The Carreras Pampas archaeological site within Bolivia’s Toro Toro National Park has documented 1,321 tracks and 289 isolated footprints, totaling 16,600 theropod dinosaur footprints. Additionally, 280 swim tracks have been identified, amounting to 1,378 swim tracks in total. Some of the tracks include tail traces.
Dinosaur footprints at the Carreras Pampas Stadium in Bolivia’s Toro Toro National Park. Image credit: Esperante et al., doi: 10.1371/journal.pone.0335973.
Bolivia boasts one of the most comprehensive and diverse records of dinosaur footprints globally, covering the Triassic, Jurassic, and Cretaceous periods.
Despite the abundance of track sites, there has been limited scientific research published.
A recent study led by paleontologist Raul Esperante from the Institute of Geosciences, along with his colleagues, has documented an extraordinary variety of dinosaur footprints at the Carreras Pampas site in Toro Toro National Park.
In nine different study areas, the research team uncovered 16,600 footprints left by three-toed theropod dinosaurs from the late Cretaceous.
These footprints vary in size from small (less than 10 cm) to large (over 30 cm) and capture a range of dinosaur behaviors, including running, swimming, tail dragging, and abrupt turns.
“The waist height of most (80%) of the trackmakers was between 65 cm and 1.15 meters, with a significant portion measuring between 75 cm and 1.05 meters,” stated the paleontologist.
“Interestingly, very few trackmakers exceeded 1.25 meters in height.”
The majority of these footprints are oriented approximately northwest to southeast, and the sediments retain ripple marks, indicating that these dinosaurs traversed ancient shorelines.
“The Carreras Pampas track set a new world record for the number of individual dinosaur footprints, continuous tracks, tail marks, and swimming marks,” the researchers noted.
“This exceptional frequency suggests it was a heavily trafficked area, and the parallel alignment of some footprints may imply groups of dinosaurs traveled together.”
“Numerous more footprints at this site and other locations in Bolivia remain to be studied,” they added.
“This site offers a remarkable glimpse into the region’s past. It reveals not only how many dinosaurs inhabited the area but also their behaviors during migration.”
“It’s truly incredible to work here, as the ground is covered with dinosaur footprints wherever you look.”
The team’s findings were published in the online journal PLoS ONE.
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R. Esperante et al. 2025. Morphology, preservation, and taphonomy of dinosaur footprints, tail prints, and swim tracks in the world’s largest athletic arena: Carreras Pampas, Toro Toro National Park, Bolivia (Upper Cretaceous). PLoS One 20 (12): e0335973; doi: 10.1371/journal.pone.0335973
Sporting a shaft-like beak capable of inflicting devastating blows, the infamous terrorist birds have emerged as formidable adversaries for many species.
Around 13 million years ago, however, one such bird may have fallen prey to even larger predators. A group of Colombian paleontologists made this discovery while analyzing bite marks found on fossilized remnants of the fearsome avian.
Their findings were published in the peer-reviewed journal “Biology Letters.” The researchers hypothesized that the bird was killed and consumed by medium-sized caimans, a crocodilian species.
Andres Link, the study’s lead investigator, shared with NBC News via email, “This represents a captivating tale of interaction between two iconic animals from the past. Not only did we identify the first instance of terrorist birds in northern South America, but we also found the tooth marks of the large caiman that likely preyed on it.”
Most unusual fossils of terrorist birds have previously been found in the southern regions of the continent, as noted in this report.
Link, an associate professor in biological sciences at the University of Los Andes, remarked that while tooth marks are “not uncommon” in the fossil record, it is “thrilling” to find proof that apex predators could fall victim to others.
The paper in “Biology Letters” highlights that there were no signs of healing on the tooth marks, indicating a fatal attack.
This leads researchers to conclude that terrorist birds may have been more vulnerable to predation than previously believed.
Julian Bayona Becerra / Biology Letters
To determine the identity of the predator, Link and his team performed scans of the fossils and examined the size, shape, and arrangement of the tooth marks. By comparing these features with alligator-like teeth from the region, they deduced that the marks likely belong to a caiman measuring about 15 feet long.
Link noted that it was challenging to ascertain whether the caiman consumed the terrorist bird after killing it or scavenged the carcass. If the bird was alive during the encounter, it likely happened while it was drinking at the riverbank; alternatively, if it was already deceased, the caiman may have found it near the water.
“This narrative remains incomplete, as we lack further evidence to support either hypothesis,” Link stated.
The discovery calls into question the traditional view of “linear relationships between predators and their herbivore prey,” he remarked, adding, “The food web is considerably more intricate.”
