MJust as Christmas isn’t very fun for someone who has to prepare all the presents and prepare dinner, the annual gaming season can be pretty scary for someone who has to put together a shortlist. Every November, I add up all the critically acclaimed games of the year I haven’t played yet, the underground picks I haven’t followed, and the games I loved but forgot about in February. I feel the panic rising. And when all the year-end lists are released, you inevitably realize you missed something anyway.
The Game Awards has announced the nominations for this year’s ceremony, which will be held on December 12th in Los Angeles. (Disclosure: The Guardian is one of 130 voting bodies for this award, but my knowledge and involvement is limited to sending a ballot to Geoff Keighley each year, usually 1-2 (Sorry, Jeff.) But I’m happy to say that one of the top two games with the most nominations is Astro Bot, which received seven nominations. As far as I know, this game doesn’t get enough reviews. (The other was Final Fantasy VII Rebirth, which won six awards and which critics called a miracle of fan service.) Sadly, after many attempts over the years to get into Final Fantasy Despite this, I’m still not immune to Final Fantasy’s charms.
The other contender for Game of the Year is Balatro, the ridiculously obsessive card game that took over my life in January. Elden Ring: Shadow of the Erdtree, an expanded version of the 2022 action role-playing masterpiece. Metaphor: ReFantazio, a very stylish Atlus RPG that I wrote about a few weeks ago. And Black Myth: Wukong was a huge hit this summer, despite huge controversy surrounding its development and release.
It’s a close race, but my prize goes to Shadow of the Erdtree as the Grand Prize. Because this game is especially loved by game critics. However, I would be happy if Astro Bot wins. The dark horse is Baratolo. Everyone I know loses a week or two at that game, but the moment I win, the appeal wears off. However, there is a public vote worth 10% of the weighting. Significantly Black Myth: Wukong is powered by a huge fan base in China.
Neva, rightly nominated for Best Art Direction. Photo provided by: Nomada Studio
Elsewhere, I had the pleasure of seeing Neva, a game about a warrior and his wolf. This one completely made me sob and was nominated for best art direction, best independent game, and confusing game. Games that make an impact category. The latter list is supposed to be “thought-provoking games with pro-social meanings or messages,” but it appears to be an umbrella category of “emotional games.” I’ve played most of the games nominated in that category and a) I don’t see what ties them together, and b) I couldn’t explain what “prosocial” means in this context .
Indika is a dark and fascinating horror-inspired game about a 19th century nun who attacks a Russian Orthodox church. Hellblade II, like its predecessor, depicts the protagonist’s struggle with mental illness. Tales of Kenzera: Zau is about sadness and draws from its creator’s African heritage. “Closer the Distance” is also a song about sadness. Mr. Nevaeh could be interpreted as an environmentalist, and I think there is some loss in that. However, it is impossible to determine what kind of message Life is Strange: Double Exposure has along these lines.
Otherwise, there are few welcome surprises. Creepy exploration puzzler Animal Well was named Best Independent Game, followed by Lorelei and the Laser Eyes, an unpredictable mystery set in an abandoned hotel, and Mosmouth’s 1980s-style game, Ridiculously Generous The same goes for the compilation UFO 50. “Pacific Drive,” a spooky and bizarre fictional road trip about a broken old car that is constantly being repaired and reinforced, also made it onto our list of best debut games. While Prince of Persia: The Lost Crown deserves praise as the best action game, it was a real shame that Dragon’s Dogma II was only named as the best RPG.
and, of course, The Pokémon trading card game Pocket won the award for Best Mobile Game. I’ve been playing it for several hours every day since it was released (and I still No shiny Articuno).
video game chronicle Easy to parse list Among all categories and nominations. But if you think The Game Awards is too commercial, a new awards show is debuting this year. indie game awards which celebrates the “creativity, innovation and passion” of small game developers, has just announced the nominees. Excerpt from the Best Games category: Mouthwashing, a horror game about the final days of the doomed crew of a space freighter. Arranger is an innovative RPG puzzle game. And Nine Sols, an action game that’s like a cross between Hollow Knight and Sekiro, is something I’ve been meaning to try all year.
Please tell us your favorite…
Before I get back to my own ghastly list, I’ll be giving a shout-out to Pushing Buttons readers’ favorite games of 2024, as always, in my newsletter towards the end of December. So go ahead and send it in with a few sentences about what it means to you and see the results in a few weeks.
what to play
Gloomy and strange…the rise of the Golden Idol. Photo: Color Gray Games
I continue to be fascinated of Rise of the Golden Idola gruesome and bizarre detective story that combines logic puzzles, fill-in-the-blank clues, and hidden object games. Each case is presented in the form of a tableau, and although I’m not sure of the style, it reminds me of a version with a certain twist. Grant Wood’s painting “American Gothic”.
The characters are frozen in a loop of seconds at or immediately after the crime, and you have to figure out who everyone is, why they’re there, and what the heck happened. It all connects to a larger story about corruption, deception, and cursed objects. This game often makes me feel very stupid (I don’t have a great brain to figure out names or details), but I still stick with it.
