerpt from the Acclaimed Science Fiction Novel “The Tossossed” by Ursula K. Le Guin

What’s confiscated takes place in the twin world of Anar and Urras

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A wall existed. Its significance was debatable. Constructed from unshaped stones, it stood visible to adults, while even children could scale it. Where it bisected the road, rather than a gate, it merely melded into geometric lines and borders. However, the concept of the wall was tangible. That was crucial. For seven generations, this wall had been paramount.

Like all walls, it represented duality. What lay within and what lay beyond depended entirely on which side you viewed it from.

From one perspective, the wall enclosed a desolate 60 acres known as Anarl Port. This place featured large gantry cranes, rocket pads, three warehouses, a truck garage, and a dormitory. The dorm was sturdy yet grimy, lacking in life. No garden flourished, no children played. Clearly, it was uninhabited, intended for only temporary use. In actuality, it functioned as a quarantine zone, encasing not just the landing fields but also the spacecraft, their crews, and the vast universe beyond. Anar remained outside its confines, unshackled.

Viewed from the opposite side, the walls enclosed the Anar, capturing the entire planet within. Here, significant detention facilities stood, isolated from other civilizations and populations, perpetually quarantined.

Numerous individuals traversed the road toward the landing field or lingered where the road intersected the wall.

Many hailed from the nearby city of Abenay, eager to catch a glimpse of the spacecraft or simply to behold the wall itself. After all, it was the singular boundary wall in their realm. There were no prohibitive signs to indicate trespassing. This was particularly captivating for the youth, who approached the wall, sitting atop it. There might have been gangs unloading wooden frames from trucks in the warehouse, or cargo vessels on the pads. Although the freighter only docked eight times a year, usually unannounced aside from Syngix, which operated at the port, the young ones remained. A foreman emerged from one of the warehouse crews and declared, “Today we are closing for our brothers.” Adorned with her defensive arm band, she was as rare a sighting as a spacecraft. Her tone remained composed, though it was the last moment of normalcy. As the foreman, she knew she would be supported by her Syngix if provoked. And, realistically, there was little to behold. The aliens, known as Owarders, remained concealed within their ship, revealing nothing to their spectators.

It was equally monotonous for the defense crew. Sometimes, the Foreman hoped for someone to attempt crossing the wall, or perhaps an alien crew to make an attempt to leap onto the ship. Yet, such events never transpired — nothing ever occurred. If an incident did arise, she was ill-prepared for it.

Cargo ship captain Mindful queried, “Is that crowd gathered around my ship?”

The Foreman noticed a genuine throng, over 100 individuals gathered at the gate. They stood there as people do when hunger drives them to crowd around food stalls. This reality filled the Foreman with dread.

“No. They’re just… protesting,” she confessed slowly with a constrained breath. “Protest, you know. A passenger?”

“You mean they’re protesting this jerk we’re supposed to transport? Are they trying to stop him, or us?”

To the Foreman, the captain’s insult, an untranslatable term in her language, meant nothing, yet she was unsettled by its sound and tone. “Can you manage things?” she asked curtly.

“Of course. Just ensure you expedite the rest of this cargo and get this passenger jerk aboard. We won’t face any issues,” he replied, tapping at the peculiar objects on his belt, metallic shapes resembling distorted appendages, all while exuding disdain toward the women.

She dismissed him, “The boat is operational 14 hours a day,” she affirmed. “Safeguard your crew. A 40-hour lift-off. Leave a note for ground control if you require assistance.” She strode away before the captain could retort. Her irritation intensified towards both her crew and the encroaching crowd. “Clear the way!” she instructed as she neared the wall. “The truck needs passage; someone will get hurt. Move aside!”

The men and women in the crowd exchanged apprehensive glances with her. They made tentative crossings over the road, with some pressing against the wall. However, they largely ensured a clear passage. While the Foreman had never taken charge of a mob, they had no experience of solitary decision-making. Lacking the communal emotion, members of the crowd stood immobile, disregarding the Foreman’s calls for compliance. Their naïveté spared the lives of those aboard the ship.

Some were there to exact vengeance on the traitors. Others sought to obstruct his departure, hurling shouts of indignation, or merely to get a glance at him. But these diverse intentions obstructed the singular aim of one assassin. Though the couple possessed knives, none brandished firearms. Their attack would be a physical confrontation. They aimed to take matters into their own hands. Expecting the traitor to be safeguarded within the vehicle, they watched intently. When he appeared, striding alone down the road, clashes broke out with an irate driver inspecting the cargo truck. Once they recognized him, he was already advancing across the field, pursued by five defensive synjics. The individuals intent on his demise relied on speed and accuracy. By the time he reached the ship, they barely missed their target, yet a two-pound flint struck one defense crew member on the head, killing him instantly.

