fame
Priest Christopher (available in the UK and the US)

fame is perhaps most recognized for Christopher Nolan’s 2006 film adaptation of “The Prestige.” However, the accompanying books have captivated audiences and are often celebrated as literary masterpieces.

I only picked up this book recently, as I initially thought it revolved around stage tricks. Many claim to delight in the magician’s artistry, but I’d rather invest my evening enjoying something else. I was skeptical about reading a book focused on stage magicians from the late 19th century.

However, a conversation with science fiction writer Adam Roberts last year led me to ask him for his favorite sci-fi authors, to which he quickly included Christopher Priest. fame, no matter your stance on stage magic.

This sparked my interest, despite my reluctance towards the flashy white gloves and top hats. Plus, Tor’s republishing of the novel marks 30 years since its initial release, complete with a new introduction by John Clute. (Priest sadly passed away last year.)

Within the story are two distinct but closely related stage tricks and their mechanisms. Our primary protagonist (a loose term) is Magician Alfred Borden, known for his trick named The Transported Man. In essence, it features Borden entering one side of the stage and reappearing in a booth on the opposite end to thunderous applause.

However, Borden has a rival named Rupert Angier, who becomes obsessed with deciphering Borden’s transportation tricks. Angier then creates his own magical marvel, seemingly appearing instantly from within a blinking machine to another part of the theater.

Now it is Borden who grapples with unraveling the mystery of Angier’s performance, teetering on the edge of madness in his quest to uncover it. This intense rivalry culminates in a generational cycle. Consequently, Borden and Angier share narration duties with their respective descendants.

The novel is genuinely gripping, pulling you in like a magician enthralling an audience. Yet, it’s much more sophisticated than it seems at first glance.

I’ve yet to test this theory, but I believe you can read various sections in almost any order, and it remains engaging and comprehensible. In essence, it’s surprisingly well-constructed.

Concerning genre, it won the World Fantasy Award upon its initial release, but it incorporates elements of science, including real-life figures like inventor Nikola Tesla, and is often classified as science fiction today. The book’s atmosphere has gothic and steampunk influences, with a vintage style fitting for its period.

So if you’re a fan of intricate and beautifully crafted puzzle mysteries, this book is certainly worth your time. It triumphs in both plot and expertly managed suspense. I’m excited to see Nolan’s film adaptation, which is reportedly quite different from the book, but Priest himself praised the film and believed Nolan executed it well.

I would also suggest Emily…

World War
HG Wells (various publishers)
Given that Christopher Priest served as Vice President of the HG Wells Association, it seems fitting to recommend reading (or re-reading for many) this significant work. Originally published in 1898, it’s astonishingly modern in many ways. It’s a cornerstone of classic science fiction, even before the genre was officially recognized. I recommend it simply because it’s a classic worth revisiting.

Emily H. Wilson is the former editor of the New Scientist and author of the Sumerian trilogy set in ancient Mesopotamia. The final book in the series, Ninshuval, is set for release in August. You can find her online at emilyhwilson.com or follow her on x @emilyhwilson and instagram @emilyhwilson1

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