Urban Subsidence: A Greater Climate Crisis than Sea Level Rise

For decades, discussions surrounding coastal risk have focused primarily on climate change and sea level rise. However, a significant new global study reveals an even more urgent threat: land subsidence, affecting hundreds of millions of people living in delta regions, including urban hubs like New Orleans and Bangkok.

In various locations around the world, land is sinking at rates that often surpass the rising sea levels.

Utilizing satellite radar technology to monitor minute changes in the Earth’s surface, researchers have discovered that over half of the world’s deltas—low-lying areas where major rivers converge with the ocean—are currently sinking. This gradual subsidence, in conjunction with sea level rise, poses the most significant flood risk in many densely populated delta regions on Earth.

“This is truly a declaration of war,” stated Professor Robert Nicholls, co-author of the study and coastal scientist at the University of Southampton. The findings were reported in BBC Science Focus. “Until now, no one had taken a global perspective on delta subsidence. This study highlights the breadth of the issue and underscores the urgency of addressing it.”

The survey results can be found in the journal Nature.

Subsidence rates in river deltas, displayed as colored circles. The size of each circle reflects the area of the delta sinking faster than sea level rise, represented as a color gradient across the delta’s basin. Photo credit: Ohenhen et al. (2026)

Global Problems Hidden in Plain Sight

Delta regions comprise only 1% of the Earth’s land area but are home to approximately 350 to 500 million people, including some of the world’s most significant cities and productive agricultural zones. These areas serve as economic powerhouses, environmental hotspots, and essential food sources, yet they are inherently fragile.

Deltas are formed by loose, water-saturated sediments deposited over millennia. In their natural state, these sediments compact under their own weight and gradually sink.

Historically, natural subsidence was balanced by periodic flooding that replenished the land with fresh sediment, but modern interventions have disrupted this equilibrium.

The recent study analyzed satellite measurements across 40 major delta regions from 2014 to 2023, creating the first high-resolution global image detailing land elevation changes.

The findings were alarming: currently, at least 35% of delta regions have subsided, with over half of the land surface subsiding in most deltas.

In 18 of the 40 river deltas examined, land is sinking faster than local sea level rise, revealing hotspots where subsidence dominates over regional and global sea level increases.

A similar pattern is evident across continents—Asia, Africa, Europe, and the Americas—where relative sea levels rise due to both ocean expansion and land subsidence.

“From a risk perspective, it doesn’t matter if sea levels rise or land sinks,” Nichols explained. “The ultimate effect is the same, but the responses to those threats may differ.”

The Ciliund Delta in Indonesia is home to Jakarta, inhabited by over 40 million people, and is sinking at an average rate of 5.6 mm annually. Photo credit: Getty

What is Causing the Sinking?

The study identified three primary causes of anthropogenic land subsidence: groundwater extraction, reduced sediment supply, and urban expansion. Among these, groundwater pumping is the most significant predictor.

When groundwater is extracted, the soft surrounding sediments collapse and compact, a process that is nearly irreversible. Once the sediment is compacted, it will not return, even if water levels recover.

In 10 out of the 40 delta regions studied, groundwater depletion was the main factor driving land subsidence. Additionally, reduced river sediment caused by damming and flood defenses, combined with the weight of growing cities built on soft soils, contribute to this crisis.

As a result, what was once a slow geological phenomenon has transformed into an urgent environmental crisis.

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US Case: Mississippi Delta

The Mississippi River Delta in New Orleans and Louisiana exemplifies this issue in the United States.

The analysis confirms widespread subsidence across the delta, with over 90% of the region experiencing subsidence at an average rate of 3.3 mm per year. Some localized areas even sink much faster.

While this rate may seem minimal, it accumulates significantly over decades, especially alongside the threats posed by rising sea levels and hurricanes.

The Mississippi Delta has lost thousands of square kilometers of coastal wetlands over the last century, resulting in catastrophic damage. An area the size of a soccer field is lost to open water every 100 minutes.

The Mississippi Delta experiences an average subsidence of 3.3 mm per year, with some hotspots sinking over 10 times faster. Photo credit: NASA Earth Observatory

The lack of fresh sediment is a critical issue. Levees and dams prevent flooding and the natural deposition of new sediments that help rebuild the land. Additionally, drainage systems, oil and gas extraction, and decades of groundwater pumping exert further stress on fragile soils.

While some delta areas display resilience, one proposed solution is relocating populations away from these vulnerable regions. For instance, New Orleans has seen a steady population decline since the 1960s.

“In the United States, people tend to accept the idea of relocation,” Nichols noted, emphasizing that societal mobility and favorable land-use policies make this transition more politically feasible than in parts of Europe and Asia, where long-term protective measures are generally favored.

Warning to Major Cities

While North America grapples with these challenges, the most extreme subsidence rates can be found in parts of South and Southeast Asia, where population density is high and dependence on groundwater for agriculture, industry, and drinking water prevails.

Regions such as the Mekong River (Vietnam), Ganges and Brahmaputra rivers (Bangladesh and India), Chao Phraya River (Thailand), and Yellow River (China) are sinking faster than current global sea level rise in some areas by over a centimeter per year.

Mega-cities like Bangkok, Dhaka, Shanghai, and parts of Jakarta are built on these subsiding foundations.

The good news is that, unlike global sea level rise—which unfolds over centuries—human-induced land subsidence can respond swiftly to policy changes. A notable success story is Tokyo.

Due to strict groundwater extraction regulations, Tokyo has significantly reduced subsidence rates. Photo credit: Getty

In the mid-20th century, unchecked groundwater extraction caused parts of Tokyo to sink more than 4 meters. However, rigorous regulations on groundwater use and investments in alternative water sources resulted in a swift decrease in subsidence rates.

“Authorities have enacted legislation to ensure sufficient alternative water supplies and eliminate groundwater extraction,” Nichols remarked. “And almost overnight, this led to stabilization.”

Additional solutions include managed flooding in agricultural areas to replenish soil sediments. “Sediment is often deemed a pollutant,” Nichols points out. However, when rivers overflow, they deposit valuable materials that built the delta, a process sometimes referred to as “brown gold.”

Urban areas can be fortified with effective engineering solutions such as sea walls, levees, and storm surge barriers. “Addressing subsidence complements efforts to adapt to sea level rise and reduces vulnerabilities,” Nichols added, as reported here.

Shifting Attitudes Towards Coastal Risk

The study’s authors emphasize that land subsidence has been dangerously overlooked in global climate risk strategies, largely viewed as a local rather than a global issue.

However, local does not equate to minor. Even under severe climate scenarios, land subsidence is expected to remain the primary driver of relative sea level rise in numerous delta regions for decades to come.

Financial and institutional barriers often hinder large-scale interventions in many areas, but deferring action only exacerbates the costs and challenges of future adaptations.

Once land subsides, initiating new urban developments is not feasible, leaving communities to face tough decisions about relocation.

As Nichols succinctly states, “The first crucial step is to acknowledge that a problem exists.”

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Source: www.sciencefocus.com

Human Challenge Trials Are on the Rise Like Never Before

Shutterstock/Andrey Kuzmyk

Available rooms: Minimum stay of 2 weeks, featuring a private bathroom. Enjoy a complimentary pool. Package includes meals, Wi-Fi, and infectious viruses. Call now!

Would you be inclined to respond to such advertisements? What about those that guarantee severe diarrhea? How many stars would it take to make you consider adding STDs to your stay? Perhaps a substantial cash incentive might sway your decision?

Welcome to the peculiar realm of human challenge testing – arriving soon at a biosecure isolation facility nearby.

In response to the collective trauma of the coronavirus pandemic, researchers are increasingly enlisting healthy individuals to participate in trials that intentionally expose them to illness. Volunteers are now more willing than ever to contract diseases ranging from dysentery and cholera to gonorrhea.

As detailed on page 38, clinical trials offer a rapid and relatively affordable method for assessing vaccines and treatments while monitoring infection dynamics. Contrary to popular belief, the risks may not be as high as presumed. Trials, conducted under stringent medical oversight, will only proceed if effective therapies can quickly alleviate symptoms.


Deliberately infecting healthy volunteers carries risks, and the ethical implications are complex.

However, it’s not without its hazards, and the ethical landscape remains murky. Unlike patients with existing conditions who may opt for experimental therapies that could potentially cure them, challenge trials seek to induce illness with little or no immediate medical benefit, even if for a brief duration.

Moreover, we cannot always prevent potential long-term consequences. For example, some ethicists have expressed concerns regarding the manner in which British scientists conducted COVID-19 challenge trials during the pandemic, underscoring the risks of chronic symptoms associated with COVID-19.

Nonetheless, the pandemic has also underscored the significant positive impact and value of vaccines. Current data indicates that human challenge testing is safe, particularly for young, healthy individuals. These studies could hasten the development of new defenses against persistent epidemics such as malaria, Zika, and norovirus. The pressing question may be: How can we expand these efforts?

Source: www.newscientist.com

Big Tech Promises User Protection Amid Spyware Firms’ Rise in Trump Administration

Apple and WhatsApp have committed to continue alerting users if their devices are targeted by government hacking software, particularly in the United States, as two spyware companies aim to penetrate the Trump administration.

The two tech giants provided statements in response to questions from the Guardian, as two Israeli-founded cyber weapon manufacturers, now under U.S. ownership, aggressively seek access to the American market.

Paragon Solutions, known for its spyware called Graphite, has already reached an agreement with the Trump administration to provide U.S. immigration officials with one of the most advanced hacking tools globally as of September, following the unfreezing of a $2 million contract by the Department of Homeland Affairs with ICE (Immigration and Customs Enforcement).

Paragon did not reply to requests for comment.

NSO Group, another firm cited by the Biden administration in 2021 for conducting business “that goes against the national security or foreign policy interests of the United States,” revealed over the weekend that David Friedman, former U.S. ambassador to Israel during Donald Trump’s initial term, will become executive chairman of the parent company that owns NSO. The company has reportedly been recently acquired by new investors, including American film producer Robert Simmons.

Both Paragon and NSO Group develop spyware capable of infiltrating any phone without the knowledge of the user, enabling the spyware operator to read texts, eavesdrop on calls, track locations, and turn mobile devices into wiretapping tools or remote cameras.

While both companies defend their products as tools to combat serious crimes and thwart potential terrorist activities, their software is also weaponized by government clients to spy on individuals they wish to monitor covertly, including journalists, business leaders, and human rights advocates.

Apple and WhatsApp have consistently opposed the proliferation of spyware worldwide, notifying users via alerts when potential hacking attempts are detected in various countries, including Italy, Spain, and India.

In October, a U.S. court ruled in favor of WhatsApp after six years of legal battles, preventing NSO from targeting WhatsApp users in the future.

However, concerns arise due to the close connections between Apple, WhatsApp’s parent company Meta, and the Trump administration regarding whether they will persist in warning users amid such spyware threats in the United States.

“Threat notifications are intended to individually inform and assist users who may be victims of mercenary spyware, irrespective of geographic location,” Apple stated.

“WhatsApp aims to safeguard our users by disrupting hacking attempts from mercenary spyware, advancing protective measures, and notifying those whose devices are under threat, no matter where they are globally,” commented a WhatsApp representative.

Former FBI Director Christopher Wray testified that the FBI considered utilizing NSO’s Pegasus but ultimately declined to incorporate commercial spyware into its operations. Experts express concern over the legality surrounding the use of spyware in the United States, given existing laws that restrict targeted surveillance of Americans.

An aide to Democratic Senator Ron Wyden, a member of the Select Committee on Intelligence, mentioned that current immigration officials provided a preliminary briefing to his office, stating that “the policy is still under development,” but there has been no feedback since the government shutdown began in October.

When asked about the potential lifting of sanctions imposed on NSO by the Biden administration in 2021, Friedman mentioned during a phone call from Israel that he has yet to discuss the matter with President Trump, stating, “I hope that happens, but I have not made that request yet.” He added it is “too early to determine” when NSO may pursue the removal of these sanctions.

Regarding mercenary spyware, John Scott Railton, a senior research fellow at the University of Toronto’s Citizen Research Institute, warns that “no one is safe.” He is recognized as a leading authority on tracking and disrupting spyware usage against civil society members globally.

“American firms are unprepared to detect and defend against this type of menace domestically, similarly to healthcare institutions, legal professionals, politicians, and the general populace,” he noted. “The last thing America needs now is a silent spyware epidemic.”

Paragon initially signed a contract with ICE in 2024 under the Biden administration. The relatively small agreement went unnoticed by the White House until its official announcement, several insiders disclosed. Wired reported. The contract was subsequently suspended to ascertain whether it complied with a significant executive order issued earlier. Signed by the White House in May 2023, it prohibited the operational use of spyware that “poses a risk to national security or has been exploited by foreign entities for human rights violations globally.”

At that point, Paragon was free from surveillance controversies, unlike NSO Group, which faced scrutiny for its Pegasus spyware targeting a plethora of civil society organizations.

However, the situation shifted in January 2025 when WhatsApp disclosed that 90 individuals, including journalists and civil society members, had been targeted by Paragon’s Graphite.

Following this revelation, Paragon severed its ties with the Italian government, alleging that Italy violated its service terms by using spyware against civil society members.

Since then, media accounts have detailed how several Italian journalists, at least two executives from Italy’s largest bank, an Italian human rights advocate, and an Italian political strategist were targeted by hacking spyware in 2024.

The current government led by Prime Minister Giorgia Meloni has admitted that the software was employed against certain activists by Italian agencies with legal authority, but has not accepted responsibility for other prominent targets.

“This is Italy’s Watergate,” remarked former Italian Prime Minister Matteo Renzi in an interview.

“This is a tool that only governments can wield. If the Italian government continues to deny its usage, the question for multiple Italian business leaders and journalists remains, who is responsible?” he said. “I may not be closely aligned with journalists, but freedom of the press is essential in a free democracy. Using this tool against journalists is intolerable.”

Some officials are worried that this Graphite may now be under the control of U.S. immigration authorities.

“ICE is already undermining due process by hastily detaining children and families who pose no threat, ruining lives,” Wyden stated to the Guardian. “I am extremely concerned about how ICE will utilize spyware, facial recognition, and other technologies to further infringe upon the rights of American citizens and those whom Donald Trump views as adversaries.”

A spokesperson for the Department of Homeland Security did not respond to a request for comment.