The hatch of the ship sealed shut. The Defense Forces turned away, carrying their fallen comrade, making no attempt to halt the crowd, who hurried towards the ship. The Foreman stood aghast with shock and fury, cursing them as they rushed past, ducking to evade her. Once onboard, crowd leaders paused in a daze, bewildered by the ship’s silence, the sudden motion of the towering gantry, the strange fiery glow of the ground, and the dislocation from human proportions. Steam and gas erupted from the engines, adding to their apprehension as they gazed up towards the Rockets, the immense black void above. Sirens blared warnings, resonating far beyond the field. Gradually, several began to retreat towards the gate. No one detained them. Within a mere ten minutes, the area was cleared, with the throngs dispersing along the path back to Abenay. Ultimately, as it turned out, little had occurred.

This is an excerpt from Ursula K. Le Guin’s The Dispossessed, the latest selection from the New Scientist Book Club. Join us and read along here.

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Ursula Le Guin’s Son Explains Why Her Sci-Fi Classic “Forbidden” is His Favorite

Ursula K. Le Guin in 2005

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When a newcomer to Lugin asks where to begin, I seldom suggest It Was Confiscated. I do not encourage strangers to plunge into the deep end of the pool. The narratives intricately navigate the complexities of the mind, not just in terms of intellect if you’re astute, but also in how we engage mentally while reading. (Things can get tricky, especially if the author is your mother.) Other Lugin works are more grounded in the psyche, making them a safer recommendation for beginners. However, if pressed for my favorite Lugin book, It Was Confiscated, published in 1974, is frequently my response.

The writing decade kicked off in the early 1960s, encapsulating the essence of Earth’s narratives. The Left Hand of Darkness sits alongside It Was Confiscated. A bibliographic account cannot adequately convey the exhilaration and exhaustion of that period. She authored novels while juggling family obligations, giving birth to her third child (me), coordinating everything (plus cats), and even spent a year in London. Ursula later confided that even with a supportive environment, one can underestimate the toll that writing a novel takes on one’s physical state. I haven’t ventured into novel writing myself, so I can only squarely reflect on her last decade and say, yes, I can envision it.

It’s certainly true that Ursula had a preference for the genre structures of the era. It Was Confiscated. Indeed, we have a rocket ship, but also cultural nuances within both Urla and Anar, from attire to social customs. Ursula’s lifelong intrigue with the natural sciences is evident in her depictions of Shebeck’s profession and the theories leading to the existing technologies. Her academic background enriched her portrayal of institutional pettiness. Above all, political philosophy and practicality emerge—a framework for radical collective reimagining and a nuanced utopia, as indicated in the full title of the book.

This framework has remarkably resonated over 50 years. I would like to acknowledge at least one generation in gratitude, alongside certain academic circles, recognizing The Left Hand of Darkness and It Was Confiscated as foundational texts in discussions on gender, anarchism, and anti-capitalism. I consider these works akin to my cousins. They are distinct yet consistently challenge my preconceptions. However, in my view, The Left Hand of Darkness addresses gender politics without being a purely “political” narrative. I can imagine myriad political systems serving as the backdrop for Geten. Indeed, Ursula remarked in a 1997 interview, “Politics is [The Left Hand of Darkness] is not thoroughly considered.” Conversely, political philosophies and systems are at the forefront. It Was Confiscated may be considered a superior work—The Left Hand excels in alternative important aspects. Yet for those who appreciate the blend of intelligence, ethics, poetic expression, and the merging of mind and heart, It Was Confiscated is hard to surpass.

For a generation whose reading may pivot on this duo of texts, the perception of the author’s legacy as an early radical thinker is enhanced by viewing her 2014 National Book Foundation speech video, with anti-capitalist themes crystallizing across both novels. I do not mind this view of my mother, nor did she—being labeled a radical thinker is preferable to being called “The Grande Dame of SFF” or any other gender and genre bias. Nonetheless, the idea of Ursula as an eternal radical oversimplifies her life’s intricacies and condenses her journey of reconciling early romantic capitalist ideals with an understanding of the intersection of art, ethics, justice, and politics. The period I’ve mentioned in Ursula’s life, from her early 30s to early 40s, profoundly shaped this reconciliation.

As a young child during that time, Ursula seldom discussed her work, leaving me to ponder the process of her artistic evolution. With her triumphs and a supportive partner, her life finally allowed for deep introspection and exploration. The roles of child, spouse, and mother transformed dramatically after her father’s passing. The U.S. engagement in the Vietnam War, which Ursula fervently opposed, crystallized her thoughts on pacifism and systemic inequality. Much had shifted in the world—and in Ursula—from The World of Locanon (1966) to It Was Confiscated as she became ready to delve into alternatives to ongoing cycles of human injustice and brutality.

The New Scientist Book Club is currently reading Ursula K. Le Guin’s It Was Confiscated. Sign up and read with us here.

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