The lower section of the bird’s left leg featured in this research was excavated two decades ago by local paleontologist Cesar Perdomo in the renowned La Venta fossil layer of Colombia.
To celebrate the remarkable advancements in science during the third year, astronomers have utilized the NASA/ESA/CSA James Webb Space Telescope to capture images of the Cat’s Paw Nebula.
This web image depicts the Cat’s Paw Nebula, a significant star-forming region located 5,500 light years from the constellation Scorpio. Image credits: NASA/ESA/CSA/STSCI.
The Cat’s Paw Nebula resides in the southern constellation of Scorpio and is approximately 5,500 light years from Earth.
First identified in 1837 by British astronomer John Herschel, this dynamic star-forming region spans an estimated 80 to 90 light years.
Also known as NGC 6334 or the Bear Claw Nebula, it is one of the most vibrant stellar nurseries in the night sky, producing thousands of young, hot stars that emit light not visible from our perspective.
Recent images captured by Webb’s NIRCam instrument reveal structural details and functionalities previously unseen.
“Massive young stars are actively interacting with nearby gas and dust, and their bright stellar light produces a luminous, hazy glow, represented in blue,” Webb astronomers stated.
“This scenario illustrates a transient period where a destructive young star plays a significant role in the broader narrative of the region, characterized by relatively short lifespans and high luminosity.”
“Due to the dynamic activities of these massive stars, the local star formation process will eventually come to a halt.”
“We begin with a central area identified as the ‘opera house’ because of its hierarchical circulatory structure,” they noted.
“The principal sources of the blue glow in this area are likely positioned towards the bottom, obscured by dense brown dust, interspersed with light from bright, yellowish stars or nearby sources.”
“Beneath the orange-brown dust lies a bright yellow star displaying distinct diffraction spikes.”
“This giant star is sculpting its surrounding environment but has not managed to push gas and dust away sufficiently nor create a compact shell of surrounding material.”
“Take note of smaller regions, such as the tuning fork-shaped area adjacent to the opera house, which contains fewer stars.”
“These seemingly vacant zones are still in the process of forming stars, indicating the presence of dense filaments of dust that obscure the light of background stars.”
At the center of the image, small, fiery red masses can be seen scattered within the brown dust.
“These glowing red sources highlight areas where large-scale star formation is occurring, albeit in a less visible manner,” the researchers explained.
“Some of the blue-white stars, particularly in the lower left area, appear more sharply resolved than others.”
“This sharper appearance is attributed to the material between the star and the telescope being diffused by the star’s radiation.”
Near the bottom of this area is a compact dust filament.
“These small dust aggregates have managed to survive the intense radiation, indicating they are dense enough to give rise to protostars.”
The small yellow section on the right marks the location of a massive star still in its formative stages, managing to shine through the intervening material.
Numerous small yellow stars are scattered across the scene, displaying distinct diffraction spikes.
“The bright blue-white stars prominently feature in the foreground of this web image, with some possibly being part of the larger Cat’s Paw Nebula region.”
A particularly striking feature of this web image is the bright red-orange oval shape located in the top right corner.
The low concentration of background stars indicates it is a dense area where the star-forming process has only recently commenced.
Several visible stars are distributed throughout the region, contributing to the illumination of central materials.
Some of the developing stars have left behind traces of their existence, such as the shock wave visible in the lower left area.
Marks & Spencer has halted all orders via its website and app as retailers grapple with the aftermath of a cyberattack that began on Monday.
The company expressed regret to customers for “the inconvenience,” stating that the suspension of digital orders is “part of an aggressive management strategy for cyber incidents.”
“Our experienced team is collaborating with key cyber experts, and we are diligently working to restore online and app shopping,” he remarked.
Customers can still browse online and make purchases at physical stores using cash or credit cards.
The website’s shutdown follows several days of problems at retail locations, where contactless payments and online order collections were severely affected since Monday. Contactless payments resumed late Thursday.
Customers with existing online orders can collect them in-store once they receive confirmation, but placing new orders is not permitted. M&S clarified that customers do not need to take any action and assured that their details were not accessed.
The retailer’s shares have dropped by as much as 4%, following a 2.3% decline at Friday’s close, marking a significant fall within the FTSE 100.
Only about one-third of M&S’ clothing and home goods sales occur online, and the order suspension comes just before an anticipated heatwave, likely to increase demand for clothing and outdoor entertainment gear during busy weekends.
The cyber incident initiated on Monday impacted contactless payments and click-and-collect orders at stores throughout the UK. Notably, a separate technical issue affected only contactless payments during the busy Easter weekend.