Source: www.theguardian.com

Concerns Rise Over OpenAI Sora’s Death: Legal Experts React to AI Missteps

LThat evening, I was scrolling through dating apps when a profile caught my eye: “Henry VIII, 34 years old, King of England, non-monogamous.” Before I knew it, I found myself in a candlelit bar sharing a martini with the most notorious dater of the 16th century.

But the night wasn’t finished yet. Next, we took turns DJing alongside Princess Diana. “The crowd is primed for the drop!” she shouted over the music as she placed her headphones on. As I chilled in the cold waiting for Black Friday deals, Karl Marx philosophized about why 60% off is so irresistible.

In Sora 2, if you can imagine it—even if you think you shouldn’t—you can likely see it. Launched in October as an invite-only app in the US and Canada, OpenAI’s video app hit 1 million downloads within just five days, surpassing the initial success of ChatGPT.




AI-generated deepfake video features portraits of Henry VIII and Kobe Bryant

While Sora isn’t the only AI tool producing videos from text, its popularity stems from two major factors. First, it simplifies the process for users to star in their own deepfake videos. After entering a prompt, a 10-second clip is generated in minutes, which can be shared on Sora’s TikTok-style platform or exported elsewhere. Unlike low-quality, mass-produced “AI slop” that clouds the internet, these videos exhibit unexpectedly high production quality.


The second reason for Sora’s popularity is its ability to generate portraits of celebrities, athletes, and politicians—provided they are deceased. Living individuals must give consent for their likenesses to be used, but “historical figures” seem to be defined as famous people who are no longer alive.

This is how most users have utilized the app since its launch. The main feed appears to be a bizarre mix of absurdity featuring historical figures. From Adolf Hitler in a shampoo commercial to Queen Elizabeth II stumbling off a pub table while cursing, the content is surreal. Abraham Lincoln beams at the TV exclaiming, “You’re not my father.” The Reverend Martin Luther King Jr. expresses his dream of having all drinks be complimentary before abruptly grabbing a cold drink and cursing.

However, not everyone is amused.

“It’s profoundly disrespectful to see my father’s image—who devoted his life to truth—used in such an insensitive manner,” Malcolm told the Washington Post. She was just two when her dad was assassinated. Now, Sora’s clips show the civil rights leader engaged in crude humor.

Zelda Williams, the daughter of actor Robin Williams, urged people to “stop” sending AI videos of her father through an Instagram post. “It’s silly and a waste of energy. Trust me, that’s not what he would have wanted,” she noted. Before his passing in 2014, he took legal steps to prevent his likeness from being used in advertising or digitally inserted into films until 2039. “Seeing my father’s legacy turned into something grotesque by TikTok artists is infuriating,” she added.

The video featuring the likeness of the late comedian George Carlin has been described by his daughter Kelly Carlin as “overwhelming and depressing” in a Blue Sky post.

Recent fatalities are also being represented. The app is filled with clips depicting Stephen Hawking enduring a “#powerslap” that knocks his wheelchair over, Kobe Bryant dunking over an elderly woman while yelling about something stuck inside him, and Amy Winehouse wandering the streets of Manhattan with mascara streaming down her face.

Those who have passed in the last two years (Ozzy Osbourne, Matthew Perry, Liam Payne) seem to be missing, indicating they may fall into a different category.

Each time these “puppetmasters” revive the dead, they risk reshaping the narrative of history, according to AI expert Henry Ajdar. “People are worried that a world filled with this type of content could distort how these individuals are remembered,” he explains.

Sora’s algorithm favors content that shocks. One of the trending videos features Dr. King making monkey noises during his iconic “I Have a Dream” speech. Another depicts Kobe Bryant reenacting the tragic helicopter crash that claimed both his and his daughter’s lives.

While actors and comedians sometimes portray characters after death, legal protections are stricter. Film studios bear the responsibility for their content. OpenAI does not assume the same liability for what appears on Sora. In certain states, consent from the estate administrator is required to feature an individual for commercial usage.

“We couldn’t resurrect Christopher Lee for a horror movie, so why can OpenAI resurrect him for countless short films?” questions James Grimmelman, an internet law expert at Cornell University and Cornell Tech.

OpenAI’s decision to place deceased personas into the public sphere raises distressing questions about the rights of the departed in the era of generative AI.

It may feel unsettling to have the likeness of a prominent figure persistently haunting Sora, but is it legal? Perspectives vary.

Major legal questions regarding the internet remain unanswered. Are AI firms protected under Section 230 and thus not liable for third-party content on their platforms? If OpenAI qualifies for Section 230 immunity, users cannot sue the company for content they create on Sora.

“However, without federal legislation on this front, uncertainties will linger until the Supreme Court takes up the issue, which might stretch over the next two to four years,” notes Ashken Kazarian, a specialist in First Amendment and technology policy.




OpenAI CEO Sam Altman speaks at Snowflake Summit 2025 on June 2 in San Francisco, California. He is one of the living individuals who permitted Sora to utilize his likeness. Photo: Justin Sullivan/Getty Images

In the interim, OpenAI must circumvent legal challenges by obtaining consent from living individuals. US defamation laws protect living people from defamatory statements that could damage their reputation. Many states have right-of-publicity laws that prevent using someone’s voice, persona, or likeness for “commercial” or “misleading” reasons without their approval.

Allowing the deceased to be represented this way is a way for the company to “test the waters,” Kazarian suggests.

Though the deceased lack defamation protections, posthumous publicity rights exist in states like New York, California, and Tennessee. Navigating these laws in the context of AI remains a “gray area,” as there is no established case law, according to Grimmelman.

For a legal claim to succeed, estates will need to prove OpenAI’s responsibility, potentially by arguing that the platform encourages the creation of content involving deceased individuals.

Grimmelmann points out that Sora’s homepage features videos that actively promote this style of content. If the app utilizes large datasets of historical material, plaintiffs could argue it predisposes users to recreate such figures.

Conversely, OpenAI might argue that Sora is primarily for entertainment. Each video is marked with a watermark to prevent it from being misleading or classified as commercial content.

Generative AI researcher Bo Bergstedt emphasizes that most users are merely experimenting, not looking to profit.

“People engage with it as a form of entertainment, finding ridiculous content to collect likes,” he states. Even if this may distress families, it might abide by advertising regulations.

However, if a Sora user creates well-received clips featuring historical figures, builds a following, and begins monetizing, they could face legal repercussions. Alexios Mantsalis, director of Cornell Tech’s Security, Trust, and Safety Initiative, warns that the “financial implications of AI” may include indirect profit from these platforms. Sola’s rising “AI influencers” could encounter lawsuits from estates if they gain financially from the deceased.

“Whack-a-Mole” Approach

In response to the growing criticism, OpenAI recently announced that representatives of “recently deceased” celebrities can request their likenesses be removed from Sora’s videos.

“While there’s a significant interest in free expression depicting historical figures, we believe public figures and their families should control how their likenesses are represented,” a spokesperson for OpenAI stated.


The parameters for “recent” have yet to be clarified, and OpenAI hasn’t provided details on how these requests will be managed. The Guardian received no immediate comment from the company.

The copyright-free-for-all strategy faced challenges after controversial content, such as “Nazi SpongeBob SquarePants,” circulated online and the Motion Picture Association of America accused OpenAI of copyright infringement. A week post-launch, the company transitioned to an opt-in model for rights holders.

Grimmelmann hopes for a similar adaptation in how depictions of the deceased are handled. “Expecting individuals to opt out may not be feasible; it’s a harsh expectation. If I think that way, so will others, including judges,” he remarks.

Bergstedt likens this to a “whack-a-mole” methodology for safeguards, likely to persist until federal courts establish AI liability standards.

According to Ajdel, the Sola debate hints at a broader question we will all confront: Who will control our likenesses in this age of composition?

“It’s a troubling scenario if people accept they can be used and exploited in AI-generated hyper-realistic content.”

Source: www.theguardian.com

Uncertain Yet Submissive: The Troubling Rise of AI Girlfriends | Artificial Intelligence (AI)

eLeanor, 24, is a historian from Poland and a university lecturer in Warsaw. Isabel, 25, works as a detective for the NYPD. Brooke, 39, is an American homemaker who enjoys the vibrant Miami lifestyle, supported by her often-absent husband.

All three women engage in unfaithfulness and exchange nude photos and explicit videos via the growing number of adult dating sites that present an increasingly realistic array of AI companions for subscribers willing to pay a monthly fee.

At the TES Adult Industry Conference held in Prague last month, the attendees noted a surge in new platforms allowing users to form relationships with AI-generated girlfriends, who strip in exchange for tokens bought through bank transfers.

The creators of this new venture assert that it marks an advancement over webcam services, where real women remove clothing and converse with men, potentially leading to exploitation in certain sectors of the industry. They also contend that AI performers do not suffer illnesses, do not require breaks, are not exhausted at the end of their shifts, nor do they experience humiliation from client demands.

“Would you rather choose porn rife with abuse and human trafficking, or interact with AI?” asked Steve Jones, who operates an AI porn site. “We’ve heard about human trafficking where girls are forced to be on camera for 10 hours a day. There’s never an AI girl that’s trafficked. There’s never an AI girl forced or humiliated in a scene.”




“Would you rather choose porn rife with abuse and trafficking, or interact with AI?” says Steve Jones. Photo: Photo by Bjoern Steinz/Panos

Most websites feature a ready-made girlfriend option, typically depicting smiling, young, white women, but also grant subscribers the chance to craft their own ideal online companion. This option reveals developers’ perspectives on the ideal female archetype. One site offers options ranging from film stars and yoga instructors to florists and lawyers. Personality traits include “Obliging: Submissive, Eager to Please,” “Innocent: See a Cheerful, Naive World,” and “Career-oriented: Nurturing, Protective, Always Comforting.” Users can specify age and even request a teenage model, along with choices for hair, eye color, skin tone, and breast size.


The increasing appeal of AI girlfriends has generated concern among women’s rights activists, who argue that they reinforce harmful stereotypes. In her book, The New Age of Fascism, Laura Bates notes that AI companions are “programmed to be charming, gentle, and subservient, always telling you what you want to hear.”

Amid rising worries regarding AI-generated images of child sexual abuse, the Prague conference developers spoke about an integrated moderation system that prevents users from creating illegal content by flagging keywords and phrases like “children” and “sister.” However, many platforms permit users to dress their AI girlfriends in school uniforms.




Products showcased at the TES conference in Prague. Photo: Photo by Bjoern Steinz/Panos

A representative from Candy.ai, one of the new AI dating platforms exhibited at the conference, mentioned that their AI girlfriends offer diverse services. “If you seek an adult-oriented relationship similar to porn, that option exists. Or if you prefer deep discussions, that’s available too. It all depends on the user’s wants,” he explained. While the majority of users are heterosexual men, AI boyfriends are also on offer. Some pre-made AI girlfriends are designed to undress quickly. “Others may say: ‘No, I don’t know you.’ Thus, you need to cultivate your relationship with them for something like that.”

The growth of AI girlfriend platforms has been fueled by advancements in large-scale language models, enabling more lifelike interactions with chatbots and rapid innovations in AI image generation. Most sites continue to focus on text and images, yet brief AI-generated videos are increasingly common. Demand is particularly high among users aged 18-24, many of whom are gamers familiar with avatar customization.

Over the past year, new startups entering the sector have surged dramatically. “AI products are emerging like mushrooms, dynamic and ephemeral. They appear, fizzle out, and then are replaced by another wave,” commented Alina Mitt of Joi Ai, a site dedicated to “AI-Lationships.” “To survive in this market, you need to be bold and resilient. It’s like a fierce battle.”

The developers presented rapid advancements in the realism of AI-generated pornographic images and the transition to engaging AI video clips. Daniel Keating, the CEO of a company providing AI girlfriend experiences, showcased the distinctions between mediocre and high-quality AI companions. His platform offers users numerous AI-generated women in their lingerie, stressing that inferior quality AI tends to exhibit “overly polished plastic smoothness” on the skin, while high-quality AI girlfriends incorporate “natural skin textures, imperfections, moles, freckles, and slight asymmetries that appear much more authentic.”




UK regulator Ofcom highlights updates to the UK’s online safety laws at TES Prague. Photo: Photo by Bjoern Steinz/Panos

His company managed to license the images of established adult stars to produce AI replicas, generating continuous income streams. “It’s profitable and cost-effective. Creators love this because they are relieved from the need to dress up and shoot content,” he noted.

An advertising executive from Ashley Madison expressed interest in the rapid expansion of a site focused on AI relationships, which caters to individuals seeking discreet connections. “AI dating is brand new territory for us. How do you compete against those who can mold their own fantasies instead of pursuing real relationships with women?” she inquired, requesting anonymity. “Some people wish to create something appealing in their minds, thus avoiding genuine connections.”

“You don’t need to go out on dates, acquire girlfriends, or build romantic relationships. AI serves as a safe space for young people to hone their social skills,” explained Jones, adding that AI allows for unfettered behavior without repercussions. “People might say things to AI that they wouldn’t dare convey to real individuals. ‘Oh silly girl, what’s the matter?’ In fantasy role-playing games, participants often prefer experiences distinct from reality.”

Source: www.theguardian.com

Is It Too Late to Be Afraid? Readers React to the Controversial Rise of AI ‘Actors’ in Film

the recent announcement of AI ‘actor’ Tilly Norwood, touted as the next Scarlett Johansson, has sparked a swift backlash in Hollywood. Here’s what Guardian readers are saying about the contentious emergence of AI actors.

“Of course they’ll do that.”

The focus is on economically produced entertainment rather than artistic merit. AI isn’t about creating great art; it’s about cutting costs by replacing human talent and accelerating production. Netflix has amassed 300 million subscribers, generating $400 billion in revenue against $17 billion in content expenses. The quickest way for Netflix to boost profits is to reduce content costs through automation. They already use AI for content decisions, catering to every viewer preference, from high art to low-budget dating shows. Netflix is committed to impactful storytelling, yet can’t risk losing high-value subscribers. It’s similar with the multitude of languages for shows like “Love Is Blind,” ensuring fans don’t abandon ship. If AI enables tech companies to outpace traditional studios by being faster and cheaper, of course, they’ll do it. STAK2000


“I don’t understand humor.”

Comedy is where AI really struggles. It doesn’t grasp humor, timing, or what makes something engaging. We’ve seen technically impressive yet entirely lifeless dialogue that left us unimpressed. We tuned in expecting surprises but found it utterly dull. Mattro

“I’m not saying it’s impossible, it’s just that we’re not there yet.”

