Celebrating Queer Black Joy: TikTok Creators Quiz Pop Stars and Politicians on LGBTQ+ Culture

ANania Williams is Genress, known to some for their comedic TikTok videos and to others as the host of Gader, a viral show focusing on queer culture, history, and current events. Their interview with New York City mayoral candidate Zoran Mamdani gained significant attention, and Williams has also made an impact through performance art, including open icons like Chapel Lawn and Bob the Drug Queen, and various roles in musical theatre such as Laura in Kinky Boots and Dominique in Lucky Stiff.

For years, Williams has crafted a creative universe all their own. At just 25, this gender non-conforming Black artist employs their/her pronouns and has cultivated a strong social media presence with over 2.8 million followers. They are carving a niche for themselves outside the traditional binary. In their upcoming project, Williams will star in the new musical Saturday Church at the New York Theatre Workshop, debuting on August 27th. The production explores the sanctuary for LGBTQ+ youth. “It’s a musical that captures a unique atmosphere,” Williams remarked. “It embodies a strange, black joy and conveys a beautiful message.”

Williams embraces another role in their burgeoning theatre career as a trans woman. “The more I embraced my transition, the more positive I felt,” they shared. “It was empowering to inhabit spaces where I could truly be myself.” Their talent and charisma make their ascent seem almost predestined. As they juggle various projects, navigating their extensive future and the complexities of being an online presence remains an ongoing challenge.

Growing Up

Growing up in Davenport, Iowa, a town of about 100,000 in the industrial Midwest, posed its own challenges for Williams. They faced bullying at school for “having a girl’s name,” and their family life was marked by turbulence, including abuse and neglect. However, life in the Midwest also planted the seeds for their artistic aspirations. As a child, they sang in the church choir and later joined the show choir, inspired by their sister.

Williams pursued a Musical Theatre Program at Emerson College in Boston. This period became pivotal, allowing them to reflect on their identity and desires. Still, the world of musical theatre presented its own binaries and constraints. As someone who identifies outside traditional gender norms and as a Black individual, Williams felt restricted. “I thought, ‘It feels forbidden to exist beyond the gender binary,’ and simultaneously to be Black,” Williams recalled.


Even as Williams sought to carve their path, they encountered resistance from professors. “They kept questioning why I gravitated toward ‘girl’s songs.’ I tried to explain, but it fell flat,” Williams shared.

When the COVID-19 pandemic struck, Williams returned to their hometown and, like many, awaited a return to normalcy. The quarantine period prompted significant reflection and helped them fully acknowledge their gender identity. “I had to confront some truths, like, ‘Yes, I’m different. Yes, I might be gender non-conforming.’ It spiraled from there,” they recounted.

Around the same time, they began creating content on TikTok, quickly gaining recognition for their humorous rants during late-night walks. Much of their content served as spontaneous commentary on topics including religion and personal relationships. In 2022, they began discussing their gender identity more openly, sharing videos about their makeup and drag routines.

Reflecting on that time evokes mixed emotions for Williams. On one hand, they cherish the growth they experienced alongside a loyal audience. “My audience has been with me through my evolution,” they expressed. “They watched me put on makeup for the first time or try on my first wig. Those supporters motivate me to continue, even as I sometimes wish to revert to the earlier version of myself.”

The Rise of Gader

The nature of their content has continually evolved. In 2024, Williams became the host of Gader, a show created by Amelia Montooth on the company’s mutual media platform. The show quizzes various guests on queer culture to determine if they exhibit “straight, homophobic” tendencies, with questions about “lipstick lesbians” that assess guest knowledge of gay icons. In many instances, Williams learns alongside participants in real time. “I didn’t even know who Sue Bird was, and I was being schooled by the lesbians on the street.”

The show creates a comedic environment intended to educate audiences. “We weave fascinating histories and cultures into accessible questions and snippets, ensuring a relaxed atmosphere for learning,” Williams explained. “We provide facts and context, urging viewers to care about these narratives.”

Initially, early versions of the show featured Williams interacting with strangers on the street, but it has since hosted many public figures and celebrities, including Vivienne Jenna Wilson, the daughter of singer Lucy Dux, Rene Rapp, and billionaire Elon Musk. A highlight was having progressive NYC mayoral candidate Mamdani as one of their guests, who generated buzz as one of the first politicians to appear on the show. Mamdani surprised attendees by succeeding in a challenge at a popular lesbian bar in Manhattan.

“He was so open and engaging throughout,” Williams noted. “We educated the younger audience about who he is, and he spoke about his vision,” they added. “It feels rewarding to contribute to the contemporary discourse in this way, knowing we’re making an impact.”

Williams’ journey hasn’t been without challenges, facing harsh criticism as they have become more vocal about their transition. “People are trying to categorize aspects like fashion, makeup, and hair, as if I must adhere to certain stereotypes,” Williams said, referring to online trolls. “While I hope society is becoming more accustomed to the presence of trans individuals, I feel there’s still a narrow, stereotypical vision of what trans identities should look like.”

Yet, Williams has managed to maintain genuine connections, alongside the trials of their journey. They are supported by family and childhood friends, a partner, and acquaintances from TikTok. Outside content creation, they indulge in hobbies like baking and gaming, steering clear of the pressures to monetize their life. “I was working on a birthday cake for a friend later that night,” Williams laughed. “I can recall the color but not the flavor—either red velvet or strawberry!”

