What to Know About CTE Following NYC Shooting Suspect’s Possible Targeting of NFL Headquarters

On Monday, a gunman in midtown Manhattan took four lives before turning the weapon on himself, leaving behind a note that made several references to “CTE,” according to sources involved in the investigation who spoke to NBC News.

Chronic traumatic encephalopathy (CTE) is a brain condition typically resulting from recurrent head injuries over an extended period.

Officials indicated that the shooter specifically targeted the National Football League headquarters, where the incident occurred.

A report from 2024 highlights that CTE can only be definitively diagnosed post-mortem, yet around one-third of former NFL players believe they may be affected. The NFL acknowledged the connection between CTE and football in 2016.

Former NFL athlete Philip Adams was found to have severe CTE after committing a shooting that resulted in six deaths in South Carolina in 2021 before he ended his own life.

NBC News consulted with Dr. Aaron Lord, chief of neurology at NYU Langone, specializing in brain injuries, about how CTE alters not only brain function but also behavior.

What is chronic traumatic encephalopathy?

Initially identified in boxers and referred to as “punch drunk syndrome,” CTE can lead to neurological issues such as early onset dementia, memory problems, personality changes, and disorders similar to Parkinson’s disease.

CTE can affect individuals who experience repeated head trauma.

“It’s about the cumulative shock waves in the brain,” he explained.

Research is ongoing regarding the correlation between CTE and suicide, as there seems to be an unexpectedly high incidence of CTE among athletes who have taken their own lives.

However, experts have not yet determined “the incidence and prevalence of the disease in both the general population and specific athletic groups,” he noted.

“We’re still in the process of defining this condition,” he added.

How is CTE diagnosed?

CTE cannot be diagnosed without an autopsy, as there are no established criteria for its diagnosis. Hence, it remains challenging to identify, according to Dr. Lord. An autopsy must reveal tissue degeneration with abnormal aggregations of specific proteins around the brain’s blood vessels.

Patients and their physicians may suspect CTE when significant mood and behavior alterations occur, especially following known head impacts and their severity.

Dr. Lord mentioned that an MRI of the brain may show changes consistent with the disease, but this alone is insufficient for a diagnosis.

The symptoms of CTE may overlap with various mental health disorders, including major depressive disorder, schizophrenia, and bipolar disorder, he noted.

Dr. Lord has also observed connections between CTE and behaviors such as increased aggression and impulsivity, along with other personality alterations.

While CTE is frequently observed in older individuals, possibly due to years of repeated trauma, even a single head injury can lead to brain damage, even without resulting in CTE.

“Even someone who has experienced a single car accident resulting in a frontal lobe injury may undergo permanent changes in personality, impulse control, and psychiatric states,” he concluded.

Is there a treatment for CTE?

Currently, there is no direct treatment for CTE, but Dr. Lord points out that psychiatric medications can assist in managing behavioral issues and other associated symptoms.

Not every individual who experiences a concussion develops CTE; according to the Mayo Clinic. Prevention remains key; employing seat belts or helmets to avoid head injuries can reduce the risks associated with CTE and other brain-related complications, according to Dr. Lord.

Source: www.nbcnews.com

Ghostface Killah aspired to become a deadly Eagle! – Def Jam: Battle of NYC Marks 20 Years with a Bang | Gaming Community rejoices

'I I remember visiting Ghostface Killah. [of the Wu-Tang Clan] “He was mad at us!” recalls Darryl Anselmo, a former EA employee and art director on 2004's groundbreaking hip-hop fusion fighting game Def Jam: Fight for NY. “Ghost Face was holding four pounds of solid gold. eagle bracelet And he claimed that his character's signature move would be for the bird to come to life and peck the other rappers out of their eyes. But the limitations of the PlayStation 2's technology and its violence restrictions meant that it couldn't happen. It wasn't possible.”

“When Ghost Face first asked about the eagle, Lauren… [Wirtzer Seawood, another one of the game’s producers] He told me to just nod and smile, and when I met him again at the studio for the sequel, I apologized. [for misleading him] He quickly moved on to recording extended insults for his character for the new game, one of which I remember: “Go home and cry to your mother. And tell her you're hungry!”

Whether or not Ghostface Killah transforms into a giant killer eagle, the resulting game, Def Jam: Fight for NY, celebrates its 20th anniversary this month and remains one of the fighting game genre's most vibrant spins. It's the rare '00s game that's still dominating social media conversation despite never being remade or re-released. The 67 characters include rap legends like Snoop Dogg, Busta Rhymes, Method Man, Ice-T, Scarface, Ludacris, Flavor Flav, Slick Rick, Warren G, and Mobb Deep, and it's an improvement over the slower-paced gameplay of its predecessor, Def Jam: Vendetta, in every respect.

