Oldest known narrative art is a pig painting dating back 50,000 years

Traces of cave paintings depicting pigs and human-like figures from Leang Karampuang, Sulawesi, Indonesia

Griffith University

An Indonesian cave painting depicting a pig with a human-like figure dates back at least 51,200 years and is known to be the oldest known example of figurative art in the world.

“I like to define us as a storytelling species, and this is the earliest evidence of that.” Maxime Oberle Griffith University, Gold Coast, Australia.

The pig artwork was discovered on the ceiling of a limestone cave in Leang Karampuang, Sulawesi, in 2017.

In 2019, Obert and his colleagues dated a hunting scene discovered in a nearby cave called Leang Bru Shipon 4 to at least 43,900 years ago.

Now, researchers have used new, more precise techniques to date both works of art, finding that the paintings at Reang Bulu Siphon 4 are actually more than 4,000 years older than previously thought, and the artwork at Reang Karampuan is even older.

According to Obert, the artwork at both sites predates the oldest known rock art in Europe by at least 10,000 years.

Modern people, Homo sapiens“We know they were in the area at that time, because they reached Australia by 60,000 to 65,000 years ago,” Obert said. “We think these art works were done by modern humans.”

The same cave contains depictions of creatures with both human and animal attributes, indicating spiritual beliefs.

“These rock art are not just little symbols,” team members say. Renaud Joanne Boyau “They were actually depicting scenes from the hunt and life, and were already using art to tell stories, inhabit a spirit world and try to make sense of their environment. This tells us a lot about human evolution,” said researchers from Southern Cross University in Lismore, Australia. Homo sapiens.”

Previous methods for dating artworks relied on chemical extraction of samples, which required crushing and destroying large portions of the rock.

The new technique involves taking a 5-millimeter-diameter core from the rock’s crust. A laser is used to remove material from the surface of this core, less than half the thickness of a human hair, which is then examined to measure the isotopic decay of the minerals. Once this is done, the core can be inserted into the rock art, much less disruptive than traditional methods.

Karampuang Hills, Reang Karampuang Cave site

Google Arts & Culture

Joannes Boyau says the new technique could lead to a major revision of the history of rock art around the world.

Kira Westaway Researchers from Macquarie University in Sydney, Australia, say improved dating methods have allowed them to more accurately assess when the Sulawesi art was actually created.

“This is really significant given that the first period was already considered groundbreaking,” she says. “This has huge implications for understanding the capabilities of these early artists who passed through Indonesia and the types of skills and tools they already had when they entered Australia.”

Homo sapiens They probably weren’t the only species with complex symbolic practices. Martin Pore “It is highly likely that other hominins had at least some capabilities in this regard, as can be inferred from the highly sophisticated material culture of Neanderthals,” say researchers from the University of Western Australia.

“It will be important to study further archaeological evidence from this region in the future to understand and confirm the social, economic and cultural context of these statues during the Late Pleistocene,” Poa said.

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Source: www.newscientist.com

Ancient snake painting holds record as world’s largest rock art

Animal sculptures carved into rocks along the Orinoco River in South America

Philip Riris et al.

The prehistoric rock carvings of giant snakes along the Orinoco River in South America are some of the largest known rock art in the world, some measuring over 40 metres in length.

The Orinoco is one of the world’s largest rivers, and it flows through Venezuela along the border with Colombia. “There is a fantastic record of rock art along the Orinoco, especially on the Venezuelan side,” he said. Jose Oliver at University College London. “Typically, they are paintings found under rocks.”

He said carvings are common at many open-air sites along the river, but not all of them have been officially recorded.

Oliver and his colleagues have made several visits to the coastal areas on both the Colombian and Venezuelan sides of the river since 2015, trying to get a better picture of the river’s rock carvings.

“It wasn’t hard to find new sites,” a team member said. Philip Lillis Professor at Bournemouth University in the UK. “Every time I turned a corner there was always something new.”

Of the 157 rock art sites the team visited, 13 consisted of carvings over four meters in height. “Anything that size is monumental to us,” Lillis says, “meaning they’re often visible from quite a distance, anywhere from 500 meters to a kilometer away.”