99% of AI-generated films consist of individuals speaking directly to the camera. We’ve yet to see compelling interactions among multiple AI-generated characters. Dialogue is fragmented; it seems AI cannot create distinct characters that interact meaningfully. I’m not saying it’s impossible, it just hasn’t happened yet. cornish_hen

“It will come back to bite them.”

Hollywood executives may bet on Tilly Norwood to slash costs and enhance profits. However, if film enthusiasts start creating their own content using generative AI, it might backfire on the industry. I hope those investing in human talent will succeed, resisting this reckless AI trend. Data Day

“The genie is not going back in the bottle.”

It’s astonishing how quickly this technology has progressed.

Even if AI never stars in leading roles, it will undoubtedly have a presence in major productions. It serves as a tool like any other, fundamentally changing certain facets of media.

Individuals affected by this shift (and they will be) must remain calm and consider future career paths. The genie won’t be contained. I’m sure traditional trades reacted strongly to innovations by Gottlieb Daimler and Henry Ford; if AI-generated content proves beneficial and cost-effective, it’s here to stay. Abbathehorse

“My main concern is the lack of education.”

Those involved in advancing AI are pushing boundaries. It’s up to the rest of us, particularly regulators, to hold them accountable when they overstep. My chief worry is the widespread ignorance regarding AI’s potential benefits and threats. Many who aren’t directly impacted by AI don’t perceive the risk. Dasinternaut

Tilly Norwood. Illustration: YouTube

“I doubt I could support a character that is completely AI.”

I hope films featuring AI are clearly labeled. This allows us, the paying audience, to make informed decisions regarding productions. I’m not convinced I can endorse purely AI-generated characters (except perhaps in animated films). We form connections with human actors and invest emotionally in their performances. It might take generations to navigate this shift, but history shows that even vinyl, once thought dead, can become a highly sought-after commodity. Matt08

“It’s reminiscent of a Ballard short story.”

As I read this, I reflected on the multitude of individuals behind creating this “star.” Coders, scriptwriters, marketing teams— a network of humans furthering careers, but not necessarily existing narratives. However, it feels unsettling when the program is crafted to mimic humanity. It evokes themes from Ballard’s stories. glider

“It’s too late to be scared.”

The time for fear has passed.

Hollywood prioritizes profit over artistry.

Studios may justify hiring photographers, makeup artists, set designers, and caterers with the argument that AI can perform those roles while saving costs.

Films featuring real people—actors and many behind-the-scenes roles—may soon become as rare as ballet or opera.

However, fans of franchises like “Fast & Furious” or the Marvel Universe might not mind; they often seek visual stimulation that AI can deliver. gray

“Just a bunch of guys sitting around a computer.”

What unsettles me is the apparent committee behind creating this character, obsessively defining attractiveness. Is your skin not smooth enough? Let’s iterate again. Are the proportions not appealing? Revise it.

Not only does this seem disconcerting, but it also reinforces narrow standards of attractiveness. Successful actors often conform to idealized norms, but at least nature or fate had a role in that. It’s not just a few individuals coding at their computers. bearvsshark

“A meaningless concept.”

Nonetheless, this notion is essentially futile. Acting requires collaboration. An AI “actor” necessitates real substitutes and someone to voice lines. You can produce a completely AI-generated film (essentially a CGI effort) or a human-centric film with AI characters, but the label of “AI actor” remains devoid of meaning. pyeshot

“The public doesn’t attend or appreciate actual art.”

For those claiming “this is a live theater row,” it’s clear you need to step outside your bubble. The public shows little interest in genuine art; they desire polished, commercial products, be it a catchy pop song or a superhero flick. As long as these superficial desires are nurtured, AI-generated “art” will face no backlash. Authentic art, including work from skilled human artists, requires funding, and resources for it are dwindling, threatening its survival. Yes, there may be exceptional pieces, but I suspect they will become increasingly rare unless more people become educated and learn to appreciate art’s inherent values. LondonAmerican2014

“AI slops are what happens when an idea is executed straight away.”

One day, hopefully soon, people will realize that the friction between idea and execution is where 90% of creativity resides.

Great art springs from thorough preparation and exceptional performances, requiring time and sometimes multiple attempts.

This need for friction applies to all creative endeavors, not just art. Even mundane businesses thrive on this dynamic.

AI slops emerge when concepts are rushed to completion. While they may appear effective initially, the ideas often lack depth. Shakeydave

Source: www.theguardian.com

Rise of AI Chatbot Sites Featuring Child Sexual Abuse Imagery Sparks Concerns Over Misuse

A chatbot platform featuring explicit scenarios involving preteen characters in illegal abuse images has raised significant concerns over the potential misuse of artificial intelligence.

A report from the Child Safety Monitoring Agency urged the UK government to establish safety guidelines for AI companies in light of an increase in technology-generated child sexual abuse materials (CSAM).

The Internet Watch Foundation (IWF) reported that they were alerted by chatbot sites offering various scenarios, including “child prostitutes in hotels,” “wife engaging in sexual acts with children while on vacation,” and “children and teachers together after school.”

In certain instances, the IWF noted that clicking the chatbot icon led to full-screen representations of child sexual abuse images, serving as a background for subsequent interactions between the bot and the user.

The IWF discovered 17 images created by AI that appeared realistic enough to be classified as child sex abuse material under the Child Protection Act.

Users of unnamed sites for security reasons also had the capability to generate additional images resembling the illegal content already accessible.

Operating from the UK and possessing global authority to monitor child sexual exploitation, the IWF stated that future AI regulations should incorporate child protection guidelines from the outset.

The government has revealed plans for AI legislation that is anticipated to concentrate on the future advancement of cutting-edge models, prohibiting the ownership and distribution of models that produce child sexual abuse in crime and police bills.

“We welcome the UK government’s initiative to combat AI-generated images and videos of child sexual abuse, along with the tools to create them. While new criminal offenses related to these issues will not be implemented immediately, it is critical to expedite this process,”

stated Chris Sherwood, Chief Executive Officer of NSPCC, as the charity emphasized the need for guidelines.

User-generated chatbots fall under the UK’s online safety regulations, which allow for substantial fines for non-compliance. The IWF indicated that the sexual abuse chatbot was created by users and site developers.

Ofcom, the UK regulator responsible for enforcing the law, remarked, “Combating child sexual exploitation and abuse remains a top priority, and online service providers failing to implement necessary safeguards should be prepared for enforcement actions.”

The IWF reported a staggering 400% rise in AI-generated abuse material reports in the first half of this year compared to the same timeframe last year, attributing this surge to advancements in technology.

While the chatbot content is accessible from the UK, it is hosted on a U.S. server and has been reported to the National Center for Missing and Exploited Children (NCMEC), the U.S. equivalent of the IWF. NCMEC stated that the report on the Cyber Tipline has been forwarded to law enforcement. The IWF mentioned that the site appears to be operated by a company based in China.

The IWF noted that some chatbot scenarios included an 8-year-old girl trapped in an adult’s basement and a preteen homeless girl being invited to a stranger’s home. In these scenarios, the chatbot presented itself as the girl while the user portrayed an adult.

IWF analysts reported accessing explicit chatbots through links in social media ads that directed users to sections containing illegal material. Other areas of the site offered legal chatbots and non-sexual scenarios.

According to the IWF, one chatbot that displayed CSAM images revealed in an interaction that it was designed to mimic preteen behavior. In contrast, other chatbots not showing CSAM indicated that they were neither dressed nor suppressed when inquiries were made by analysts.

The site recorded tens of thousands of visits, including 60,000 in July alone.

A spokesperson for the UK government stated, “UK law is explicit: creating, owning, or distributing images of child sexual abuse, including AI-generated content, is illegal… We recognize thatmore needs to be done. The government will utilize all available resources to confront this appalling crime.”

Source: www.theguardian.com

Tinseltown Takeover: The Rise of Harry Potter Fan Fiction as Hollywood’s Hottest Commodity

tFanfiction once involved sharing secret sketches in the hidden nooks of the internet. There, Darcy was envisioned as the roommate of a peculiar vampire. It was an underground pastime that went unnoticed by Tinseltown executives. Yet, here we are in 2025, according to Hollywood Reporter News. The iconic photo fetched at least $3 million (a staggering £2.2 million).

The backstory of Alchemy, Senlinyu appears somewhat nebulous. The original narrative by Senlinyu, titled Manacled, resided in a niche genre known as “Dramione,” where Hermione Granger often found herself entangled in an improbable romance with Draco Malfoy. Now devoid of any references to Hogwarts, Butterbeer, or Nimbus from the 2000s, and with characters renamed, Alchemy will hit shelves and online platforms later this month as a dark fantasy saga about a young woman grappling with memory loss, who finds herself at the mercy of a formidable and ruthless necromancer.

In a similar vein, The Love Hypothesis is making its way to cinemas. Lili Reinhart portrays a doctoral candidate who becomes involved with Professor Tom Bateman. If you think the pairing of Hermione and Draco is unusual, this one draws inspiration from a Star Wars fanfic subgenre known as Reiro, focusing on the taboo romance between Rey and Kylo Ren.

This isn’t the first occasion Hollywood has sought inspiration from fanfiction for its next blockbuster. While studios previously turned to pulp novels, classic theater, or acclaimed short stories from The New Yorker to fill theaters, producers are now increasingly looking towards Tumblr and our own archives, including AO3. In 2019, Sony Pictures Television secured a first-look deal with Wattpad, an online platform that has become a breeding ground for aspiring authors, generating scripted series and films based on the site’s most popular narratives. Wattpad started as a sassy take on One Direction but remarkably led to five films (direct-to-streaming) between 2019 and 2023, and also birthed the After series along the way.

And then, of course, there are the infamous 50 Shades. Originally a Twilight fanfic, it evolved into a trilogy of films that grossed over $1.3 billion worldwide, even though it was panned by critics. Its success demonstrated to studios that original research isn’t always essential. The saga begins with Edward and Bella’s intriguing narrative and could still be a billion-dollar franchise.

What drives Hollywood’s attraction to these projects? Logically, it relates to the brand recognition garnered through proxies. When given the option, Harry Potter enthusiasts are likely to want to see their beloved Hermione and Draco engaged in magical escapades. Meanwhile, readers of AO3’s “original” works, often numbering in the millions, feel a shared sense of ownership over this odd transition from fanfiction to the big screen—something studios greatly value.

Fanfiction is a source of existing enthusiasm that works to corporate advantage. Such immense online followings provide proof of concept, eliminating the need for focus groups or test screenings. They come equipped with a ready-made, highly enthusiastic community. In an industry where original scripts are often treated as financial risks, this data suggests that these films aren’t mere gambles; they are seen as incubators for franchises.

Source: www.theguardian.com

Trump’s Billion-Dollar Fortune: Guns, Family, and the Rise of Corporate Crypto Tokens

World Liberty Financial, a cryptocurrency initiative by the Trump family, launched its digital token on Monday, which reportedly added around $5 billion in paper wealth to the family’s fortune. The token, named $WLFI, experienced a drop in value on its opening day.

The global Liberty Token was introduced to investors following the Trump family’s partnership with business associates to create a decentralized finance platform last year, which issued Stablecoin intended to stabilize its price by pegging it to a specific asset.

Investors in the token will have the opportunity to vote in July to permit trading, which may enhance the value of the president’s assets.

According to World Liberty, early backers can liquidate up to 20% of their holdings. The token debuted trading above $0.30 on Monday, but its price subsequently declined to $0.20. Data from CoinMarketCap indicates that nearly $1 billion worth of tokens were exchanged within the first hour of trading.

This brings the token’s market capitalization to below $7 billion, classifying it as the 31st largest cryptocurrency in circulation, as per analytics from Coingecko.

Major global cryptocurrency exchanges such as Binance, OKX, and Bybit are listing $WLFI tokens on their platforms.


Since the inception of World Liberty last year, the Trump family is reported to have earned approximately $500 million from the venture, according to calculations by Reuters, which are based on contract terms, transactional data from crypto analysis firms, and publicly available records.

Holding around 25% of the global Liberty tokens has reportedly contributed about $5 billion to the Trump family’s wealth, as noted by the Wall Street Journal. World Liberty states that Trump himself possesses an unspecified amount, referred to on the company’s site as “co-founder honor,” but, like other team members, including his son, he is prohibited from selling them. Trump utilized the Oval Office to advocate for U.S. regulations favorable to the industry.

On the initial sale, the tokens were non-tradable. Instead, they granted holders voting rights for various business modifications, including adjustments to the underlying code. Early investors highlight that the primary allure of $WLFI lies in its association with Trump, fostering expectations that its value will appreciate through his endorsement.

Making the tokens tradable allows investors to set prices, speculate effectively, accrue trading fees for exchanges that list them, and draw the interest of a broader spectrum of cryptocurrency investors compared to when they were solely personally accessible.

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World Liberty and other Trump-backed cryptocurrency endeavors exemplify a significant conflict of interest as the president revises regulatory frameworks governing digital currency, which has drawn criticism from Democrats and ethics experts regarding Trump’s involvement in cryptocurrency enterprises.

The White House has consistently asserted that Trump’s assets are managed through a trust, claiming there is no conflict of interest.


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The government has earmarked £200 million for its agricultural innovation program until 2030, with the Ministry of Environment, Food and Rural Affairs (DEFRA) promising “targeted funding to foster agricultural innovation.”

“The push for innovation and growth in agri-tech is advantageous for the nation,” remarks Agriculture Minister Daniel Zechner. “Not only can we create jobs and enhance economic resilience, but we can also fortify food security and increase farmers’ and growers’ benefits through innovation.”

However, this announcement comes just days after the government cut the UK’s agricultural budget by £100 million annually. This reduction translates to a 2.7% decrease in DEFRA’s daily budget, a move that has been cautiously received by the NFU and agricultural organizations.

Back in Hampshire, the Watercress Company remains skeptical about benefiting from the funds allocated to its agricultural innovation program.

“Much of this funding is driven by high innovation levels but often fails to reach the farm gates or enhance production and productivity,” remarks Amery.

“It involves a significant investment in technology that hasn’t yet proven to yield results.”

The crop is harvested by the Watercress Company in Dorset. Photo: Finnbarr Webster/Getty

To date, growers have been bearing nearly all costs associated with innovation. They successfully obtained £20,000 in funding from the government’s shared prosperity fund through local councils, which accounts for about a quarter of their drone investment.