Source: www.theguardian.com

Top Podcasts of the Week: Exploring Bruce Springsteen as a Possible Queer Icon – Two Fans Debate

This week’s picks

It backfired
Audible, weekly episodes

Slow Burn, Think Twice, Fiasco – Leon Neyfakh has produced several high-quality podcasts in the past. Currently, he is focusing on e-cigarettes and his struggles to quit smoking. These podcasts narrate the journey of finding a cigarette that is less harmful. It’s interesting to note the difference in approach between the UK, where e-cigarettes are promoted as a tool to quit smoking, and the US, where there are efforts to ban flavored e-cigarettes. Hannah Verdier

A better paradise
Widely available, with weekly episodes
An atmospheric near-future podcast from the creators of Grand Theft Auto. Featuring a talented cast, Andrew Lincoln plays Dr. Mark Tyburn who tries to create an addictive video game but abandons the project halfway. Years later, when he is rediscovered, will the game finally see the light of day? HV

Leon Neyfakh’s “Backfired” explores the rise of e-cigarettes. Photo: Nicholas T Ansell/PA

Because the boss is ours
Widely available, with weekly episodes
Bruce Springsteen may not be the first person you think of when it comes to queer pop idols, but hosts Jesse Lawson and Holly Cascio, “two queer nerds” who are fans of the Boss, delve into this fun and insightful podcast to explore Springsteen’s status as a queer icon. Holly Richardson

Pulling the Thread: Wild Life
Widely available, with weekly episodes
This captivating series from Drake’s production company follows investigative journalist Lunako Serena and the spy known as “Wolf” as they uncover the truth about Africa’s largest wildlife trafficking ring. The journey takes them from an environmental conference in The Shard in London to infiltrating criminal networks involved in the ivory trade in Uganda. Alexi Duggins

Festival Hall
Widely available, with weekly episodes
A new series from the creators of the confessional-based X Account, featuring a range of content from ranking secrets of the week to insightful interviews with Philippa Perry about the psychology behind anonymous sharing of secrets. advertisement

There is a podcast

Afua Hirsch, host of “We Need to Talk About the British Empire.” Photo: Suki Dhanda/Observer

this week, Rachel Aroesti Pick the top 5 Podcasts United KingdomFrom Armando Iannucci’s irreverent take on Westminster to Afua Hirsch’s reflections on the complex legacy of the British Empire

London Grad
London is clearly a cosmopolitan city, but there are moments in this darkly fascinating podcast from Tortoise Media’s Paul Caruana Galizia that make you wonder which country has the most influence over our capital. The first series of the show focused on Russian money flowing into London through real estate and, in the case of the Lebedev family, the purchasing power of its ultra-rich investors in multiple newspapers, while in series two the focus shifted to Iran and the government-mandated “death squads” that have repeatedly attempted to assassinate London-based critics of the regime on British soil.

We need to talk about the British Empire
Afua Hirsch’s 2018 book, Brit(ish), is both a deeply personal memoir and an insightful analysis of British history, making it essential reading for anyone wanting to gain a deeper understanding of black history and politics in the country. In this podcast series, the author broadens the perspective even further, using her guests’ personal stories to illuminate the legacy of colonialism from different angles. Anita Rani offers insight into Partition, the late Benjamin Zephaniah talks about the Windrush, Diana Rigg talks about growing up at the end of the British colonial era, and musician Emma Lee Moss (formerly Emmy the Great) reminisces about her childhood in Hong Kong under British rule.

Rethinking Westminster
Armando Iannucci is one of Britain’s leading satirists, and he’s spent his career lampooning the country’s follies and weaknesses, from the chaos of government with The Thick of It to the banality of mid-level broadcasting via Alan Partridge. In this podcast series for the New Statesman, he and the magazine’s UK editor Anoush Chakerian (who also hosts the magazine’s flagship podcast) take a slightly less-than-modest look at Britain’s most pressing political issues. Topics range from Britain’s “ramshackle” constitution and the old, machismo energy of party politics to the shortcomings of lobby journalism and the deterioration of our supposedly special relationship with the US.

Northern News
Edinburgh Award-nominated stand-up comedians Ian Smith and Amy Gledhill are northerners who moved to London but are still keen to hear news from their home town – Gledhill is originally from Hull, Smith from nearby Goole. For Northern News, the pair combine easy-going chatter with local newspaper readings, focusing on the weirdest, most ridiculous and sentimental news they can find. They also host a host of guest comedians who share their own quirky local anecdotes.

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The rise and fall of Britpop
The story of Britpop is much more than the tabloid-shattering rivalry between Oasis and Blur. It’s a story that has much to say about the traditions and history of British pop culture from the 1960s to the present day. Steve Lamacq and Joe Whiley, co-hosts of Radio 1’s hip show The Evening Sessions when the scene first took off 30 years ago, are perfectly suited to tell the tale. With help from guests including Stuart McOnie and Alex James, the pair take a trip down memory lane to trace Britpop’s journey from an unpopular alternative to trendy US grunge to a cultural force that redefined our national identity.

Please try…

  • Alexander Skarsgård’s new pod explores startups taking innovative approaches to environmental and social issues How to solve this.

  • From remote work to immigration, The Atlantic Good on Paper It raises the big questions behind the inevitable topics.

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Source: www.theguardian.com