Most of the carvings depict humans, mammals, birds, centipedes, scrolls and geometric shapes, but snakes are one of the largest motifs, the largest measuring 132 feet (42 meters) wide. In indigenous Orinoco mythology, anacondas and boa constrictors are highly revered because they are primordial creator beings, Lillis said.

The prominence of rock art along the river suggests that the ancient carvings may have been territorial markers indicating that a particular group lived there, but not necessarily a warning not to trespass. “The carvings were not exclusionary, but rather may have been an inclusive practice shared between communities,” Lillis says.

Pottery excavated in the area, dated to 2,000 years ago, contains motifs similar to those in the carvings, suggesting that the rock art was created 2,000 years ago as well.

The team hopes to find more of these carvings and glean clues about their origin and purpose — for example, many of them are found close to rock shelters containing burial sites, suggesting a possible connection to ancient funerary practices.

“This is valuable research.” Andres Troncoso “This discovery sheds light on rock art in a little-known part of South America and furthers our knowledge of the region,” said researchers from the University of Chile.

“When Westerners think of rock art, they often think of mammoths, cave lions, and other large mammals that inhabit the Pleistocene cave sites of Western Europe,” he said. Patrick Roberts Commenting on the findings, a researcher from the Max Planck Institute for Geoanthropology in Germany said: “However, the giant snake carving studied in this paper is one of the largest single rock art in the world, and was found in the heart of a lowland tropical environment.”

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Source: www.newscientist.com

PaintJet creates massive industrial robots for painting large-scale industrial projects

Construction could be the next major focus for robotics investments. Here in America, our $2 trillion industry employs about 8 million people, the equivalent of one New York City. But even in times of financial boom, these jobs can be difficult to keep filled due to physical demands and other potential hazards.

Industrial painting is ready for automation. After all, large projects involve quite a bit of heavy equipment. As evidenced by the video published by PaintJet, this kind of old technology remains in place, despite some automated twists. Announced in October, the Nashville startup Bravo’s robotic paint sprayer more or less resembles a cherry picker.

CEO Nick Hegeman told TechCrunch that even though it looks like a fairly standard piece of heavy equipment, “we developed 100% of the robotic system. The parts come from industry suppliers. paint Hoses, nozzles and pumps. “We can non-invasively connect to the platform and control both the lift and the robotic system,” he added. “This allows us to expand to our widely established network of equipment rental providers.” can.”

Today, the company announced a $10 million Series A led by Outsiders Fund with participation from Pathbreak Ventures, MetaProp, Builders VC, 53 Stations, and VSC Ventures. This round follows his $3.5 million seed led by Dynamo Ventures and brings his total funding to date to $14.75 million.

Image credits: paint jet

Co-founder and CEO Nick Hegeman has understandably put ongoing staffing issues at the center of the pay increase. “It’s not just about automation. It’s about redefining industry standards, addressing labor shortages, and introducing cost-effective solutions that break the traditional paint mold,” he said in a release. There is. “We are grateful to our investors who support our mission and enable us to expand geographically and into new areas.”

Alongside Bravo’s announcement in October, the company also announced Alpha Shield paint. This is claimed to reduce standard wear and tear from the elements and allow for increased repainting intervals.

Image credits: paint jet

Of course, Paintjet isn’t the only company vying to bring robots into the world of industrial painting. Gray Matter offers painted his arms in a variety of scales. Japanese robotic arm giant Fanuc has also introduced solutions, but so far they cannot reach the heights of the kinds of buildings that Paintjet is working on at Bravo.

The startup targets construction companies as its primary user base. Current client list includes Prologis, Clayco, Layton Construction, and Brinkman Constructors.

Paintjet’s workforce remains small, with 24 full-time employees. A portion of the new funding will be used to increase sales and operations staff. The company also moved its headquarters from Nashville to Virginia “to support our entry into the marine business and to increase our engineering headcount to expand our technology stack and distribute more broadly,” Hageman said. That’s what it means.

Source: techcrunch.com