Our New Vision for the Future Has Run Its Course and Needs Revamping

The 20th century was a vibrant era for future visions, yet the 21st century has not sparked the same enthusiasm. Sci-fi author William Gibson, known for his groundbreaking cyberpunk work Neuromancer, refers to this phenomenon as “Future fatigue”, suggesting we seldom mention the 22nd century.

This stagnation is partly due to the evolution of many iconic future concepts from the 20th century. For instance, plastic was once hailed as the material of the future. Although it has proven to be durable, versatile, and plentiful, its properties now pose significant environmental and health concerns.

Today’s predominant future imagery carries a legacy of historical influence. Themes such as space colonization, dystopian AI, and a yearning for an imaginary past persist, often shaped by the climate anxiety many people experience. The future begins to feel like a closed book rather than an open road.

Jean Louis Missica, former vice mayor of Paris, articulated it well in his writing: “When the future is bleak, people idealize past golden ages. Nostalgia becomes a refuge amid danger and a cocoon for anticipated decline.”

Another factor contributing to this stuck imagery is social media, which exposes users to a vast array of different time periods at once, fostering nostalgia and a continuous remixing of existing ideas.

However, new visions of the future have emerged this century. For example, the climate aspiration movement gained traction on Tumblr and blogs in the 2000s. Yet, as smartphones became our primary mode of communication, the collective imagination surrounding our vision of the future waned.

I reflect on the future of living, drawing from my experience that a cohesive vision can motivate individuals to drive change. Such visions serve as engines of inspiration and imagination. They enable us to envision the society we aspire to create and commit to working towards that future. Movements like Civil Rights have long recognized this. A unified future vision also manifests effectively in architecture, advertising, and television, with Star Trek inspiring engineers for decades.

As we transition from fossil fuels to renewable energy, we find ourselves in a transformative era. This period is daunting yet invigorating. Numerous hotspots of innovation are emerging, such as rooftop solar energy in Pakistan, where households and small businesses actively adopt renewable energy solutions, or the global initiatives like Transition Town, rethinking local economies and cultures.

Nevertheless, we lack a unified vision that integrates these innovations, embedding them within a social context and building pathways from the present to the future.

In my new book, I explore four visions for the future currently taking shape: DeGrowth, which reevaluates our economic roles; SolarPunk, which revitalizes cultural innovation; the Metaverse, which immerses us in a vibrant digital universe; and movements that encourage us to rethink our relationship with nature.

Yet, the future won’t stop evolving. We must cultivate and nurture more emerging visions, allowing them to take shape as we redefine our narrative of what the future could be.

Sarah Hughesley is the author of Designing Hope: A Vision Shaping Our Future

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Source: www.newscientist.com

“Revamping Life at 60: Transforming a Simple Lifestyle into a Worldwide Sensation” | Life and style

On a sunny day in 2017, Kate Jackson, then 61 years old, picked up a wooden wool spinning wheel and took it to her garden. She propped her iPad up against a brick, pressed record, and began spinning and talking. It’s about crafts, the countryside, and her animals (cats, chickens, bees, and Irene the goose). Kate liked watching videos about gardening and quilting on YouTube, so she had an idea one day. “I decided to upload once a week.”

She called her channel “the last homely home”, “It’s a place where you feel comfortable, safe, and welcome. That’s what I wanted for my channel.” It currently has 123,000 subscribers. Last May, Ms Jackson, who lives in rural Northumberland, launched a sister channel. “the last homely garden”. She has her own shop online, nearly 40,000 followers on Instagram, and her own Facebook group run by her fans. She has become a cornerstone of her thriving online community.

Thirteen years ago, after an unexpected divorce, Jackson found herself alone with her three adult children. “It wasn’t the future I had planned,” she says. “She found it difficult to look at herself.” She left her career as a midwife to focus on selling her homemade crafts and teaching workshops, but she was struggling financially.

Around this time, her best friend was diagnosed with motor neuron disease and later died. “It was a dark time,” she says. Mr Jackson fled to New Zealand, where he traveled the country by bus. “I came back healed,” she says. She is ready to accept living alone and find peace at home.

By the time decent broadband was installed in her village in 2017, she was ready to share her little world of artisanal entertainment online. In Jackson’s videos, she chats while cooking, sewing, and sorting fabric. Sometimes she shoots tutorials, which are always relaxing. Recently, she has been teaching her daughter-in-law Anna how to make quilts. Jackson avoids polish. She doesn’t like writing video scripts and she never wears makeup. While filming one of her cooking videos, she accidentally dropped the recipe she was making into the pot, but left the mistake intact in her edit. Her audience loved it, she says. She says, “The comment I get most often is, ‘It’s like sitting down and having tea with a friend.'”

Her audience is mostly older American women, yearning for a glimpse of life in the British countryside. But that’s not all. “My daughter Martha said, ‘You’re a woman living alone in the country, you’re okay.'” Too often, people are left on their own through divorce or death and are overwhelmed by it. On the other hand, I enjoy solitude and love being able to make my own decisions. I’m showing people that it’s okay.”

Her fans collectively refer to themselves as the “Lime Green Sofa.” This was a concept during lockdown, with Jackson imagining viewers lounging together on endless banquettes. American fans made sofa badges to identify each other at craft festivals. In the UK, there are people who profess to be fans of Jackson, who “started crying and hugged me. They’re always really friendly and nice. But it’s a little weird.”


Jackson at work. Photo: Anna Jackson

Although she hides her exact whereabouts, people sometimes show up at her doorstep. There are “intrusive questions” online. Jackson shares a lot. “But at some point you have to say, ‘No, I’m not going to share this.'” Especially since it protects the privacy of her children and grandchildren.

However, The Last Homely House is a family effort in other ways. Her children and their partners are all creative and participate by doing small jobs on the channel. They create illustrations, run online shops, edit videos and photos, and sometimes appear on screen. “It’s really gratifying to see how passionate they are about what I’m doing,” Jackson says. “This is a collaboration with the people I love most in my life.”

Due to the success of her channel, Ms. Jackson is very busy, but she loves how she spends her time. This year, she plans to collaborate with a YouTuber she once considered a hero and visit her fabric factory. Success also brings peace of mind. “I am financially independent in a way I never thought possible when I was depressed and wondering when I would sell my next quilt.”

Sometimes I wish I had started sooner. “But I had to go through all those difficult life stages,” she says. “I wouldn’t have appealed to the same people if I was younger. I’m doing the right thing at the right time.”

Tell us: Has your life taken a new direction after turning 60?

Source: www.theguardian.com