M&S has enlisted cybersecurity specialists to aid in investigating and managing the situation, implementing measures to bolster network security and continue serving customers effectively.
Security experts cautioned shoppers to be vigilant against scammers exploiting high-profile cases.
Nicholas, head of commercial content at Retail Economics, stated, “The Marks & Spencer cyberattacks serve as a reminder that no retailer, regardless of its establishment or digital sophistication, is safe from the growing threat of cybercrime.”
“While M&S is bearing the impact of this specific attack, it’s important to note that this isn’t an isolated incident. Cyberattacks represent a systemic risk facing the retail sector as a whole.”
The cyber incidents targeting M&S have occurred alongside a series of similar events in recent years. Last September, Transport for London had to shut down several online services due to a cyber attack.
In 2023, Royal Mail was compelled to halt international parcel and letter dispatches after a cyber attack caused significant disruption to its services, while WH Smith suffered an attack that illegally accessed data, including personal information of current and former employees, occurring less than a year after a cyber incident on their Funky Pigeon website led to a week-long order suspension.
In 2022, the Guardian requested many staff members to work from home following a ransomware attack that compromised the personal data of UK employees.
According to a government report, in 2022, two out of five UK businesses reported experiencing cybersecurity breaches or attacks within the prior year.
In Roman arenas, gladiators fought lions and other wildlife. Despite the tales of epic battles found in ancient texts, sculptures, mosaics, and portrayed in modern media, physical evidence of gladiators with animal-inflicted wounds has never been discovered by archaeologists.
Recently, skeletal remains from Roman settlements in the UK provided the first direct evidence of gladiators who were injured by lions.
The discovery was made during excavations in York, where a couple was planning to renovate their garden. The cemetery found at the site halted construction plans and revealed a rich Roman archaeological history in the region.
Tim Thompson, an anthropologist from Maynooth University and author of a paper published in the journal PLOS One, highlighted the significance of this discovery in shedding light on ancient Roman practices.
The site in York contained the remains of over 80 individuals, mostly young men with signs of trauma on their bodies. The demographics, injuries, and burial practices suggest that these individuals were gladiators who fought in the area nearly 1,800 years ago.
One particular skeleton, identified as 6DT19, displayed a unique wound on its hip bone that resembled bite marks from a large animal, possibly a lion.
Further analysis indicated that the injuries on the skeletons could indeed be bite marks from large animals like lions. This finding challenged previous beliefs about the absence of physical evidence of gladiators fighting animals.
Dr. Thompson and his team collaborated with British zoos to study animal bite marks and compare them to the skeletal injuries found on the ancient remains.
Through meticulous analysis and comparison, they concluded that the injuries on the gladiators matched those inflicted by lions. While the bite on 6DT19 likely did not cause death, it provided valuable insights into the practices and culture of the Roman Empire.
This discovery not only sheds light on individual lives from the past but also reveals the extent of Roman influence and entertainment involving gladiator battles with animals.
Dr. Marklein, an anthropologist from the University of Louisville, emphasized the significance of these findings in understanding Roman society and its use of violence as entertainment and political display.
Gladiator games served not only as spectacles of power but also as warnings and demonstrations of Roman citizenship and virtue.
This discovery underscores the complex relationship between humans, animals, and culture in ancient Rome.
Marks & Spencer is utilizing artificial intelligence to offer advice to shoppers regarding clothing choices based on their body type and style preferences in order to enhance online sales.
The 130-year-old retailer is employing this technology to customize consumers’ online experiences and suggest products for them to purchase.
Stephen Langford, the company’s online director, mentioned that M&S is using AI to adjust the language it uses when communicating with shoppers to cater to six different preferences, including emotive, descriptive language, and more direct prose.
One objective is to tailor online interactions with shoppers, prioritizing the products that are most suitable for them – for instance, a male shopper might not be shown the latest sale on bras.
Shoppers can also participate in a quiz about their size, body type, and style preferences to receive appropriate outfit ideas generated by M&S’s AI-driven technology.
Langford noted that 450,000 M&S shoppers have taken the quiz so far, which enables them to select an outfit from 40 million options.
The service combines input from the £7 billion company’s in-house stylists with feedback from shoppers to offer suggestions on how to mix and match various outfits.
While automation of product descriptions using AI has increased from nearly zero to 80% in the past year, Langford emphasized that “humans are still essential in the process to validate the output.”
M&S’s managing director of clothing and homewares, Richard Price, stated that the fashion industry is “accelerating its shift online” with the goal of achieving approximately a third of sales digitally by 2028.