Vendetta was essentially publisher EA's best take on an engine made for a defunct WCW wrestling game that was mired in development hell and causing executives to lose their heads. At one stage, in their desperation, they even suggested that it could be salvaged and remade into an intergalactic wrestling game full of alien characters. But because Holmes and Anselmo had helmed the 2001 success NBA Street (which added a faster, cartoony, hip-hop aesthetic to basketball multiplayer and far outsold that year's bigger-budget (and much more boring) NBA Live 2002), they were deemed the perfect duo to turn what began as a vague boardroom idea (what if rappers wrestled each other?) into a fleshed-out, retail game.

“It was a controversial concept”…Def Jam battles in NYC. Photo: EA

This meant traveling back and forth to Japan to work with development company AKI Corporation, while also touring the US to meet with rappers signed or affiliated with legendary label Def Jam, and ultimately winning their trust. They shaped the character's mannerisms, from moves to taunts. “It's been a dream life, to be honest,” Holmes adds. “I grew up obsessed with hip-hop. As a teenager, I worked in a music store and sold a bass guitar to Flavor Flav when Public Enemy played in Vancouver. Flavor actually remembered me! It was an amazing time. Who would have thought I'd end up recording with my idols and going to Snoop Dogg's family home?”

But he acknowledges that the core concept behind Def Jam: Vendetta and its sequel, Def Jam: Fight for NY, wasn't easily embraced: “Execs had a hard time understanding the concept of a fighting game about rappers. It was a controversial concept,” says the producer, who went on to work on Halo 4 at Microsoft and 343 Industries.

“Once I explained to them that to be the best lyricist in hip-hop, it's all about arguing, dissing, and competing for the throne, they finally got it,” Anselmo reveals. “Hip-hop is full of vibrant, competitive personalities, so the character roster could have a Street Fighter II or Tekken 3 vibe.”

Def Jam: Fight for NY's concept of rappers punching each other was a huge success, and critics loved it, too, with a score of 83 on Metacritic. “We rushed to make Vendetta, but it still sold well,” says Holmes. “That success gave us the opportunity to expand on the gameplay with Fight for NY and take our time to get it right.” AKI Corporation took the ever-changing, momentum-based combat from the legendary WWF: No Mercy game, released on Nintendo 64 in 2000, and sped everything up with hyper-active Blazin' Moves (my personal favorite is Busta's backbreaker, which is more destructive than Batman's spine-crushing Bane).

The art design is somewhere between The Wire and a comic book, with an ambitious range of dynamic fighting styles (kickboxing, street fighting, martial arts, wrestling, submission). There's a storyline, with Snoop Dogg playing the cunning vampire villain The Crow, who'll hit you with a cane and cleverly taunt you with, “Do you have dental insurance?” You can wear Roc-A-Wear or Ecko tracksuits, getting increasingly better dressed as you rise through the ranks of your boss D-Mob's underground fighting syndicate, slowly earning you respect. It's as if Fight Club had been directed by glossy rap music vid…

Rappers Joe Budden vs. Sticky Fingaz compete in Def Jam's New York Battle. Photo: EA

The key mission was to choose either 128-bit's Lil' Kim or Carmen Electra as his new girlfriend, and the next day Method Man would call and ask if they'd slept together. The latter was one part of the game that Anselmo now regrets: “Lil' Kim could beat any of the male MCs, but… [reduced to that]”In 2004,” he admits, “all of the rap music videos were about objectifying women, which in retrospect is a real shame. The reality is that there was a push to make the game more sex appealing and more culturally relevant.”

As I recalled after recently replaying my dusty GameCube copy, Fight for NY is still exhilaratingly challenging. The boss fight featuring Fat Joe's crack Zangief-esque character had me hurling my WaveBird controller against the wall as a teenager. You can't beat your opponent unless you take the time to figure out how to counter their attacks, and while this process can be brutal at times, it makes it all that much more satisfying when you finally triumph.

“This game is designed in such a way that you have to sweat and really learn something new to win!” Anselmo says with a smile. “AKI's Hiro Abe (programmer) and Hiroya Tamura (artist) were geniuses. To get good at Def Jam: Fight for NY, you had to master the gameplay and get used to losing. In modern games, fighting games are just too easy. I think that's why so many people still play our game over and over.”