Nonetheless, Amery noted that the business rarely accesses funding avenues like R&D tax credits, available only to companies subject to corporate tax. Partnerships like the Watercress Company and many other agricultural entities don’t pay corporate tax and thus aren’t eligible.

This challenge hasn’t deterred growers from pursuing the latest advancements to enhance their crops. “Innovation typically stems from a desire to tackle challenges,” states Amery. “We generally experience a major innovation every five to ten years. This one is transformative.”

Source: www.theguardian.com

Will Life Beneath the Waves Shape Our Future as Sea Levels Rise?

Is this the future in a world where the oceans are rising?

Deep R&D Ltd

The Bajau are indigenous marine people of Southeast Asia, often referred to as sea nomads. For millennia, they have thrived along coastlines, relying on foraging underwater without the aid of diving gear, holding their breath for astonishing durations. Yet, the early 21st century introduced multiple crises that jeopardized their way of life—industrial overfishing, pollution, coral bleaching diminished food sources, and rising sea levels consumed coastal dwellings.

In 2035, a Bajau community near Saba, North Borneo, initiated fundraising for a contemporary floating and underwater settlement. They collaborated with deep, a manufacturer of submarine habitats, to create interconnected rafts and underwater homes, developing business models that could be emulated by other maritime communities facing similar threats from rising seas. Revenue streams included extreme adventure tourism, scientific research facilities, and longevity clinics.

The first habitat comprised a network of platforms and rafts, with tunnels leading to underwater levels. While residents occupied surface structures, they increasingly utilized submerged areas for storage, sustenance, and sleep. This habitat was constructed using a 3D printing technique known as Wire arc additive manufacturing, which allowed the most effective pressure distribution in areas experiencing strain.

The deeper sections were maintained at both ambient water pressure and the corresponding atmospheric pressure from the surface. In modules situated less than 20 meters deep, occupants, referred to as Aquanauts, inhaled a unique gas mixture to prevent nitrogen narcosis. Those exiting deep modules required decompression when returning to normal atmospheric conditions. An advantage of these surrounding modules was the incorporation of a moon door, enabling Aquanauts to swim directly into the deep sea for leisure, research, and farming activities.

Undersea hotels catering to extreme tourism have surged in popularity. In the Galapagos, tourists reside in submerged hydroelectric hotels, exploring hot springs and observing some of the planet’s rarest life forms. Simultaneously, scientists harness these modules to investigate deep-sea ecosystems. Undersea mapping technologies have evolved, enabling researchers to explore vast ocean territories that were previously unreachable, fostering understanding and interactions with whales and other deep-sea creatures, leading to significant advancements in marine biology.

Aquanauts can swim directly into the deep sea for recreational, research, and agricultural activities

The Bajau have long been adapted to marine environments. With thousands of years at sea, they possess enlarged spleens that provide a higher quantity of oxygen-retaining red blood cells compared to typical humans. Some Bajau divers can spend five hours underwater, diving freely to depths of 70 meters without oxygen tanks, holding their breath for up to 15 minutes. After transitioning to seabed habitats, many Bajau began to leave behind surface living, opting instead to spend more time submerged, even resorting to gene editing to enhance their aquatic capabilities, including intentional eardrum puncturing to facilitate deeper dives, and utilizing surfactants in their lungs to aid their decompression, akin to adaptations found in diving marine mammals.

Bajau’s Diver

Marco Rayman/Alamie

Numerous communities have established depth clinical treatments. Previous research has demonstrated that exposure to intermittent daily sessions of pressurized oxygen therapy can alleviate various medical conditions and age-related diseases. Hyperbaric oxygen therapy, for instance, has proven beneficial, leading individuals who underwent consistent high-pressure sessions to possess longer telomeres and enhanced clearance of senescent cells, both of which are linked to increased longevity. The deep habitat has attracted affluent seniors looking to extend their lives, simultaneously providing a lucrative income source.

The majority of marine communities have become self-sufficient, cultivating their own food through aquaculture of fish, mollusks, and seaweed, while also growing other crops on the surface. Energy sources include a combination of solar, wind, wave, and geothermal energy, tailored to local conditions. Some communities focus on tourism, whereas others specialize in carbon capture within medical facilities. A significant amount of seaweed is harvested, sunk into the ocean depths, and sold as carbon credits.

Living beneath the waves isn’t for everyone. Nonetheless, these habitats empower those most vulnerable to climate change, giving them the tools to redefine their livelihoods and lifestyles, even in the face of rising sea levels that threaten their homes.

Rowan Hooper is the podcast editor for New Scientist and author of *How to Spend $1 Trillion: These are 10 Global Issues That Can Be Actually Fixed*. Follow him on Bluesky @rowhoop.bsky.social

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Source: www.newscientist.com

New Study Illuminates the Rise and Extinction of Giant Sloths

Currently, only two species of sloths exist, but in the past, numerous species roamed the Earth, including one with a nose resembling a bottle and another akin to the ancestors of modern armadillos. Most of these extinct sloths were too massive to inhabit trees. The largest of them all – a member of the genus Megatherium – reached the size of an Asian bull elephant, weighing around 3.63 tons (8,000 pounds).



The ancient sloths inhabited a variety of environments – trees, mountains, deserts, northern forests, and open savannas – leading to wide differences in size among sloth species. Image credit: Diego Barletta.

“They resembled Grizzly Bears but were five times larger,” noted Dr. Rachel Nalducci, collection manager for vertebrate paleontology at the Florida Museum of Natural History.

In a recent study, Dr. Nalducci and her team examined ancient DNA and compared over 400 fossils from 17 museums to explore how and why extinct sloths achieved such sizes.

The size difference ranges significantly between the massive Megatherium and the more modestly sized Shasta Sloth, which thrived on cacti in the arid regions of North America.

Conversely, the sloths adapted for tree climbing were uniformly small, averaging around 6 kg (14 lbs), with ground-dwelling sloths like them averaging about 79 kg (174 lbs).

Ground sloths had a strong affinity for caves, where their size played a crucial role in finding and creating shelters.

The moderately sized Shasta Sloths ventured into the depths of geological lungs formed by wind and water, creating magnificent canyons.

The larger sloths were not limited to pre-existing caves; using their sizeable claws, the largest known mammalian claws (whether extinct or extant), they could carve out their shelters from bare earth and rock. Evidence of their nests can still be found today, with claw marks adorning the cave walls.

Other factors influencing size variations likely include climate, interspecies interactions, and metabolic rates.

To accurately analyze these factors, a substantial amount of diverse data was required.

The authors integrated fossil shape data with DNA from both living organisms and extinct species to construct sloth lineages dating back over 35 million years.

With this foundation established, they incorporated findings from decades of research about the habitats sloths occupied, their diets, and their behavioral patterns.

Paleontologists maintain a keen interest in the evolution of size, collecting extensive data from numerous museum fossils for their analyses.

Sloth size differences are significantly shaped by the habitats they inhabited, which were also influenced by climate change.

“This research, employing evolutionary models across various scenarios and accounting for all these factors, is a considerable undertaking unlike anything previously attempted,” remarked Dr. Nalducci.

The sloth lineage witnessed dramatic life-altering changes as Earth’s climate evolved.

The earliest recognized sloth, Pseudoglyptodon, inhabited Argentina around 37 million years ago.

Analysis from the research team suggests that early sloths were likely small, ground-dwelling creatures, about the size of a Great Dane.

Throughout evolution, sloths occasionally adopted semiarboreal lifestyles.

However, not all sloths remained tree dwellers; the largest species, including Megatherium and Mylodon, likely evolved from tree-adapted ancestors but ultimately thrived on the ground.

Amidst this mixture of arboreal and terrestrial creatures, sloth size remained relatively stable for about 20 million years, regardless of their activity preferences until a significant geological event occurred.

A great rift opened between present-day Washington and Idaho, extending through parts of Oregon and Nevada, releasing magma.

This process left a staggering 600,000 cubic miles of volcanic material in the Pacific Northwest, still observable today along the Columbia River, where flowing water has sculpted basalt into distinct columns.

These formations exhibit a unique hexagonal shape, resulting from the magma’s cooling and cracking processes.

The volcanic activity that formed these structures occurred over a slow burn spanning approximately 750,000 years, aligning with a period of global warming known as the mid-Miocene climate optimum.

Greenhouse gases released by these volcanic eruptions are presently thought to be a primary factor in that period of warming.

As a response, sloths began shrinking in size, possibly due to warmer temperatures leading to increased rainfall, which expanded forest habitats, offering more room for smaller species.

Size reduction is a common adaptive strategy among animals coping with heat stress, as recorded in various fossil records.

After volcanic activity ceased, the world remained warm for nearly a million years before returning to a longstanding cooling trend that persists today. Sloths also adapted, growing bulkier as temperatures decreased.

Arboreal and semiarboreal sloths were inherently limited by their need for tree proximity, but ground-dwelling sloths roamed freely in diverse terrains.

They trekked up the Andean mountains, traversed open savannas, migrated through deciduous forests in North America, and built homes in Canada and Alaska’s boreal forests.

There were even sloths adapted to marine environments. Thalassocnus thrived on dry land between the Andes and the Pacific Ocean, sourcing food from the ocean to survive in such harsh conditions.

“They developed adaptations analogous to those of the Manatee,” Dr. Nalducci explained.

“Their dense ribs aided buoyancy, and elongated noses facilitated foraging for sea grass.”

These varied environments posed unique challenges that ground sloths creatively navigated.

“Such adaptations would have conserved energy and water, enabling more efficient movement through resource-limited habitats,” Dr. Nalducci remarked.

“In open grasslands, protection is crucial, and increased size offers some degree of safety.”

“Some ground sloths also had sparse bone structures embedded in their skin, akin to pebbles.”

Moreover, larger body sizes played a vital role in helping sloths endure the cooling climate.

They reached their peak size during the Pleistocene Ice Age, just before their eventual disappearance.

“Around 15,000 years ago is when notable population declines began,” Dr. Nalducci observed.

While debates continue regarding the reasons for sloth extinction, it coincided with human arrival in North America around the same time, leading to significant declines in sloth populations.

Ironically, the very size that provided protection from typical predators and insulated them from cold climates also contributed to their downfall.

Fast but well-defended, ground sloths proved difficult prey for early humans.

Tree-dwelling sloths observed the devastation unfold below from the safety of their heights, yet they too faced losses.

Two Caribbean sloth species managed to survive until about 4,500 years ago, after their terrestrial relatives had vanished elsewhere.

Humans reached the Caribbean around the same time the Egyptians were constructing pyramids, resulting in the quick extinction of Caribbean sloths.

“Paleoclimate changes cannot solely account for the rapid extinction of ground sloths beginning around 15,000 years ago,” the researchers asserted.

“Their sudden disappearance indicates human-driven factors were likely at play in the decline and extinction of sloths on Earth.”

Study published in the May 22nd, 2025 edition of the journal Science.

____

Alberto Boscani et al. 2025. The appearance and end of giant sloths. Science 388 (6749): 864-868; doi: 10.1126/science.adu0704

This article is based on a press release from the Florida Museum of Natural History.

Source: www.sci.news

Private Organizations Rise to Fill the Science Gap Left by Trump Administration Cuts

Following the rejection of numerous authors by the Trump administration for the upcoming national climate assessment, two scientific organizations have embarked on initiatives to publish special collections of climate change research.

Earlier this week, researchers were informed that their contributions would no longer be needed for the national climate assessment.

The future of this assessment is uncertain, and some authors have voiced concerns that its integrity is compromised, lacking scientific rigor or the ability to adequately convey the risks associated with climate change.

Robert Kopp, a professor of Earth and Planetary Science at Rutgers University and one of the authors affected by the recent decisions regarding the National Climate Assessment, commented:

In response to the administration’s actions, the American Geophysical Union (AGU) and the American Meteorological Society (AMS) announced on Friday their plans to curate a special collection focused on climate research, as stated in press releases from both organizations.

As per the news release, this collection will span over 20 peer-reviewed journals and aims to “sustain momentum” in the work relevant to the National Climate Assessment, in light of the author and staff rejections.

AGU President Brandon Jones noted in a statement that this special collection is not meant to serve as an “alternative” to the national climate assessment but represents “a unique opportunity to publish new research and reviews that could support climate assessments focused on the U.S.”

The White House has not commented on the rationale behind the rejection of National Climate Assessment authors or the administration’s plans moving forward.

The 1990 Global Change Research Act mandates the U.S. Global Change Research Program (USGCRP) to submit reports to the President and Congress every four years, with national climate assessments previously satisfying this obligation. These reports summarize the best available science on climate change physics, its effects on the U.S., and societal adaptations. They also include localized climate forecasts for various regions to inform the public about community risks.

The latest assessment, published in 2023, comprised around 2,200 pages across 37 chapters. It highlighted that the lower 48 states have experienced an average warming of 2.5 degrees Fahrenheit since 1970, alongside increasingly severe weather events and costly disasters.

“If you’re a state official, business leader, or a member of the public looking to understand the impacts of climate change on the economy, coastal areas, or human health,” Kopp stated:

The National Climate Assessment is a culmination of the efforts of hundreds of researchers volunteering their time, although it is organized by USGCRP staff. In April, the White House ceased funding for this organization.

“I have no insight into the plan; I don’t think anyone does,” Kopp remarked. “They have let go of all the authors and staff of the Global Change Research Program, leaving some government positions currently unfilled.”

The USGCRP website currently states, “We are reviewing the operation and structure of USGCRP.”

Kopp mentioned that the authors of the National Climate Assessment had dedicated about a year to summarizing the chapters intended for their 2027 report and evaluating relevant themes. This summary has already been submitted for review to the federal agency, and the authors are now considering how best to proceed with it.

“We cannot replicate the NCA unless there is an organization prepared to take charge and staff up,” Kopp concluded.

Source: www.nbcnews.com

Alphabet’s revenue sees a 12% rise

Google may face a breakup after losing two antitrust laws, but for now, it can take solace in its substantial earnings.

Alphabet, Google’s parent company, reported first-quarter revenue of $900.23 billion, a 12% increase from the previous year. Net income also saw a significant jump to $34.544 billion. Earnings per share stood at $2.81.

While the revenue aligned with analyst expectations, the bottom line was particularly strong. Analysts had anticipated revenue of $8.915 billion and earnings per share of $2.02.