The retailer, which operates 240 full-line stores and 325 food outlets, reported a 41% increase in profits last year, with sales climbing 9.4% to £13 billion.
Online Fashion and Home Goods Sales increased 7.8% M&S acquired over one million customers last year, with two-thirds of them coming through the internet.
The increase in online sales is partly driven by an 80% surge in spending on social media marketing and advertising in the past year, with the company now allocating more funds to Facebook, Instagram, and TikTok than to TV, and almost a third of its TikTok revenue coming from entirely new customers.
During the presentation of its autumn range, Price stated that M&S had captured its first share of the women’s wear market in nine years this summer, despite facing challenging weather conditions until late July.
Although the company has traditionally been a leader in categories like knitwear and lingerie, it is gaining market share in other areas like denim, and with the winter party season approaching, it aims to surpass Next as the top seller of occasionwear.
'I I remember visiting Ghostface Killah. [of the Wu-Tang Clan] “He was mad at us!” recalls Darryl Anselmo, a former EA employee and art director on 2004's groundbreaking hip-hop fusion fighting game Def Jam: Fight for NY. “Ghost Face was holding four pounds of solid gold. eagle bracelet And he claimed that his character's signature move would be for the bird to come to life and peck the other rappers out of their eyes. But the limitations of the PlayStation 2's technology and its violence restrictions meant that it couldn't happen. It wasn't possible.”
“When Ghost Face first asked about the eagle, Lauren… [Wirtzer Seawood, another one of the game’s producers] He told me to just nod and smile, and when I met him again at the studio for the sequel, I apologized. [for misleading him] He quickly moved on to recording extended insults for his character for the new game, one of which I remember: “Go home and cry to your mother. And tell her you're hungry!”
Whether or not Ghostface Killah transforms into a giant killer eagle, the resulting game, Def Jam: Fight for NY, celebrates its 20th anniversary this month and remains one of the fighting game genre's most vibrant spins. It's the rare '00s game that's still dominating social media conversation despite never being remade or re-released. The 67 characters include rap legends like Snoop Dogg, Busta Rhymes, Method Man, Ice-T, Scarface, Ludacris, Flavor Flav, Slick Rick, Warren G, and Mobb Deep, and it's an improvement over the slower-paced gameplay of its predecessor, Def Jam: Vendetta, in every respect.
Vendetta was essentially publisher EA's best take on an engine made for a defunct WCW wrestling game that was mired in development hell and causing executives to lose their heads. At one stage, in their desperation, they even suggested that it could be salvaged and remade into an intergalactic wrestling game full of alien characters. But because Holmes and Anselmo had helmed the 2001 success NBA Street (which added a faster, cartoony, hip-hop aesthetic to basketball multiplayer and far outsold that year's bigger-budget (and much more boring) NBA Live 2002), they were deemed the perfect duo to turn what began as a vague boardroom idea (what if rappers wrestled each other?) into a fleshed-out, retail game.
“It was a controversial concept”…Def Jam battles in NYC. Photo: EA
This meant traveling back and forth to Japan to work with development company AKI Corporation, while also touring the US to meet with rappers signed or affiliated with legendary label Def Jam, and ultimately winning their trust. They shaped the character's mannerisms, from moves to taunts. “It's been a dream life, to be honest,” Holmes adds. “I grew up obsessed with hip-hop. As a teenager, I worked in a music store and sold a bass guitar to Flavor Flav when Public Enemy played in Vancouver. Flavor actually remembered me! It was an amazing time. Who would have thought I'd end up recording with my idols and going to Snoop Dogg's family home?”
But he acknowledges that the core concept behind Def Jam: Vendetta and its sequel, Def Jam: Fight for NY, wasn't easily embraced: “Execs had a hard time understanding the concept of a fighting game about rappers. It was a controversial concept,” says the producer, who went on to work on Halo 4 at Microsoft and 343 Industries.
“Once I explained to them that to be the best lyricist in hip-hop, it's all about arguing, dissing, and competing for the throne, they finally got it,” Anselmo reveals. “Hip-hop is full of vibrant, competitive personalities, so the character roster could have a Street Fighter II or Tekken 3 vibe.”
Def Jam: Fight for NY's concept of rappers punching each other was a huge success, and critics loved it, too, with a score of 83 on Metacritic. “We rushed to make Vendetta, but it still sold well,” says Holmes. “That success gave us the opportunity to expand on the gameplay with Fight for NY and take our time to get it right.” AKI Corporation took the ever-changing, momentum-based combat from the legendary WWF: No Mercy game, released on Nintendo 64 in 2000, and sped everything up with hyper-active Blazin' Moves (my personal favorite is Busta's backbreaker, which is more destructive than Batman's spine-crushing Bane).
