How ‘James and the Giant Peach’ Can Inspire the Future of Food Innovation

Liaocheng City, China - February 18: People capturing moments with a stunning glass sculpture of Chinese cabbage in Liaocheng City, Shandong Province, China. This iconic sculpture stands 9 meters tall and 5 meters wide. Known as 'bai cai' in Chinese, it is a homonym for 'wealth'. (Photo by Visual China Group via Getty Images)

Visual China Group (via Getty Images)

In Roald Dahl’s enchanting novel, James and the Giant Peach, a magical crystal causes a dead peach tree to sprout colossal, juicy peaches. It’s a whimsical thought: what if we could cultivate giant fruits without the hassle of pests or dubious old ladies?

Fast forward to the mid-2030s, where botanists have cracked the code. Scientists have enhanced the classic James peach, harnessing genetics to yield extra-large fruits and vegetables, ultimately creating crops that produce an array of delectable and nutritious foods.

One notable innovation is the fruit salad tree, a marvel developed in the early 2020s. Utilizing ancient grafting techniques, hybrid plants are born by combining branches from different species, allowing trees to bear multiple types of fruit. For instance, a grafted tree can yield both red and golden delicious apples, along with other varieties. In 2013, an innovative horticulturist successfully grafted a tree to produce 250 different types of apples. Citrus hybrids combine lemons, limes, oranges, and grapefruits, while other variations produce plums, peaches, nectarines, and apricots.

A remarkable example is the Tomtato, which merges potato roots with tomato foliage. These hybrids arise from closely related plants, such as tomatoes and potatoes, which both belong to the same genus. Additionally, the eggplant also falls under the same classification, showcasing the ease with which thriving hybrids can be created.

By the early 2030s, advanced gene editing and selective breeding will make it feasible to grow fruits from entirely different botanical families. This opens the door to extraordinary plants that can produce bananas, citrus, apples, and peaches from a single tree, tailored to farmers’ and consumers’ preferences.

Gardeners have also turned to Brassica oleracea, a species that generates various types of cabbage, kale, broccoli, cauliflower, and Brussels sprouts. Hybridization was simple, enabling the development of plants yielding these vegetables in diverse areas of a large garden.


In homage to Roald Dahl’s tale, scientists have created a peach variety yielding fruit the size of a large suitcase.

While grafting yielded impressive results, it was labor-intensive and costly since each plant required individual attention. The game-changer came in the mid-2030s, with plant geneticists succeeding in creating hybrid superplants from seeds, allowing broader access to multiple harvests from a single crop.

Organizations like PolyPlants are leading the way in novel agricultural practices. As public perception towards gene editing becomes more favorable, people recognize the nutritional benefits. For instance, fruits engineered to be rich in vitamins and nutrients are being developed. A 2022 study focused on creating tomatoes packed with antioxidant-rich anthocyanins, linked to longevity benefits. Other modifications through gene editing have led to polyplants that exhibit enhanced resistance to fungal pathogens, salinity, drought, and insect infestations. By engineering the root microbiome, mycorrhizal fungi are tailored for each crop component, stimulating growth and productivity.

As climate change escalates and traditional crops face threats, large-scale gene editing holds immense importance. PolyPlant’s innovations aim to ensure global food security amidst rising temperatures.

Genomic studies have pinpointed a cluster of genes linked to the size of edible plant components. Grafting techniques enable gene editing in species not directly modified, such as avocados, coffee, and cocoa. These advancements have facilitated the creation of plants that produce oversized fruits.

Honoring Roald Dahl’s legacy, scientists have developed a peach variety that bears fruit as large as a suitcase. A festive tradition has emerged around this giant fruit tree, celebrating the harvest with events encouraging children to enjoy these delightful oversized peaches, cherries, and strawberries.

The crops and trees yielding colossal, nutritious food are not solely for feasting; they play a vital role in addressing nutrition deficits in regions grappling with food insecurity.

Rowan Hooper, Podcast editor of New Scientist and author of How to Spend $1 Trillion: 10 Global Problems We Can Actually Solve. Follow him on Bluesky @rowoop.bsky.social. In Future Chronicles, he imagines the history of future inventions and advancements.

Source: www.newscientist.com

Game Review: Princess Peach Steals the Show with Paper-Thin Performance

TThe ending of 1985’s Super Mario Bros., soundtracked by the iconic 8-bit NES beeps and blips, sees Mario finally find the princess who’s been in a different castle throughout the game. As her mustachioed hero jumps to her side, a speech bubble displays the digitized name of the damsel in distress: Princess Peach. She expressed her gratitude, her credits rolled, and we bid her farewell.

As anyone who saw Anna Taylor-Joy’s performance in last year’s Mario movie will know, the ruler of the Mushroom Kingdom has become rather less one-dimensional these days – the past 40 years have seen the rise of video games and feminism. You guessed it, considering how far we’ve come in the years. However, this is the second game in which she plays the leading role, after the 2005 DS game “Super Princess Peach.” On Showtime, Nintendo’s Pink She Princess literally takes the spotlight. When her trip to the theater goes awry, she must take to the stage to save theatrical art from…the evil vines.

It’s a strange but fun setting, allowing Peach to dive into a series of genre-themed side-scrolling levels. Each new setting provides a new starring role for our heroine, whether she’s traversing through grass, running across rooftops, riding a horse through railroad tracks, or lassoing bandits as the dagger-wielding ninja Peach. All of them are impressively handsome. Showtime’s colorful visuals are a joy, with well-animated bosses that fill the screen and attractive cakes. Still, it only takes a few minutes of play before you figure out the repetition.

From pressing buttons to stir cake mix as Patisserie Peach to the simple jumps and combat that define everything from swordplay to superhero fistfights, Showtime’s gameplay is thinner than Paper Mario. An unusual highlight here is his level of ice skating as Peach, wearing a leotard, races through a whimsical winter wonderland. There’s even a few smiles during the action-packed kung fu scenes, and the visuals lend an enjoyable level of kitsch to the rudimentary fisticuffs pastiche.

The problem is that while Mario’s House usually strikes a good balance between depth and accessibility, Showtime feels shallow. Whether it’s the demonic mermaid level or Detective Peach’s hilariously incomplete investigation, many of these potentially fun ideas feel like prototypes that prematurely escaped from Nintendo headquarters.

While last year’s Super Mario Wonder entertained all ages, Princess Peach: Showtime has little to offer those of us who have mastered the multiplication tables. Brilliantly scripted cinematic moments and visual variety provide color and flourish, but it’s a great shame that the inventive animation and narrative setting aren’t accompanied by the same level of gameplay innovation. is.

Despite a fun premise and high production values, Peach’s long-awaited turn to stardom feels disappointingly condescending, one-dimensional and forgettable, compared to the more capable heroines of the Super Mario Bros. movies. It is the exact opposite. As the Nintendo Switch enters her final years, this was the perfect moment to give the monarch of the Mushroom Kingdom the celebration she deserves. But whereas in The Forgotten Land Kirby received an Iliad-esque epic worthy of Mario, this one is more of a flimsy pop-up book.

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Princess Peach: Showtime is currently showing. £49.99

Source: www.theguardian.com