“Fighting games are too easy in today's gaming world”…Def Jam Fight for NY. Photo: EA

And there are still a lot of people playing Fight for NY. Not a week goes by without someone playing. Nostalgic post A gameplay video that went viral on TikTok has gone viral to the point where people can't believe it even exists. Even rappers (Including Ice TThe actor who played the character in the game(?) is still responding to tweets from fans begging for an updated version.

A$AP Rocky has labelled modern rap the “new wrestling” due to the commercialisation of petty infighting and mainstream MCs treating rap personas like WWE bad-mouthing tough guys. Holmes agrees with my theory that Def Jam: Fight for NY, with its constant depictions of MCs embroiled in diss tracks and gang politics, now feels like a documentary, especially considering how much more public conflict there has become in rap. “Rap is becoming more and more dramatic,” he agrees. “You see a lot of social media videos of rappers fighting each other, and it's interesting that the violence of the game doesn't seem so ridiculous today.”

Some will argue that a game that trivializes the conflict in hip-hop is wrong and deserves more criticism, especially with so many rappers losing their lives to violence every year. Anselmo counters: “I get that, and I don't think we could make the game right now because of drill, the environment is too tough. But Def Jam: Fight for NY was just meant to be a fantasy, escapist experience. It was like a gangsta rap version of The Warriors. It was just a little fun. We trusted that the audience would know that in real life, throwing someone through a window is not cool. We were really trying to res…tement is too tough. But Def Jam: Fight for NY was just meant to be a fantasy, escapist experience. It was like a gangsta rap version of The Warriors. It was just a little fun. We trusted that the audience would know that in real life, throwing someone through a window is not cool. We were really trying to respect the culture of hip-hop.”

The original Xbox, PlayStation 2, and GameCube discs of Def Jam: Fight for NY are highly sought-after and command high prices on the second-hand market. But there hasn't been a Def Jam game released since 2007's disappointing Def Jam: Icon, and there hasn't been a remaster of Fight for NY. Why?

The sequel may be one of the most expensive games ever made…Def Jam Fight for NY. Photo: EA

Lauren Wurtzer Seawood, former vice president of marketing for the Def Jam label, played a pivotal role in the development of the first two games, serving as the liaison introducing the timid development team to the feisty MCs, and working hard to sort out complex licensing agreements ranging from image rights to music to in-game brand partnerships.

She says this complicated business mechanic is a big reason why it's highly unlikely the franchise will ever be revived. Def Jam: Fight for NY cost about $15 million to make, but with both hip-hop and video games now multi-billion dollar businesses worldwide, licensing fees would be astronomical. “If this game was re-released today, many

Source: www.theguardian.com

New York City to Trial AI-Powered Gun Scanners in Subway Stations

Officials in New York City revealed a pilot program on Thursday to implement handheld gun scanners in the subway system to enhance safety and reduce violence underground.

Mayor Eric Adams mentioned that the scanners will be set up at specific stations after a 90-day waiting period mandated by law.


“Ensuring the safety of New Yorkers in the subway system and preserving their trust in the system is crucial for keeping New York the safest metropolis in America,” Adams stated. The announcement also included plans to deploy extra outreach personnel to assist individuals with mental health issues living in the system.

Adams mentioned that authorities will seek companies with expertise in weapons detection technology, and eventually install the scanners in select subway stations to assess their effectiveness further.

The scanner, showcased by Mr. Adams and law enforcement officials at a news conference in Lower Manhattan, was developed by Evolv, a publicly traded company facing allegations of manipulating software test results to exaggerate the scanner’s effectiveness. The company is currently under investigation by U.S. trade regulators and financial regulators.

Evolv’s CEO, Peter George, described the AI-enabled scanner as utilizing “a secure ultra-low frequency electromagnetic field and advanced sensors for concealed weapons detection.”

Jerome Greco, overseeing attorney for the Legal Aid Society’s digital forensics division, cautioned that gun detection systems may trigger false alarms and cause unnecessary panic.

City officials have not disclosed the specific locations where the scanners will be deployed. A demonstration at the Fulton Street station showed the device beeping when an officer with a holstered gun passed, but not reacting to an officer with a cell phone or other electronic device. No false alarms were noted.

While violent incidents in the city’s subways are infrequent, recent high-profile shootings have highlighted safety concerns. The city recorded five murders in the subway system last year, a decrease from the previous year. The installation of the scanners follows a recent fatal accident at an East Harlem subway station, reinforcing the urgency of subway safety measures.

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Source: www.theguardian.com