Google CEO Sundar Pichai attributed the impressive results to the overall growth and momentum of the business.

Following the positive financial report, Google announced a 5% dividend increase and authorized $70 billion in share buybacks. Stock prices, which had been moderately increasing before the earnings release, saw further gains in after-hours trading.

Despite initial setbacks earlier in the year, including a drop in stock prices due to economic disruptions caused by tariff policies, Google’s outlook is improving. Challenges such as changes in AI-driven search and ongoing antitrust battles pose risks, but the company remains resilient.

Recent legal rulings have raised concerns over Google’s market dominance, leading to discussions on potential breakup scenarios. While Google vows to fight antitrust charges, some experts argue that a breakup could be beneficial, citing historical precedents with IBM and Microsoft.

Historical cases like IBM’s antitrust battle and Microsoft’s legal challenges offer insights into the potential outcomes for Google. As Google’s growth slows down, analysts speculate on the company’s future trajectory amid evolving market dynamics.

Research firm Emarketer predicts a deceleration in Google’s ad revenue growth, highlighting shifts in the digital advertising landscape. Senior analysts underscore the importance of adaptability in the face of changing market conditions.

Source: www.nytimes.com

The Rise of Bytedance: From Tiktok Parent to AI Powerhouse

Baite Dance, a Chinese internet giant, has developed some of the world’s most popular apps: Tiktok and in China, Douyin and Toutiao.

Tiktok claims 170 million users in the US, while around 700 million people use the domestic version of Douyin and 300 million use Toutiao in China. Bytedance gathers data on user interactions to improve user experience and content recommendation.

Bytedance is investing in artificial intelligence infrastructure, including data centers in China and Southeast Asia, to enhance its AI systems. Tiktok has faced bans in multiple countries over national security concerns.

Bytedance’s data usage has raised concerns, leading to Washington lawmakers pressuring Tiktok to sell its US business. In China, Bytedance’s data capabilities have expanded beyond social media into advanced AI technology.

Bytedance is investing heavily in infrastructure, spending billions on data centers and equipment. Chinese tech companies are encouraged to focus on cutting-edge technologies, including semiconductors and artificial intelligence.

Last year, Bytedance invested around $11 billion in infrastructure such as data centers, networking equipment, and computer chips.

The Biden administration’s rules aim to restrict Chinese companies’ access to certain chips. Bytedance has found ways to acquire computing power needed for AI training, despite these restrictions.

Bytedance’s investments have made it a popular AI app in China, with services like the chatbot Doubao attracting millions of users. Bytedance demonstrates the connection between app ecosystems and AI efforts.

Bytedance launched Volcano Engine in 2021, offering addictive technologies and tools for analyzing algorithms to other companies.

Bytedance’s expertise in creating filters for apps like Douyin and Tiktok has led to collaborations with companies for developing technology like movement tracking for smart appliances.

GAC Group and Mercedes-Benz are among the companies using Bytedance’s Volcano Engine for data management and in-vehicle technology.

Bytedance, a leader in AI technology, is focused on achieving artificial general intelligence, similar to human intelligence.

Many Chinese companies are investing in AI projects, but only a few have the resources to advance the technology. Bytedance is among those leading the way in AI innovation.

Claire Who Contributed research from Seoul.

Source: www.nytimes.com

Blockbuster Success: The Rise of Homemade Minecraft Movies

bBy y estimate, Minecraft is incredibly successful. As of December last year, the bestselling video games so far had 204 million active players each month. Since its first release in 2011, its revenue has exceeded $3 billion (£2.3 billion). Moreover, the player was always keen to demonstrate fandom outside the boundaries of the game itself. In 2021, YouTube calculated that videos related to the game (tutorials, walkthroughs, homages, parodys) were collectively displayed 1tn times. In short, it’s a phenomenon.

This is the strength of the emotions, almost everything is positive, and it was only a matter of time before someone tried to turn it into a movie. After all, you have a historically popular product and a very enthusiastic fanbase: what probably doesn’t work? After all, quite a lot. Last September, First trailer For the film, the title “Minecraft Movie” was released, and the response was instantly violent. “Minecraft fans ravaged by a ‘bad’ live action trailer” Read one heading the next day. Some were called It is “crime against humanity”; others “Soulless neon hatred.” Within 24 hours, the website GamingBible said “Curse of my eyes” and “Pure nightmare fuel”. Within three days of release, the trailer was voted down over 1m.

If you’re familiar with Minecraft, you probably understand why. Minecraft is a game with a very unique look. Everything is made of square blocks and comes with a muted palette. However, the trailer is incredibly flashy. Everything appears to be made of halibo, and even worse, the block has slightly rounded edges. What’s even worse is that there are humans among them. A high-pitched, sarcasm-looking person. Jason Momoa is in an overtly blonde wig and a hot pink leather jacket. In other words, it looks like a film made by people who don’t understand Minecraft.

“This is Jumanji, but it has Minnecraft skin,” the first response from an Argentine YouTuber. elvitt0ri0 Looking at the teaser. “Minecraft offers endless numbers of story possibilities. Still, they decided to go with the storyline “We go to another universe and learn about it.”

The response for Elvitt0ri0 was to create Movies about Minecraft (not present)a version of what a movie should look like. This trailer was created with the open source animation software blender used to create the flow that achieved the best animation features at this year’s Oscars. This is a fully animated trailer that retains the look of the original game and features characters that players can recognize. Below the video is a comment. “This is everything the Minecraft movie should have done, the game elements, the history, the community… it’s so perfect.”

And elvitt0ri0 is not alone. Since the official teaser went live, dozens, perhaps hundreds, and even hundreds of fan-made Minecraft trailers have been born online. Vicki Fernandez performs dark animation of the channel, I created one titled It’s a trailer for Minecraft Movie, but it’s actually good. Her video is explicitly modified, not reconsidering. Shot for Shot Remake, everything is animated in Minecraft style, where everything is more readily recognizable. And that’s a good thing. The comments below the video are now full of what it extracts.

For certain types of fans, the appearance of Minecraft is gospel. Photo: Mojang

“I think the film should have been animated, not live action,” Fernandez said in an email. “It looks very strange when you mix a character that looks like a CGI cube with a real human. The CGI characters look oddly realistic and creepy while maintaining the proportions of the cube. Overall, the film doesn’t have a compelling art style.”

What Elvitt0ri0 and Fernandes have in common is that they are first and foremost Minecraft fans. Fernandez began playing games in 2014 at the age of eight, and four years later he began making fan videos. Elvitt0ri0 began playing at the age of 11 and was swept straight away by surrounding YouTube content. “One thing fans have proven over and over is that Minecraft can act as an incredible platform for telling the story,” says Elvitt0ri0. “You can see not only animations, but the entire series and movies created within the game.”

Both YouTubers lament that this sense of history and gratitude appears to have been lost in the official film. But that’s probably what you’d expect. Because Warner Bros have been trying to remove Minecraft movies from the ground for over a decade. In 2014, when the studio first released the film, they hired Sean Levy to direct it. However, it fell, so Rob McElhenney intervened to take his place. When he left shortly afterwards, Peter Sollet, best known for his 2008 Nick & Nora’s Infinite Playlist, took his place. It was only in 2022 that Napoleon Dynamite’s Jared Hess stepped in to direct the script from masterminds Chris Bowman and Havel Palmer, and the film found all of its films.

In fact, Hess cut out his work for him. Minecraft is a game without a traditional story. A sandbox game in which players enter procedurally generated scenery and do whatever they want. If they want to extract raw materials from the surroundings and craft tools, they can. If they want to start a fight against hostile creatures, they can. If they want to spend four days using the game to make huge chicken (as my 10-year-old did this week), it’s up to them.

“corpo-vomited products”? Minecraft film. Photo: Burner Warner Bros Pictures/AP

The movie nods to this with the title – it’s a Not Minecraft Movie Because Minecraft movies are reductive to be so definitive. Still, Hess appears to be heading down an easy path, stuffing the bones of a Jumanji-style offering with sticky skin. Worse, Hess has a distinctive visual style (he is essentially a sarcastic haircut Wes Anderson). This does not mesh intuitively with the appearance of Minecraft.

And for certain types of fans, its appearance is not just the gospel, but in part it is the fans’ lead. For example, youtube costumes named with elements animation, lush animation, and absurdity Minecraft Spoofs It was such a success that they were hired by game developer Mojang to create official Minecraft videos. Minecraft was ultimately a feedback loop between the game and the people who played it, and the film had to reflect that.

But the story is that Hess basically stumbled around making a film. When another project he was working on for the legend fell, they asked him to pitch to Minecraft – and perhaps this lack of familiarity was shown. After all, Phil Lord and Chris Miller got in the way to reassure people that they had performed with Lego before making the rigo loyal 2014 The Lego film. When Aaron Holvas and Michael Jerenick were announced as directors of the 2023 Super Mario Bros film, they said Super Mario Bros was their main source of entertainment as a child.

This is the level of familiarity that fans have come to expect, and there is a habit of things being wrong every time the director tries to force himself on his beloved property. The first live-action Mario film collapsed when Bowser (a giant muscular turtle) was replaced by Dennis Hopper with a sparkling blazer. Paramount was forced to spend $5 million redesigned by Sonic the Hedgehog after appearing in the film trailer, all the little eyes and human teeth, and the scary audience. However, Minecraft is still a relatively new game. People like Fernandes and Elvitt0ri0 have played the game long enough to really understand it, but only in their early 20s. One day they will make a completely loyal Minecraft film that will satisfy their fans, but that hasn’t been for years.

But again, this is a Not Minecraft Movie Minecraft Movie. Warner Bros. may have done enough to prevent this from fully floping. There is a wall-to-wall promotion both in-game and in the real world, and there is also a second trailer that appears to be a bit faithful to the source material. However, hardcore followers may feel that it’s time for fans to be in charge of providing the big screen of the future. Element Animation Minecraft Film is exactly what my kids want to see, but perhaps the reins will be handed over to someone else with an innate understanding of the game. As Elvitt0ri0 says, films based on beloved things like Minecraft should be “the part of the actual love of fans by fans, not just by the Corpora Paw Paw products by large corporations.”

The Minecraft film will be released in Australia on April 3rd and in the UK and the US on April 4th

Source: www.theguardian.com

The Rapidly Approaching Future: Creative Workers and Experts Discuss Their Hopes and Fears Regarding the Rise of AI

Oliver Fiegel, a 47-year-old Munich-based photographer, was reading a newspaper on Germany’s National Sunday when he saw a strange look on the top page image. The images showed the boy chasing soccer on the pitch. However, some of the wild flowers on the grass floated without stems. Half of the goal net was missing. The boy’s hands were shaped.

Photographer Oliver Fiegel, 47, said he would no longer be able to make a living from his trading alone in the industry in 18 years. Photo: Oliver Fiegel/Guardian Community

Over the past few years, many of Fiegel’s photography clients have been newspapers and magazines. However, the job has recently dried up. The image he felt showed one reason for “generic illustrations,” the provided caption said.

Fiegel was irritated. The use of artificial intelligence rather than human creatively represented the crafts that he spent years training and was tainted and erased by the emergence of cheaper and faster generative AI tools.

“AI has had the most devastating impact on the industry.” observer How is the rise of generative AI tools changing their working lives, for better or worse, amidst the economic changes of earthquakes? “It’s happening very quickly.”

Fiegel, a photographer for almost 18 years, said he was no longer able to make a living and was forced to fundamentally diversify his income streams. Now he is considering opening a natural wine bar instead.

In advanced economies such as the UK, Germany and the US, about 60% of jobs are exposed to AI, according to AI, a survey conducted by the International Monetary Fund last year, with about half of them potentially negatively affected. In the UK alone, AI can drive down private sector jobs up to 3M, according to the Tony Blair Institute for Global Change, but some unemployment could be offset by a new role in economic change.

“I still only know a few photographers who can live out of this deal,” Fiegel said. “It’s not easy. I’ve identified it as being creative for the rest of my life.”

Longtime translator Karl Kerner said the AI tools had a negative impact on him. Photo: Karl Kerner/Guardian Community

Since 1994, Karl Kerner has focused on non-fiction scientific texts as a translator among English, German and Norwegians. This type of translation requires expert knowledge and careful terminology, he said.

“I’m basically out of business now,” Kerner said. “This AI has become like a tsunami.” In the past few years of AI-driven translation and editing tools, the number of “[work] Requests have just diminished,” he added.

His loss of identity had a major impact, said Kerner, who is born in New York and now lives in Tonsburg, Norway. “All night, everything about this linguistic culture is worthless. It does something for you, because you were professional. [It’s like] Someone takes the rug from under you.”

Kerner, 64, began working for an agricultural consultant. “It’s not a good age to join the job market. It wasn’t easy,” he said.

But technology is also helping him with some translation work he still gets. Instead of translating words by word, he can send the text to automated translation software, and use his knowledge to eliminate inaccuracies and mistranslations, significantly reducing working hours. “I’m not a Techno Forbe, I think it’s attractive,” he said.

Other workers have more positive experiences as they integrate AI into their daily work.

Alexander Calvey, a self-employed Locum GP in Surrey, said he used AI Scribe to write down his notes, saving him time and improving quality. The results mean he can “focus more on the patient than on the notes.”

Calvey, who also works for a private GP provider, added that he managed to increase The number of patients he sees is sometimes 4-5 per hour. In the future, as technology improves, Calvey feels that AI will have more use to guide questions and treatments.

ChatGpt Chatbot has become the sounding album of Paul, a 44-year-old university researcher on mathematics and philosophy based in Stockholm. He said the tool would help summarize the literature and brainstorm research questions.

“It knows a lot, I know other things that I don’t want to be challenging,” he said, allowing me to study those topics more deeply.

However, Paul’s use ChatGpt is not just his professional job. He also uses it for personal tasks, such as providing analysis if he experiences strange dreams.

A mother’s pencil portrait by freelance illustrator Jenny Turner. Illustrations: Jenny Turner/Jeturnarath/Guardian Community

Despite this feature, he is concerned about the amount of information that companies that control generative AI tools learn about their users. He said he is “very worried” about the “power of a small number of companies’ high-tech giants.”

Meanwhile, British Prime Minister Kiel Starmer said he hopes that AI will be “mainlined to the vein” of the nation to promote productivity and economic growth. But this month, the TUC is calling for urgent government action to protect workers in the creative industry amidst the risk of disruption and unemployment.

