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Rose of Nevada Review: An Unmissable Cornish Time Travel Film Adventure

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BFI Distribution announces the UK and Irish release date for The Rose of Nevada on April 24, 2026, featuring George MacKay (Nick) and Callum Turner (Liam). For inquiries, contact BFI press officer Jill Reading at jill.reading@bfi.org.uk or phone (020) 7957 4759 / 07795 677333.

George MacKay (Nick, left) and Callum Turner (Liam) embark on a haunting journey home.

Credit: Ian Kingsnorth, BFI

The Rose of Nevada
Directed by Mark Jenkin
Now showing in UK cinemas. US release on June 19th.

Time functions oddly in desolate locations—this is the central theme of The Rose of Nevada, directed by Mark Jenkin. The film unfolds in a once-thriving fishing village in Cornwall, England, now bereft of its inhabitants and industry. Only a few souls linger amongst the deserted pubs and derelict moorings, remnants of a once-prosperous past. The sea itself feels lifeless.

What more fitting backdrop for a ghost story than this ghost town? After all, aren’t ghosts merely echoes of time? This village exists outside conventional chronology. Three decades ago, a fishing boat and its ill-fated crew tragically vanished at sea, and their absence resonates throughout the village. The tragedy remains unresolved until the re-emergence of the vividly colored Nevada Rose in the harbor.

For Nick (George MacKay), the boat’s return comes at a crucial juncture. As a husband and father struggling to stay afloat, the arrival of the Nevada Rose seems fortuitous. Liam (Callum Turner), an itinerant worker who sleeps on docks, also finds hope when he is recruited by Mike (Edward Lowe), the owner of the Rose of Nevada. They are guided by the seasoned rental captain, Margie (Frances McGee), who has a mysterious connection to the once-missing vessel.

Together, the trio sets sail, hoping to catch enough fish to repair Nick’s leaking roof, pad Liam’s pockets, and perhaps save their village. However, upon the Nevada Rose’s return to shore, something feels amiss. Time has looped back 30 years, and Liam becomes confused for two local men: Alan, an absentee father who vanished with the Rose of Nevada, and Nick, a fisherman haunted by the guilt of missed work on that tragic day.

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What better place to set a ghost story than a ghost town? After all, what is a ghost if not a coincidence of time?
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The implications of this twist and the narrative that follows are open to interpretation. The emotional weight of The Rose of Nevada is palpable, particularly in McKay’s compelling portrayal of Nick. Navigating his past, Nick finds comfort in the empty house of long-lost neighbors who mistake him for their son, uncovering a note of love from his wife on the day he left.

The film’s mesmerizing sequences at sea offer tension and tranquility. For Nick, fishing transcends mere survival—it’s a recurring rhythm that brings him clarity amidst chaos. The quest is not just for Nick but for the entire village waiting for his return.

The Rose of Nevada marks the third installment of Jenkin’s Cornwall trilogy. The first, Feed, explores the negative impacts of tourism on a coastal community, while the second, Ennismen, follows a solitary wildlife volunteer on a remote island grappling with hallucinations. This film encapsulates themes from both predecessors with its stunning visuals and haunting setting. The iconic hand-cranked Bolex camera used in the earlier films succumbed just as this latest installment reached completion, marking a poignant end to Jenkin’s trilogy.

If this marks the conclusion of Jenkin’s journey, it will be a bittersweet farewell. His unique storytelling deserves further exploration within this picturesque Cornish setting. The Rose of Nevada stands as a significant achievement—an unforgettable tale of lost time, borrowed moments, and the quest for redemption.

Recommendations

Fam
By Sam H. Freeman and Ng Chun Ping

George MacKay’s recent performances, especially in Fam, demonstrate his versatility. In this gripping thriller, he plays Preston, a man embroiled in a violent act that comes back to haunt him when he unexpectedly reunites with Jules (Nathan Stewart-Jarrett) at a gay sauna.