The art design is somewhere between The Wire and a comic book, with an ambitious range of dynamic fighting styles (kickboxing, street fighting, martial arts, wrestling, submission). There's a storyline, with Snoop Dogg playing the cunning vampire villain The Crow, who'll hit you with a cane and cleverly taunt you with, “Do you have dental insurance?” You can wear Roc-A-Wear or Ecko tracksuits, getting increasingly better dressed as you rise through the ranks of your boss D-Mob's underground fighting syndicate, slowly earning you respect. It's as if Fight Club had been directed by glossy rap music vid…
Rappers Joe Budden vs. Sticky Fingaz compete in Def Jam's New York Battle. Photo: EA
The key mission was to choose either 128-bit's Lil' Kim or Carmen Electra as his new girlfriend, and the next day Method Man would call and ask if they'd slept together. The latter was one part of the game that Anselmo now regrets: “Lil' Kim could beat any of the male MCs, but… [reduced to that]”In 2004,” he admits, “all of the rap music videos were about objectifying women, which in retrospect is a real shame. The reality is that there was a push to make the game more sex appealing and more culturally relevant.”
As I recalled after recently replaying my dusty GameCube copy, Fight for NY is still exhilaratingly challenging. The boss fight featuring Fat Joe's crack Zangief-esque character had me hurling my WaveBird controller against the wall as a teenager. You can't beat your opponent unless you take the time to figure out how to counter their attacks, and while this process can be brutal at times, it makes it all that much more satisfying when you finally triumph.
“This game is designed in such a way that you have to sweat and really learn something new to win!” Anselmo says with a smile. “AKI's Hiro Abe (programmer) and Hiroya Tamura (artist) were geniuses. To get good at Def Jam: Fight for NY, you had to master the gameplay and get used to losing. In modern games, fighting games are just too easy. I think that's why so many people still play our game over and over.”
“Fighting games are too easy in today's gaming world”…Def Jam Fight for NY. Photo: EA
And there are still a lot of people playing Fight for NY. Not a week goes by without someone playing. Nostalgic post A gameplay video that went viral on TikTok has gone viral to the point where people can't believe it even exists. Even rappers (Including Ice TThe actor who played the character in the game(?) is still responding to tweets from fans begging for an updated version.
A$AP Rocky has labelled modern rap the “new wrestling” due to the commercialisation of petty infighting and mainstream MCs treating rap personas like WWE bad-mouthing tough guys. Holmes agrees with my theory that Def Jam: Fight for NY, with its constant depictions of MCs embroiled in diss tracks and gang politics, now feels like a documentary, especially considering how much more public conflict there has become in rap. “Rap is becoming more and more dramatic,” he agrees. “You see a lot of social media videos of rappers fighting each other, and it's interesting that the violence of the game doesn't seem so ridiculous today.”
Some will argue that a game that trivializes the conflict in hip-hop is wrong and deserves more criticism, especially with so many rappers losing their lives to violence every year. Anselmo counters: “I get that, and I don't think we could make the game right now because of drill, the environment is too tough. But Def Jam: Fight for NY was just meant to be a fantasy, escapist experience. It was like a gangsta rap version of The Warriors. It was just a little fun. We trusted that the audience would know that in real life, throwing someone through a window is not cool. We were really trying to res…tement is too tough. But Def Jam: Fight for NY was just meant to be a fantasy, escapist experience. It was like a gangsta rap version of The Warriors. It was just a little fun. We trusted that the audience would know that in real life, throwing someone through a window is not cool. We were really trying to respect the culture of hip-hop.”
The original Xbox, PlayStation 2, and GameCube discs of Def Jam: Fight for NY are highly sought-after and command high prices on the second-hand market. But there hasn't been a Def Jam game released since 2007's disappointing Def Jam: Icon, and there hasn't been a remaster of Fight for NY. Why?
The sequel may be one of the most expensive games ever made…Def Jam Fight for NY. Photo: EA
Lauren Wurtzer Seawood, former vice president of marketing for the Def Jam label, played a pivotal role in the development of the first two games, serving as the liaison introducing the timid development team to the feisty MCs, and working hard to sort out complex licensing agreements ranging from image rights to music to in-game brand partnerships.