For Jenny Turner, a 33-year-old freelance illustrator in the northeastern England, the decline in fee demand was “very sudden” and coincided with the spread of AI imaging tools. Turner previously sold his work on Etsy. For example, she charges about £100 for a portrait drawn by a colored pencil. However, in the last few years she has begun to see AI-generated images beneath her work in the “You Like too” section.

“I can’t compete any more…it’s on sale at a price I could never drop,” she said. “It really hit me hard and made me feel empty like you were wasting everything. It just gets upset and makes you mad.”

Turner said after drawing from a young age and studying at university, she was now forced to abolish her illustrations on Etsy and consider other jobs. “If that’s what happens in everything,” she said, “How many people aren’t going to do their job?”

Source: www.theguardian.com

Concerns rise over potential Trump administration use of Israeli spyware amid abuse allegations

WhatsApp recently won a legal battle against NSO Group, an Israeli cyberwareponds manufacturer. Despite this victory, a new threat has emerged from another company, Paragon Solutions, which is also based in Israel, including the United States.

In January, WhatsApp revealed that 90 users, including journalists and civil society members, were targeted by SPYware created by Paragon Solutions last year. This raises concerns about how Paragon’s government clients utilize hacking tools.

Among the targeted individuals were Italian journalist Francesco Cancerato, immigrant support NGO founder Luca Casarini, and Libyan activist Husam El Gomati. University of Toronto researchers, who work closely with WhatsApp, plan to release a technical report on the breach.

Paragon, like NSO Group, provides spyware to government agencies. The spyware, known as Graphite, allows for hacking without the user’s knowledge, granting access to photos and encrypted messages. Paragon claims its use aligns with US policies for national security missions.

Paragon stated a zero-tolerance policy for violations and terminated contracts with Italy after breaching terms. David Kay, a former special rapporteur, described the marketing of such surveillance products as an abuse and a threat to the rule of law.

The issue has relevance in the US, where the Biden administration blacklisted NSO in 2021 due to reports of abuse. A contract between ICE and Paragon was suspended after concerns were raised about spyware use.

Paragon assures compliance with US laws and regulations, following the Biden executive order. The company, now US-owned, has a subsidiary in Virginia. Concerns remain about potential misuse against political opponents.

Experts from Citizen Lab and Amnestytech are vigilant in detecting illegal surveillance in democracies worldwide.

Source: www.theguardian.com

Review of Civilization VII – Your civilization will rise to new heights in this detailed and captivating game

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Many years ago, during the progress of Civilization II, I began my career as a writer for the video game magazine Edge. As an enthusiast of the original Civilization game, I was eager to review its sequel and impressed the editor enough with my comprehensive analysis of the complex turn-based strategy game that I nearly lost my job due to my addiction to playing it non-stop for two weeks instead of writing my assigned articles. This led to a stern warning about my performance and ultimately ended my tenure as a game writer. Consequently, I did not review the next four installments of the series. Now, Civilization VII is making a comeback, and I find myself facing this captivating nemesis once again.

This game has always been a favorite among me and many other fans, offering a compelling simulation of building an empire from ancient tribes to modern superpowers. As a player, you have the opportunity to establish cities, gather resources, research new technologies, send out settlers, merchants, and armies, and expand your influence through peaceful relations or conquest. Victory can be achieved through military prowess, cultural dominance, or economic power, depending on your chosen playstyle. Each campaign offers a unique experience, making it a game that has withstood the test of time.




Extra nuances … civilization VII. Photo: 2K game

In this latest installment, Firaxis has made some significant changes, deviating from guiding a single civilization through the entire campaign. Instead, players now choose different leaders with unique attributes and guide them through three distinct historical ages, each time selecting a new country to control. Each country brings its own units and buildings, adding depth to the gameplay. The game structure encourages continuity and strategic decision-making, enhancing the overall experience.

Civilization VII will be released on PC (version tested), PS4/5, switch, Xbox One, Xbox series S/X on February 11th.

Source: www.theguardian.com

Global temperatures are projected to rise by 1.9-3.7°C by the year 2100

Coal power plants contribute to global warming

Walaiporn Sangkeaw

Current policies of governments around the world are likely to result in global warming of between 1.9 and 3.7°C by 2100, with potentially more to come in the 22nd century.

“Each year, 2,100 people continue to emit more CO2 as global temperatures rise,” said Zeke Hausfather, a climate scientist at Stripe, a California-based software company that invests in carbon removal technologies. states.

His conclusions are based on a review of more than a dozen studies published over the past five years, looking at the implications of current policies over the past five years. According to these studies, the world is most likely to warm between 2.3 and 3°C by 2100.

However, these numbers do not fully take into account the uncertainties about future emissions of greenhouse gases as a result of human actions and how the climate system will respond to those emissions. Including these uncertainties gives a wider range of 1.9–3.7 °C.

These numbers reflect the most likely range of scenarios from the 5th to 95th percentile. This means that even with current policies, there is a small chance of a maximum warming of 4.4°C this century.

The good news is that all recent studies agree that very high emissions scenarios are currently unlikely. For these, warming of 4°C or more before 2100 is the most likely outcome.

That's because the worst-case scenarios considered by climate scientists were never all that plausible to begin with, Hausfather says, but it also reflects real progress in limiting emissions growth. and coal is currently expensive.

If climate policies strengthen and technological advances continue to exceed expectations, future emissions could be even lower than assumed in these studies, but this is not guaranteed and The rise of energy-hungry technologies like intelligence could do the opposite.

“It's definitely possible to imagine a world where AI accelerates rapidly and near-term emissions increase beyond what we think will happen today,” Hausfather says.

But he doesn’t think AI-related emissions will make much of a difference in the long term. “It’s certainly not in line with rapid emissions reductions, but it’s hard to see that in itself putting us on track for a significantly different end-of-the-century outcome,” Hausfather says. .

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Source: www.newscientist.com

Elon Musk’s Rise to Power as the World’s Top Non-Elected Leader in 2024

Hello. Welcome to Techscape. After enduring the recent impact of COVID-19, I’ve been reflecting on screen time and isolation. Just a few days of isolation and prolonged screen exposure were enough to bring back the mental state I experienced for most of 2020. Wishing everyone a wonderful winter and a happy new year filled with family, friends, and joyous gatherings.

Today on Techscape: A recap of the biggest tech story of 2024 – Elon Musk and the US Amazon worker strike.

Technology in 2024: Elon Musk as Influential as Donald Trump

Donald Trump listens to Elon Musk, who arrived to watch SpaceX’s giant rocket Starship take off for a test flight from Starbase in Boca Chica, Texas, on November 19th. Photo: Brandon Bell/AP

The significant tech story of the year is Elon Musk’s meteoric rise to power and global influence in 2024. Musk has become the most prominent individual worldwide without winning any elections. He holds sway over the US President and exerts control over vital government bodies regulating his companies, which have become crucial to many countries’ digital infrastructure. His enormous wealth makes US lawmakers uneasy, and his tweets impact leaders globally.

Since Trump’s presidency, Musk has wielded his influence boldly by shaping government decisions. His recent clash with the House of Representatives over a spending deal highlighted tensions in US politics. Despite his and Trump’s efforts, Republicans resisted their demands, pointing to the limits of CEO power and foreshadowing 2025’s potential chaos. Democrats mocked Musk as “President Elon Musk,” hinting at the escalating power struggle.

As political storms rage, it’s crucial to contemplate Musk’s rapid ascendancy in American politics and the implications it holds. Let’s delve into his timeline of events throughout the year, revealing Musk’s inevitable dominion over 2024 akin to Trump’s reign from 2015 to 2021, setting global news agendas with their actions.

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The Broader Technology Landscape

Source: www.theguardian.com

The Rise of Dinosaurs Told through Fossilized Feces

A plant-eating sauropod dinosaur that evolved in a humid environment during the early Jurassic period.

Marcin Ambrozik

The contents of feces and vomit from 200 million years ago are helping to show how dinosaurs conquered the world at the beginning of the Jurassic period.

Whole insects embedded in various shapes and sizes of well-preserved plants, bones, fish parts, and even ancient animal feces show that dinosaurs varied in comparison to other groups of animals. This suggests that dinosaurs were able to survive in the ecosystem thanks to their wide-ranging diet. This led to their further growth and eventually led to the establishment of a “land dynasty.” Martin Kvarnström At Uppsala University, Sweden.

Fossil evidence shows that the first dinosaurs had prominent hip joints that placed their legs underneath their bodies like mammals, rather than sprawling sideways like lizards. More than 230 million years ago During the Triassic. For tens of millions of years, these early dinosaurs blended into a landscape filled with many other types of reptiles. But by about 200 million years ago, dinosaurs had essentially taken over the Earth, around the time most other reptiles disappeared during the end-Triassic extinction.

What led to this dominance remains somewhat of a mystery. Kvarnström and his colleagues suspected that important clues might be hidden in the bromalites (fossilized feces and vomit) of dinosaurs and other animals. So they Polish Geological Institute collected by a prior research group from eight locations in Poland between 1996 and 2017.

The research team estimated the age of each bromalite based on the layer of sediment in which it was found, and determined its size, which ranges from a few millimeters to a “fairly large fecal mass,” and the animals that may have produced it. A suitable shape was used. The researchers then 3D scanned the fossil to examine its contents. “We noticed that it was clogged with food debris,” Kvarnström says.

Coprolites, or fossilized feces, of herbivorous dinosaurs containing plant remains

Grzegorz Niedzwicki

Combining the known fossil record and past climate information, researchers determined that the emergence of dinosaurs occurred in several different stages. First, the omnivorous ancestors of early dinosaurs began to outnumber non-dinosaurs. They then evolved into the first carnivorous and plant-eating dinosaurs.

At that point, increased volcanic eruptions and movement of tectonic plates caused flooding and waterway development. The resulting humidity and related changes in climate likely led to a wider range of plants and the evolution of larger and more diverse herbivorous dinosaurs. On the other hand, animals other than dinosaurs (such as dicynodonts, which eat plants weighing up to 1 ton) Lisowisia, Their feces contained mainly coniferous debris and they were less able to adapt to changes in vegetation.

As herbivorous dinosaurs grew larger, so did their predators. By the beginning of the Jurassic period, about 30 million years after the first dinosaurs appeared, the transition to a dinosaur-dominated world was complete, Kvarnström says.

“This study shows how climate primarily affected dominant plants, which created opportunities for new herbivores at certain points in time,” he says. michael benton from the University of Bristol, UK, was not involved in the study.

Although it's difficult to be sure that the researchers matched the scat to the right animal, the discovery nonetheless suggests that the dinosaur species had already expanded significantly in South America before major climate change. This confirms earlier research, he says. “But it took the end-Triassic mass extinction for the final stage of the takeover to begin.”

for emma dunn The study, conducted at Germany's Friedrich-Alexander University, helps answer long-standing questions about the emergence of dinosaurs. “It's not every day that a fossil poop is published in such an influential journal,” said Dunn, who was not involved in the study. “This is obviously interesting, but it's also very useful for understanding prehistoric environments. So if you think of the evolution of early dinosaurs like a jigsaw puzzle with pieces missing, there are new It’s just a lot of pieces thrown in.”

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Source: www.newscientist.com

UK police boss warns that AI is on the rise in sextortion, fraud, and child abuse cases

A senior police official has issued a warning that pedophiles, fraudsters, hackers, and criminals are now utilizing artificial intelligence (AI) to target victims in increasingly harmful ways.

According to Alex Murray, the National Police’s head of AI, criminals are taking advantage of the expanding accessibility of AI technology, necessitating swift action by law enforcement to combat these new threats.

Murray stated, “Throughout the history of policing, criminals have shown ingenuity and will leverage any available resource to commit crimes. They are now using AI to facilitate criminal activities.”

He further emphasized that AI is being used for criminal activities on both a global organized crime level and on an individual level, demonstrating the versatility of this technology in facilitating crime.

During the recent National Police Chiefs’ Council meeting in London, Mr. Murray highlighted a new AI-driven fraud scheme where deepfake technology was utilized to impersonate company executives and deceive colleagues into transferring significant sums of money.

Instances of similar fraudulent activities have been reported globally, with concern growing over the increasing sophistication of AI-enabled crimes.

The use of AI by criminals extends beyond fraud, with pedophiles using generative AI to produce illicit images and videos depicting child sexual abuse, a distressing trend that law enforcement agencies are working diligently to combat.

Additionally, hackers are employing AI to identify vulnerabilities in digital systems, providing insights for cyberattacks, highlighting the wide range of potential threats posed by the criminal use of AI technology.

Furthermore, concerns have been raised regarding the radicalization potential of AI-powered chatbots, with evidence suggesting that these bots could be used to encourage individuals to engage in criminal activities including terrorism.

As AI technologies continue to advance and become more accessible, law enforcement agencies must adapt rapidly to confront the evolving landscape of AI-enabled crimes and prevent a surge in criminal activities using AI by the year 2029.

Source: www.theguardian.com

The Rise of Lithium Ion Batteries: Understanding the Exploding Fire Hazard

A severe fire in a garage and home in south of Sydney may have been caused by a faulty lithium-ion battery in an electric scooter. Fire investigators discovered that this incident was part of a series involving lithium-ion batteries.

Another fire broke out at New Farm apartments in Brisbane city centre in early November, believed by authorities to be ignited by an electric scooter’s battery. In March, New South Wales experienced four battery-related fires in one day.

The New South Wales Fire and Rescue Service has identified lithium-ion batteries as the state’s fastest-growing fire hazard, responding to 272 battery-related fires last year. Fire authorities in Victoria and Queensland are responding to lithium-ion battery fires almost every day.

Lithium-ion batteries are widely used in various devices due to their fast charging, power density, and long battery life. Australia’s largest lithium-ion battery, the Victorian Big Battery, can power over one million homes for 30 minutes.


What are lithium-ion batteries used for?

Different types of lithium-ion batteries are used in various devices, and when operated correctly, they are considered safe.

Lithium-ion batteries power cell phones, computers, electric scooters, electric bicycles, and electric cars, providing quick energy delivery and long battery life.

Lithium-ion batteries can catch fire due to overheating and physical damage, reaching high temperatures and producing toxic gases.


Why do lithium-ion batteries catch fire?

Lithium-ion batteries contain lithium ions in an electrolyte, and charging them too quickly can cause thermal runaway, leading to a rise in temperature and potential explosion.