Bethan Ackerley is the associate editor at New Scientist. Her interests span science fiction, comedy, and the supernatural. Follow her on Twitter @inkerley

Source: www.newscientist.com

The Meta Foundation by Molly Rose

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Mark Zuckerberg’s Meta has made changes to its policies following the tragic death of teenager Molly Russell, who was influenced by harmful content on Instagram related to suicide and self-harm. Just days before her passing, Molly raised concerns about the risks associated with social media platforms.

The Molly Rose Foundation, established in memory of Molly Russell after her death in 2017, is now urging UK regulatory authorities to take urgent action to address these issues. Meta, under Zuckerberg’s leadership, recently announced modifications to its content acquisition methods, amid the restructuring of the company during the Trump administration.

In the US, the fact-checking system has been replaced with a “community notes” feature, allowing users to verify the accuracy of content. Policies regarding “hate speech” have been revised, with guidelines on respectful language for non-binary individuals and restrictions on harmful claims based on gender or sexual orientation.


Meta has implemented measures to address issues related to suicide, self-harm, and eating disorders through its automated content scanning system.

Despite Meta’s efforts, the Molly Rose Foundation remains concerned about the normalization of harmful behaviors associated with suicide and self-harm, particularly among individuals experiencing severe depression.

The META platform is working to collaborate with regulatory bodies to prevent teenagers from encountering harmful content.

Meta’s own data shows that only 1% of reported suicide and self-harm content on their platforms between July and September last year led to action being taken.

Andy Barrows, the CEO of the Molly Rose Foundation, emphasizes the need for OFCOM to strengthen regulations on tech platforms to ensure child safety. He warns that if OFCOM fails to act decisively, the Prime Minister should intervene.


In May, OFCOM released a draft of safety guidelines requiring tech companies to take action in safeguarding children online. These measures include discontinuing algorithms recommending harmful content, implementing age verification checks, and enhancing overall safety protocols.

A spokesperson for Meta asserts that they are actively working to identify and remove harmful content through automated systems and community standards. They emphasize their commitment to user safety and have restricted access to certain types of content for British teen accounts.

An OFCOM representative affirms the importance of online safety laws in protecting children from risks like suicide and self-harm content, emphasizing swift removal of such materials.

The OFCOM spokesperson states that social media companies, including Meta, must comply with regulations to protect children, and OFCOM is prepared to enforce these measures with full authority if necessary.

Source: www.theguardian.com

Elon Musk’s X: How it rose to prominence on the global right | Elon Musk

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Elon Musk’s acquisition of Company X, previously Twitter, has been deemed a financial disaster, with the company losing nearly 80% of its value since late 2022, as reported by CNN.

However, from a political perspective, Musk’s takeover could be seen as a strategic move, as Company X consistently stirs controversy and influences political discussions. The platform often highlights sensitive issues that align with conservative viewpoints, sparking debates and sometimes inciting unrest.

One example is the circulation of false stories like the rumor about Haitian immigrants in Springfield, Ohio consuming pets, which led to alarming reactions and threats during a critical time in the US presidential election.

Company X also amplifies factual but contentious news, sometimes overlooked by traditional media outlets, thanks to Musk’s active engagement. These topics range from immigration and government inefficiencies to social issues and censorship concerns.

Recent posts on Company X shed light on a scandal involving sexual abuse of young girls in northern England during the 1990s and 2000s, prompting Musk to call for accountability from UK authorities, drawing support from prominent figures like Bill Ackman.

Musk’s influence extends beyond X, as he leverages the platform to steer public conversations and intervene in global politics, aligning himself with right-wing parties and critiquing established political figures.

Despite facing criticism and losing users, Company X remains a powerful force in shaping right-wing narratives, contributing to Musk’s growing impact on political discourse worldwide.

Musk’s involvement in controversial issues through X has sparked debates and attracted both followers and detractors, highlighting the platform’s role in shaping public opinion and influencing political agendas.

As Musk continues to use X to drive political conversations and promote his agenda, the platform’s impact on mainstream discourse and public perception remains significant.

Source: www.theguardian.com