Available: Smartphone (if you subscribe to Netflix), PC, game console
Estimated play time: 12 hours
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what to read
There’s nothing like the real thing…World of Warcraft II remastered. Photo: YouTube
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to celebrate world of warcraftOn the anniversary of , Blizzard re-released Warcraft and Warcraft II with updated graphics. unfortunately, everyone hates them. of the valve half life 2 Anniversary update speed has been significantly improved. Only venerable games Broke the long-standing concurrent player record. With steam.
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a minecraft theme park ‘ is scheduled to be released in the UK in 2026 or 2027. I’m already breaking into a cold sweat thinking about how crowded it will be during the first half of the year.
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Another game event comes up. WASDa popular showcase of indie-focused PC games, He’s not there anymore.
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Helpful explainer roblox‘s upcoming “improved” parental controls.
What to click
question block
Kid-friendly…Terra Nil. Photo: Free Lives
I’ll answer new questions next week, but for now, I have a few questions. Reader Recommendations Here are the answers to the last few question blocks. First, some more suggestions for Jonny’s wife who’s looking for a game like Civilization VI, but not quite so chill.
“I have young children, so www.theguardian.com
Review: Team Asobi’s 3D Platformer Astro Bot Showcases Brilliant Ideas, Achieving Masterpiece Status
circleTo mention that Astro Bot brings back memories of Super Mario Galaxy is a high compliment. It’s not because it’s a copy, but rather due to the abundance of new ideas that positions this game as one of Nintendo’s top 3D platformers. Traveling around a small galaxy filled with asteroid-style levels, from bathhouses to diorama-sized jungle temples to rainy islands. Each level is brimming with innovative one-shot concepts, like frog boxing gloves, backpack monkeys, and a time-stopping clock that freezes giant speeding darts for you to navigate around. The creativity of this development team truly shines in this game.
Team Asobi, known for producing Rescue Mission for PSVR and the short game Astro’s Playroom packaged with the PS5 at launch, now presents a full-length game with bonus difficulty levels that serve as a stimulating challenge for fans of 3D platforming. The game is incredibly enjoyable and distinct thanks to the lovable blue-and-white robot and its quirky friends, many of whom are dressed as characters from obscure PlayStation worlds. The meticulous attention to detail in these robots, from their movements, expressions, dance sequences, to their tiny pleas for help when in distress, exudes personality.
In Astro’s Playroom, you explore levels inspired by the speed of the SSD and the graphic processing unit’s visual flair, housed within the PlayStation 5 itself. The visual design of the environments is tech-themed, featuring trees made of tangled wires and computer-chip-like patterns decorating every surface. Astro Bot maintains a similar aesthetic while extending beyond it.
In this adventure, your PS5 acts as a robot mothership that crash-lands on a desert planet, dispersing numerous robots across the galaxy. As the lone surviving robot, you journey into each level aboard a rescue ship shaped like your PS5 controller to reunite your allies and reconstruct your robotic crew back home.
An astrobot riding a PS5 controller-shaped ship. Photo: Sony/Team Asobi
At the conclusion of each planetary cluster, a boss reminiscent of a slapstick cartoon is encountered, guarding a section of your spaceship. You then engage in cleaning and reassembling that section using a massive robotic arm, strategically pulling triggers and tilting the controller to clear away debris, cut ice chunks, and align pieces. This interactive process is incredibly fun and tactile, emphasizing the unique and sometimes eccentric aspects of the PS5 controller. Various features of the controller, from the small microphone to the touchpad, are ingeniously utilized in Astro Bot’s gameplay. The protagonist searches for weak spots along walls, clinging to his ship as you navigate through space by tilting the controller like a steering wheel.
The developers’ profound understanding of the PlayStation 5 is evident. Whether constructing a bridge with 100 robots on-screen, witnessing landscapes shattering into tiny fragments, or careening down a waterslide accompanied by inflatable balls, the gameplay is seamless and responsive. Whether testing if a log floats by slicing it with Astro’s jetpack or feeling the impact of each action through vibrations in the controller, every detail is finely tuned. Astro’s movements, jumps, and maneuvers are flawless, showcasing the level of precision in the game. This attention to detail sets this game apart, offering players a luxurious experience akin to five-star service.
The Astro Bot puts Frog’s boxing gloves to good use. Photo: Sony/Team Asobi
Another aspect I appreciate about Astro Bot is its suitability for playing with children. While lacking two-player co-op, it functions well as a game to pass the controller among players. My 7-year-old enjoyed watching me play, while my 5-year-old explored safe areas of levels and handed me the controller when faced with challenges.
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Some planets in Astro Bot feature hub areas resembling enclosed playgrounds where players can engage in activities like kicking a ball, battling harmless enemies, jumping into pools, and taking on acrobatic challenges. My kids found the setting charming and dynamic, with references to classic PlayStation games like Uncharted, God of War, and Ape Escape scattered throughout.
Astro Bot, akin to Astro’s Playroom, pays homage to PlayStation’s history and design while expanding beyond a mere tech demo to establish itself as one of the top platform games in recent memory. It truly stands out as one of the finest platform games I’ve had the pleasure of playing. Until now There have been many games I’ve experienced, but being a 90s kid, I’ve played my fair share. The PlayStation hasn’t seen a captivating family game since LittleBigPlanet, and Astro Bot carries on that tradition of playful humor.