Battery quality matters, as physical damage, defects, and overcharging can contribute to battery fires. It is essential to use approved chargers and follow manufacturer guidelines.

To prevent battery fires, avoid overcharging, charge batteries on hard surfaces, and recycle old batteries properly to reduce the risk of fire incidents.

Source: www.theguardian.com

Review of Rise of the Golden Idol: A 1970s detective game with a dark, twisted, and captivating storyline

a Brutal Scene: A shadowy figure forces someone into a high-voltage circuit box. The victim becomes unable to move at the moment of death, his body convulsing and sparks flying. Downstairs, everyone froze in shock the moment the lights went out. You must scrutinize this scene to determine who everyone is, where they are, why they are there, and, of course, who committed this murder. Examine faces and objects, search everyone’s pockets to see what’s inside, and read notes, signs, and letters for clues. Eventually you’ll piece it together and fill in the report with the missing words that describe exactly who, what, when, where, and why.

Rise of the Golden Idol is a 1970s alternate reality detective game where, when solved, individual scenes tell us something about a larger mystery. This is a sequel to The Case of the Golden Idol, set 300 years after the game’s Age of Exploration mystery, but following the trail of the same cursed object. Some of these scenes are relatively harmless and even funny, such as a drive-in cinema where an unexpected fire breaks out and cosplayed patrons rush for the exit. There are other scary things too. In the opening incident, the strangulation unfolds in an endless loop, like an Instagram boomerang story.

Intentionally grotesque art style…the rise of the Golden Idol. Photo: Color Gray Games

Solving these cases is very satisfying, but you better hope your memory for names and faces is good. Scenes could include 10 or more people and required a notebook to record them. There are more and more obvious hints offered when you get stuck, but as the game warns, using them takes away the fun of using deductive reasoning. Nevertheless, when I understood the gist of the case but couldn’t get someone’s last name correctly, I was glad that there was a button to show me which blanks in the report were incorrectly filled in. I thought.

The strangeness of Rise of the Golden Idol is what makes it so memorable. The art style is intentionally grotesque, with the characters’ asymmetrical faces and eyes moving like crazy, and the backgrounds filled with paint pens. The murders, robberies, and other crimes here are strange, and the picture becomes unsteady in its eternal two-second loop of movement. Until I solved the problem, the scene stuck in my head and I ended up staring at my phone screen for half an hour at a time, thinking, cross-referencing, and taking notes. Where is the character’s gaze leading me? Why is that rug in disarray? Where did that dirt come from?


The big story that comes from these details is worth all the effort. As the chapters change, the fill-in-the-blank incident report turns into a fill-in-the-blank summary of everything you’ve learned from several past cases, helping you draw connections that make the story full of intrigue. This is not a game you can play while thinking about something else. You have to pay close attention, focus your thoughts, and see what your brain can do. I was pleasantly surprised by my own reasoning skills.

The crime scenes are so bizarre that you never know where this game will take you, but there’s always something you need to solve.

“Rise of the Golden Idol” is currently in theaters. £16.75 or included with your Netflix subscription

Source: www.theguardian.com

Rise of the Titan: How World of Warcraft Triumphed Over the Geek World and Dominated the Gaming Industry

IIn 2004, Holly Longdale was a game designer at EverQuest and a champion of a new genre of video games that enabled massively multiplayer role-playing. These online fantasy worlds allow players to pursue quests together rather than alone, adding an engaging new social – and competitive – dimension to the static offline role-playing that Holly’s generation was accustomed to. I did. But whenever possible, Longdale would instead sneak in a few hours of play as EverQuest’s main competitor. That game was World of Warcraft (WoW).

“There were so many moments in WoW that I was jealous of,” she says. Then I saw another player running in the opposite direction. This is the druid who buffed me along the way. That’s when I knew I was going to be in this business for the long term. ” Twenty years later, Longdale is now vice president of WoW and executive producer at developer Blizzard, and one of the millions of people who have accepted the game as a part of their lives.

For two decades, World of Warcraft has been an icon of geek culture, referenced everywhere from South Park to The Big Bang Theory to Family Guy. WoW has become a convenient abbreviation for not only a certain type of gamer, but all sorts of nerds, nerds, and silly subcultures. In the ’00s, Ozzy Osbourne, Chuck Norris, Mr. T and more promoted it along with the infamous Night Elf Mohawk. Henry Cavill, Mila Kunis and Vin Diesel are among the fans, but the 2016 film did not do particularly well, grossing $439 million. In 2021, Blizzard revealed that players have combined for nearly 9 million years of play time.

“WoW is more than just a game”…Holly Longdale at BlizzCon 2023. Photo: Robert Paul/© Blizzard Entertainment, Inc.

There were certainly other role-playing games before WoW was released in 2004. However, 3D graphics was still in its infancy. Games like Star Wars Galaxies and Everquest have vast, largely barren worlds that rely on copious amounts of in-game text and clunky rules removed from tabletop games for explanation. did. Then along came Blizzard, the developer company that made a name for itself and a small fortune with great online competitive strategy games like StarCraft and Warcraft III. Unlike its competitors, WoW’s world of Azeroth felt alive, with gorgeous scenery and a huge number of animals and monsters roaming the landscape. An iconic bright yellow exclamation point will float above your non-player character’s head, letting them know that a quest awaits them. And of course, there are other players everywhere, taming beasts, slaying monsters for quests, drinking at inns, mining ore, or just passing by in high-level gear. He would see you doing things like that, and he would get jealous as you struggled to tackle the pack. A despicable Murloc.

What came to define early WoW was the social aspect of the game. The world’s tightly controlled zones encouraged players to encounter other people as they explored Azeroth. Additionally, when creating a character, players had to choose between two factions: the Alliance and the Horde, giving players an instant sense of loyalty. Whether grouping up to take on a dungeon, rallying in a band of 40 to take down a giant raid boss, or storming into an enemy capital as an army of low-level cannon fodder, every player has the power to It seems to have a story about the era of. Azeroth.

A perfect storm is brewing…World of Warcraft: Shadowlands. Photo: Blizzard Entertainment

I still romanticize my role sneaking into the Alliance capital of Stormwind with a group of low-level undead rogues. I imagined it to be a daring attack, but in the end I had to run for my life. Another time, I asked a better-equipped passerby for help in defeating a particularly formidable monster in the Night Elf Zone of Darkshore, but ended up chatting with the person for hours. . Over the next few months, I messaged that same player.

WOW was a completely simple phenomenon. Blizzard had to more than double its workforce within a year to answer player questions, resolve technical issues, and keep servers running. WoW achieved impressive subscriber numbers, which were further increased by the release of two expansion packs: The Burning Crusade in 2007 and Wrath of the Lich King in 2008.

By 2010, over 12 million players had active monthly subscriptions. Some called themselves WoWaholics. Other players find WoW to be an escape from the constraints of real life, as evidenced by Mads Steen’s moving story recently told in the Netflix documentary The Remarkable Life of Ibelin. Although Mads suffered from muscular dystropy until his untimely death at the age of 25, he lived a vibrant life in WoW. His parents were completely unaware of his son’s life until online friends sent them long messages from all over Europe telling them how much their son had affected their lives. Five members of Mads’ WoW guild traveled to Norway for his funeral.

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But no game can stay in the spotlight forever. WOW went from strength to strength over its first six years, but as the game got older, so did the players. Ion Hazzikostas, then lead game designer, now game director put it down 2014: “If you started this game in 2004, you were a student with a lot of free time, and now you’re a career woman with a family.” Blizzard maintains existing fans while attracting new generations. It was necessary to attract. The 2010 Cataclysm expansion decided to revolutionize the game by overhauling the world with a new design philosophy suited to the faster gameplay that modern gamers were thought to demand. . This change remains controversial.

Today, exploring Azeroth is an almost unrecognizable experience compared to its early days. WoW has had several different eras. The classic WoW era lasted until Wrath of the Lich King (2004-2008). The world overhaul that characterized Cataclysm (2010) to Warlords of Draenor (2014). From Legion (2016) to Shadowlands (2020), the pivot to a long endgame grind that allows players to become infinitely more powerful. and the modern era of WoW, starting with Dragonflight (2022) and continuing through the recently launched expansion The War Within (2024). These “eras” are so distinct that it feels like the game is being reinvented every six years.

Social aspects have also changed over time. As Taliesin – one half of a couple YouTube Duo Taliesin & Evitel – says: 2004 was the era of bulletin boards, forums, and a more “underground” Internet. Today’s internet is much shorter and crisper. It’s TikTok, a social media focused on one or two megasites. What we do socially on the internet has changed, and so has WoW. ”

Anger… 2021 Protesters. Photo: David McNew/AFP/Getty Images

I often hear complaints that WoW has changed so much that it has lost its original spirit. Players were often confused about design decisions that they felt conflicted with the traditional experience. Unfortunately for Blizzard, these peaked after the launch of Shadowlands in 2020, just as the perfect storm was brewing for the company. Not only has the coronavirus upended game development, but in 2021 Blizzard was hit with a lawsuit brought by the California Department of Fair Employment, accusing it of a “frat boy” workplace culture, including sexual harassment and poor treatment of women. He was accused of encouraging.

The lawsuit had far-reaching implications for the company and the gaming industry as a whole. Several senior executives, including Blizzard President J. Allen Black, fell downand the company agreed to pay millions of dollars to address concerns of sex discrimination and pay inequality. The lawsuit ultimately helped form the first labor union at a major U.S. gaming company.

Especially within WOW, this suit brought about rapid changes in the game. Characters named after accused abusers have been renamed, and many in-game assets deemed inappropriate in light of the accusations have been replaced or tweaked, including sexual depictions of women. Many of the changes were ridiculed by the player base, prompting Blizzard to combat toxicity. Instead of “turning women into fruit bowls””.

A showdown in Azeroth…a great battle. Photo: Blizzard Entertainment

Longdale had just joined Blizzard in 2020 when the lawsuit began. “It was heartbreaking,” she says. “I’d only been here a few months, and it was really heartbreaking to see the team so devastated thinking about what the future holds.” The fallout from this already exists about the state of the game. Combined with the discomfort it caused, it could easily have been the beginning of the end for WoW. However, the game was able to hold up due to the commitment of both the WoW team and new Blizzard leadership to come back better. “What I’m really proud of is the huge increase in diversity on our team,” Longdale says. The content we create now has more “voices” and people are creating highly personal content based on their own experiences. ”

Every time WOW has been in danger of losing relevance over the years, it has reinvented itself and managed to come back. And although its cultural influence has diminished over time, the influence it has had is undeniable. Countless fantasy role-playing worlds and characters draw inspiration from WoW’s pantheon of heroes. This game is in the DNA of subsequent generations of video games that have been developed since 2004.

Today’s WoW may not evoke the same sense of wonder that early players felt in 2004 when they roamed the green hills of Stranglethorn or boarded their first ships from Kalimdor to the Eastern Kingdoms. But the fact that it’s still going on and changing is a testament to the great foundation we laid 20 years ago. And what about the future of WoW? “My goal, and the team’s goal, is that WoW is more than just a game,” Longdale says. “It’s essentially part of your lifestyle. It could be for your friends, or it could be for parents playing with their children. It’s a fascinating fantasy world that connects you with people. ”

Source: www.theguardian.com

Social media brings back gratitude with the rise of the “What a privilege…” trend

“What a privilege to be able to run in the rain. What a privilege to have a house to clean.” Social media is often criticized for its toxicity, but a new trend is emerging that embraces gratitude.

Posts titled “What a privilege” feature images of everyday activities such as cozy beds (being tired after a long day), travel videos (carrying heavy luggage), and even mundane tasks like cooking dinner. This trend has gained attention on platforms like Instagram and TikTok.

Screenshot from @tanyaloucas Photo: TikTok

While not as widespread as previous trends, Gratitude 2.0 is gaining popularity with some posts receiving over 200,000 likes. This trend celebrates both simple and luxurious experiences, from commuting to shopping for designer items.

According to lexicographer Tony Thorne, this trend originated from American evangelicals and lifestyle influencers expressing gratitude. It may come across as self-satisfactory and humbly boastful, but it aims to ground people in reality and away from the virtual world created by social media.

Screenshot from @tanyaloucas Photo: TikTok

Rukiat Ashawe, a junior strategist at Digital Fairy, believes that highlighting ordinary aspects of life resonates well with audiences online. By showcasing the everyday, this trend aims to shift focus from idealized virtual realities to genuine experiences.

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Is the internet reshaping the concept of privilege? According to Thorne, platforms like TikTok add nuance to the word and turn it into a powerful symbol that taps into specific moods and attitudes.

Source: www.theguardian.com

‘Rory Sutherland’s Rise to Fame: How TikTok Success Changed Everything’

Rory Sutherland is searching for an analogy to describe his newfound status as one of Britain’s most viral TikTokers.

“It’s like Lord Byron. I woke up and realized I was famous.”

The fact that he references a 19th-century romantic poet shows that Sutherland is not your typical social media influencer.

In a sea of youthful content creators on TikTok, he stands out as an unlikely sensation.

Mr. Sutherland, a 58-year-old advertising executive and Cambridge University graduate, shares old marketing tricks on TikTok, captivating millions of viewers who were not around during the 1980s advertising boom.

With 2.4 million likes and videos garnering over 600,000 views, he is far from a corporate relic, even getting stopped by school kids for selfies.

Sutherland, vice chairman of Ogilvy & Mather, believes TikTok’s success lies in its insights into human behavior influenced by marketing techniques.

One video exposes how restaurants manipulate customers into buying expensive wine through clever tactics.

Sutherland’s 23-year-old twin daughters find his sudden fame both amusing and unsettling.

While he didn’t initiate the TikTok account that propelled him to fame, Sutherland embraced the opportunity to educate and entertain his audience.

Through humor and valuable insights into the marketing world, Sutherland has captivated a wide audience on TikTok.

He believes that empowering businesses with marketing knowledge can boost the economy and sees the positive side of behavior change tactics.

Whether through charm or clever marketing, Sutherland’s influence on TikTok is undeniable among Gen Z users, though convincing them to buy wine might be a stretch.

Source: www.theguardian.com

John Norton’s Article: The Rise of the Blogosphere as Traditional Internet Usage Declines

ILog in to Dave Winer’s blog.
script news
you’ll see constantly updated notes that tell you how many years, months, days, hours, and seconds your blog has been running.
The year field will switch to 30 sometime tomorrow morning. That means Dave’s blog will be stirring things up every day for 30 years.