She says this complicated business mechanic is a big reason why it's highly unlikely the franchise will ever be revived. Def Jam: Fight for NY cost about $15 million to make, but with both hip-hop and video games now multi-billion dollar businesses worldwide, licensing fees would be astronomical. “If this game was re-released today, many
TThe Xbox 360 digital store is the latest to go offline, following the closure of the Wii U and 3DS stores in March. About 220 games were shut down on Monday, according to the analysis. Video Game ChroniclesPreservationists at the Video Game History Foundation Made a funeral cake.
When it comes to backward compatibility and game preservation, Microsoft is arguably the best of the big companies. Despite the loss of 220 games, the majority of the Xbox 360 back catalogue is legally playable on subsequent consoles. It’s also worth noting that the Xbox 360 Marketplace lasted for nearly 20 years (the console was released in late 2005). It wasn’t the first digital store for the console, but it was the first one I used, and I’m sure many UK players did too. The Xbox 360 was the most popular console of its generation in the UK. Looking back, the Marketplace was astonishingly ahead of its time.
In the 2000s, brick-and-mortar video game retail still ruled the roost, and retailers had a lot of influence over game pricing and distribution. Back then, offering digital-only games risked retaliation from players like Electronics Boutique and Game. I remember reports at the time reporting rumors that some stores were threatening to not stock Xbox 360s at all, because allowing players to download games digitally would severely undermine retailers’ business models. (To be fair, they were right; video game retail had been in a protracted death spiral for years.)
The Xbox 360 Marketplace didn’t bring about a big change on its own. The transition to digital stores was gradual, with all the major players, from Steam to Sony to Nintendo, playing a role over the years. “Digital was somewhat additive to retail to begin with,” says Chris Dring, head of GamesIndustry.biz. “At the time, over 90% of console games were bought in a box that sat on the shelves of stores like GameShop or Tesco, but it wasn’t until 2019 that the majority of AAA console games (51%) were downloaded rather than boxed. The Xbox Live Marketplace was primarily where people bought DLC and occasional indie gems that were only accessible via digital stores. But it was fundamentally the beginning of the transition to the digital future we live in today. Now everyone is copying what Xbox did with Xbox Live and the Marketplace.”
Shoppers look at computer games at an electronics boutique on Oxford Street in London. Photo: Graham Turner/The Guardian
But what the Xbox 360 Marketplace really changed for console players was how Which There’s a limited number of games you can buy, and while it’s always been possible to download and play small, experimental games on PC, the same wasn’t possible on consoles before the Xbox 360. I think the Marketplace directly enabled the indie renaissance of 2010 and beyond by giving smaller game developers and publishers a way to sell their games to millions of console players without the expense and logistical issues of releasing boxed copies.
Starting with the original Xbox and gaining momentum in the 360 era, Xbox Live Arcade was revolutionary. Every week a new, small, downloadable game under £10 was released, from developers big and small. I played hundreds of games this way, and they were some of the first unboxed games I owned. Among them were Limbo, Fez, Geometry Wars, Super Meat Boy, and the greatest version of Uno ever (don’t @ me). There’s a strong case to be made that the Xbox 360 Marketplace introduced indie games to millions of console players.
As Dring points out, digitalisation also has its downsides: “In 2005, Xbox (and PlayStation and Nintendo) were platforms. Now they are the platform, the distributor, and the retailer. They control the whole chain. And they are increasingly becoming media themselves, through their websites, YouTube channels, and announcement videos.”
We’ve become so used to downloading games digitally that it’s easy to forget how refreshing it once was. Saying goodbye to the Xbox 360 Marketplace also means saying goodbye to an era of gaming where even DLC felt new and exciting. I rather miss those days, and the long hours of late-night gaming on Xbox 360 Uno.
What to Play
Short and sweet…Thank you so much for having me here! Photo: Panic
A very British slapstick comedy game Thank you so much for coming! It was released today, and the reviews (including our own) have been rave. Created by two Barnsley residents and set in the fictional northern town of Barnsworth, which seems to be built around visual gags, it’s short and sweet, but packed with great jokes and quirky situational comedy in the tradition of Monty Python and the Mighty Boosh.
Available on: Nintendo Switch, PlayStation 4/5, PC Estimated playtime: 3 hours
“I recently finished Yakuza 7: Whereabouts of Light and Darkness and found myself completely lethargic for a few days after completing it. I’d spent nearly 180 hours playing the game and had developed some good habits, so it was a real shock when I had to say goodbye.What’s the best way to get out of a post-game slump?
Ah, I know that feeling! I remember beating XCOM (above) in one weekend, saving the world, then sitting aimlessly on the couch in my pajamas, not knowing what to do next. I remember playing The Elder Scrolls: Oblivion for so long that I left my apartment after the credits finished and walked listlessly around the city. TV shows and books can give you that same feeling when it’s time to say goodbye to characters and worlds you’ve lived with for a while. But games are much more time-intensive, and much more immersive. Ending a game can feel like a farewell.