Source: www.theguardian.com
The Significance of Happiness: Exploring the Evolution of Astro Bot, the Ultimate PlayStation 5 Game
IEven though it’s the next big game for the PlayStation 5 and it’s in Sony’s DNA, there’s still something Nintendo about Astro Bot. That’s because it’s perfectly designed for the controller it’s played on, taking advantage of all the features of the DualSense controller. The spacey aesthetic, with different planets representing different colorful worlds to jump into, is reminiscent of Super Mario Galaxy, and it’s just pure joy to play. On a console where the most well-known hits are pretty serious (like God of War and The Last of Us), Astro Bot prioritizes fun.
“I think Sony’s product design is about cool, but it also embraces playfulness,” says Nicolas Doucet, studio director at Team Asobi, the Japanese studio behind Astro Bot. “The two are not mutually exclusive or antagonistic… [PlayStation] The hardware team loved it and no one cared less about it. These are highly crafted products, so you can imagine that designers wouldn’t want them tampered with. But we were looking at PSVR and turning it into a mothership.”
The first Astro Bot game, Rescue Mission, was the best thing ever made for PlayStation’s VR headset, a clever platformer brimming with original ideas. Astro’s Playroom was a treat that came packaged with the PS5 when it launched in 2020, designed to show off the capabilities of Sony’s new console and its controller. It did so brilliantly, with levels themed around the PS5’s super-fast SSD hard drive and a singing GPU soundtrack, taking full advantage of every little gimmick in the PS5 controller, from the microphone to the haptic triggers. But Astro’s Playroom was also, unexpectedly, an interactive museum of Sony’s gaming hardware. As I played, I collected consoles, peripherals, and other knickknacks, gradually filling the lab with PlayStation history. It was fun.
During the development of Astro’s Playroom, Team Asobi worked very closely with the people making the PS5 and the controller. They were even running around the building with prototypes in paper bags, Doucet said. “They gave us prototype controllers that were twice the size of a normal controller, or they put two controllers together because they needed more power. You can see how much work went into miniaturizing all that and making a controller that looks and feels good. They came up with features like adaptive triggers and haptics because they Feeling Our job is to generate as many ideas as possible about how it might be used, and then validate and sometimes deny those intuitions. After all, we’re not selling technology, we’re selling an experience, a magical experience. come “From technology.”
Now, Team Asobi was given the freedom to create a bigger, longer game (12 hours or so) as an extended tech demo, without being tied to a single piece of PlayStation hardware. That said, it’s still a clear tribute to all things Sony. It incorporates many ideas that didn’t make it into the 2020 game. Astro Bot now flies between levels in a controller-shaped spaceship whose exhaust gases are made up of PlayStation button symbols. Running around several levels as this adorable robot, I slid down a waterslide with a bunch of beach balls, jumped off a high board into a pool, took down an angry giant octopus by slingshotting myself in the face with a retractable frog-face boxing glove, used a magnet to gather pieces of metal into a ball big enough to smash things, and blew up Astro like a balloon before sending him flying with the gas that erupted.
It’s super cute, funny and full of playful details. We discovered that the flames spewing from Astro’s jetpack can cut through wooden logs, but only because it’s fun; Astro struck a confident surfing pose when he hopped onto a turtle to see if he could ride on its back; and when we tickled a sad-looking anemone to discover a secret room, we were greeted with a chorus of “Secret!” These details are inconsequential, but as Doucet points out, “They’re important, because all these little things become memories.”
The levels are like a solar system that slowly expands outwards as the challenge increases. There’s the safest one towards the middle, where a 5-year-old can have fun kicking a football, jumping through water, and punching the occasional bad guy. And then there are the hardest levels towards the edge. There are over 150 little tributes to PlayStation games, from PaRappa the Rapper to Journey, in the form of cosplay robots that you can rescue. The challenge levels will test your 90s childhood 3D platforming skills, including precision jumps across platforms suspended in time and a miniature ice rink floating in space. This is the simplest fun I’ve had playing a game in a long time.
Team Asobi is relatively small, with about 65 people, and relatively international. According to Doucet, three-quarters of the team is Japanese, and the rest are from 16 countries. Some of them have worked on past PlayStation projects, such as Shadow of the Colossus and Gravity Daze, but some are newcomers. They are all focused on making Astro Bot a true mascot for PlayStation, Doucet says. “We want to develop Astro into a really strong franchise. We want to develop this little character even more,” he says. “There are a lot of expectations to meet at PlayStation, but we never forget that we are the underdogs. That’s part of the mindset of a successful person, you always want to be in pursuit of something. If you become too satisfied, the game starts to lose its soul.”
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Astro Bot certainly has a soul. It’s clear that the development team is having a lot of fun. “We’re geeky people, and I’m a PlayStation collector myself,” says Doucet. “It might sound a little corny, but it’s important that we’re happy so that our players are happy.”
Astro Bot will be available on PlayStation 5 on September 6th
Source: www.theguardian.com