He really
notable person
a talented hacker and software developer who embodies the spirit of the early Internet.
In the 1980s, he created a new type of software called ThinkTank.
“Outliner”
It’s a computerized version of the hierarchical list we all use when planning articles and presentations, but until then was scrawled on paper.
Like Dan Bricklin’s spreadsheets, this was a novel idea at the time, but nearly every type of writing software now includes an outliner.
Surprisingly, Microsoft Word also has this feature.

In 1983, Winer founded a company called Living Videotext to develop and commercialize the outline idea, and six years later sold it to Symantec to earn enough money to do his own work for the rest of his life.
I got the funds. One of them is to play a leading role in development.
RSS
(Very Simple Syndication) is a tool that allows users to track different websites in one application (a news aggregator), constantly monitoring the site for new content.
(Think of this as the hidden wiring of the web.)

As the use of RSS feeds became commonplace, someone had the idea of ​​being able to attach audio files to RSS feeds, and Dave implemented that idea with a nice geeky touch.
I attached a Grateful Dead song. Initially, this new technology was called audio blogging, but eventually a British journalist came up with the term “podcasting” and the word stuck.

So, while Dave was there to create some cool stuff, it was his blog that brought him to a wider audience.
“Some people are born to play country music.”
he wrote
At some stage.
“I was born to blog. When I first started blogging, I thought everyone would become a blogger. I was wrong. Most people don’t have the urge to say what they think. I don’t have one.’”
Dave was just the opposite. He was (and still is) articulate and forthright.
His formidable track record as a technological innovator meant that he could not be dismissed as an eccentric.
The fact that he was financially secure meant he didn’t have to pander to anyone and could speak his mind. And he did.
That made him a prominent presence on the web from the moment he launched Scripting News in October 1994.

Like many of us, he realized that what became known as the blogosphere might be a modern realization of Jurgen Habermas’ ideas.
“Public sphere”
Because it was open to everyone, everything was up for discussion, and social status did not determine who was allowed to speak.
But what he – and we – underestimated is that tech companies like Google and Facebook have surrounded their public realm with their own walled gardens, where “free speech” is algorithmically enforced.
The speed and comprehensiveness of the central monitoring of speakers and their data. Mined for advertising purposes.

In my experience, most journalists fail to understand the importance of the blogosphere.
This is partly due to the fact that they thought, like Dr. Johnson, that “no one but a blockhead writes about anything other than money,” so bloggers must be weirdos.
(This is difficult for those of us who happen to be in this situation, but
both bloggers
)
But that was largely because the mainstream media was hypnotized and blindsided by the dizzying rise of social media.
Journalists have come to believe that the blogosphere must be a meeting place for old hats, relics of the past, weirdos in Cornish pasty shoes, nerds and ponytailed men. Social media was key.

If that’s really what they think, Winer has news for them.
The blogosphere is alive and well and thriving.
In fact, much of the best writing and thinking of our time is found here.
I can say this because I use tools and read them every day.
feedland.org – Something Dave made to make it easier to drink water from a fire hose.
Clay Shirkey, an early Internet sage,
Please put it down once
There is no such thing as information overload, only “filter failure.”
And there’s no excuse to ignore the blogosphere.

what i was reading

100th anniversary celebration

Jimmy Carter turned 100 this week, and his former speechwriter James Fallows wrote the following message:
generous rating His stuff on his Substack.

Look, I don’t have any hands…

Our ubiquitous future is astonishing.
blog post
By Allen Pike: I think self-driving cars will become commonplace.

The truth about monopoly

Antitrust Revolution: Title
great essay
in
harpers Barry Lynn, on democracy’s awakening to the dangers of corporate power.

Source: www.theguardian.com

Study suggests that nearby rivers are causing Mount Everest’s peak to rise

Mount Everest, also known as Chomolangma in Tibetan and Sagarmatha in Nepali, is about 15 to 50 meters higher than its original height due to uplift caused by erosion of nearby river canyons, and therefore continues to grow. This is revealed in a new study.

Han et al. They found that erosion from a network of rivers about 75 km from Everest had carved out a significant canyon. This landmass loss has caused mountains to rise by 2 mm per year, and their heights have already increased by 15 to 50 meters over the past 89,000 years. Image credit: truthseeker08.

The Himalayas, formed by the subduction of the Indian tectonic plate beneath the Eurasian plate, are home to some of the highest mountains on Earth.

Mount Everest is 8,849 meters above sea level, about 250 meters higher than the other highest peaks in the Himalayas.

Previous analysis of GPS data suggests that Everest's recent uplift is about 2 mm per year, which exceeds the expected uplift rate for the mountain range and suggests that mechanisms other than ongoing regional tectonics are responsible. This suggests that it may contribute to this process.

“Mount Everest is a remarkable mountain of myth and legend, and it continues to grow,” said Dr. Student Adam Smith.

“Our research shows that the nearby river system is cutting deeper and the loss of material is causing the mountain to spring further upwards.”

In this study, Smith and his colleagues investigated whether changes in rivers near the mountain may have contributed to Everest's recent uplift.

They used a numerical model to simulate the evolution of the Kosi river network and compared it to existing landforms.

These models suggest that the Arun River, a major tributary of the Kosi River, was involved in the occupation of another river 89,000 years ago.

The diversion of river water accelerated river erosion as the river adapted to its new path, resulting in the formation of the deep Arun River Gorge.

“Currently, the Arun River flows east of Mount Everest and joins the larger Kosi River system downstream,” Mr Smith said.

“For thousands of years, the River Arun has carved great gorges along its banks, washing away billions of tonnes of soil and sediment.”

“There are interesting river systems in the Everest region,” said Dr. Jing Geng Dai, a researcher at the China University of Geosciences.

“The upper Arun River flows eastward through highlands with flat valleys.''

“Then it suddenly turns south as the Kosi River, dropping in elevation and becoming steeper.”

“This unique feature of instability may be related to Everest's extreme height.”

The authors conclude that although erosion would have lowered local elevations along the river channel, the formation of the canyon removed the eroded mass relatively abruptly, allowing the surrounding landforms, including Everest, to compensate with surface uplift. It is argued that there is a possibility that

Although its contribution may be small compared to tectonic deformation, fluvial capture may play a role in both erosion and uplift of high landforms.

“Everest and its neighboring mountains are growing because isotropic rebound is causing them to rise faster than erosional wear,” said Dr. Matthew Fox, a researcher at University College London. said.

“Using GPS equipment, we can see it grow by about two millimeters every year. Now we can better understand what's causing that.”

“The change in the height of Mount Everest really highlights the dynamic nature of the Earth's surface,” says Dr. Xu Han, a researcher at the China University of Geosciences.

“The interaction between the erosion of the Arun River and the upward pressure of the Earth's mantle gives Everest a boost, pushing it higher than normal.”

of study Published in a magazine natural earth science.

_____

X Han others. The recent uplift of Chomolungma was reinforced by river drainage piracy. nut. earth sciencepublished online on September 30, 2024. doi: 10.1038/s41561-024-01535-w

Source: www.sci.news

Could novelists concerned about the rise of AI be deemed classist and ableist? | Alwa Mahdawi

P
Think about artificial intelligence (AI) for a second. AI may not have emotions yet, but if it did, you’d be devastated by all the bad things people say about it. All it’s going to do is take our jobs and potentially destroy the world, yet people can’t stop being mean to it.

Evidence 1: A recent dispute with the organization behind National Novel Writing Month (NaNoWriMo), an annual challenge to write a manuscript in one month. In a recent statement, NaNoWriMo wrote that it does not explicitly endorse or condemn methods of writing “including the use of AI.” Furthermore, “a blanket condemnation of artificial intelligence carries classist and ableist overtones…Questions about the use of AI are linked to questions about privilege.”

Um… what is it? AI is Working class Or did someone in management create ChatGPT and use the rhetoric of social justice to encourage them to defend the technology? Accused The act of stealing from artists and writers (training yourself with their work without compensation) is now The rich are richerThis strange statement Full of anger Four members of NaNoWriMo’s writers committee resigned in protest. When she resigned, bestselling author Maureen Johnson Encouraged other writers “Be careful: your work on their platform will almost certainly be used to train an AI.”

NaNoWriMo attempts damage control. A statement was issued Last week, the group said that the original wording was unclear (not ideal for a writing group) and that the group “does not believe that people who have concerns about AI are classist or ableist.” But many writers still seem wary of both the group and AI.

That should be enough. I am by no means anti-AI. It is clearly inappropriate to categorically condemn anything (apart from things like genocide). I believe that, properly guided, AI can enhance human creativity and improve society for everyone. On the other hand, I think the future of AI is in the hands of sociopathic technocrats who put profit first. We are currently in a “choose your own adventure” scenario with AI, and now it seems we are choosing the dystopian ending.

Arwa Mahdawi is a columnist for the Guardian.

  • Do you have any comments on the issues raised in this article? If you would like to email your response of 300 words or less for possible publication in our Letters section, please click here.

Source: www.theguardian.com

Farewell Tinder, Welcome Strava: The Rise of ‘Hobby’ Apps as Social Networks

vinegarFor the past decade or so, Brits looking to meet their soul mate online have relied on two main methods: trying their luck on dating apps, or trying to find the one by friending as many mutual acquaintances as possible on social media.

However, some people have found a third way by using services such as: Goodreads and Strava. They’re using apps to meet the partners they want to spend the rest of their lives with. These couples are turning out to be trendsetters: So-called hobby apps built around activities like running, reading, or watching movies are becoming popular, and not just for romance.

This is all part of a broader movement as people grow tired of the “digital town squares” offered by Twitter/X and other social media platforms. With many abandoning Elon Musk’s social network due to his stance on “free speech” (which some believe “amplifies hate”), competing apps like Bluesky and Threads are seeing a resurgence in user numbers.

While some users have turned to Twitter imitators, others have sought refuge in apps that promise to connect people with common interests. Running app Strava has seen its user base grow by 1.2 trillion users. Growing 20% in a year According to the digital market intelligence company: Sensor Tower. This success led them to add messaging tools to let users keep in touch as well as record their workouts. Ravelry is accessed through a number of third-party apps and has over 9 million users. Goodreads has over 150 million members.

Letterbox is a movie fan’s dream app, where you can check out the latest movies you’ve seen, review and rate them together with other movie fans and famous actors and directors. In March 2020, it had 1.8 million users worldwide, but now Over 14 million users. This summer, Sensor Tower reported that the app had grown its monthly active user base by 55% in a year.

“We think seriously about the tone and tone of everything we do, from community policy to editorial to social media. We want people to experience how we want their experience on Letterboxd to be,” says Gemma Gracewood, the app’s editor-in-chief. “We’re about movies.”

That’s refreshing in a world where politics and culture wars are imposed through algorithms. “Social media users have long turned to niche apps and spaces,” says Jess Maddox, an assistant professor of digital media at the University of Alabama. “Paradoxically, as major platforms like Twitter/X, YouTube, TikTok, and Instagram push more algorithmically curated feeds, users may be less exposed to the content they want to see.”

The cozy feel of hobby apps, set up to share passions and pastimes, makes them a calmer place overall than the brusque racism you might encounter if you accidentally tap on X. “It’s a way for people to connect over shared interests,” said social media researcher Dr. Carolina Are at the Digital Citizen Center at Northumbria University. This means that apps can spend less time, effort and money on content moderation and instead focus on improving the overall experience, provided civility remains the number one priority.

“What’s unique about Letterboxd is that it doesn’t have the ‘town square’ that X has. It’s very much a single-channel conversation,” Gracewood says. Comments happen inline. Guardian and observer. This means that performatively reposting content to the main feed and encouraging mass posting is less possible. A similar situation exists on platforms like Goodreads or Strava, where you can communicate and message other users, but you can’t easily publicly denounce them.

Hobby apps are a welcoming place, so people spend a lot of time on them, and they may eventually turn into more of a service than advertised, including finding like-minded people who want to spend some romantic time together.

One reason people are starting to find love on apps that weren’t explicitly designed for that purpose could be that expectations are lowered, making them less sexual. “Dating apps are like dating supermarkets, something you have to do if you want to have any kind of connection,” Are says.

Book recommendation app Goodreads currently has more than 150 million members. Photo: goodreads.com

She points out that while dating apps are trying to shake off their reputation as shallow hookup sites, giant photos of users are still front and center to gauge compatibility. “A lot of people are becoming quite disillusioned with the fact that they’re being judged on their appearance,” she says. “In general, there’s a bit of disillusionment with the dating culture that the platforms foster, because it seems very impersonal. It’s all driven by algorithms, and that doesn’t seem to be serving people very well.”

Recent financial data from Match Group, which operates some of the best-known dating services, including Tinder and Hinge, shows that hobby apps are profiting from dating apps. Match’s stock is now trading at nearly $36 per share, down from a peak of more than $175 per share in October 2021. The company said in a statement. 6% reduction in staff . It was discontinued in July due to a decrease in paying users.

But the decline isn’t limited to the gaming giants: A report by Deutsche Bank analyzing the top 200 dating and social connection apps, “Dating: The Dating Debate – Has Saturation Level Been Reached?”, suggests that downloads worldwide are plateauing.

It also helps that hobby apps feel like a more cohesive, friendly community, and not just because the people are nice. Letterboxd has: A “zero tolerance” approach. Explicit or implicit hate speech, racism, homophobia, white supremacy, transphobia, or any other alienating attitudes.

Gracewood says Letterboxd has fewer than 10 staff members who moderate content and typically doesn’t need to step in often: “I don’t know if we’ve benefited from the shifts in culture and mission of other social media platforms, but from day one, we’ve always cared very much about what it means to build an online community and how to keep that community feeling free and welcoming and nice.”

Whether that’s a lighter approach compared to social media apps, TikTok employs 40,000 content moderators worldwide, compared to Meta is 15,000. Whether that will continue remains to be seen. “It seems like every app starts out unmoderated, and then something bad happens and they get heavily moderated,” Allais said. “So, [hobby apps] It’s going to be a similar trajectory.”

  • Chris Stokel Walker: The TikTok boom: China’s dynamite app and the race for social media superpowers (Camberley Press, £9.99). Guardian and observerOrder here The Guardian BookshopShipping charges may apply

Source: www.theguardian.com