And just like after a breakup, it’s not a good idea to jump right into a new game; it only invites negative comparisons. So in between big games, go out, read a novel, or grab a drink with a friend you temporarily lost because of Breath of the Wild, and really feel That you’re ready to try something new.
If you have any questions for the Question Block or any other comments about the newsletter, Please email us at pushingbuttons@theguardian.com.
Argentine archaeologists analyzed 21,000-year-old fossil remains bearing cut marks belonging to a specimen of the extinct glyptodon. NeosclerocalyptusThe discovery, made in the northeast of the Pampean region, on the banks of the Reconquista River, adds new insights into the earliest human settlements in southern South America, and in particular into the interactions between humans and local megafauna in the Pampean region during the last glacial period.
Paleo-Indians hunting a Glyptodon, a relative of the armadillo that lived in the Pleistocene era, by Heinrich Harder, 1920.
The timing of early human occupation in South America is a topic of intense debate and is highly relevant to studies of early human dispersal across the Americas and the potential role of humans in the end-Pleistocene large mammal extinction.
This debate is hampered by a general lack of direct archaeological evidence for early human presence or human-animal interactions.
In the current study, Dr Mariano del Papa from the National University of La Plata and his colleagues found evidence of butchery in Pleistocene mammal fossils discovered on the banks of the Reconquista River in the northeastern Pampeo region of Argentina.
The fossils examined by the team were: Neosclerocalyptus Glyptodon, a giant relative of the armadillo.
Cut marks on the pelvis, tail and parts of the armour matched known marks made by stone tools.
The placement of these marks was consistent with a slaughter procedure that targeted densely packed areas of meat.
“Radiocarbon dating has dated these fossils to approximately 21,000 years ago, approximately 6,000 years older than any other known archaeological evidence from southern South America,” the researchers said.
Distribution of cut marks on the tail vertebrae NeosclerocalyptusImage courtesy of Del Papa others., doi: 10.1371/journal.pone.0304956.
The results are consistent with other recent studies showing early human presence in the Americas more than 20,000 years ago.
These fossils also represent some of the earliest evidence of human interaction with large mammals shortly before many of them went extinct.
“Our findings contradict the established dating framework for the earliest human occupation of southern South America, which was proposed to date back to 16,000 years ago,” the scientists said.
“Surprisingly, Recent Research “We now have reliable evidence of human habitation in Patagonia 17,300 years ago, indicating an even earlier initial settlement of southern South America.”
“Although traditional settlement models tend to support a later human migration into southern South America, we cannot exclude the possibility that humans were present and had associated cultural evidence much earlier than 16,000 years ago.”
“In this context, our findings support the growing body of archaeological evidence indicating an early human settlement in the Americas, especially the Southern Corn Islands.”
M. Delpapa others2024. Artificial cut marks on the bones of an extinct megafauna discovered in the Pampean region (Argentina) during the Last Glacial Maximum. PLoS One 19 (7): e0304956; doi: 10.1371/journal.pone.0304956
Messier 76also known as M76, NGC 650/651, or the Little Dumbbell Nebula, is a planetary nebula located approximately 3,400 light-years away in the northern constellation of Perseus.
This Hubble image shows Messier 76, a planetary nebula about 3,400 light-years away in the constellation Perseus. Image credit: NASA/ESA/STScI.
Since its launch in 1990, the NASA/ESA Hubble Space Telescope has made 1.6 million observations of more than 53,000 celestial objects.
To date, the Space Telescope Science Institute's Mikulski Space Telescope Archive contains 184 terabytes of processed data.
Since 1990, 44,000 scientific papers have been published from Hubble observations.
Hubble is the most scientifically productive space astrophysics mission in NASA history.
Demand for the use of Hubble is so high that it is currently oversubscribed by a factor of 6 to 1.
Most of Hubble's discoveries, such as supermassive black holes, exoplanet atmospheres, gravitational lensing by dark matter, the presence of dark energy, and the abundance of interstellar planet formation, were not anticipated before launch.
To commemorate the 34th anniversary of Hubble's launch, astronomers took a snapshot of the planetary nebula Messier 76.
“Messier 76 is located approximately 3,400 light-years away in the northern constellation of Perseus,” Hubble astronomers said.
“It is classified as a planetary nebula, an expanding shell of glowing gas ejected from a dying red giant star. The star will eventually collapse into a super-dense, hot white dwarf.”
“Although planetary nebulae are not related to planets, they got their name because astronomers in the 1700s using low-power telescopes thought these types of objects resembled planets.”
“Messier 76 consists of a ring that is visible head-on as a central bar structure and two lobes located at openings on either side of the ring. Before burning out, the star ejected a ring of gas and dust. ”
“This ring was probably formed by the influence of a star that once had a binary companion.”
“This sloughed off material formed a thick disk of dust and gas along the orbital plane of the companion star.”
“The hypothetical companion star is not seen in the Hubble image, so it may have been later swallowed by the central star.”
“The host star has collapsed to form a white dwarf,” the researchers said.
“It is one of the hottest stellar remnants known, at a scorching 139,000 degrees Celsius (250,000 degrees Fahrenheit), 24 times the surface temperature of the Sun.”
“The blazing white dwarf is visible pinpointed in the center of the nebula. The stars visible projected beneath it are not part of the nebula.”
“Sandwiched by the disk, two clumps of hot gas escape from above and below the 'belt' along the star's axis of rotation perpendicular to the disk.”
“They are propelled by hurricane-like outflows of material from dying stars, tearing apart space at 2 million miles per hour.”
“That's fast enough to travel from Earth to the Moon in just over seven minutes.”
“This intense stellar wind is channeling cooler, slower-moving gas that was ejected during the star's early stages of life, when it was a red giant.”
“Intense ultraviolet radiation from superhot stars makes the gas glow. The red color is due to nitrogen, and the blue color is due to oxygen.”
“Given that our solar system is 4.6 billion years old, according to cosmological timekeeping, the entire nebula is a fleeting event. It will disappear in about 15,000 years.”
The criminal fraud trial of the British technology mogul once referred to as “Britain’s Bill Gates” is set to commence today in San Francisco.
Mike Lynch, the co-founder of British software company Autonomy, stands accused of artificially boosting the software company’s sales, deceiving auditors, analysts, and regulators. In 2011, before Hewlett-Packard’s significant takeover of the company, he even threatened those who raised concerns.
He has consistently denied any wrongdoing and maintains his innocence. If found guilty, he could face up to 25 years in prison.
HP purchased Autonomy in an $11.1bn (£8.72bn) deal to enhance its software business. However, just a year later, they reduced the purchase price by $8.8 billion, citing accounting irregularities and misstatements in the business.
In 2019, Lynch was indicted by a federal grand jury on 17 charges, including wire fraud, securities fraud, and conspiracy.
Despite past accolades, including an OBE in 2006 for his contributions to enterprise and an appointment to Prime Minister David Cameron’s Science and Technology Council in 2011, Lynch’s current situation is dire. He has spent the past year under house arrest preparing for trial.
Lynch was extradited from Britain to the US last May. After posting $100 million bail, he was required to wear a GPS ankle tag and be under constant surveillance by armed guards.
In a first-time allowance back in November, he could leave the luxurious San Francisco compound where he is based daily between 9 am and 9 pm, albeit with strict conditions.
Artist’s impression of WD 0816-310. Astronomers have discovered scars imprinted on the surface left when a star swallows a planet.
ESO/L. Calzada
Astronomers have discovered a white dwarf star with strange metallic scars on its surface. The scar likely formed when the star tore apart and ate a small planet in its orbit.
Researchers often find white dwarfs with traces of metal in their atmospheres that came from planets that fell into the star. It has long been thought that metals should be evenly distributed across the surfaces of these so-called contaminated white dwarfs; Jay Farihi Researchers at University College London have discovered a strange concentration of metal debris.
Researchers monitored the star, called WD 0816-310, for two months using the Very Large Telescope in Chile. They discovered that the white dwarf had an opaque piece of metal on top of one of its magnetic poles, blocking some of the star’s light as it rotated. This position indicates that material may have been funneled into the star by its magnetic field. “This is the same process that causes auroras on Earth: charged particles follow magnetic fields to the surface,” Farihi said.
The planet that WD 0816-310 destroyed was small, probably about the same size as the solar system’s asteroid Vesta, which is about 525 kilometers in diameter. Its interior is now prominently displayed on its host star, which could make it relatively easy to study what its geochemistry was like before it was engulfed. Such studies may even be one of the best ways to observe small worlds outside our solar system, even after they disappear.
And there may be many other stars that have been similarly damaged. “When we find something outlandish, it’s often because they all looked that way and we just weren’t asking the right questions,” Farihi says. “This is the first, but it probably won’t be the last.” In fact, researchers have already discovered two white dwarfs that appear to have similar scars. If we go back and observe similar stars over and over again, we may discover even more stars.
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